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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • nestamon
    Joined:
    Guitar's Part 2
    After spending more time on the site i referenced below, I've realized it has (via associated links) a huge amount of excellent info and details regarding Jerry's guitars.
  • KeithFan2112
    Joined:
    Lol wadeocu
    I was wondering if anyone would catch that. Those were my 3 favs, but I like them all the same. Just a clarification, the last one from DP 29 is 5/21/77. In 1977, Jerry started extending the guitar solo after the first verse and chorus, from 1 or 2 bars to 3 bars. Once he did that, he gave himself the room to build the intensity of the solo, so they ended up with some really cool rocking moments in Brown-Eyed Women. In 5/25 and 11/4, he pulls out of the solo with some great loud flourishes; on the DP 29, it's smooth picking out of the solo.
  • nestamon
    Joined:
    Garcia's Guitars
    Thanks Kayak, very interesting point how Jerry's guitar changes affected the sound and tours. Got me thinking about all his other changes. The Jerry Garcia site has a very general description of the guitars he used and doesn't even mention the Travis Bean. I assume Blair Jackson's book "Grateful Dead Gear" has details about each, but I cant find a used copy for less than $125.00. I did find a site with brief descriptions and pics of what seems like most of his gear. http://dozin.com/jers/jers/guitar/history.htm Would be interested if anyone has links that provide more detail (and dates) on his gear changes or if Blair Jackson's book is worth the cost?
  • Deadheadbrewer
    Joined:
    1977
    Off the top of my head . . . Cornell, Saint Paul, Englishtown . . . hmmmm . . . that leaves out 12/29/77, which I would hate to do . . .
  • wadeocu
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    KeithFan: Calling you out!
    You have proclaimed three "favorite" BE Women: 5/25, 11/4 and 5/17 - so which is it! Or maybe that was a rhetorical contradiction :)
  • cbgd21
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    Introducing (Or Re-Introducing) GD to our Parents
    The stories and comments from lowspark75, Vguy72 and mhammond12 remind me of when I got a job working at the same company as my mother and we would commute together to work. It was about a 30 min ride and I slowly began introducing her to the Dead. She was born in '47 so I thought she must have heard of them right? She tells me she barely knew of them, she lived a pretty insular life and was weaned on musicals, show-tunes, pop music, etc. Though she did like Elvis and the Beatles. She told me she thought the Dead were some scary, heavy metal band, which is hilarious and true to some degree! Anyway, I did the same thing as mhammond12 and used Marty Robbins' "El Paso" to break the ice and get things going. I started with all the cover songs. I would play Buddy Holly's NFA and then play the GD version. I would play Johnny B. Good, Chuck Berry then GD. Then do some shorter, more accessible songs like Jack Straw and Peggy-O. It was a lot of fun. It never "clicked" for her the way it has for us but I appreciated her willingness to give it a try. That was years ago. Just last week my mother-in-law was visiting and GSTL was just released and she asked me why in the hell would I want to pay that amount of $$$ for it? I think I rambled on for about an hour about why I listen to the Dead and the idea of different setlists and songs and song structure and this and that and the other until her eyes rolled over in her head and she was done hearing about it. It was pretty funny.
  • Kjohnduff1
    Joined:
    question...
    Are there any songs that didn't really do it for you when you first started listening to the Dead but grew on you over time to become songs that you look forward to? Stella Blue and Black peter are two for me. LOVE them now, but it took some time. Also, Morning Dew... not that I didn't like it at first but I didn't appreciate it like I do now. It's a show-stopper for me. I see a Dew in the second set and I instantly have to hear that show. 5/8/77 Cornell is probably my favorite version. In fact, I think that it catapults Cornell into an all time great show. Without that Dew, I think that Cornell would be just an average Spring '77 show.
