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    heatherlew
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    May 1977: Get Shown The Light (All Music Edition)

    WHAT'S INSIDE:
    Four Complete Shows on 11 discs
    Four folios housed in a slipcase
    5/5/77 Veterans Memorial Coliseum: New Haven, CT
    5/7/77 Boston Garden: Boston, MA
    5/8/77 Barton Hall, Cornell University: Ithaca, NY
    5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
    50-page book of liners and photographs
    Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
    Mastered in HDCD by Jeffrey Norman
    Artwork by Grammy-winning graphic artist Masaki Koike
    Release Date: May 5, 2017

    WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

    NEW HAVEN 5/5/77
    "Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

    BOSTON 5/7/77
    “The music they laid down brought me places I had not been before.”

    CORNELL 5/8/77
    “...the single best rock performance anywhere, anytime, by anyone.”

    “There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

    "This show is, was, and always will be Mecca.”

    BUFFALO 5/9/77
    "...an awesome display of the Dead’s captivating power"

    If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

    MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

    The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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  • Kayak Guy
    Joined:
    gimme a break
    to say Wince was better than anyone at background vocals is a stretch. His style is binary, no modulation, just on or off like a cartoon. Speaking of hell, hell was going to every show between 1992 and 95 and knowing you would get a Vince tune, and the later it got in the show the more you worried. Baba>TNK was his best song and he was a great keyboard player. I always wished he had done White Punks on Dope as an encore, that would have been fun. Brent's organ allowed the band to expand into cover tunes they were incapable of without it. that reminds me of a funny story (courtesy of Pythonnet) Man: (Michael Palin) Ah. I'd like to have an argument, please. Receptionist: Certainly sir. Have you been here before? Man: No, this is my first time. Receptionist: I see. Well, do you want to have the full argument, or were you thinking of taking a course? Man: Well, what would be the cost? Receptionist: Well, It's one pound for a five minute argument, but only eight pounds for a course of ten. Man: Well, I think it's probably best if I start with the one and then see how it goes from there, okay? Receptionist: Fine. I'll see who's free at the moment. (Pause) Receptionist: Mr. DeBakey's free, but he's a little bit conciliatory. Ahh yes, Try Mr. Barnard; room 12. Man: Thank you. (Walks down the hall. Opens door.) Angry man: WHADDAYOU WANT? Man: Well, Well, I was told outside that... Angry man: DON'T GIVE ME THAT, YOU SNOTTY-FACED HEAP OF PARROT DROPPINGS! Man: What? A: SHUT YOUR FESTERING GOB, YOU TIT! YOUR TYPE MAKES ME PUKE! YOU VACUOUS TOFFEE-NOSED MALODOROUS PERVERT!!! M: Yes, but I came here for an argument!! A: OH! Oh! I'm sorry! This is abuse! M: Oh! Oh I see! A: Aha! No, you want room 12A, next door. M: Oh...Sorry... A: Not at all! A: (under his breath) stupid git. (The man goes into room 12A. Another man is sitting behind a desk.) Man: Is this the right room for an argument? Other Man:(John Cleese) I've told you once. Man: No you haven't! Other Man: Yes I have. M: When? O: Just now. M: No you didn't! O: Yes I did! M: You didn't! O: I did! M: You didn't! O: I'm telling you, I did! M: You did not! O: Oh I'm sorry, is this a five minute argument, or the full half hour? M: Ah! (taking out his wallet and paying) Just the five minutes. O: Just the five minutes. Thank you. O: Anyway, I did. M: You most certainly did not! O: Now let's get one thing quite clear: I most definitely told you! M: Oh no you didn't! O: Oh yes I did! M: Oh no you didn't! O: Oh yes I did! M: Oh no you didn't! O: Oh yes I did! M: Oh no you didn't! O: Oh yes I did! M: Oh no you didn't! O: Oh yes I did! M: Oh no you didn't! O: Oh yes I did! M: No you DIDN'T! O: Oh yes I did! M: No you DIDN'T! O: Oh yes I did! M: No you DIDN'T! O: Oh yes I did! M: Oh look, this isn't an argument! (pause) O: Yes it is! M: No it isn't! (pause) M: It's just contradiction! O: No it isn't! M: It IS! O: It is NOT! M: You just contradicted me! O: No I didn't! M: You DID! O: No no no! M: You did just then! O: Nonsense! M: (exasperated) Oh, this is futile!! (pause) O: No it isn't! M: Yes it is! (pause) M: I came here for a good argument! O: AH, no you didn't, you came here for an argument! M: An argument isn't just contradiction. O: Well! it CAN be! M: No it can't! M: An argument is a connected series of statements intended to establish a proposition. O: No it isn't! M: Yes it is! 