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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • #401
    daverock
    Joined:
    The Who and The Dead-Thin
    I liked your consideration of Pete Townsend's performance with The Dead. The comparison between the two bands reminds me a bit of the discussion we had on here a few weeks ago about whether The Dead could be considered a jazz band. I didn't think they could, but I think their approach to playing rock music was "jazz like". And I think this is what confounded Pete Townsend when he played Not Fade Away with them in 1981. Its a simple, rock n 'roll song. But the Dead slowed the tempo and jammed, as was their wont. This obviously worked in spades for them-but they took the song out of the narrow (but great) confines of what normally constitutes the best rock n' roll music. As a great rock guitarist, poor old Pete was left standing at the starting line. I think most other rock guitarists would have been, too. John Cipollina, a bit more surprisingly, also seems a bit lost to me on the New Years Eve 1978 show, when he tries to play along on the same tune. Obviously not as easy as it looked! And as I sit here waffling, the Who Live at Hull has been pushed through my letter box. It could be a bumpy night.
  • #402
    Angry Jack Straw
    Joined:
    Thin
    Yeah. That is pretty much what I said. But thanks for restating it so emphatically. I'm glad you like the Who.
  • #403
    dmcvt
    Joined:
    the original Wall of Sound?
    Dick Clark calls it: https://www.youtube.com/watch?v=KKT0Kz5VGhw
  • #404
    boblopes
    Joined:
    Howdy
    Thanks for The Who at Hull - the remastered full Leeds is a bit pricey for my budget. Think there's 2 or 3 more copies left at amazon after my purchase. Thin - nice snowsport reference but didn't a snowboarder win the Gold in Woman's Skiing Giant Slalom in the recent Olympics? Since I fell behind the Spring 90 anniversary listen this year and I always fall behind in my E72 attempts, I'm attempting a hybrid. I listen to a couple from one or two from one tour and then one or two from the other tour. Been an experience. Aurally the 90's shows are 3 dimmensional with contributions from all. But I do notice a huge difference in the Jerry's role in comparing the two tours. A lot of the pieces that Jerry would drive in the Europe shows are almost parcelled out to Bobby and Brent. Jerry still has the the solos, but the rest of the fill is a group effort. I still love both, but was just something I never took note of before... Loving that Hawaii JGB release and the recent RFK box. Looking forward to the box set announcement, they never cease to amaze me...
  • #405
    Dark-Star
    Joined:
    Love The Who Too
    Thin, very well stated. One thing I want to add, is that the improvised set list versus the static set list is usually a trade off. The advantage for the Who is that they're so well rehearsed from playing the same songs every night, that there are virtually no mistakes, ever. I've seen them 30+ times and I have 50+ live recordings, and they never had an off night. Always tight, never flubbed lyrics. The only exception was technical issues with the synthesizer backing tapes on the '73 Quadrophenia tour. The Dead suffers some fallout from the improv and varied set lists. I don't mind it at all, only illustrating that there's a trade off.
  • #406
    Thin
    Joined:
    Angry Jack: Townshend "outmatched"? No...
    Townsend wasn't outmatched by Garcia. Yes, he looked and sounded like he was trying to fit in but couldn't get in the groove - at all. That doesn't mean he was outmatched - he was just waaaay out of his comfort zone. Towshend's style of playing is to take a 2.5 minute song and pack as many car chases and explosions into it as possible.... windmills, power chords, leg-splitting jumps, with his hair on fire and a kilbasa down his pants. The Who beat the shit out of their instruments while the Dead make love to the music. Not a slam on the Who - they're amazing and in 1970-71 they were THE band that everyone, including the Dead, was chasing.... I see "Skullfu@k" as their "Who" album, recorded in Spring '71. Did Townsend look neutered with the Dead? Totally - because he's not a finesse player, and the Dead are all about a musical conversation.... playing in a circle and feeding off each other. Look at Not Fade Away - perhaps the Dead's most bombastic, power-chord song - If Pete would fit on ANY Dead song it would be that one, right? Nope! For the Dead, even NFA is still a subtle conversation with each other and the audience. \ Pete kept trying to find a spot set off an explosion at Rockpalast, only to realize that his "thing" doesn't work with the Dead - at all. Kinda like the way John Mayer admitted after joining Dead and Co that his usual blues-y thang didn't work and he'd have to adjust and re-approach, which he did masterfully. Jerry would have looked equally out of place, even silly, onstage with the Who. And Who fans would have called him "outmatched" as well. It's like comparing the gold-medal mogul skier to gold-medal Giant Slalom guy.... they're both gonna fail miserably at the other guy's game.
  • #407
    KeithFan2112
    Joined:
    Roger From Oz
    Listened to nothing but KISS from age 5 - 10, then heard Baba O'riley at my cousin's house over Christmas break, and we must have listened to it 20 times that week. That plus side 1 of Meaty Beaty Big and Bouncy, and side 1 of The Kids Are Alright movie soundtrack, which has the Smothers Brothers "Roger From Oz" intro to My Generation. I was hooked. Who Are You was the first record I bought that wasn't KISS, followed closely by Meaty Beaty and Who's Next. First saw them 7/9/89, two days after first Dead show 7/7/89. Saw them about a dozen times now, most recently a year or two ago, whenever they were at MSG and Philly for the 50th bash.
  • #408
    icecrmcnkd
    Joined:
    Love The Who
    And as we all know, Who and Zeppelin are better than the Stones and Beatles, but Pink Floyd is the greatest British band ever.But they’re all in the minor leagues when compared to Grateful Dead. My first Who show was July ‘89, a little more than a week after seeing GD at Alpine. Was in row 32 on the floor, and extensively wide-eyed. It was an awesome rock n roll show, with all the greatest hits, even Boris The Spider. Also saw the Quadrophenia tour in ‘96 and the greatest hits tour in 2000, but those didn’t compare to the raw power of the ‘89 show. Love the Isle of Wight DVD, also have the Texas ‘75, Knebworth, and Kids Are Alright DVDs. But yeah, same setlist night after night. And that’s not just The Who, but also Zep, Stones, Floyd. Floyd claimed that the setlists had to be the same to keep the choreography with the video that was being played. But when you play each song the same night after night, well, that just goes to show that you are not in the same league as GD.
  • #409
    fourwindsblow
    Joined:
    Brendan Byrne Arena 4-7-87 and The Who
    Well I taught that weeping willow how to cry cry cry,Taught the clouds how to cover up a clear blue sky. https://archive.org/details/gd1987-04-07.140340.sbd.miller.flac2496 The Who is a great stress release.
  • #410
    Angry Jack Straw
    Joined:
    Rockpalast
    Funny that you mention that show. I was going to post something about that as well. Not sure what the correct word is, but Townsend seemed outmatched. Could be the lack of familiarity with the music, booze, drugs, etc. Who knows. I think he realized that his routine was not going to work in that particular setting so he stepped to the background. From what I have read, he came away with a great deal of respect for the Dead as muscians after that outing. Don't get me wrong. I appreciate The Who musically. Just not my listening preference.
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Submitted by heatherlew on
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Submitted by SPACEBROTHER on Tue, 03/27/2018 - 19:39

