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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • MinasMorgul
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    I could be wrong
    Lots of informed opinions, always a good discussion. Who would have thought we all would have studied the Internet CD Sales market. That's what happens when there's not a release a month. We shall see, of course. If they don't sell more than the 5200 left, however, I'm expecting at least a "well thought out essay on Rhino Sales Model Minas, you were right" ;-) Kayak Guy - I'm speaking of physical product only. That is what I am postulating is limited. Jim - your comment confused me, when you said "My guess is once it's gone, it's gone whether it's a limited release or not." Edit: I felt like I wasn't splaining myself good. If it ever gows to "gone" status, and is not made available again at any point after that, then it was a limited release. In other words, if it's gone, then it was indeed a limited release. To elaborate - Clearly it's not numbered and it's not being advertised as "only x number of copies available". What I am saying is that this release will not have multiple pressings, and is not going to be produced in mass quantity. The final number will be determined by pre-sale projections, which at this point in time looks low enough to not warrant any more produced than the 10K presently available in the system. As I said, and you're on the same page with, they most likely have not been manufactured yet, because they're still monitoring the presale. There will come a day during the presale that they have to decide on a number. That number will either be 10K, in which case the number available in the system remains what it is and has been, or they will bump it up or down by a small percentage, depending on the number sold during the presale. Once THAT number is decided on, be it 8K or 15K, that will be all they ever produce of it, and when it's gone it's gone, making it a limited release. Operational definition of "limited release": a set number of copies will be produced and will be decided on by release date (8K, 10K, 12K, 15K, etc, it's irrelevant), and no more copies will be produced once that number is sold. I think we're all getting a little tripped up on the symantics. Agree, this is not labeled "Limited Release". Disagree, it won't be available for an unlimited time. They will produce a number that is fewer than 15K for sure, and as Jim said, once it's gone it's gone. So get em while they're hot folks! I also have mine (2). The real take away here is that if I am correct, then they've "fixed" the issue in which some people do not get an opportunity to obtain a copy at retail price, and that's a positive for all of us! Everyone have an awesome weekend.
  • Kayak Guy
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    We will find out on Nov 11
    or when they put the "Only 500 left" banner up ;)
  • Kayak Guy
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    This is a Limited Release?
    I respectfully disagree that any release with a digital download option is limited. In Dave's seaside chat he never mentions limited availability or a need to rush to grab a copy to make sure you don't miss out like he usually does for the limited releases. Dave's our buddy why wouldn't he tell us if he thought we might miss out by waiting? This box seems like the same sort of roll out as the Formerly the Warlocks box, which only recently sold out at the same price point with lots of schwag in a real wood box. This set being taken from the mutitracks requires a lot more copies to make the efforts worthwhile compared to a 2 track release, like July 78. Only the packaging and schwag of the CD and/or Vinyl copies are limited or exclusive in a mutliformat release. The details of the packaging is conspicuously missing in the description of what comes in this box, so there's still hope for the exclusive bonus DVD from the meet up at the movie ;) Once WB/Rhino solve the digital store issue they are having, more people will take the download option and not have to worry about bad disks, poor packaging, where to put it or having it stolen in the mail. To make that choice easier in the future, the CDs are using the same 16/44 mix as the ALAC download version with the "premium" HiDef mix only available as a download in FLAC. I'm not a download fan and want the CDs, but more people out there just want the digital versions all the time, and the digital downloads will never sell out as long as WB has a server online to sell them. The real problem is that server has been unavailable since shortly after Musictoday disappeared last fall, so the digital option is a non option.
  • JimInMD
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    July 78
    I don't think July 78 was over produced.. keep in mind Music Today went bankrupt right while the drum beat of sales was kicking in.. and it was listed as 'unavailable' for months thereafter. I am sure July 78 will sell out at some point.. Spring 90 too took forever to sell out.. and the warehousing/distribution network was intact the whole time. Spring 90 was also killer, I am glad they did not artificially restrict supply on either... there are enough of us and it is that good. It doesn't look like they are going to limit the # of this release.. but they will surely decide the quantity to print in advance, which determines their unit price per CD. Whether they decide to print more at a later date remains to be seen but doing so will cost them. My guess is once it's gone, it's gone whether it's a limited release or not. I ordered mine, so it matters not to me. Oh.. and I'm sure the #s left in inventory mean nothing at this point.. they haven't even finished re-mastering and mixing yet. Or perhaps I'm full of shit.. but that's my best guess.
