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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • libertycaps97211
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    Dave's 27 speculation?
    Or too soon? A much more fun topic for discussion than PTSD GoGD FOMO.
  • snafu
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    What again damn shut up lol
    The title is meant as a joke. In all the posts on FW '69 and the secondary market 1 point hasn't really been discussed. Many people including many on this site are collectors of something be it stamps coins baseball cards etc. The fact that they want ltd. eds. to stay ltd for retaining value doesn't make them evil. In addition to it being a moral deficiency for a company to go back on its word and make more it's a contractual violation. As a stamp collector I pay huge premiums for stamps on ebay or a stamp collectin store and have no problem with that. Getting to the specifics of '69 for those who claim it's about access to the music getting a digital copy is hardly an issue and will sound the same. But I can't help but believe with those loudly complaining it may be the music but equally important is wanting what I bought with a specific promise 13 years ago. Ask a friend to make you a copy, buy it on ebay-the greatest thing for collectors ever- or deal with it. Your trashing of people who are collectors and expecting people who do a great job providing us a great product to go back on their word is getting old.
  • David Duryea
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    income
    I suppose I'm grateful to be able to afford all the GD releases with all the millions Rhino and George Soros give me to post on this site and join protests all across the country.
  • libertycaps97211
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    Ante up with Blue Dream
    And i raise with Mt. Hood Magic. It is one helluva good tyme to be a picky Audiophile Dead Head and alive.
  • JimInMD
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    RDS and Secondary Market
    I live in the middle of nowhere.. so travelling to a record store takes all day and $50 bucks round trip in gas. I get all mine either from a particular RS owner whom I have a relationship with or via the secondary market. It's funny, I think Dennis wrote about this earlier in the day, I have a turntable but moved into a smaller house six years ago.. so I have not set it up yet. One day I will though... and I try to keep up on them as best I can. One other comment, as a reply or in support of snafu's Rhino comment. I hear a lot of people putting Rhino (and dead.net) in the category of cashing in on the almighty dollar. Sort of a sell-out of sorts. Add up the expected gross revenue in a year (which is easy to do) and create some realistic estimates for royalties (yes, the artists should get a reasonable cut), then add in estimates for production costs (knowing this is outsourced), Norman's cut, Plangent Processing costs for the year, Dave's cut, Dave's healthcare and short term disability for injuries sustained filming his seaside chats, Rhino's cut, estimates for warehousing and distribution, the cost of outfitting MaryE with a new bicycle four times a year for delivery, add in healthcare and tax.. oh, and set aside say 10% for profit and overhead which is a low estimate. If you took the time to add reasonable estimates for each bucket, there is no pot of gold here at all.. just an idea that allows for a small few to pay their bills and perhaps put their kids through college. Just my opinion.. but this is less a money grab and more a mom and pop operation that might just have a heart and soul. Again, my opinion, I could be wrong.
  • LedDed
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    Warfield 10/80 C.C. Rider
    Off that "Complete Live Rarities Collection." Nothing will ever be complete with this band... no offense to the completist. Thing was worth the money, though I probably had most of it. I don't know. Just like I signed up like a sucker for that oncoming, "Best Repackage You Can Pay For Again" coming out soon. I said yes to that request thing y'all (seriously?) got behind because 1973 or whatever was a good year just like most of the rest. And I'll play along. As a registered D______, I signed some hippie's petition on a clipboard for some feelgood politician in front of the public library - today. Just trying to help his day along, like offering the fiver to the homeless person. I try to be nice. It's complicated. Complicated like how Verizon had millennials outside this rad pizza joint I frequent where I can order online and blast in and emerge, unscathed, and enjoy my pie. They wanted to sell me their goddamn (insert here, blah blah blah) fucking phone plan today at lunch. Anyone else hate running the gauntlet of just wanting to enter a business, give money and leave without having to deal with parasites outside the entrance? Don't tell me about pitying those who worked the shit jobs. I've had a plum one now for 20 years, running things - but I earned it; I've been a janitor, phone annoyer, newspaper boy and fire damage mitigator. I've walked that shit mile in those shoes. Pretty funny, the energy some focus onto these boards, like, as if, in the next master planning session at Rhino HQ, some bigwig is gonna go, "well, I have it on good authority that some of the prominent posters on Dead.net would really like a reissue of the 1969 box. That's good for over one hundred units sold right there!" Something horrible came on, and I changed it to, "A Horse With No Name." later
  • kyleharmon
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    Jim yeah I imagine that
    Jim yeah I imagine that boxset was the cause of many heated arguments at home lol. and I also imagine it probly was the cause for bad or ruined credit. I just cant imagine everyone being able to just plunk down 800 dollars I think plenty of people went and bought it on a credit card knowing full well they couldn't afford it. people buy cars they can't afford why not a box set? so I'm begging them to please, pleeaaaase for the love of god just do a mini box this year.