  • cbgd21
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    Eyes of the World
    This was the first song I played in the delivery room about 45 minutes after my daughter was born. DP 3 version, 5/22/77
  • Kjohnduff1
    Joined:
    Tuscaloosa
    If I had to pick just one - a difficult task... I would go with 5/17/77 Tuscaloosa.I love Winterland 6/9/77 too - maybe 2nd? 5/13 Chicago is really underrated to my ears - love that show. Also, 5/5 doesnt get enough love. It's an unbelievable show that is every bit as good as the 3 more famous shows that will be delivered to us in early May. Clarification needed- can I count 12/31/76 as a '77 show since some of it occurs after midnight? If so, I might have to rethink my rankings.
  • kevjones
    Joined:
    1977-The End of an Era
    For the Grateful Dead, 1977 was truly the end of an era. I believe they peaked at the Winterland shows in June of 1977. Due to Mickey Hart's auto accident they took nearly a three month break. When they came back, the playing was still super tight and very inspiring at times, but things were never quite the same. The setlist format, with a few exceptions of course, became fortified and songs fell into their traditional spots for the duration of their career. Keith nose-dived off the radar, yet Donna got stronger as a vocalist, especially throughout 1978. But the pure joyous magic that was delivered on a near nightly basis slowly faded away. Jerry's voice began to change after his bout with laryngitis in January of '78, and was never quite the same after that. Of course Keith and Donna were dismissed in early 1979 and a new chapter began with Brent. There were hundreds of magnificent moments over the last 16 or 17 years of the bands career (believe it or not some of my favorite shows are from 1990-1995), but the true exploration and adventure was gone after June of 1977. May 1977 was the pinnacle of the band formerly known as the Warlocks. I've probably listened to more 1977 Dead in the last week and a half than I have in a very long time, and it is thoroughly enjoyable and it is so fun to hear a band put it all together consistently and solidly night after night, one last time. Cheers to the Good Old Grateful Dead.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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There was one year when they announced the next pick real late , like on the 28th or something. How has Dave's 23 not leaked yet? Ii have a feeling the announcement will be Monday, but I hope I'm wrong..... Here's hoping for an uncirculated Betty from '79 or an upgraded Eugene '78..
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Yes I spun Duke too. That was my first LP by them. Ah mammeries........oops. Memories!
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Hold off on the Dave's announcement. Sure, I'm excited to see what it is. In another week or so I'll stop coming on here and just wait til mine arrives. Opening that mail would be like Xmas! Although it kind of is anyway. Just would be fun to not know 'til it arrives.
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is anyone else getting tired of dreaming they announced it only to get up to find out its not true? and yes to a mike who said something about a late announcement. I said it many a time it was for daves 20 (Boulder '81) it wasn't announced until the day before Halloween. cuz I remember thinking "seriously? a two day pre order??". it was rough. it was a rough month. i'm about to say I'm not checking back in here so when it shows up at the house it will be a total surprise. easier said than done. whatever it is I'm sure it will be worth the wait. might be taking longer cuz they might have to do some clean up on the tape. so id rather have a late release announcement and have them take time to clean up/fix a tape the best they can than have a rush job on it (unlike Europe '72 box)
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I made it to 7-21,22 Made the mistake of thinking I should go to work on 7/23...
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I had And Then There Were Three on cassette in the late 80's and listened to it a lot. I thought it was pretty good.
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Actually, watching it too, great show, Jerry is playing the Wolf again. They are having fun,Seems they are always good at Winterland. DP 10 was my second Dick's Picks. That was 12/29/77 with some songs from this show. Wow, incredible Estimated Prophet, Jerry has Mutron on. Gotta go, they just went into Eyes of the World. Show is on Music Vault Channel. https://youtu.be/yqZP8ihyfs8
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So I go for my beloved Winterland 73 box, and get a disc out. Well it's stuck in the sleeve. I have to pull it out and it's stuck. When I do get it out 2 big spots of glue on the disc make it skip and stall.I am very unhappy as I tried soap and water then goo gone, and this shit is not coming off my disc! If you have any CDs in these shitty little sleeve packages do yourself a favor and get them out of that package asap. Wrap in a tissue or put in a jewel case, but don't risk getting glue on your disc and ruining it. Now I have 1 last option which is to go across town and have it polished. Suck Job! If this disc can't be saved, I will be pissed as this is one of my favorite sets! Don't risk it folks. Take action before it's too late.