  • Drifter's Escape
    Joined:
    Limited ? I don't care.
    I ordered my one copy. I'm not seeing this release as an investment opportunity. Yes, $80 (+tax +shipping) for two shows is a bit steep. But 5 years from now I won't care.These two shows definitely wouldn't make my 'Top 100 list' of back-to-back's needing release. But I think they'll be good quality recordings. And I'll play a good quality recording of an average show as often as I'll play an average recording of a good show. Although I'll respect a different opinion there.
  • LedDed
    Joined:
    Whole Lotta Dead
    To keep it simple, I plan to stay subscribed and just buy one of everything for my personal consumption. I can't imagine these people putting out a pant load, ever, so even if not my fave year/lineup etc. there's always a nugget or two in there. I don't care how many they sell, if it's in FLAC/KNAC/DUCK, lossless, just plain lost, or numbered. All I care about is listening to the tunes. God bless everyone.
  • MinasMorgul
    Joined:
    This is a Limited Release
    This release is limited, it's just a question of what the final number produced is going to be, 10K or less (a few weeks ago, Thin posted an accurate description of the sales model that's in play here). At this point, they've clearly ballparked it at 10K with the door open for more or less, depending on the results of the pre-sale. We know they ballparked it to 10K because of the number that were initially made available. The only way they would have considered producing more than 10K, is if it had exceeded 10K in sales the first couple of weeks, which it obviously did not. This is how we ended up with the Cornell numbered set, and the Cornell all music edition. Initial demand of the Cornell box set far exceeded the number produced, obviously because it sold out so quickly and everyone was pissed they missed out on it. If they had sold 10K in the first week on this RFK mini-box, they would have added more available in the system. They have not added more available at any point, so you can be sure, the pre-sale numbers are fewer than 5K at this point, as wadeocu provided a number remaining of roughly 5200. The reason it's not being marketed as a numbered / limited release is because they did not have a clear idea of the demand, and you have to commit to a number when you market something as a limited / numbered release. Why? Well, if they said it was limited to 15K, they would have to have produced 15K, and then been stuck with the remainder if it didn't come close. But if they announced it as a limited / numbered set of 15K, and then they got the huge turnout they did for Cornell, there's no way to drop back and produce more without pissing people off and losing the power of the "limited edition" sales technique that they rely on very heavily for Dave's Picks and other major box sets. They got away with producing more than the limited 15K for the Cornell box set, because they had the wiggle room to produce an "inferior" set that had no "extras" to differentiate it from the numbered / limited edition. I say "got away with", but I doubt they did. I guarantee the eBay flippers were pissed off at what happened with Cornell, and will be extremely reserved in their future purchases. Because eBay flippers are such a huge percentage of the market, I say Rhino may not have, in the long run, gotten away with it. But this is a tangent, let's talk about why it wasn't a numbered / limited release. By not numbering it and not calling it limited release, they can just sit back and gather pre-sale data to determine how many to order (this is what Thin was saying in his brilliant post a few weeks ago). So that's the real story here - they didn't know the demand for a couple of '89 shows, so they dipped their toes in the water with a 3 month pre-sale to help them figure out if they're going 10K or more (or less - read on). It's feasible that the final number may be fewer than 10K, but now you're talking about contractual commitments with manufacturers, and that sort of thing. For example, does their contract with their manufacturers who actually produce the CDs and cases and booklets require them to order x amount? If not, and if the pre-sale goes horribly bad, they may only decide to have their manufacturers produce 7 or 8K. I think the pre-sale has provided them with sufficient data to guarantee there will not be any more than 10K produced. What this release is not going to be, is a Crimson White and Indigo that is mass marketed and available for 10 years plus. We know this because it's only available on dead.net, and has no widespread distribution plan, like the Long Strange Trip CD, which can be purchased in stores. The only question at this point, is how long it will take them to sell 10K units, or possibly less. That's exactly how limited this release is. Once the initial batch is sold and gone, that's all she wrote. This is guaranteed limited release, just not numbered. I did my part, I bought one for myself and one for my uncle.
  • MinasMorgul
    Joined:
    Space
    No, it's not on the other hand, it's exactly the point - July '78 was overproduced and they're stuck with overstock. They should have employed the RFK model. But I appreciate the support nonetheless. I'm just clarifying it's not a converse relationship, it's a parallel one.