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Can't seem to find a good image of the CD cover for 3/26/90 from the first Spring '90 box. Anybody got any, or links to them?
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Submitted by Vguy72 on Tue, 03/27/2018 - 19:44

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....on Mac Sabbath's website of all places. (kidding. no I don't)....
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Submitted by mhammond12 on Tue, 03/27/2018 - 20:37

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I've never seen a bad trip portrayed so realistically on stage. Pure genius.
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Submitted by kyleharmon on Tue, 03/27/2018 - 21:38

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3/27/89 3/27/91 3/27/94 and 3/27/95 I would like to be released not just because I'm biased and they are birthday date shows but also I think they are very well played shows for their eras. thanks to someone for getting me these tapes. if you're reading this you know who you are. it was a great birthday
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Submitted by JimInMD on Tue, 03/27/2018 - 21:51

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I thought they were hilarious too.. I was half tempted to see them just to experience the absurd oddity of it all. ...then there is Little Ozzy, sort of like honey..., I shrunk the Rock Star or what happens if you mix brown acid or PCP with Ozzfest. Again.. Dave.. we're begging you. Package something up and make a video. One of the laryngitis shows, Boreal Ridge 85.. just make the announcement, and quick!
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Submitted by jrf68@hotmail.com on Tue, 03/27/2018 - 22:55

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Buffalo Killers(Hey Girl & Blood On Your Hands) & The Sheepdogs(I Don't Get By & I Don't Know).Bands worth your attention. :o)
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Submitted by Lost Dantian on Wed, 03/28/2018 - 00:19

