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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • JimInMD
    Joined:
    Re: With a vengence.. 02/27/69
    Funny.. I've been hitting on some of the older classics this week too. Today's treat was from Dicks Picks 26, 4/26/69. I had forgotten how good some of those transitions sounded.. great stuff. Cryptical Envelopment Drums The Other One The Eleven The Other One It's A Sin I just finished Dicks Picks 22 from Kings Beach Bowl in February 68. Wild and woolly Grateful Dead. Good call on FW 69. Its been a while.
  • kyleharmon
    Joined:
    @charlie3
    Something random from 30trips: how about cornell 81? its a pretty smoking show I think.
  • Charlie3
    Joined:
    Break's Over...
    Been on a little break from the Dead, but I think that is over with a vengeance. Had a craving for the classic Darkstar from 2/27/69 from the Fillmore West so I gave it a spin. That is the Darkstar against which I measure all others as it is etched on my brain from repeated listening to it on Live Dead. One of the main things that got me hooked on the Dead in the first place, and now putting me fully in the mood for more Dead. Only question now is what's next? Veneta '72? Arrowhead '78? Maybe something from Spring '90? Something random from 30TATS? Sometimes a little Dead break really sparks the enthusiasm for some Dead when the break is over.
  • kyleharmon
    Joined:
    Dicks picks 25
    although as much as I love dicks 25 they did flub up Bertha. someone missed a cue that the band was going into a jam so you hear bob go "I got to mooooo-ooooove~~~~~...... (followed by jamming) lol. oh well mistakes happen lol.
  • Born Cross Eye…
    Joined:
    Dead & Co. - Camden 6/25/17
    Iko-Iko opens the 2nd set! Hey, I liked the whole show, the boys still have it!
  • Drifter's Escape
    Joined:
    DP 10
    DP 10 also has a great New Minglewood Blues. At about the 3:30 mark Jerry's guitar takes on a great tone and achieves that 'interstellar liftoff' we all crave.
  • KeithFan2112
    Joined:
    China Cats
    Thanks for the China Cats, I'm checking them out. Jimbo, I'very always enjoyed 4/17/72 as well.I also listened to the Hundred Year Hall version almost exclusively in my pre-Dead-Freak days, when one great version seemed like a reasonable commodity. It's funny you mentioned 5/24/72. I always put the China Cat from 5/3 with the Rider from 5/24, because the Rider from 5/3 has all of the studio vocal overdubs that I don't care for; the transition is seamless. I need to check out the entire 5/24 pairing again - I sort of forget which China Cat that one is. I also want to do 7/31/74 again. I just did Dillon Stadium about a month ago, and I remember being impressed with it. I'll have to check out 5/17/74 - don't believe I've heard that one yet. And DP 10, I don't listen to nearly as much as I should. There are some strong advocates on Heady Version of the Road Trips Wall Of Sound performance; I was cranking that one last week in the car.
  • JimInMD
    Joined:
    Re: Does Wonders for the Body and Soul
    Right on, couldn't agree more.. and its never too late..
  • LedDed
    Joined:
    great post, han
    That we have what we have left in 2017 is stellar. If you've been to the shows much of the spirit is there, in the people. John, Oteil and Chimenti are hitting it out of the park on a nightly basis.
  • Gratefulhan
    Joined:
    Dead & Company and post Jerry line ups
    Regarding Dead and Company they represent the latest in post Jerry line ups with the purpose of, and I a going to paraphrase another member JimInMD (spelling?). He summed up all the post Jerry line ups as the boys doing their best to provide a public service to all who love the Grateful Dead music. Again as I am paraphrasing, I am sure I did not get exact the words correct but I think the message does get across. I totally agree with idea as it best sums up what I feel is the most important piece. The music that was made by The Grateful Dead was and is completely in league of its own and it does wonders the mind body and soul. I do like a lot of other bands, but no one comes close to The Grateful Dead. I also know I am not alone because even when it gets a little ugly on these boards sometimes, I still see a bunch of people as passionate as I am about this band. That is why the remaining members have kept playing, they boys in enjoy and fans are still passionate about it. Now it hasn’t been consistent throughout the years with tours and members but even in the different incarnations the sum is greater than the parts. Of course the post Jerry line ups are different and they should be, but I still think each line-up has brought good things to everyone. I think all of the post Jerry line ups got the point and truly the music has played the band. I think with Dead and Company they are on more on than they are off. Sure there are some flubs but they really sound great a lot of the time.   For me I am the worst Deadhead…what I mean by that is I got into the Grateful Dead near the end. I didn’t have any cool people around me when I was younger to introduce me to them earlier on, so I only caught a couple of shows in 94 and 95. What makes me a bad Deadhead is that shortly after those shows Jerry died. So I got to be part of things however brief it was, but then it was taken away -  forever, or at least I thought so. Now till this day, not a day goes by that I wish I didn’t catch more shows. If I could somehow just get my hands on a flux capacitor or a TARDIS and maybe then travel back in time, that could be an alternative.  Don’t get me wrong, I am still lucky to have seen a few shows with Jerry. However I see all of these posts where people caught them in 89 for this run or a Spring 90 set of shows. Or there some who have seen them in 73, 77, or 80-81. I always lament that I may have been born at the wrong time and place.   The good news is that I discovered that along with the massive amount of material that has been released there are vast amounts of the shows that can be downloaded and YouTube has so many shows to chose from that has kept me satisfied to some extent. I have seen just about all of the post Jerry line-ups (I missed my chance to see Further due to a crazy work situation). I found that for each of these line ups, I went in with the expectation of just being happy to be there and to enjoy  myself. In many instances I did get some great experiences out of it. This includes Dead and Company, although the last show I saw was a little on the mellow side. The best thing is that it is 2017 and there is still something good to go see. The crowd doesn’t seem to be too bad in terms of behaviors, and I get mostly good vibes all around. My thought specifically for Dead and Company is that I can’t see them going for too many more year into the future. I feel like once again due to the ravages of time, we are the cusp of change (not that I want that). If anyone is one the fence about seeing them, I would recommend giving them a try.     When it is all said and done, I would have no problems seeing a band with Jeff, John and Oteil and some supporting members as I think these guys are stellar. Those guys get it. In the end I hope that what was started many, amny years ago just keeps continuing on into the future. I like the idea of providing a public service to all who love the Grateful Dead music. I know that there are many Deadheads who never got see Jerry and I also know that this music has been passed on through generations. I see no reason why it can’t continue on into the distant future, as long as the point is not lost.
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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