  • SPACEBROTHER
    Joined:
    limited Edition
    On the other hand, the "July 1978" box was advertised as "limited" and is still available to buy close to a year-and-a-half later.
  • boblopes
    Joined:
    In preparation of this release...
    I just picked up Crimson, White and Indigo. Looking forward to checking it out this weekend. BTW, Real Gone is releasing Road Trips 4.4 1982 Philly Spectrum show. I have that pre-ordered from Amazon for a couple bucks more than Real Gone website, but free shipping...
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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I remember (I'm dam sure of it!) more than once in grade school ('50s) sitting in a circle and the teacher whispering a short story to first person and then each one of the students whispering the story to their neighbor until at the end of the circle the final version was compared to the original. Invariably different.I don't think it had anything to do with the '70s or '80s... human nature :-) DE
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Super excited to get these shows. Arrived last night while I was at a Hall of Fame induction for a sibling- she rocks! Ripping them as we speak. Gonna light a fire and fire up these shows. Can't wait to hear em. As for the art- I love it. I know not everyone is a fan of the copy and paste, and I get that. For me, I think it's just exactly right. Great colors, art, and packaging. Glad I got the physical product for this one. Happy Saturday, ya'll! Happy listening, and Go Irish!
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Good morning, I want to take a moment to collectively thank you guys and Rhino for all of your efforts to offer and deliver this music to us. Woke up this morning and went right for the July 12th discs, and the sound is superb and the packaging, which is important to me, is perfect. Probably speaking for many, 2017 has been a fantastic year in regard to these Grateful Dead releases... Cornell, Buffalo, and others are now in our collections and are so well produced. For me, the news surrounding the 2018 Dave's Picks subscription show the decisions made what to release consider what many fans are passionately wanting... if the sound is there...you guys make it happen. Again, thanks so much and enjoy the holidays... Sincerely, Neil Glotzer Visalia, CA
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Jerry's solo RIPS, and "I started out on Heinekin, but soon I hit the harder stuff..." Happy fall Saturday, DeadLand! Only through Disc 1 of 7/12 and the first 2 of 7/13, but this release is one of the best sounding I own. I like the packaging too! Peace
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Yeah, thanks to the crew that keeps bringing us these releases. Time to announce the next mini-Box.....which is coincidentally also from RFK.......6-9,10-73.......followed a few months later by 7-27,28-73.......
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I love the sound on these shows.. I've only got one disc under me.. I have some comments though. Warlocks, 10/89. It sounded better inside than the CD's sound. This sounds much better than it sounded at the venue and continues with the stride Jeffrey hit when he mixed Spring 90 TOO. Whatever he's doing, it's working. I wish we could go back and remix the Warlocks shows and Spring 90 #1 and get them to sound like this box. Great sound and Jerry's voice sounds quite fresh for the era. On to disc 2.
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Got the dreaded "late UPS trailer" and since its UPS ground which isn't delivered on Saturday either, I have to wait until Monday. To add insult to injury, it's actually here in Orlando but they won't let me pick it up either - agghh!!!
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Got mine yesterday, and just finished listening. Sounds fabulous. Thanks
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Listening to "Far From Me" from the first show...The mix is great, band is in sync, great guitar work from Jerry. At the end, Brent sings "This song's my last fucking song for you, BITCH!" Really nice. I'm sure his daughter will love listening to this version
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If this is the worst show of the tour, as some have said, then all I can say is it must have been one amazing tour! Usually I read all of the posts I have missed and then chime in. But today was Leafapalooza here in my yard in Western CT., so I slapped on the old iPod at max volume and went at them listening to the first show here. Unbelievable! The boys came out hot and stayed that way throughout. A truly amazing first set. I can't wait for show #2 tomorrow. I am a '72 fan for sure, but this is AT LEAST as good as DaP24. The only other thing I have to say is that I will take Donna's screams anytime on PITB over those of Bob here at the end of Estimated! Lol If you have not ordered this yet, get on it immediately! You will not be disappointed Rock on
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Can't really comment on the music yet, but Gorgeous packaging with 2 separate tri-packs as I had hoped. Sound is amazing. Booklet inside is perfect. Just an amazingly beautiful product to hold in one's hands and hear with one's ears. I like this compared to the beautiful but delicate and oversized/awkward Cornell Box. (I think sometimes artists and designers want to stand out for the awards these packages now earn, and a bigger box/flat surfaces means more "canvas" to stand out.) Many thanks to all involved in producing this gem. Can't wait to really listen to it now!