'tisn't just contradiction. O: Look, if I *argue* with you, I must take up a contrary position! M: Yes but it isn't just saying 'no it isn't'. O: Yes it is! M: No it isn't! O: Yes it is! M: No it isn't! O: Yes it is! M: No it ISN'T! Argument is an intellectual process. Contradiction is just the automatic gainsaying of anything the other person says. O: It is NOT! M: It is! O: Not at all! M: It is! (The Arguer hits a bell on his desk and stops.) O: Thank you, that's it. M: (stunned) What? O: That's it. Good morning. M: But I was just getting interested! O: I'm sorry, the five minutes is up. M: That was never five minutes just now!! O: I'm afraid it was. M: (leading on) No it wasn't..... O: I'm sorry, I'm not allowed to argue any more. M: WHAT?? O: If you want me to go on arguing, you'll have to pay for another five minutes. M: But that was never five minutes just now! Oh Come on! Oh this is... This is ridiculous! O: I told you... I told you, I'm not allowed to argue unless you PAY! M: Oh all right. (takes out his wallet and pays again.) There you are. O: Thank you. M: (clears throat) Well... O: Well WHAT? M: That was never five minutes just now. O: I told you, I'm not allowed to argue unless you've paid! M: Well I just paid! O: No you didn't! M: I DID!!! O: YOU didn't! M: I DID!!! O: YOU didn't! M: I DID!!! O: YOU didn't! M: I DID!!! O: YOU didn't! M: I don't want to argue about it! O: Well I'm very sorry but you didn't pay! M: Ah hah! Well if I didn't pay, why are you arguing??? Ah HAAAAAAHHH! Gotcha! O: No you haven't! M: Yes I have! If you're arguing, I must have paid. O: Not necessarily. I *could* be arguing in my spare time. M: I've had enough of this! O: No you haven't. M: Oh shut up!
  • jrf68@hotmail.com
    Joined:
    unkle
    I wasn't refering to your post.
  • _
    Default Avatar
    Joined:
    @the Devil Went Down To Georgia he was looking for Jerry
    https://youtu.be/5iFhI1bGELQ hey, I was listening to that! enjoy, c'mon it's Jerry :-)
  • unkle sam
    Joined:
    dumbfuck era bullshit?
    lol, what does that even mean? It's funny how some deadheads are like trump supporters, you can't tell them anything that they don't believe or haven't heard without them getting their little panties in a bunch. Sad, bigly sad. LOL all in jest folks. I was just trying to turn some on to a couple of good shows, especially the second sets, but some folks ain't gonna learn what they don't want to know. At least I didn't call names, oops, or did I? April Fools!!!
  • Born Cross Eye…
    Joined:
    April fool or one smart Dead Head
    A Dead Head died and for some reason or another, ended up in Hell. The Devil greeted him and showed him to a room. All there was in this room was a stereo and a stone bench. So the Devil tells the Dead Head that only he controls the stereo, and anything he, this Dead Head does will to try and turn the stereo off will raise the temperature in his room one degree. So the devil turns the stereo on and puts on the song Day Job, and hits the repeat button. "I'll see you in a thousand years" he says, and slams the door So a thousand years go by and the Devil is making his rounds and comes to the Dead Head's room. He opens the door only to find the room the same temperature as when he left. The Devil is amazed by how much self control the Dead Head has shown and decided that he had learned his lesson and was going to let him go. So the Devil turns off the music, and before the Devil has a chance to say anything, the Dead Head turns around and says "hey, I was listening to that!"
  • jrf68@hotmail.com
    Joined:
    Yeehaa!
    How refreshing....dumbfuck era bullshit again. Wheeee!!
  • _
    Default Avatar
    Joined:
    30 Trips 1993...
    3/27/1993 from Thirty Trips boxset is a definite keeper, not all 93 shows were shining as brighly unfortunately. Brent vs. Vince preference, well, I'll take Keith.
  • MinasMorgul
    Joined:
    Unkle Sam & Others
    I've heeded the call for more 90s, and I dusted off my 30 Trips. My goodness gracious me, 1993 is incredible. They sound SO much better with Vince's background vocals than Brent on his best night. And the keyboards sound much better in the mix than Brent's Fisher Price Special (or even the overamplified B3 organ). I had no idea the Dead sounded this good in the 90s. Bertha has some spunk, and even Weir's guitar has moved past that thin tone-less period he was stuck in. Queen Jane in the membrane.
  • _
    Default Avatar
    Joined:
    @safe bet...
    I ordered a second limited edition with that last onslaught and when I contacted Rhino/Warner was informed it was indeed a numbered version...will know for sure in just under 5 weeks...your bet is as good as mine
  • KeithFan2112
    Joined:
    I guess....
    I guess since that link to the Get Shown The Light set on the Rhino/Warner site is down now, we can assume they were the Limited Edition Box Set, and not the All Music Edition. Safe bet?
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May 1977: Get Shown The Light (All Music Edition)