  • snafu
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    RSD
    Is April 21. They are starting to announce stuff now. Zep is releasing a 7" with 2 unreleased songs. There's sure to be more to come soon. Without trying to start something rsd is where the 2nd market comes in handy for me. I work Saturdays so I have to ebay the stuff I really want. I don't really resent it but I think it would turn the heat down a bit if they limited sales to rsd and ltd eds. to say 5. A few are ok This year I bought 2 Dave's extra one for my next gen deadhd nephew who is a Deadco fan but really wasn't into the GD until the sub and is hearing the range minus of course the 80's. Speaking of 80's for me some of the best shows I saw in that decade and with a double caveat emptor would make a great box set was the fall northeast tour of 83. They did release 1 as a dick's and 1 in 30 trips but there are another dozen plus that are superb.Hendrix freak I feel your pain back in the 90's I bought 65 shows bootleg. I do think that one of the reasons they and other boots have crashed in value is the quality was often crap and collectors are becoming more discerning now. Soltzus here's a place I think we can agree on judging from your posts. I'm a Zappa Freak and have been for 50+ years. I have everything he has ever released. The one problem with FZ releases is unlike the Dead his shows were very visual and you loose something just listening. Final housekeeping point. A lot of people here refer to Rhino as a business that makes decisions based solely on the dollar. While obviously they are a business which means the bottom line there's more to them than that. Even though they have become part of the Warners conglomerate they still retain something of their original mission. They were/are music lovers and while they naturally want dinero there's the love of music and pride in giving people something special. I know I'm glad they've put out all those collections from the Reprise Fugs to The Rascals Box the special Butterfield live double and the great Doors shows. Rhino Handmade was something special
  • KeithFan2112
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    I Buy
    I would like to say that I do not buy these releases strictly for the music. The truth of the matter is I always buy several copies and make coasters and bong bases out of the extras. I assure you there's nothing more pleasurable then setting down a Redbreast on Dave's Picks Vol. 1 Disc 1. To see those spacey light saber skeletons and the Star Wars artwork as I pick up my glass for a sip of premium Whiskey, is topped only by the slow gurgling of a hit off a homemade bong topped with Blue Dream, as I look down at the cool teal disc from 2/28 that says Fillmore West. Life is good. Had I realized their worth, I would have made a lot more.
  • kyleharmon
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    that's one expensive ass
    that's one expensive ass coaster as Dave's 1 is always up for a thousand dollars. but vguy in here I believe actually got 1-4 at a flea market for exceptional price. so theres always flea markets and possibly used stores probly cuz someone chucked out someone's belongings or someone couldn't make the storage bill or got evicted from an apartment and just didn't know what they had of worth.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Can't seem to find a good image of the CD cover for 3/26/90 from the first Spring '90 box. Anybody got any, or links to them?
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....on Mac Sabbath's website of all places. (kidding. no I don't)....
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I've never seen a bad trip portrayed so realistically on stage. Pure genius.
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3/27/89 3/27/91 3/27/94 and 3/27/95 I would like to be released not just because I'm biased and they are birthday date shows but also I think they are very well played shows for their eras. thanks to someone for getting me these tapes. if you're reading this you know who you are. it was a great birthday
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I thought they were hilarious too.. I was half tempted to see them just to experience the absurd oddity of it all. ...then there is Little Ozzy, sort of like honey..., I shrunk the Rock Star or what happens if you mix brown acid or PCP with Ozzfest. Again.. Dave.. we're begging you. Package something up and make a video. One of the laryngitis shows, Boreal Ridge 85.. just make the announcement, and quick!
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Buffalo Killers(Hey Girl & Blood On Your Hands) & The Sheepdogs(I Don't Get By & I Don't Know).Bands worth your attention. :o)
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Statesboro Blues-The Allman Brothers Band "Wake up momma, turn your lamp down low; Wake up momma, turn your lamp down low. You got no nerve baby, to turn Uncle John from your door." ___________________________________________________________ "Uncle John" you say...interesting. Why is Uncle capitalized? Does anyone know the story/reason behind this?
