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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • thursday's child
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    wow.........
    "There are periods that I actually prefer NOT to listen to whole shows from ('74 is one of them. " - I must say, WTF. I guess we all have our tastes. I do prefer whole show releases. Peace
  • icecrmcnkd
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    Yeah kevjones
    7-3-15 was awesome.My mental state was just exactly perfect for that show. It left a smoking crater of my mind.
  • Seth Hollander
    Joined:
    Complete show vs selections-compiled releases
    Re Daverock's comment I only want whole-show releases. There are periods that I actually prefer NOT to listen to whole shows from ('74 is one of them. '74 First Sets can't keep my attention [until PlayingITB grabs my ears at the end] and the chunks of short songs in the Second Sets irritate me after that First Set slog. The '74 chop-job releases you mentioned fit my '74 listening desires almost perfectly [and Steal Your Face compiles everything I don't want from '74 shows]. I know my '74 opinions are not typical.). Thus I do feel there are some great selections-compiled/chop-job releases. But any such releases that dropped MY preferred songs are disappointing blemishes on the GDM catalog to me. Any time a release cuts performed songs, there is a good chance the release is ruined for somebody. Full-show releases guarantee everyone getting the songs they want from that show. Full-show releases also cause three disc releases that I can't look at without thinking "drop 2 songs and this show would be half of a cool two show/four disc release, and probably some other gripes [we all have 'em], but ultimately they give the fan EVERYTHING they COULD want from that show. The show unfiltered for you to experience and modify as you desire.
  • Gollum
    Joined:
    silent dancing
    pretty funny VGuy! they look like wankers
  • daverock
    Joined:
    Complete shows?-gratefulhan
    I noticed that one of the 3 things you look out for in listening to a show, is that it is as complete as possible. I can definitely relate to that...but there are some fantastic cds that do feature only portions of shows-and they are among my favourite releases. For example-Dicks Picks 2-31st October 1971-and so many fragments from 1974. The Closing of The Winterland consists of 5 brilliant cds from October 1974, another Dicks Picks has bits from 26th and 28th June 1974-and a Road Trips has bits of 16th and 18th June. All cut up-but all indispensable!
  • Vguy72
    Joined:
    This was the first thing on the internet I saw today....
    https://youtu.be/BHkhIjG0DKc....it's going to be a good day.
  • kevjones
    Joined:
    RE: Whackadoodle
    Was lucky enough to have attended Fare The Well in Chicago back in 2015. I have to say, as a veteran of 40 Grateful Dead shows, the first night in Chicago (7/3/15) was as close to the Grateful Dead experience, I have ever seen. The 2nd and third nights were kind of ho hum, but the first night captured the spirit. I'll probably see the Dead and C. thing in Albuquerque this summer. That will be enough to satiate me for the foreseeable future.
  • stoltzfus
    Joined:
    random show recommendation: 11/20/71
    for years I thought this show was meh, forgettable, no worth it. Then I listened to it again last night. HIGHLY RECOMMENDED. when the show is at the right speed, and on the right sound system, it is very impressive.
  • SPACEBROTHER
    Joined:
    A 1200 CD box
    Boxilla: 80 CDs, $750 price tag. $750/80 CDs = $9.375 per disc. $9.375 per disc X 1,200 discs = $11,250.00 = one expensive box set.
  • David Duryea
    Joined:
    Dick’s Picks 3 Leftovers
    https://themidnightcafe.org/2018/01/21/repost-bonanza-grateful-dead-pem… Grateful Dead 5-22-77 The Sportatorium, Pembroke Pines, FL Download: SHN/MP3 SBD>MR>C>D>CD>Toast>SHN Dick’s Picks 3 Leftovers (when combined with the material officially released in Dick’s Pick’s 3 as shown below, this provides us with the complete show): 1. El Paso 2. Peggy-O 3. New Minglewood Blues 4. Friend Of The Devil 5. Ramble on Rose 6. Brown Eyed Women 7. Good Lovin’ 8. Sugar Magnolia Complete show as follows — Leftover songs above in brackets: Set I: Funiculi Funicula tuning->The Music Never Stopped, Sugaree, [El Paso], [Peggy-O], [Minglewood Blues], [Friend Of The Devil], Lazy Lightning-> Supplication, [Ramble On Rose], Dancin’ In The Streets Set II: Help On The Way-> Slipknot!-> Franklin’s Tower, Samson & Delilah, [Brown Eyed Women], [Good Lovin’], Sunrise, Estimated Prophet-> Eyes Of The World-> Wharf Rat-> Terrapin Station-> Morning Dew, [E: Sugar Magnolia]
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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10 years 3 months
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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 5 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 10 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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13 years 10 months
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Yeah but I sill love Marcia, Marcia, Marcia!
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6 years 11 months
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 4 months
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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10 years 9 months
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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9 years 2 months
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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6 years 11 months
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Gotta transport those rockets somehow...
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9 years 2 months
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 11 months
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...are so alive. They pretty much power themselves.
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9 years 10 months
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Daddy's home
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6 years 11 months
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Daddy's drunk. Again.
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9 years 2 months
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Moe’s was having 3-for-1 specials all night long.
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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17 years 5 months
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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6 years 8 months
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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6 years 8 months
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 11 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 8 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 4 months
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Thanks for the help with the Janis folks.:o)
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6 years 8 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 11 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 11 months
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...charade you are.
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10 years 3 months
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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9 years 2 months
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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13 years 5 months
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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