WHAT'S INSIDE:
Four Complete Shows on 11 discs
Four folios housed in a slipcase
5/5/77 Veterans Memorial Coliseum: New Haven, CT
5/7/77 Boston Garden: Boston, MA
5/8/77 Barton Hall, Cornell University: Ithaca, NY
5/9/77 Buffalo Memorial Auditorium: Buffalo, NY
50-page book of liners and photographs
Sourced from the Betty Cantor-Jackson soundboard recordings, transferred by Plangent Processes
Mastered in HDCD by Jeffrey Norman
Artwork by Grammy-winning graphic artist Masaki Koike
Release Date: May 5, 2017

WHAT DEAD HEADS HAVE BEEN SAYING ABOUT...

NEW HAVEN 5/5/77
"Here is a prime example of the saying ‘the whole is greater than the sum of the parts’ … It’s called synergy and the Dead wrote the book on it.”

BOSTON 5/7/77
“The music they laid down brought me places I had not been before.”

CORNELL 5/8/77
“...the single best rock performance anywhere, anytime, by anyone.”

“There was just some kind of magical connection this night between the band members and the band and the audience - some texture, or some type of cosmic or celestial force is in the room.”

"This show is, was, and always will be Mecca.”

BUFFALO 5/9/77
"...an awesome display of the Dead’s captivating power"

If you've been following this site for quite some time, then you will know we are often flush with hyperbole when it comes to our releases. We can't help it, really - for we, like you, are Grateful Dead fans above all else. Just like you, we've spent countless hours debating the merits of show over show, year over year. We've kept a watchful eye on your wish-lists and carefully considered how to make - excuse the cliché - your dreams come true. And once we've made our commitments, we are steadfast in our determination to conjure up those dreams fully-formed and nearly perfect. Sometimes these heights cannot be reached without physical and cosmic elements aligning, and that, dear friends, is why it has taken so long for us to bring you THE ONE and the epic shows that surrounded it. No need for even the slightest embellishment here, 5/8/77 Barton Hall, Cornell University: Ithaca, NY, has for decades, been THE resounding favorite; you've said it yourselves - the "holy grail" of Grateful Dead shows. Thanks to the passion and perseverance of Dead Heads like you, we are beyond pleased to finally be able to present this show and its brethren, the fabled four of Spring '77, in sonically pristine condition.

MAY 1977: GET SHOWN THE LIGHT is a collection of what is unanimously believed to be the most sought-after previously unreleased complete shows the Grateful Dead ever played. Collected, traded, and debated for decades, "the beloved Golden Trinity" of Boston, Ithaca, and Buffalo, along with their New Haven prelude, have inspired fans to "get on the bus," converted critics, and even garnered national attention (Cornell was added to the Library of Congress’ National Recording Registry). But until now, you've never really heard them quite like this!

The Dead is in the details... how serendipitous is it that the notorious Betty Cantor-Jackson soundboard recordings were returned to the archive just in time for the 40th anniversaries of these shows? Lovingly sourced from these well-reputed recordings, we invite you to experience four utopian shows just like they happened, to "be inside the music" as engineer Betty Cantor-Jackson intended. Whether you listen to each night on its own or imbibe the whole lot at once, we suspect you'll hear why every note mattered. Much like we were, you will be hard-pressed to determine which of these fine documents - will it be the understated but nuanced New Haven, Boston's festive fantasy vibes, the monumental catharsis of Ithaca, or Buffalo’s dreamy exuberance - is truly "the best." Does it really matter? We think not.