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One of my GSTL discs had glue.I dissolved it off with Everclear, 190 proof. Worked great. So, some of you may ask why is 190 proof Everclear legal in Georgia? If you can buy it in the store you don't have to go into the woods and make your own, and the state gets their taxes...
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I haven't been here for a while so I went through all the comment, interesting discussions. Regarding 1977, after listening to the GSTL box set, this year is still tops. However I think a lot of you have called it right: setlist and variety of songs are limited. They dropped a lot of songs out of the 77 shows when compared pre-hiatus shows and only just the year before - 76. Of course Estimated and Terrapin were added. I think what makes 1977 so good is the consistent high level of playing. Pretty much any 1977 show that I put on is good. In my mind there are not too many other post-hiatus years where I can say that. However I still think 1972 and 1973 are the best. As for 12/30/77, I have a mild obsession with that show, ever since I came across it on YouTube. There is something about that Row Jimmy that really gets me. Incidentally, the uploader - Music Vault has a bunch of Grateful Dead and other bands shows on there. I am sure all of you know about Vodoonola too, who has 3 channels of Grateful Dead and JGB shows. Great stuff. For the next Dave's Picks, I am hoping for another Betty Board release of a good show. DaP 22 was nice, but the band at that time in 1971 was not in a jamming state of mind, at least not like the level that they woukd be a year later. Even if it is not a Betty Board, I am hoping we get a show with more jamming. I don't care what year. I always think there are shows that are great but just havent had the circulation and attention , so they fly under the radar. 10/18/72 is one that comes to mind for me. I am anxious for the anouncement.
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Hey FloridaBobalooToo (and anyone else with a similar problem): By any chance, is your disc skipping/freezing on disc 2 track 8 Bertha? If so, the glue drops may not be the problem. I remember when this box first came out, a lot of people were complaining about this same problem (I have the same problem) I think there may have been a manufacture defect. If you get a magnifying glass (or not if you have good eyes) look at the playing side of your CD towards the end of the disc (the outer edge). Normally, you can see the section of the disc that is used and unused (there is a slight difference in color/silver). Find that defined circumference line, and let your eyes follow it around the full 360o. If you have one of these defective discs, you will see that at one point of this line, you can see the circle bow outwards ... like an egg instead of a circle. It almost looks like if it were a record, you are looking at the grooves, but instead of the groves going in a circle, they are wavy at one point. Now, I'm no CD engineer, but the disc freezes up at the end of the last track, and this defect is right around the end of the used space on the CD. I know it's only about the last 2 min. of Bertha, but for us "complete-ists" that hurts. Before you scrub your disc too hard, (if it is disc 2 that's in question) check to see if this could be the problem. Good luck!
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(SPACEBROTHER wrote):...with a bonus disc consisting of the remainder of Pembroke Pines show not included with Dicks Picks #3 5/22/77... Years ago, they played the Dick's Picks out-takes on The Grateful Dead Hour. I reconstructed a copy of the complete show for my own collection, and realized how much better of a show 5/22/77 is when it's complete! It's a shame it was edited for release. Yes I agree, they might as well release 5/18 too! (and the rest of Spring '77 :o))
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For sure it's glueDisc 1 of the box Gonna try alcohol Buying sleeves tomorrow for this whole box and others in same packages Being cheap don't pay! Use digipaks GD Thanks thou
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Success with 70% isopropyl alcohol.Water rinse very heavy after to get any residue gone. I hope there's no long term trouble. Maybe I'll burn a backup to be safe
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FloridaBobalooToo,I found the exact same thing to the exact same box last month! Must be a time bomb. I used rubbing alcohol.
