May 1977: Get Shown The Light (All Music Edition)

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February 17, 2017 - 5:13pm

4,023 replies

heatherlew

Joined:
October 12, 2016

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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April 13, 2017 - 6:47pm

#2231

muleskinner_blues

Joined:
September 11, 2014

The red-blue blur

I just happened to be passing by and noticed the Dylan talk. In regards to Triplicate.. I like the presentation in the 3-LP/CD set, and rgergelis said it well regarding the orchestration. It's not going to surprise anyone after the last ~3 years, but they do flesh it out a little bit more with the brass. Shadows In The Night was very much distilled arrangements of the American Songbook songs, recomposed for a 5-piece band with Donnie Herron's steel guitar as the counterpoint to Dylan's voice, the replacement for the lush orchestras, though there was some timely horn arrangements. Fallen Angels had less resonance as a set, but was a nice change for the temperament and pace of the songs, as well as let the guitars breath a little more (Melancholy Mood, Old Black Magic). On the whole, not very memorable but pleasant enough. Triplicate is nice that there are 30 songs to stretch out with, and it lends a thematic quality to the staging of the three 10-song albums, but it is a lot of the same at once. There are a handful of full out brass arrangements, while not going to New York, New York itself, as close as Dylan's gonna come. Sounds hokey and probably is, but they are a nice change of pace in his dabbling with the genre. One of the other distinguishing factors is the inclusion of more well known numbers from the era. He brushed the fringe earlier with songs like That Lucky Old Sun, etc, but this one has heavy hitters like September Of My Years, Stormy Weather, As Time Goes By, Stardust and The Best Is Yet To Come. Well-versed fans may have been able to compare his I Could Have Told You to Sinatra's, but when you start dabbling with the standards, you inevitably will get some more attention. To me, he handles most of those well, but it's tough to not compare, whereas the lesser known ones are a great vehicle for him to not cover but 'uncover' like he has said. For the balance, there are several killer torch ballads and these are really the highlights to me.. but the main problem is that there are many of them. I Could Have Told You and Once Upon a Time are the toppermost of the poppermost, best of the lot for me. But there are many others, maybe with the same potential, that just drag on over three discs worth. In the end was it worth it? Maybe more originals would be better, it's Dylan after all, but I've enjoyed the run and love what it's done for his vocal focus and style. On that note, I hear you guys on the circa 2012 live shows. That was about the nadir for modern Dylan, and while I'm an apologist in that I've only seen him from 2006+ and my opinion ranges from different extremes of loving every minute of it, his last truly great touring to me goes back to the Campbell/Sexton era ~99-00. That said, the almost consistent setlist now minimizes the need to see a run of show today, but a given show will likely be night and day from ~2012. His singing has been much more measured and controlled since the 'Sinatra era', and peppering about ~5-7 of those songs into the setlist, those have been the highlight more than one time. Some folks will never like that, preferring all originals, but it might yank your crank. His Autumn Leaves and/or Stay With Me to close a set have given me a chill more than once, and originals like Love Sick are still pretty damn cool. So that got long and weird in a hurry. So much for tears, so much for those long and wasted years. And like that.. he's gone. https://www.youtube.com/watch?v=mns9VeRguys
April 13, 2017 - 6:45pm

#2232

bohlint

Joined:
September 9, 2015

Long Strange Trip Soundtrack

I am in agreement with most, I wish there was more previously unreleased music on the soundtrack. I am sure most people on this board have spent thousands of dollars collecting the CD's they are pulling those tacks from. I love the 7/2/89 show and have spent many hours lost in the video on youtube and am surprised we haven't seen a similar release as Crimson White and Indigo with that show. Also intrigued by the other previously unreleased material but there has to be a line somewhere, right? Goes without saying it is an amazing collection of songs for those who don't have a collection. I will probably pass on this one.......... Now if that Amazon exclusive was a dead.net limited edition of 10,000 instead $$$$$$
April 13, 2017 - 6:18pm

#2233

icecrmcnkd

Joined:
October 20, 2015

4-13-83 play-by-play

Eyes is played at high speed.Maybe You Know is pretty weak.
April 13, 2017 - 5:56pm

#2234

icecrmcnkd

Joined:
October 20, 2015

4-13-83

The tuning before Estimated turns into the beginning of Sailor and then Estimated abruptly starts.
April 13, 2017 - 5:42pm

#2235

icecrmcnkd

Joined:
October 20, 2015

Anniversary spin: 4-13-83

Scarlet/Fire transition is very interesting. 80's fans will like it.No plinks keys, but maybe a xylophone?
April 13, 2017 - 4:49pm

#2236

johnny361

Joined:
November 1, 2012

Long Strange Trip soundtrack

I really thought this soundtrack would include more unreleased live stuff. I was so excited...the soundtrack is a let down....and yes, I'm pumped for a 1970 Dark Star!
April 13, 2017 - 3:30pm