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the sound quality of this set is fabulous.
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the sound quality of this set is fabulous.
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17 years 5 months
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Sound quality and performances are fabulous!
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Yeah, I saw this film at the last Meet Up At The Movies this summer. When Mickey said that, everyone in the audience with me had quite the chuckle. I was glad it was caught on film.
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But I'm underwhelmed. Before a certain cohort accuses me being a "70s mafia" member, let me preface by saying that I have never been dissatisfied by a 1989-1990 release before. 10/16/89 is one of my all-time favorite shows, and 3/24/90 is my oldest tape. I own both Spring '90 boxes, the Warlocks set, Dozin', Nightfall, DLS9, and both stand-alone July shows. This set is a snoozer. It's beautifully packaged...and the SQ is impeccable....and there's nothing on here that's terrible (except Brent's theatrics on Far From Me and Little Red Rooster), but there's nothing great here either. Part of this is setlist-driven (the post-drums on 7/13 has to be the most stereotypical "late-80s" ending ever), but there's also no over-the top great moments. The end of 7/13's first set has a fancy TLMD and LIG, but there's no main course after the delicious appetizer. I'm really happy those who wanted a 80s show got one. And again, if you love this release, that's great! I just don't understand why these two subdued shows were selected over so many other worthy contenders from the month, let alone the year.
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The reason this was released now is to bring you and your money back later for what you really want. Set list may be generic but I haven’t found any negatives yet (except the lack of video which we all know exists). Again, sound quality is spectacular.
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17 years 4 months
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ok....lol who hollered "holy fuck-in' SHIT!" during Drums. if it was someone in the audience that's highly amusing.
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17 years 4 months
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....liking the second RFK show better that the first. So far. As far a someone saying "Holy Fuckin' shit" during drumz, if I had a dollar for every time I said that during a Grateful Dead show, I would have a lot of dollars. That person is my spirit animal....Mr Jack Straw said the post drumz song selection for the 13th are stereotypical late '80's. My view on that statement is that these are late '80's shows. What does one expect?....
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the drums on july 7th is something to hear as well. or see if you have the DVD
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I’ve noticed this season that during play stoppages at Red Wings home games when they play music that Greta Van Fleet is played at least once per game. Showing some love for the MI boys.
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17 years 4 months
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....and probably the best part of a Red Wings game. Shots fired!! Lol
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17 years 4 months
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....who has the better record? Let me break out my gavel as I rest my case....even better. Hockey players don't kneel. I can talk smack with the best of them.
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....I wanna know, will you be my girl?. The Brentster doing his best Brent impersonation.
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Let it Grow is awesome, Mississipi Half Step is awesome, Throwing Stones is awesome. The rest is kind of slow. Estimated Eyes is where it's supposed to be, but nothing extraordinary. It seems like they needed a rest and went with some easy numbers. Not that I think that's what happened in reality. I'm sure this is just what they felt like playing. The end result just seems slow, easy does it. The sound is what I expected, I'm so glad they started taking recording shows seriously again at the end of the 80s. It's not even close to Dave's Picks 24, that's just not even on the table. Agree it's a snoozer for the most part, but worth it if you need to have every great performance the guys did, because the ones I mentioned are upper echelon. I see this as the litmus test for 80s/90s material. I received an email that there's just under 5000 left, which means they can sell 10,000, which is pretty damn good. Not sure what they need to turn a profit, but I'm sure the rest will trickle out over the next couple of years.
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....Im thankful that I'm not as picky. Otherwise, I think I would lose my mind.
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....with the '72 blues again. Dusted off my Warlocks cigar box set just because. Bobby stated that '89 was a great year for the band. You're not gonna go against the grain, are ya?
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I myself will probly pull out the Warlocks box. it was a great b day present. was afraid I wasn't going to get it when it sold out the first time in 2014 but came back in stock 2015. but also will probly pull out truckin up to buffalo. I bought it when it first came out at a Meijer's and never gave it a full play. that crimson white & indigo. watched the dvd but never played the music. I agree with v guy I think I like 13th more. I only got up to Cold rain & snow. but for me I think the mix is a better on that bobby seems to be more audible than on the 12th but that's me. I like Hell in the Bucket bobby's guitar starts sounding like clanging church bells. and the Cold Rain & Snow I could put that on repeat. I'm only two tracks in though. i'm also not used to hearing bob using his MIDI set up that much. from what I have he mostly used it during Space not regular songs.