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i've seen two of your posts in one weekcomplaining about someone's negative comments-guess what, when someone has an opinion that is not aligned with your thoughts,even if it's about someone setting a price for something they selling or the band is slop before pigpen.its gonna be negative.it's their prerogative to say it's not worth it or no thanks.i think it's your emotional immaturity to anything negative or something you don't agree with.you could have left it to-"that's your opinion and i don't agree."instead you feel it's necessary to put someone down.earth without rain is a desert.
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7 years 1 month
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Hi all, A technical issue I'm hoping to resolve: Recently ordered this set, promptly downloaded the CDs to my iTunes collection. Getting 1-2 second pauses between most of the tracks which disturbs the flow of the music. Does anyone know what might be causing this, and how to fix it? Gareth
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9 years
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It’s most likely caused by a setting in iTunes. Go into the iTunes preferences and see what is listed for import settings, as well as for playback settings.If you still can’t fix it then google it, there should be instructions somewhere.
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To icecrmcnkd, Thank you for your reply, much appreciated! If I may, I'd like to followup with a second question: it was only a year ago that I first discovered the Grateful Dead, and I'd love to hear recommendations from older fans about which live albums to listen to next? Thanks again, Gareth
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You know, Gareth, it really comes down to what you like about the Dead... When I put in the Dead, I rarely want to listen to songs, so to speak. I tend to go for the long, inspired jams. For this, I would suggest the Winterland 1973 boxed set as No. 1, so far... though in general, shows from the 1973-1974 will be your best bet for this... That said, there are gems of shows throughout the years, though I've never personally been impressed by anything later than 1977. May 1977: Get Shown the Light (All Music Edition) is a great collection from this year. I also really love One from the Vault, Sunshine Daydream, & Dick's Picks, Vol. 14... The Grateful Dead Movie Soundtrack is an all-too-looked-over gem, too. Finally, if you can afford it, I'd recommend getting a copy of the Pacific NW '73-'74 boxed set while it's still available on this site. When these sell out on dead.net, they price-inflate like crazy to 2x their original cost or more.
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Get Shown the Light, the box with the book, was limited to 15,000 copies, I read somewhere.But I can’t find anything on the All Music Edition that’s still available. Can somebody tell me how many of those were printed?
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So, I'm totally showing my newbie-ness, but when the formats are digital, which is the best to download? I'm thinking about uploading to iphone for maximum bluetoothing. Also, is the first selection a CD collection of the four shows? I didn't see it listed behind the All Music Edition, so I figured it must be sold out.

16/44.1 is CD format, so you could convert to WAV or AIFF on a computer and burn CDs if you wanted to, as well as have the digital file on a music player.

The higher resolution files are for a computer or music player. If you wanted to burn CDs from those files you would lose the higher resolution that you paid more for.

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First time I've ever seen R.I.P. included in the name of a firm pushing you to go on holiday ! Maybe its a plug for euthanasia.

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they thought they were going for dead people as a marketing niche. Dead heads, dead people, I'm so confused... Anyway, they're gone for the moment.
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Hi there,

I downloaded the ALAC of this digital download but when I import into iTunes it is not recognizing the artist or songs and not creating an album. For the same ALAC download for Pacific Northwest ’73-’74: The Complete Recordings Boxed Set it worked perfectly in iTunes. Why does this download now import correctly? Thanks if anyone knows or can help.

You should ask on the Dave's Picks 30 thread…there's more people on there and very few if any on here…hope it helps.

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Since they sold out of the regular box set with all the bells and whistles, and had a huge demand, Dead.Net is selling an All Music Edition that "...only includes the 11 CDs in four folios and a booklet of liners, housed in a simple slipcase."

So, still the four shows, just without the special packaging and the unpublished book. This time, the order went through. Nothing on the website about this also being a limited release -- it's not numbered, but they don't specify if it's another set amount.

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Hello,
I've purchased the fantastic Lyceum LPs more than a month ago and still nothing arrived.
I've searched for the tracking number done by the GD store on the DHL site but nothing appears.
I've yet written to the customer helpdesk, but I'm curious if somebody encountered my same problem.
Thanks a lot,
Fabianope

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Fabian, send me a PM and I'll see if the Doc can shed some light here.

Just to state the obvious, they are indeed fantastic records. I am half way through 5/25/72 at the moment - one that no-one really mentions. Probably because of the night after, which is a shame as it's a great show in it's own right. Curious "Good Lovin" - 14min 53 seconds, and no Pigpen rap - he just sings the opening the verses and the closing ones some 12 minutes later. In between we have spot on r'n'b jamming like no-one else.

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