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Statesboro Blues-The Allman Brothers Band "Wake up momma, turn your lamp down low; Wake up momma, turn your lamp down low. You got no nerve baby, to turn Uncle John from your door." ___________________________________________________________ "Uncle John" you say...interesting. Why is Uncle capitalized? Does anyone know the story/reason behind this?
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15 years 2 months

Submitted by David Duryea on Wed, 03/28/2018 - 03:59

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03/28/73Springfield Civic Center - Springfield, MA Set 1: Cumberland Blues Here Comes Sunshine Mexicali Blues Wave That Flag Beat It On Down The Line Loser Jack Straw Box Of Rain They Love Each Other El Paso Row Jimmy Around And Around Brown-Eyed Women You Ain't Woman Enough Looks Like Rain China Cat Sunflower I Know You Rider Set 2: Promised Land Loose Lucy Big River Mississippi Half-Step Me And My Uncle Don't Ease Me In The Race Is On Stella Blue WRS Prelude Dark Star Eyes Of The World Playin' In The Band Encore: Johnny B. Goode
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Submitted by David Duryea on Wed, 03/28/2018 - 04:05

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March 28:Disc Two First Set: "Truckin'" (Hunter, Jerry Garcia, Phil Lesh, Weir) – 9:49 "Tennessee Jed" (Hunter, Garcia) – 7:45 "Chinatown Shuffle" (Pigpen) – 3:10 "Black-Throated Wind" (John Barlow, Weir) – 6:48 "You Win Again" (Hank Williams) – 5:09 "Mr. Charlie" (Hunter, Pigpen) – 5:02 "Mexicali Blues" (Barlow, Weir) – 4:37 "Brokedown Palace" (Hunter, Garcia) – 6:13 "Next Time You See Me" (Frank Forest, William G. Harvey) – 4:52 "Cumberland Blues" (Hunter, Garcia, Lesh) – 6:09 Disc Three "Looks Like Rain" (Barlow, Weir) – 8:06 "Big Railroad Blues" (Noah Lewis) – 4:09 "El Paso" (Marty Robbins) – 5:25 "China Cat Sunflower" (Hunter, Garcia) – 5:05 > "I Know You Rider" (traditional, arr. Grateful Dead) – 6:27 "Casey Jones" (Hunter, Garcia) – 6:43 Second Set: "Playing in the Band" (Hunter, Hart, Weir) – 13:56 "Sugaree" (Hunter, Garcia) – 7:36 "The Stranger (Two Souls in Communion)" (Pigpen) – 8:58 Disc Four "Sugar Magnolia" (Hunter, Weir) – 6:55 > "The Other One" (Bill Kreutzmann, Weir) – 28:16 "It Hurts Me Too" (Elmore James) – 9:23 "Not Fade Away" (Buddy Holly, Norman Petty) – 5:26 > "Goin' Down the Road Feelin' Bad" (trad., arr. Grateful Dead) – 8:20 > "Not Fade Away" (Holly, Petty) – 3:35 Encore: "The Sidewalks of New York" (James W. Blake, Charles B. Lawlor) – 1:10 > "One More Saturday Night" (Weir) – 4:43
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Submitted by David Duryea on Wed, 03/28/2018 - 04:10