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03/28/73Springfield Civic Center - Springfield, MA Set 1: Cumberland Blues Here Comes Sunshine Mexicali Blues Wave That Flag Beat It On Down The Line Loser Jack Straw Box Of Rain They Love Each Other El Paso Row Jimmy Around And Around Brown-Eyed Women You Ain't Woman Enough Looks Like Rain China Cat Sunflower I Know You Rider Set 2: Promised Land Loose Lucy Big River Mississippi Half-Step Me And My Uncle Don't Ease Me In The Race Is On Stella Blue WRS Prelude Dark Star Eyes Of The World Playin' In The Band Encore: Johnny B. Goode
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March 28:Disc Two First Set: "Truckin'" (Hunter, Jerry Garcia, Phil Lesh, Weir) – 9:49 "Tennessee Jed" (Hunter, Garcia) – 7:45 "Chinatown Shuffle" (Pigpen) – 3:10 "Black-Throated Wind" (John Barlow, Weir) – 6:48 "You Win Again" (Hank Williams) – 5:09 "Mr. Charlie" (Hunter, Pigpen) – 5:02 "Mexicali Blues" (Barlow, Weir) – 4:37 "Brokedown Palace" (Hunter, Garcia) – 6:13 "Next Time You See Me" (Frank Forest, William G. Harvey) – 4:52 "Cumberland Blues" (Hunter, Garcia, Lesh) – 6:09 Disc Three "Looks Like Rain" (Barlow, Weir) – 8:06 "Big Railroad Blues" (Noah Lewis) – 4:09 "El Paso" (Marty Robbins) – 5:25 "China Cat Sunflower" (Hunter, Garcia) – 5:05 > "I Know You Rider" (traditional, arr. Grateful Dead) – 6:27 "Casey Jones" (Hunter, Garcia) – 6:43 Second Set: "Playing in the Band" (Hunter, Hart, Weir) – 13:56 "Sugaree" (Hunter, Garcia) – 7:36 "The Stranger (Two Souls in Communion)" (Pigpen) – 8:58 Disc Four "Sugar Magnolia" (Hunter, Weir) – 6:55 > "The Other One" (Bill Kreutzmann, Weir) – 28:16 "It Hurts Me Too" (Elmore James) – 9:23 "Not Fade Away" (Buddy Holly, Norman Petty) – 5:26 > "Goin' Down the Road Feelin' Bad" (trad., arr. Grateful Dead) – 8:20 > "Not Fade Away" (Holly, Petty) – 3:35 Encore: "The Sidewalks of New York" (James W. Blake, Charles B. Lawlor) – 1:10 > "One More Saturday Night" (Weir) – 4:43
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March 28, 1969http://gratefuldeadoftheday.com/03-28-1969 Modesto Junior College Student Center Modesto, California This is another show from Spring of 1969 where the Dead deliver every single night. And this show from Modesto Junior College is as good as any of them. The tape cuts into a raging Schoolgirl, which Pig struts through in full-on bad-ass form. After Pig gives a quick “thank you” at the end, the band completely switches gears, rolling out a fantastic Dark Star. It is marvelous from the start, but the last half - as Jerry drives forward with crystalline runs - is sure to raise goosebumps. Problem-laden, but still so good, versions of Stephen and The Eleven follow before a haunting, perfectly rendered Death Don’t Have No Mercy comes forth. Then, Pig asserts control once again, driving a balling Lovelight, which Jerry and the drummers make sublime. The second set is a bit short, made up entirely of an Other One suite that is fairly standard fare - meaning downright incredible - for 1969. Repost Bonanza: Grateful Dead – Modesto, CA (03/28/69) gd69-03-28-Student-Center Grateful Dead March 28, 1969 Student Center, Modesto Jr. College Modesto, CA Download: FLAC/MP3 https://themidnightcafe.org/2017/09/11/repost-bonanza-grateful-dead-mod… Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 11, 2007 Patch Info: SBD -> Cassette Master -> Dat -> CD supplies The Eleven (5:54 – 6:09) All of Set 2 Notes: — Disc change is seamless — Thanks to Rob Bertrando for the patch source — The start of Schoolgirl is clipped, not too much is missing –Set 1– 101-d1t01 – //Good Morning Little Schoolgirl 102-d1t02 – Dark Star -> 103-d1t03 – St. Stephen -> 104-d1t04 – The Eleven -> 105-d1t05 – Death Don’t Have No Mercy 106-d2t01 – Turn On Your Lovelight –Set 2– 201-d2t02 – Cryptical Envelopment -> 202-d2t03 – Drums -> 203-d2t04 – The Other One -> 204-d2t05 – Cryptical Envelopment
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Shows up at a conference. He heads over to the reception table to check in. "Hi, name's Onomatopoeia." "Yes, and how do you spell that?" "Just like it sounds."