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I haven't had a chance to delve into this set fully as of yet. Trying to stay on the official release "anniversary listening" binge I started at the beginning of this year. I've been pretty deeply entrenched in the Winterland '73 box shows, and am a day behind (in the middle of the "Playin' > Uncle John's > Morning Dew > Uncle John's > Playin'" from 11/10/73 as I type). However, I did listen to the first two tracks from 7/12/89 yesterday, and, oh my....."snooze" and "dirge" are the exact opposite reactions of mine. Right out of the gate, Touch of Grey is energetic, Jerry's obviously feeling great and playing/singing his ass off, the mix sounds massive, the Hammond B3 is the sound that should ALWAYS have been a part of the sound, because Pigpen and Brent were/are the shiznit (Keith was great, of course, but wish he would have taken more chances by expanding his tonal palate, but he was awesome and made that slot his own). The band is clearly playing at the top of their game. This then led into Minglewood, which could at times be pedestrian, but not this version. Jerry's guitar solo work on this alone makes it THEE definitive version released thus far. 60's, 70's, 90's and even many 80's versions don't hold a candle to this one. That's as far as I got. Never imagined I would meet a Minglewood that alone would make a boxed set worth the price of admission, yet here it is. I did see 7/12/89 at the Meet-up this year, and the mix at the theater wasn't even close to as nice sounding as this is, so far. Hopefully when they do release this on video, it will be a high def multi-channel surround mix utilizing the 24 track tape. First impression with first two songs, mixwise.....too soon to tell, but so far I think they outdid themselves. Always stepping up their game. Good job and thanks to all involved with getting this out there. My final point on this post is, it's very difficult to resist the temptation to jump off of the anniversary listening program, because this is the type of release that tends to stay in my CD player (actually iPod or computer these days) for days, or even weeks on end. So much detail and depth in just a brief encounter, has me chompin' on the bit, so-to-speak. There's a two day respite between 11/11/73 and 11/14/73, so I will definitely jump in right there, if not sooner. edit - 7/12 & 13/89 being labeled the worst run of the Summer '89 tour is like saying 4/14 & 17/72 are the worst of the E'72 tour. In other words, like '72, there isn't a bad show in '89. Both peak periods for those respective line-ups....and no, I'm not comparing '89 with '72, because they are both great years for the Dead.
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6 years 11 months
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'89 was an outstanding year for the band, Bobby speaks the truth. Just saying this pair of shows is average for the Grateful Dead. Would rather have Alpine Valley a week later. The Minglewood is good for this era of the band, but it's not one of my favs to start with, and as far as #1s go, I'd roll with 1/23/78 or 4/29/71 (but then again, I can't really think of anything from '71 that sounds better in '89). kyleharmon, definitely go for that crimson white and indigo. Great all the way through. iko iko, scarlet/fire and knocking on heavens door are unreal. Also lovelight.
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17 years 4 months
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....excuse me while I exchange my gavel for a hammer and pound that nail.
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17 years 4 months
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yeah why didn't they put out alpine valley? or Foxboro '89? id rather have an audio than a dvd. both would have fine stand alone non limited releases. I vaguely remember down hill from here when my sister brought it home when she worked at Hollywood video. I really don't even think I finished watching it either.
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9 years
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...uttered the expletives during Drums on 7/12. He was caught on film and it was shown at the Meet-Up at the Movies this year. Not gonna pick up an audience member on a board tape. :)
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6 years 11 months
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You just reminded me. When I bought crimson white and indigo, I didn't realize there was a DVD in there too. I ripped the cds and put the thing on the shelf for years. Then I lent to someone at work this summer, and when they returned it they said the video really took them back to the 80s! So I'm like what are you talking about willis? Never realized there was a DVD of the performance. Ha! Still get a chuckle out of that.
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17 years 4 months
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it's real easy to forget there's a DVD for that one. they don't usually put a dvd in with an audio release. its a good one I received it in april 2016 and didn't watch it till summer of 2016
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7 years 11 months
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I received 2 boxes because of a mix up. My first order was cancelled but I was charged and received it anyway. Numbers are 11000 apart! After a day of debate, I think I'll gift it to my buddy who brought me on to the bus (way back in high school) instead of doing a return while losing shipping charges.I have between now and christmas to compose a card so that I don't offend him by such an extravagant gift. Suggestions are welcome.