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March 28, 1969http://gratefuldeadoftheday.com/03-28-1969 Modesto Junior College Student Center Modesto, California This is another show from Spring of 1969 where the Dead deliver every single night. And this show from Modesto Junior College is as good as any of them. The tape cuts into a raging Schoolgirl, which Pig struts through in full-on bad-ass form. After Pig gives a quick “thank you” at the end, the band completely switches gears, rolling out a fantastic Dark Star. It is marvelous from the start, but the last half - as Jerry drives forward with crystalline runs - is sure to raise goosebumps. Problem-laden, but still so good, versions of Stephen and The Eleven follow before a haunting, perfectly rendered Death Don’t Have No Mercy comes forth. Then, Pig asserts control once again, driving a balling Lovelight, which Jerry and the drummers make sublime. The second set is a bit short, made up entirely of an Other One suite that is fairly standard fare - meaning downright incredible - for 1969. Repost Bonanza: Grateful Dead – Modesto, CA (03/28/69) gd69-03-28-Student-Center Grateful Dead March 28, 1969 Student Center, Modesto Jr. College Modesto, CA Download: FLAC/MP3 https://themidnightcafe.org/2017/09/11/repost-bonanza-grateful-dead-mod… Recording Info: SBD -> Master Reel -> Cassette -> Dat Transfer Info: Dat -> Samplitude Professional v8.01 -> FLAC (2 Discs Audio / 1 Disc FLAC) All Transfers and Mastering By Charlie Miller charliemiller87@earthlink.net January 11, 2007 Patch Info: SBD -> Cassette Master -> Dat -> CD supplies The Eleven (5:54 – 6:09) All of Set 2 Notes: — Disc change is seamless — Thanks to Rob Bertrando for the patch source — The start of Schoolgirl is clipped, not too much is missing –Set 1– 101-d1t01 – //Good Morning Little Schoolgirl 102-d1t02 – Dark Star -> 103-d1t03 – St. Stephen -> 104-d1t04 – The Eleven -> 105-d1t05 – Death Don’t Have No Mercy 106-d2t01 – Turn On Your Lovelight –Set 2– 201-d2t02 – Cryptical Envelopment -> 202-d2t03 – Drums -> 203-d2t04 – The Other One -> 204-d2t05 – Cryptical Envelopment
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Submitted by Roguedeadguy on Wed, 03/28/2018 - 04:24

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Shows up at a conference. He heads over to the reception table to check in. "Hi, name's Onomatopoeia." "Yes, and how do you spell that?" "Just like it sounds."
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Submitted by Born Cross Eye… on Wed, 03/28/2018 - 05:27

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I used to hear this song many years ago as a young boy and I didn't know the tile until decades later when David Lemieux and crew selected the 3/28/72 Academy of Music in New York show to be Dick's Picks 30 in 2003. This show includes a segment of Sidewalks as tune-up for the encore of One More Saturday Night. Here is the original 1928 recording: https://www.youtube.com/watch?v=5mhi4_CjgdA Only 90 years ago. I thank Dave Lemieux & crew AND Deadhead and 1971 advocate, forensicdoceleven for turning me on again to this little ditty. Doc sent me 3/28/72 about a year ago as it was in circulation before it was released as Dick's 30.
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Submitted by JimInMD on Wed, 03/28/2018 - 06:33

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Thanks BCE'd, for adding some context to that historical ditty. The amazing thing is.. with what little they played of that song and without vocals, it's amazing anyone figured out what song it was. I had never heard of it. One of the things that I really like about the Grateful Dead is the respect they pay to traditional and roots music. Influences include Harry Smith's Anthology of American Music, Cannon Jug Stompers, Obray Ramsey, John and Allan Lomax, Bonnie Dobson, Dixie Cups, Rev. Gary Davis, Woodie Guthrie and the like.. just to name a few. The songs themselves are every bit as important as the skill in which they are played. Obscure and interesting. Thanks for giving us something to talk about.. a big step up from farm animals.
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10 years 1 month

Submitted by Sixtus_ on Wed, 03/28/2018 - 07:00

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A huge thanks to Thin for provoking me enough to get my ass out last night and experience some great local music with the B3 Kings. Not to mention another in-person meetup with a local Head. Who knew we were everywhere? I mean, besides Us? It was a great time, and the music was super slinky and solid. Well worth the time and company. Just makes me wonder on a geographical Plot, where we'd all be and how surprised the results would look once we realize we're all right in our own backyards. The Spirit lives on. Sixtus
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Submitted by Born Cross Eye… on Wed, 03/28/2018 - 07:22

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Farm animals?Mr. Ed probably could have been a Dead Head if younger, more hip writers and directors took control of that show, AND of course the series lasted much longer, or a later, late 70's early 80's, revival or the series took place. I remember your psychedelic lawn tractor from a while ago. If I recall correctly. (IIRC)
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Submitted by JimInMD on Wed, 03/28/2018 - 07:24

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Yes.. I thought I'd bring back the original wayback machine 1.0 with the controls set to 2/14/68.
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16 years 3 months

Submitted by Born Cross Eye… on Wed, 03/28/2018 - 07:25

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Thanks for the memory jog and listing the contents of Dick's Picks 30.
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14 years 11 months

Submitted by stoltzfus on Wed, 03/28/2018 - 07:50

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when you look at it when you're chewing on life's gristle don't grumble, give a whistle
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11 years 6 months