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I used to hear this song many years ago as a young boy and I didn't know the tile until decades later when David Lemieux and crew selected the 3/28/72 Academy of Music in New York show to be Dick's Picks 30 in 2003. This show includes a segment of Sidewalks as tune-up for the encore of One More Saturday Night. Here is the original 1928 recording: https://www.youtube.com/watch?v=5mhi4_CjgdA Only 90 years ago. I thank Dave Lemieux & crew AND Deadhead and 1971 advocate, forensicdoceleven for turning me on again to this little ditty. Doc sent me 3/28/72 about a year ago as it was in circulation before it was released as Dick's 30.
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Thanks BCE'd, for adding some context to that historical ditty. The amazing thing is.. with what little they played of that song and without vocals, it's amazing anyone figured out what song it was. I had never heard of it. One of the things that I really like about the Grateful Dead is the respect they pay to traditional and roots music. Influences include Harry Smith's Anthology of American Music, Cannon Jug Stompers, Obray Ramsey, John and Allan Lomax, Bonnie Dobson, Dixie Cups, Rev. Gary Davis, Woodie Guthrie and the like.. just to name a few. The songs themselves are every bit as important as the skill in which they are played. Obscure and interesting. Thanks for giving us something to talk about.. a big step up from farm animals.
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A huge thanks to Thin for provoking me enough to get my ass out last night and experience some great local music with the B3 Kings. Not to mention another in-person meetup with a local Head. Who knew we were everywhere? I mean, besides Us? It was a great time, and the music was super slinky and solid. Well worth the time and company. Just makes me wonder on a geographical Plot, where we'd all be and how surprised the results would look once we realize we're all right in our own backyards. The Spirit lives on. Sixtus
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Farm animals?Mr. Ed probably could have been a Dead Head if younger, more hip writers and directors took control of that show, AND of course the series lasted much longer, or a later, late 70's early 80's, revival or the series took place. I remember your psychedelic lawn tractor from a while ago. If I recall correctly. (IIRC)
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Yes.. I thought I'd bring back the original wayback machine 1.0 with the controls set to 2/14/68.
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Thanks for the memory jog and listing the contents of Dick's Picks 30.
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when you look at it when you're chewing on life's gristle don't grumble, give a whistle
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It was great to finally meet someone on the other end of this board. As Sixtus said, we connected last night to see the B3 Kings in Cambridge at the Plough and Stars - great show and great company. Not the last time, I hope. The spirit of Saunders/Garcia is alive and well with the B3 Kings! They don't do any of their material, but the same vibe. Like walking into the Keystone in Berkeley in '75 and sitting right in front - crazy.
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Thanks for the link. I had bookmarked his old page for the cover scans, but for some reason wasn't able to download scans from it for a couple of years. I now can download them from his updated page. Thanks again.
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As old as civilization itself. https://en.wikipedia.org/wiki/Libation Will pour out a dram to honor Gran this evening. Will have Laird's Straight Apple Brandy; from the first licensed distillery in the US. Only the finest, I think she'll approve. So sorry for your family's loss. "May the four winds blow you safely home."
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From the Crossing Jordan soundtrack album Richard Thompson
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I saw several nods to DP 30 in the comments. I just bought this on eBay. I passed on the original release and I missed the Real Gone reissue. When it first came out I passed on it because I thought it was more about the novelty of the Bo Diiddley guest appearance and some of the other seldom played tunes from the first disc. Of course I was wrong. So as this is the case, when my copy arrives in the mail, it will be the first time that I will get to hear this release. I am pretty excited about it. Since I do have DaP 14, and I have the elusive Rockin the Rhein bonus disc, I have a way better context and appreciation for this run of shows. Well, I think I am understating that as I have more of a minor an obsession. I have been able to locate the DaP 14 bonus disc for a reasonable price (should have subscribed) so I may snag that to get more from this run. I know 1972 is well represented in the release category but I hope that they get around to releasing another complete show from this run some time in the future.
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....as you will soon find out Gratefulhan, his guest appearance was more than just a novelty. He fit right in....