#2237

JimInMD

Joined:
June 27, 2011

Re: Banter

Nice touch David.. Celebrating the 141st anniversary of the first telephone call between Alexander "Graham" Bell and Thomas A. Watson aka Bob. I had to fire up the wayback machine to verify the dialogue, but you nailed it. The conversation is documented in the link below.. the audio is in the LMA. I had to do a double take when the wayback machine landed.. I thought it was a conversation between Bell and Watson. Imagine my surprise when I found a young Jerome Garcia actually made the call with Weir on the other line. Bell and Watson were busy hitting the nitrous tank in the other room and it took Owsley to get the damned thing to work... Nitrous tends to hinder the inventive process. All this can be verified by picture in the attached link. https://www.wired.com/2011/03/0310bell-invents-telephone-mr-watson-come…
April 13, 2017 - 3:25pm

#2238

Vguy72

Joined:
June 29, 2007

Excuse me while i whip this out.....

....so, I see the U S of A unleashed the largest bomb in our arsenal on an ISIS network in Afghanistan. A 21,000 behemoth called the MOAB (short for Mother Of All Bombs). The only MOAB I knew of before today substitutes Band for Bomb. Guess one does learn something new every day....
April 13, 2017 - 1:51pm

#2239

David Duryea

Joined:
September 28, 2009

banter

And who can forget the historic stage banter between Graham and Weir from the March 10, 1876 show. Graham: "Mr. Weir, come here, I want to see you". Bob: "Ladies and Gentlemen, we have a winner! I believe, or, I've been informed that everything now is-uh just exactly perfect, so we'll go on."
April 13, 2017 - 12:49pm

#2240

guit30

Joined:
May 1, 2009

1907

Wasn't that on a Road Trips CD? Easy Wind should have been on the same piece of wire,https://youtu.be/jYZ2hOWWyv8

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

Opening tour night for phish!

Opening tour night for phish! wooooo! i'm not going to any of it but...wooooo! lol

And they're marching

to Bastille Day If Alain reads this, Freedom! Cheers

If you are going to drive demand for Dave's Picks 2018

Subscriptions, what Betty Board would you announce as the first one of the year??? Swing Auditorium from 02-26-77 ?? Just curious... Have a good weekend.

Don't Mean A Thing..

If it ain't got The Swing. Couldn't agree more, Bob. But I suspect The Swing might be worth more as a chip to be cashed in at a later date. There are so many great shows in the cache.. you could almost throw a dart at the stack, call it Dave's Picks 23 and that would be enough to keep our interest. There is such a density of great shows and recordings in what was returned. Happy days.

Mean old Levee taught me to weep and moan

I store my Grateful Dead in multiple places on multiple mediums. First, my Samsung Galaxy Note 4, with 32 GB internal memory and 128 GB SD card. I put the officially released shows in chronological order, so 30 Trips Around The Sun 1965 is first in line; then 30 Trips 1967, Road Trips '68 and so on. I end at The Closing of Winterland. Next come the soundboards, also listed in chronological order. I have around 80 from 1969 - 1978. On my old cell phone, I store the 80s and 90s. Same deal, chronological order. I listen to my CDs a lot too. They're placed in generic white CD sleeves, because this is the only way to prevent scratches. I store them in 30 Trips Around The Sun boxes (5 in all). In one box I have E72 with other '72 stuff: Rockin' The Rhein, Hundred Year Hall, Steppin' Out, Sunshine Daydream, and Houston 11-18-1972, along with Fillmore West Complete and Fillmore East 2-11-69; Dick's Picks gets its own box; Winterland 1973, Winterland June 1977, May 1977, May 1977 TOO, and July 1978 get their own box; Road Trips and 30 Trips Around The Sun get a box mixed with the first half of the official multi-track shows (Live Dead, Skull F@#k, Ladies & Gentlemen, Cow Palace, Movie Soundtrack, Closing Of Winterland, etc); and Dave's Picks gets its own box, along with the remaining multi-track official releases. I keep the empty CD covers stored on the shelves of the entertainment center, along with the 30 Trips crates (each with a different side facing out, so you catch all of the artwork and everyone's name). All of the box sets are there as well, including the Europe '72 Steamer trunk with dual Fillmore West bookends. It seems a bit excessive now that I've written it all down....

Well said JiminMD

I would keep 06/22/73 PNE also saved in that same pile!!! I will be happy whatever Dave's 23 and 24 are!!

Betty's

3/24/73 (philly)6/14/76 (beacon) I'd love to see either (or both) released one of these days...

80sfan 6/14/76 Beacon Theatre

What a great High Time and Cosmic Charlie on that show along with everything else... I remember getting the tape back in 88!!! The whole show is great as well as the sound quality!!! Good call..