Submitted by Thin on Wed, 03/28/2018 - 08:05

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It was great to finally meet someone on the other end of this board. As Sixtus said, we connected last night to see the B3 Kings in Cambridge at the Plough and Stars - great show and great company. Not the last time, I hope. The spirit of Saunders/Garcia is alive and well with the B3 Kings! They don't do any of their material, but the same vibe. Like walking into the Keystone in Berkeley in '75 and sitting right in front - crazy.
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17 years 6 months

Submitted by SPACEBROTHER on Wed, 03/28/2018 - 10:06

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Thanks for the link. I had bookmarked his old page for the cover scans, but for some reason wasn't able to download scans from it for a couple of years. I now can download them from his updated page. Thanks again.
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9 years 4 months

Submitted by Guss West on Wed, 03/28/2018 - 12:44

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As old as civilization itself. https://en.wikipedia.org/wiki/Libation Will pour out a dram to honor Gran this evening. Will have Laird's Straight Apple Brandy; from the first licensed distillery in the US. Only the finest, I think she'll approve. So sorry for your family's loss. "May the four winds blow you safely home."
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Submitted by David Duryea on Wed, 03/28/2018 - 18:35

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From the Crossing Jordan soundtrack album Richard Thompson
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Submitted by Gratefulhan on Wed, 03/28/2018 - 18:35

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I saw several nods to DP 30 in the comments. I just bought this on eBay. I passed on the original release and I missed the Real Gone reissue. When it first came out I passed on it because I thought it was more about the novelty of the Bo Diiddley guest appearance and some of the other seldom played tunes from the first disc. Of course I was wrong. So as this is the case, when my copy arrives in the mail, it will be the first time that I will get to hear this release. I am pretty excited about it. Since I do have DaP 14, and I have the elusive Rockin the Rhein bonus disc, I have a way better context and appreciation for this run of shows. Well, I think I am understating that as I have more of a minor an obsession. I have been able to locate the DaP 14 bonus disc for a reasonable price (should have subscribed) so I may snag that to get more from this run. I know 1972 is well represented in the release category but I hope that they get around to releasing another complete show from this run some time in the future.
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17 years 5 months

Submitted by Vguy72 on Wed, 03/28/2018 - 18:47

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....as you will soon find out Gratefulhan, his guest appearance was more than just a novelty. He fit right in....
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Submitted by icecrmcnkd on Wed, 03/28/2018 - 19:05

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Just listened to that disc this past weekend.Very fine.
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9 years 2 months

Submitted by icecrmcnkd on Wed, 03/28/2018 - 19:08

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Jim pulled the John Deere out of the barn.
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Submitted by JimInMD on Wed, 03/28/2018 - 19:18

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I go back and forth on this run.. Perhaps it's fair to say it's a prefix to E72. It has it's moments.. 3/23 is first class, the Caution>Jam>UJB from 3/22 is very nice, there's some Pedal Steel, a nice Smokestack, a couple really nice Other Ones.. I really enjoy listening to these shows but both sets don't congeal into the monumental full show experiences like they did across the pond. A lot of the songs really developed on that tour too (thinking Playing In the Band, China>Riders and the song structure and inventiveness in the second sets). Still two big thumbs up, but perhaps overshadowed by the earthquakes (and stellar recordings) that followed. I hope that's fair to say.. still, I am curious how they will sound with a fresh listen. It's been a while. What a momentous year. Edit: Yea.. spring is in the air.. I always liked that lawn mower.
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Submitted by mhammond12 on Wed, 03/28/2018 - 19:33

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My problem with these releases is the sound quality. To my ear they have a hard dry edge to them. It's not extreme, just enough to keep them on the shelf more than other 72 releases. And let's face it, 1972 is a very competitive year when it comes to official releases.
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14 years 1 month

Submitted by Gollum on Wed, 03/28/2018 - 19:59

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Yeah, for me it is the sound quality that is the problem. If the recordings had the same sound as E72, they should have been included in the E72 box, I think. The jamming is really of the same caliber to my ears. The E72 tour really started in the USA!
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12 years 1 month

Submitted by Dennis on Wed, 03/28/2018 - 20:36

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That was really a touching vid, you would have thought the old guy was hearing Fire. In the beginning moments you would have thought the sound of fire had cured him the way he threw his walking sticks away. Unfortunately, he took the brown acid at Woodstock, this was him today. Sad but true. But he still had his groove!
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12 years 1 month