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Just listened to that disc this past weekend.Very fine.
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Jim pulled the John Deere out of the barn.
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I go back and forth on this run.. Perhaps it's fair to say it's a prefix to E72. It has it's moments.. 3/23 is first class, the Caution>Jam>UJB from 3/22 is very nice, there's some Pedal Steel, a nice Smokestack, a couple really nice Other Ones.. I really enjoy listening to these shows but both sets don't congeal into the monumental full show experiences like they did across the pond. A lot of the songs really developed on that tour too (thinking Playing In the Band, China>Riders and the song structure and inventiveness in the second sets). Still two big thumbs up, but perhaps overshadowed by the earthquakes (and stellar recordings) that followed. I hope that's fair to say.. still, I am curious how they will sound with a fresh listen. It's been a while. What a momentous year. Edit: Yea.. spring is in the air.. I always liked that lawn mower.
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My problem with these releases is the sound quality. To my ear they have a hard dry edge to them. It's not extreme, just enough to keep them on the shelf more than other 72 releases. And let's face it, 1972 is a very competitive year when it comes to official releases.
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Yeah, for me it is the sound quality that is the problem. If the recordings had the same sound as E72, they should have been included in the E72 box, I think. The jamming is really of the same caliber to my ears. The E72 tour really started in the USA!
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That was really a touching vid, you would have thought the old guy was hearing Fire. In the beginning moments you would have thought the sound of fire had cured him the way he threw his walking sticks away. Unfortunately, he took the brown acid at Woodstock, this was him today. Sad but true. But he still had his groove!
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Before they start playing Sidewalks, Jerry is picking, "Give My Regards to Broadway". Also by the end of Sidewalks, I think they slipped in a little "Daisy". (daisy, daisy, give me your answer true), I thought I heard a little of the "..but you'll look sweet, up on the seat"
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Dave's Picks arrive at our doors on February 1, May 1, August 1 and November 1 give or take a few days. The seaside chat for DaP 22 was on April 14, 2017
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Double Derp. My bad. Carry on...just gettin' antsy.
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Grateful Dead Live at Ice Palace on 1969-03-29by Grateful Dead https://archive.org/details/gd1969-03-29.141435.sbd.dalton.miller.clugs… Publication date 1969-03-29 Topics Soundboard, Tim Dalton, Scott Clugston, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Morning Dew, Good Morning Little School Girl, Doin' That Rag, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light Notes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Uli Teute, Rich Petlock and taperchuck for the soundboard source which supplies a 6:00 patch in "Dark Star" - "The next tune we're going to do is something we wrote especially for the Ice Palace here in Las Vegas. We wrote it this morning." Mastered by Scott Clugston 3/13/2018
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Grateful Dead Live at Carousel Ballroom on 1968-03-29by Grateful Dead https://archive.org/details/gd1968-03-29.sbd.miller.108993.flac16 Publication date 1968-03-29 (check for other copies) Topics Soundboard, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Good Morning Little Schoolgirl Death Don't Have No Mercy Sitting On Top Of The World Dark Star Morning Dew Turn On Your Lovelight -> That's It For The Other One -> New Potato Caboose -> Born Cross Eyed// Other artist(s): Chuck Berry; Curly Cook's Hurdy-Gurdy Band Identifier gd1968-03-29.sbd.miller.108993.flac16 Lineage Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC Location San Francisco, CA Run time 61:24.10 Source SBD -> (4 Track) Master Reels -> Dat (44.1k) Transferred by Charlie Miller Type sound Venue Carousel Ballroom Year 1968 Check out the poster http://www.deadlists.com/posters/1960s/19680329.html
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Agree with all of the AOM comments. Feels like a warm up set of shows. Doesn't congeal. Audio not quite as good as other '72. Yet I have a friend who absolutely swears by it. AOM this, AOM that. They should have released the whole run as a box, etc. I don't get the appeal, considering everything else available from 1972, but I'm intrigued by my friend's preference toward this run, so I keep trying it. For me, I like the RTR bonus CD and parts of DP 30 and DaP 14, but for the most part, it stays on the shelf. The lone Dark Star is one of my favorites. Strange they only did onevin seven days, considering they played it every other night in Europe. Are You Lonely and the Bo Didley songs are nice. Pair of nice Wharf Rats on DaP 14. Always enjoy Brokedown Palace. One of only two Smokestack Lightning's with Keith. And there's Jerry's magic twanger.
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