3/24/73

3/24/73 is no slouch either.. one of the highlights of the Spring tour. I wish I had Dave's job.

Opening night for the Phish tour....

....yea Kyle. I'm not going to any either (too far), but I'll be paying attention. Dead.net should take note on how Phish's online business model is set up. Sleek and smooth. Never read or heard of a phishhead complaining of the product they put out there. Me included....

a 1973 box set with Universal Amphitheatre shows

coming soon lol toss in 6.26.73 too "Playing in the Band" !!!!!

Stimulate 2018 subscription demand

Announce that the bonus disc will be CD4 of 6-10-73 to go with the other 3 CD's that will be DaP26. And yes, DaP 25 will be 6-14-76. DaP 23 is going to be 10-31-91....

Icecrmcnkd I hope you are right!!

What a great release that would be!!!

Aaaand DaP 24....

....will be Eugene 1.22.78. Jump in! The waters fine!....(or not). Release the hounds, and I'll tame them....an '89 show would be nice too. Cal Expo? Forum? Greek? I'll take them all....

Phish

Vguy the only complaint I have had was that the recent multi track digital only releases have distortion on em on due to maybe over mastering them. I bought the 96 and 99 archival shows and both suffer from it. the 96 show sounded ok when I burned a cd and put it in the car but when I listen to em on my earbuds they are kinda booming loud with distortion. we need Paul Languedoc back I miss him so much.

Question.....

Why didn't the DEAD ever play Japan?Seems like all their peers plus everybody & their friends played Japan through the years. I've always been curious.....

Re: Japan

"Why didn't the DEAD ever play Japan?" Japanese Customs (officials).

Re: Japan

Wish someone would have given Paul McCartney the heads up... “This stuff was too good to flush down the toilet, so I thought I’d take it with me." http://ultimateclassicrock.com/paul-mccartney-tokyo-bust/ What's with the idiot spammers? Brazen little bastards..

WTF is...

Smiling on a Cloudy Day? Rhino rerelease of early Dead remastered...just saw on iTunes, no mention here though? Any insight hippies?

McCartney in Japan

Did he really need a 1/2 pound?

Jim, spammers

It's Count Vlad's operatives, they're still trying to get back the rescued Betty's.

Yes..

They never give up.

Greek Theater Box Set???

I would like to see a Greek Theater box set. Mr. Pete--------> aging hippie

Dave's Picks

All of the Dave's Picks I have Heard are very good sound quality. I guess that some of that is due to new technology. I am glad that they keep releasing new old stock material. I wouldn't mind a new 1976 release like 6/24/76. I was at 6/22/76, and I got seats for the third row plus some orange blotter, a soda they used to make in Philly. The Tower Theater is a great place for a show, The Dead only played there once. They played 4 nights in a row. Just being able to see them so close was awesome. Sure, I would like 6/22 but 6/24 seems to be more popular. Have a Grate weekend!!

McCartney

I did not know McCartney was into pot that far along in his career. I am happy to hear he likes it. For some reason I got the impression he wasn't crazy about it after his experience with the Beatles. Download Seris 76 is great.

Smiling on a Cloudy Day

It's a Rhino compilation, 10 tracks from the first 3 LPs.

Paulie the pothead

When Heather Mills was taking lots of his cash in divorce she stated in court all Paul likes to do is smoke reefer at home. He has been a huge fan since Dylan first turned the Fabs on back in '65 or so. Dylan thought the refrain in I Want to Hold your Hand was "I get High!" The lyric is "I can't hide!"He's been in trouble for it many many times, but being Paul, it never is too big a deal.

CD storage

Thanks for all the comments on the CD storage! Lot of good ideas out there!Some of them are making me re-think my procedure.

Ween

Ween just tore through my state, headlining Red Rocks last Weds then tearing up the grand old Ogden Theater Thurs and Fri. I was second row, basically right behind my friend who was pressed against the stage, directly in front of Dean Ween the lead guitarist, for the first Ogden show. Not only was this concert a total blast, it showed how far they have come from a couple of idiots in their apartment making four-tracks to becoming a world-class five piece ensemble. If you're on here yakking about shit like how you store your cd's (no offense, I like to keep mine on the floor of my car) you've got some time on your hands. Get on youtube and check out some of the following: Piss Up a Rope Ocean Man Monique the Freak Gabrielle Bananas and Blow If they don't make you laugh, they'll make you smile. ;-p

Ween....

....you don't need to tell me. Finally saw them for the first time in Feb. Will go back....Voodoo Lady baby!!

One of my relatives lived off a rural road outside Tucson

Said McCartney owned a house further down the road for awhile. I suppose he used it to escape the dreary winters in England at times. Makes you wonder about the line - JoJo left his home in Tucson Arizona, for some California grass...

I heard McCartney's winter home....