Submitted by Dennis on Wed, 03/28/2018 - 20:46

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Before they start playing Sidewalks, Jerry is picking, "Give My Regards to Broadway". Also by the end of Sidewalks, I think they slipped in a little "Daisy". (daisy, daisy, give me your answer true), I thought I heard a little of the "..but you'll look sweet, up on the seat"
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Submitted by David Duryea on Wed, 03/28/2018 - 21:54

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Dave's Picks arrive at our doors on February 1, May 1, August 1 and November 1 give or take a few days. The seaside chat for DaP 22 was on April 14, 2017
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8 years 11 months

Submitted by libertycaps97211 on Wed, 03/28/2018 - 22:15

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Double Derp. My bad. Carry on...just gettin' antsy.
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15 years 2 months

Submitted by David Duryea on Thu, 03/29/2018 - 00:07

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Grateful Dead Live at Ice Palace on 1969-03-29by Grateful Dead https://archive.org/details/gd1969-03-29.141435.sbd.dalton.miller.clugs… Publication date 1969-03-29 Topics Soundboard, Tim Dalton, Scott Clugston, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Morning Dew, Good Morning Little School Girl, Doin' That Rag, Dark Star-> Saint Stephen-> The Eleven-> Turn On Your Love Light Notes: - Thanks to Tim Dalton for the source Dat - Thanks to Charlie Miller for the transfer - Thanks to Uli Teute, Rich Petlock and taperchuck for the soundboard source which supplies a 6:00 patch in "Dark Star" - "The next tune we're going to do is something we wrote especially for the Ice Palace here in Las Vegas. We wrote it this morning." Mastered by Scott Clugston 3/13/2018
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Submitted by David Duryea on Thu, 03/29/2018 - 00:14

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Grateful Dead Live at Carousel Ballroom on 1968-03-29by Grateful Dead https://archive.org/details/gd1968-03-29.sbd.miller.108993.flac16 Publication date 1968-03-29 (check for other copies) Topics Soundboard, Charlie Miller Collection GratefulDead Band/Artist Grateful Dead Resource DeadLists Project Set 1 Good Morning Little Schoolgirl Death Don't Have No Mercy Sitting On Top Of The World Dark Star Morning Dew Turn On Your Lovelight -> That's It For The Other One -> New Potato Caboose -> Born Cross Eyed// Other artist(s): Chuck Berry; Curly Cook's Hurdy-Gurdy Band Identifier gd1968-03-29.sbd.miller.108993.flac16 Lineage Dat (Sony R500) -> Adobe Audition v3.0 -> Samplitude Professional v11.03 -> FLAC Location San Francisco, CA Run time 61:24.10 Source SBD -> (4 Track) Master Reels -> Dat (44.1k) Transferred by Charlie Miller Type sound Venue Carousel Ballroom Year 1968 Check out the poster http://www.deadlists.com/posters/1960s/19680329.html
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9 years 9 months

Submitted by LoveJerry on Thu, 03/29/2018 - 03:38

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Agree with all of the AOM comments. Feels like a warm up set of shows. Doesn't congeal. Audio not quite as good as other '72. Yet I have a friend who absolutely swears by it. AOM this, AOM that. They should have released the whole run as a box, etc. I don't get the appeal, considering everything else available from 1972, but I'm intrigued by my friend's preference toward this run, so I keep trying it. For me, I like the RTR bonus CD and parts of DP 30 and DaP 14, but for the most part, it stays on the shelf. The lone Dark Star is one of my favorites. Strange they only did onevin seven days, considering they played it every other night in Europe. Are You Lonely and the Bo Didley songs are nice. Pair of nice Wharf Rats on DaP 14. Always enjoy Brokedown Palace. One of only two Smokestack Lightning's with Keith. And there's Jerry's magic twanger.
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16 years 2 months

Submitted by fourwindsblow on Thu, 03/29/2018 - 04:22

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Today starts three nights at the Spectrum. My second home saw most of my shows there.https://archive.org/details/gd1987-03-29.139719.sbd.miller.flac2496 This 95er not bad either. https://archive.org/details/gd1995-03-29.136874.sbd.miller.flac1648 Don't need to mention 3/29/90 but I guess I just did. haha
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