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9 years 2 months
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I need to check my Box.Maybe the summer heat makes the glue melt. Time to invest in a temperature controlled storage vault.
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7 years 10 months
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I think paper sleeves will be the answer. I have a few of these issues so I plan to buy 100 which are cheap and will solve the issue once and for all, I hope anyway!
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1) White paper CD sleeves are the answer. I've been storing them this way since 30 Trips was released. Zero scratches. Prior to that I tried CD binders / suitcases, with the felt backing and plasticy front - you know, the basic generic CD holder type thingy. I adorned it with awesome Dead stickers and it looked great. But there is still too much friction. You get some particles in there unawares, and the next thing you know your slamming the cat's tail in the door because your 2011 Road Trips bonus disc with the 43 minute Dark Star and Kung fu grip got scratched. Bad scene man, b.a.d. scene. The question becomes, what do you do with them once you have them in the white sleeves? I put mine in the 30 Trips crates. One 30 Trips crate isn't nearly big enough, so you'll need to buy something else. I've seen some crates at Walmart and Target that look suitable. I'm sure once you get one or three of those all gussied up with some Dead stickers, life will be grand (and the cat will be happier). 2) Sonically speaking, I believe 30 Trips 1977 is the best sounding 1977 recording. Performance and set list great too. Not sure how this one ended up so good, but the separation is perfect, the reverb factor is perfect. Bobby's guitar has not yet "thinned out" badly, as it eventually did (you can actually hear a distortion pedal in use). The only things holding this one back is a couple of songs weren't quite as developed as they became even a couple of weeks later (Scarlet/Fire for example). There is also the organ Keith plays. Not a fan. I prefer the piano and electric piano he moved toward later in 77 (check out Estimated Prophet Dicks Picks 18 to hear exactly the sound). From what I've read, he wasn't into those synths that we hear in the first half of 77, but he didn't really have a choice in the matter. But the sound on this show is fantastic, and I'm pretty picky with the organ thing - you may not even notice.
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on the treadmill. figured I'd give it a spin since it is constantly being brought up in every '77 release. it's criminal that sugaree wasn't included but there's so many gems in that set that it doesn't matter. 2 '74 playing in the bands. and what may possibly be the last Dark Star till Winterland '78. this will be a first time full listen since I bought the Package deal they had when it came out (Beyond Description, Grateful Dead Movie DVD, Movie T shirt, Movie Soundtrack). so far has a great Eyes of The World, China Doll and China>Rider. song selections are from Scattered dates but I don't mind it as long as its from the same venue and run.
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As Keithfan is famous for saying; check out the full unedited version of that Eyes on the So Many Roads box set. It's a doosy clocking in at 18:30!
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Kyle, Can you tell me which 77 show is on 30 trips box, I'd like to check it out on the ar- chives. Music Vault is a great person, I watched his Dec 30 show on youtube, great so I would like to check out this other 77 show you are talking about, sounds good. Jim PS- I want to get a miniature Wall Of Sound to use for my stereo
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I just checked out the store and found info about 30 setlists, they still had the info there, 77 was 4/25/77 - Passaic , NJ. Here is the setlist,looks like a great setlist. New Minglewood Blues Deal Mama Tried They Love Each Other Looks Like Rain Peggy-O Lazy Lightnin' Supplication Ship of Fools El Paso Brown Eyed Women Music Never Stopped Scarlet Begonias Fire on the Mountain Samson and Delilah Terrapin Station Playin' in the Band drums Wharf Rat Playin' in the Band U.S. Blues
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That's funny, I guess I do always mention that the Movie Soundtrack's Eyes of the World has been edited. I didnt realize it for years, and it eas my favorite version. Imagine my surprise first time listening to So Many Roads. Strange that they did this, when you consider that it's a 5 CD set, where time is spent on multiple Drums, He's Gones, and a Weirdness. Work drive, on to DP 24.
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..announcement should happen today, but at this point, I would rather have my mailman tell me the show. I like blind taste tests....
