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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • Sun King
    Joined:
    4/4/85 Providence
    I love this show. I have a master of it from a taper friend who, somehow, had an extra deck that night. Do you want me to record it for you? YES!!! So I have a master audience. At the show, I made friends with the security guy in front of me, and he let me dance in the aisle the whole show, but no one else! Everyone was standing on their seats, and I remember just dancin' my butt off during GDTRFB. Near the end, when I was tuckered out, I asked my buddy, "how's Jerry lookin'? He said, Jerry's looking pretty tired right now. Ha! Then Jerry stayed onstage and did a really nice jam with Billy, who gave Jerry thumbs up before he left. The 1st set is most impressive. The 1st She Belongs To Me, great L>S>D ending. Just an overall wonderful show, 80's or anytime....
  • Kayak Guy
    Joined:
    a Foolish Heart for consideration.
    I try not to play the best game or even have an idea WTF a GOAT is.Why bother listening to other ones that aren't the best? It seems limiting and then I question who are the people qualified to make that decision? The best one to me is the one i haven't heard yet. I was at this one and it's got some nice Bruce, a good set list and the Foolish Heart comes out of Space after a Dark Star. Which makes it my most memorable because I was really hoping for the rest of the Dark Star and was crushed when it went into Foolish Heart. In hindsight it's part of a great show and fits the eclectic set list. Grateful Dead Live at Boston Garden on 1991-09-24 Let The Good Times Roll, Feel Like A Stranger, Althea, It's All Over Now, High Time, Beat It On Down The Line, Big Railroad Blues, Desolation Row, New Speedway Boogie China Cat Sunflower-> I Know You Rider, Women Are Smarter, Ship of Fools, Dark Star-> Drums-> Jam-> Foolish Heart-> I Need A Miracle-> Standing On the Moon-> Around & Around, E: The Weight https://archive.org/details/gd91-09-24.sbd.miller.25939.sbeok.shnf
  • JimInMD
    Joined:
    Funny..
    Its funny that a small, benign post or two can move the whole thread into an undulating, interesting tangent.
  • wurm79
    Joined:
    Foolish Heart
    Haven't posted here in awhile.. Funny this topic just came up. Last night I watched the entire second set of 7/19/89 Alpine Valley on youtube and while watching the foolish heart.. I came to the conclusion that this is has to be the best version in my opinion.. Even though they kinda mess up the ending part, it still shines really well.. Just my two cents.. :) Bless..
  • JimInMD
    Joined:
    Diversity is what makes the world go round..
    Kayak Guy's best eva is the one he hasn't heard yet, mine is the one I just listened to (happens to be 4/2/1990 on my afternoon bike ride). Go figure.
  • wadeocu
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    Joined:
    Foolish Heart 6/8/90
    This one is a favorite of mine: https://archive.org/details/gd90-06-08.sbd-matrix.ladner.6935.sbeok.shn… Uncle John's > China > Rider, Estimated > Foolish Heart - great stuff!
  • guit30
    Joined:
    empty warehouse
    Is that warehouse still there, where they did the fake moon landing?, I was there once, they didn't let me in.I'm enjoying these touches, I gotta get to a computer where I can check some out. The ending of Morning Dew at Barton Hall, where Jerry is going nuts on those chords at the end is incredible.
  • Vguy72
    Joined:
    Best Foolish Heart?....
    https://archive.org/details/gd90-05-06.sbd.wiley.11661.sbeok.shnf/gd90-…. . ....at least the best one I attended. Loved it when they ended the first set with it. Hmmm....seems the Cal State Dominguez Hills anniversary is right around the corner in fact....
  • _
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    Joined:
    @So many Touches so little time...
    on behalf of KeithFan and myself, thank you all....I was at a few of the shows referenced and dismissed the Touches mentioned, maybe at the time they were too MTV shall we say....just re played 7/4/89 and 3/19/90, ...and yes they are very good....
  • Sixtus_
    Joined:
    re: I'll bite on the (Best?) Foolish
    Hey rgergelis - this actually came up a few months back I think on one of these boards and I was unabashed in making a few suggestions. These are just a few of my personal favorites, there may be overlapping agreement somewhere out there, and lord knows there are likely many others: A good one from the Spring '90 first box, Hartford 3/19/90. It kicks off a great triplewhammy (followed by Playin > Eyes). In particular, the outro jam has several "garciaphrases", his catchy, repeated runs that then build into a tempo-driving forces: https://archive.org/details/gd90-03-19.prefm-sbd.sacks.1526.sbeok.shnf Another favorite is this one from Orlando, Spring '91. Brucy. It goes on and on (19+ mins). Bruce pulls off an awesome lead in the jam at the end - totally piano-driven: https://archive.org/details/gd1991-04-09.137163.sbd.miller.flac24 Then this is my all-time favorite from late '90, again with Bruce. Despite it not coming back to the song's last verse after the monumental, epic jam at the end....it is totally fine due to that jam's.....epicness. The interplay between Bruce and Jerry is insane, and it just builds and builds and builds to the song's obvious climax at the every end - it seems to my ears you can almost feel/hear the crowd exhaling as Jerry comes in for his final landing, followed by explosive cheers and applause: https://archive.org/details/gd1990-12-28.sbd.miller.114440.flac16/gd90-… Happy to hear others' thoughts on these or other versions too. I'm always looking to expand my lot of "best evers" and GOATs. Sixtus
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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