....was half a mile from Tucson by the morning light....

LedDed

You couldn't be more correct about WEEN. They have indeed grown into themselves through the years and are fantastic fun.Get some... If you enjoy Zappa,it might be worth your time to check into Ween...just sayin'. :)

Daves 23

I myself could have sworn I heard Dave said he was wanting to start releasing the recently returned betty boards as well. I looked through that list last nite. I saw only one 79 show on the list. so cross your fingers '79 fans this might be your year.

Vguy

This one's for you... :)

Dave's job

That would be a great gig. We haven't heard from Dave in awhile. Dick Latvala probably did well too,He loved the Dead. I read an interview with Dick that a lot of the soundboards are on cassettes. Have a good day, everyone.

Morning Rockers!

Someone has to do it. I went with Dick's Picks 23 this morning. Just fabulous - never gets old. I'd forgotten how prominent Keith's piano is on this release. He's so fluid on Playing in the Band during this period. Trying to recall if all of the two-tracks from the latter half of '72 are like this. Europe '72 is real hit or miss with his presence in the mix. Not sure how that happened, given the fact that they're all sourced from multi-track masters, but it did. By '73 he's largely into the Fender Rhodes, which is also fantastic, but quite a different sensation than the grand piano. Perhaps I'll go on a 2nd half '72 binge. I wasn't heavy into the Dead when any of them were released, so I haven't studied any particular show from this period too heavily (like one would do when, say, there's a new Dave's Picks release; there's also the "don't wear out the novelty of these shows" aspect to it). As it's looking like a Summer / Fall box set isn't imminent, I should really just go mad with DP 11, 23, 36, DaP 11, and Sunshine Daydream. Plus some good soundboards. I could, in effect extend my PhD from Europe '72 to the entire year.

Voodoo lady....

....shaking that stick and driving me crazy. Awesome jrf. Thanks. Deaner shreds it....

Dween

Deaner sure as hell does shred it! Man, has he gotten to be a solid rock guitarist. He still plays that modded red Strat he's played forever. His amp is a no-name half stack with at least two channels. I think it might be a Van Halen 5150 head; I can't be sure, because whatever it is, he's had the nameplate removed. But it is an amazing rock tone, quite a bit of gain but not oversaturated and remarkably quiet and clean, unless he pushes it. When those guys started they were crap. They had all the wit and attitude but no chops; boy, has that changed. Aaron, er, Gene is one hell of a singer. He pulls off all those different voices live. Really, really good... Dean still looks the same. Gene looks 60. He's gained back a ton of weight (which, unlike Jerry, means he's sober) and his hair is completely white and nearly gone. He smoked a couple cigarettes on stage and though he did sip from a red Solo cup he didn't appear intoxicated. Dean constantly lit one Marlboro after another and smoked the shit out them between every song, leaving them burn in a big white ashtray atop his amp. He kept chugging from two red Solo cups that he wisely kept on the rug. I'm sure somebody, maybe him, once shorted out his amp head from a spilled drink. Fellas don't put liquids on your amp. Dean just reeked of rock-star cool. He looked like Keith Richards used to like he'd been up an extra day or two. He didn't talk much except to bark stuff at the audience once in awhile. The other thing was, most bands play on a nice big, cool-looking Persian rug. Ween played on a shitty piece of brown carpet that looked like it was torn out of a college apartment, all stained with bong water and beer. And most of them were barefoot on that nasty thing. How appropriate.

I freaking love YouTube sometimes....

....stumbled across this. https://youtu.be/Bp_LbYql79I ....enjoy. I sure as hell did....

6/28/76 Happiness is Drumming

How can you listen to this without smiling in amazement. Only time ever done and Fire on the Mountain genesis!!! About to listen to it again coming out of Eyes of the World!! I love the whole month of June 1976 just so unique!!! 6/29/76 my favorite especially the Mission in the Rain!!

If I Had the World To Give:

If I Had the World To Give: one under played song

palate cleanser...

get some... ;)

some for the time being....

Found this Bob Weir Campfire tour recording on the archive, official release from Nugs.tv. https://archive.org/details/bweir2016-10-16.bweir2016-10-16

Thanks for the link Vguy!

Great stuff, and Jerry looked good playing that 335!

The Mars Volta

Several years back a friend of mine introduced me to "Francis The Mute" for the first time and that album just blew my mind. Immediately hooked. Wish they would tour again. Palette cleanser indeed.

While we play the waiting game....

....those guys from Vermont broke out an epic 27 minute Simple in Chicago. https://youtu.be/KlcHi4c_22w ....if you're not interested, move along. If you are, check that sick shit out.... . . Terms and conditions. If I post something that another individual decides to spend money on, I am not liable to reimburse said purchase. Believe me. I know. My brother-in-law is a lawyer. Angry spouses need not apply....;)

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