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Basically I think any track that was originally featured on the Steal Your Face album is an edited version. but playing that edited Eyes on the treadmill is still a pretty good one. I'd rather have edited tracks and have the Movie Soundtrack than Steal Your Face anyday
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I too, have had a shipping notice - what a mystery.
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Yes, I have had a shipping notice, too - without any indication of what it might be. I guess the intention is that we receive it without knowing its provenance. Living over here in England, I guess that many will receive theirs before I get mine, and understandably spill the beans. So maybe I will check out for a while, and then reconnect when I have got it. The last 5 cds I have listened to have been Balboa Island by The Pretty Things 1st Album by The Pretty Things Get The Picture? by The Pretty Things S.F. Sorrow by The Pretty Things Parachute by The Pretty Things ...all culled from the excellent box set Bouquets From Cloudy Sky. If you haven't heard this band, S.F Sorrow is the one to go for. They also made a couple of the best psychedelic singles not made by The Beatles or Pink Floyd-Defective Grey/Mr Evasion and Talking About The Good Times/Walking Through My Dreams. Seriously groovy. Bye for now.
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I have not received my notice yet, i am usually latter then most. This is how they did the second 45 release last month. I had mine in hand way before the posted on the site for individual sale. Maybe this is there new model they are following, taking care of the subscribers first.
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has been exhausting. They must be setting a new record for page views this month, from me alone. its all good though. I'm not angry. If there weren't some sort of snafu it wouldn't be the dead. Bring on the pick(le)!!!!
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Eugene OR, now showing on the new Dave's Picks message board!
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Not such a secret after all, then! I am not familiar with this show, but I am surprised that another show from this era has been released after the 78 box set last year, and Get Shown The Light earlier this year. It seems the heavy stuff is out of vogue for the time being.
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Yea.. but this one's a classic. For that matter, so is the July 78 box. Outstanding stuff.
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Hey good folks, I have an updated list of a few Dead items still available for any collectors out there that may have missed the chance. I bought them and listened only once or so and put them in a case and sleeves so they are as new as can be and all play without issues. For the Boxset, I didn't read the book and have the complete Boxset for you. PM me. Thanks Grateful Dead- May 1977: Get Shown the Light Boxset #1394 out of 15,000- $125- OPENED plus shipping and insurance Includes: 5/5/77, 5/7/77, 5/8/77, and 5/9/77. Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$20- OPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 20: Boulder Colorado, CO 12/9/81-$25- UNOPENED plus shipping and insurance Grateful Dead- Dave's Picks Volume 22: Felt Forum, NYC 12/7/71 with Bonus Disc of 12/6/71- $50-OPENED plus shipping and insurance Grateful Dead- Dave's Picks VOLUME 23: EUGENE, OR 1/22/78- $20 - OPENED plus shipping and insurance
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Do you happen to still have DP 20 and 23?
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9 years 9 months
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I'm predicting an announcement on Wednesday......
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You may have read about it, and you may have seen my photos in the Get Shown the Light box set and the Cornell CD set. Well, I am proud, excited and thrilled to announce that my high-quality coffee table book of photos from this great show is now available! Please check out my site: www.GDBartonHall1977.com Thanks, Larry
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7 years 2 months
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$99 for one 8x11 print is ridiculous. A quarter of them are so out of focus you can barely tell which band member they are, they're all in B&W, none feature the whole band, and none of Keith. This is the kind of insulted I feel when I see out of print Dead shows listed on eBay for $800. I think the Zapruder film went for less money. No thanks
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10 years 3 months
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You could have left it at that, MLB; while entitled to your opinion, there's an emotional immaturity to your perception of a personal slight in this situation that radiates nothing but mean-spirited negativity. Whatever complaint you have with GDP/Rhino's limited release distribution model, it's wholly incomparable to Mr. Reichman's prerogative with respect to price-setting the sale of his personal photographs./K
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https://store.dead.net/music/boxed-sets/may-1977-get-shown-the-light-all-music-edition-1.html