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9 years 9 months
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Great sound, tight performance, awesome smelling booklet. They start strong with Touch of Grey and New Minglewood Blues, but I quickly lose interest on Mississippi Half Step, once the Brent starts singing. It just never gets tolerable for me guys, sorry to say. Cassidy aint too hot either. From there on, 7/12 is kinda slow, I get those remarks. Friend of the Devil, more of the same with the backup vocals and midi nonsense. But there are great versions of other songs throughout the set. Throwing Stones has that awesome insrumental jam in the middle. Great Jerry on Eyes of the World (and great Phil too, and great Brent synths). Probably my favorite 80s version of this one. Dig the Lovelight. I can't not buy a Dead set, and some of these will go into my 80s / 90s mix, but largely underwhelming as a whole. I do like Jerry and Phil's performance a lot, and I really like when Bent is in "sustained synth mode", adding smooth texture and atmosphere, as opposed to zippy "synth-piano" fills. The Hammond is nice, but I prefer Pig's "sparse" playing style, as one of you fine people described it the other day.
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13 years 4 months
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Did you get the sweepstakes winning, soaked in Kush Oil, linter notes made from Owsley blotter paper special edition? Mine smelled.. like a CD. I think this is a fine release. Honestly I have not finished a full listen, but the Lay Me Down Let it Grow is enough to at the very least not call this a failure. ...and really, hat's off to the care that went in to making it sound as good as it possibly could. This is really important.. they seem to not get a second chance on re-mastering.. once it's done, it's done, so do a great job on the first try, which they did here. If there's something to learn from this release it's that Senor Norman can do a fine job if only we don't give him 30 shows to master in like 31 1/2 days or something. Plus.. it keeps the price tag a shy under $700. These two, three, four and five show mini boxes are the way to go. A big plus for allowing them to fit on our CD shelves. Easy on the wallet, closet space and they just seem to sound better then monster efforts.. how about two or three mini box sets a year instead of a cardiac inducing monster box every year? Those with significant others would greatly appreciate it.
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9 years 9 months
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You don't love the smell of the fresh booklets and new CD packages? It's like the xerox copies from high school. No, not at all a failure, quite the opposite. Will sell out eventually, and I believe a little more than 2/3 sold already has got to be enough to turn a profit.
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15 years 6 months
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I had the 89 show at Philly with 3 CDs and DVD. That was a great show. They did a lot of videos in 89,What I don't get is why the Dead were not really even in the ballpark of popularity compared with like the Rolling Stones or Led Zeppelin. I mean they did very well with their fanbase, They had a large set of material, They had 1 hit song, but musically they were more talented and played very well together, but it seems without Jerry Garcia, they dropped down a lot. Jerry was something special, even playing on a lot of opiates. I mean they didn't even consider going on without him. The group now sounds really pretty good, and they look like they are enjoying it ,I don't think I would enjoy a show now. But at least we have access to tons of their past shows. I would love to see them release the RFK stadium weekend from 73. I went to Saturday where the Dead played the afternoon and the Allman Brothers at night . It was a grate day!
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16 years 4 months
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Everybody polka!!! Hey there rockers, rollers, lovers, and others……….. The first of the wonderful three Fall 1971 Texas shows: https://archive.org/details/gd71-11-12.sbd.clugston.4759.sbeok.shnf Or, if you prefer the Millerized version of Set 2: https://archive.org/details/gd1971-11-12.sbd-set2.miller.14916.sbeok.sh… In either case, the Live/Dead groupmindmusicmelt running like a well oiled machine, fantastic recovery from the Atlanta fiasco. If 11/11 was a bad acid trip, 11/12 is the mellow mushroom rebound. Some new things, some oldies, cowboy tunes, rockers, Black Peter (love me those 71 Black Peters!), and a mammoth Other One. What’s not to like about this fine fine show? Looking forward to my possible upcoming sabbatical, perhaps more later……………….. Rock around the clock, Doc Death is not an event in life: we do not live to experience death. If we take eternity to mean not infinite temporal duration but timelessness, then eternal life belongs to those who live in the present……….
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13 years 5 months
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That "Formerly the Warlocks" box sounds really bad to me. They let someone other than Jeff Norman mix it, and why? If you ever wonder why digital sound gets a bad rap, listen to that. I can't even. Why no video on this new box?
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17 years 4 months
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....big man come and asks him why? This set has a Man Smart, Women Are Smarter for the ages. Never thought I would say that, but yet, here I am, saying it. Dueling keyboards anyone?....
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