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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • SPACEBROTHER
    Joined:
    Maine Dave
    Stay warm brother. Winter doesn't seem to want to let go of it's grips yet up here in the Great lakes region, but we were spared any serious snowfall this year. You guys get it pretty bad up there. I don't have all of the "Download Series" releases, but do have Vol. 5. Highly recomended. Lots of energy, a few rarities and a monster 2nd set. Vol. 7 I don't have yet, should probably get it. Vol. 9 is good. Two shows for the price of one, and the first night (4/2/89) in particular has some nice highlights. The Shakedown Street is worth the price of admission alone. For Vol. 11, from Pine Knob, is from two show run I attended. Between the odd song placements in the second set (for the era), the Birdsong and the Scarlet>Fire, it's really good. If you get this one, I suggest listening to the Drums>Space>Wheel with headphones on or between a set of speakers. I think this is a show where Mickey was karate kicking the Beam. I wish they would have included the "Victim" that preceded Scarlet>Fire. It could have been the jam in between Victim and Scarlet where Micket went crazy kicking the beam. A good way to test how much a set of speakers can handle. I've only recently gotten over my fears of purchasing digital downloads, so will eventually get the rest. There's still a few holes in my collection, but I'm slowly catching up. I did regrettably miss out on the one Road Trips Full Show download of 11/5-6/79, that has since been pulled. Wouldn't mind getting that one.
  • jrf68@hotmail.com
    Joined:
    Maine Dave
    Check your PM.
  • daverock
    Joined:
    Spacebrother
    Good summing up of 30 Trips. I am definitely going to give those November 1980 shows you mentioned another listen. After March 14th 1990, of course.
  • Maine Dave
    Joined:
    This is why I love this site
    Thanks so much for your responses everyone. Not that my decision has been made even a little bit easier, lol. Spacebrother, a special shout out to you for your enthusiasm... I appreciate the time it must have taken to give me both your lengthy responses. BTW, I know you lobby a lot for '80s and '90s releases. A few in the Download Series fit that description (#s 5, 7, 9, 11). I don't have any of those yet. Are there any that you're especially keen on? Cheers everybody. Lots of snow here in New England. Hops everyone is staying warm & dry...
  • SPACEBROTHER
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    TTATS audience patch
    It's actually the '81 show with the big second set patch. The '83 show is all soundboard. Lots of alternate source patches on the '70 show as well. The '82 selection is a solid "B+" recording of an "A-" show in my opinion. The source tape isn't quite as crispy as, say the '82 Greek run, but still pretty good. After my ears adjusted to the fidelity of the Manor Downs recording, I found it to be an enjoyable listen. I find that with the E'72 box, from the time it first came out, there is so much music there that too this day I still haven't spent a lot of time on any one particular show. All great perfromances and recordings, yet an overload of information. I tend to pull that set out on the anniversary dates, so by the next day or so, I'm already onto the next show. This set certainly deserves an "in-depth" analysis. Some people here have broken down ceratin aspects, like the various Dark Stars and Other Ones. I don't you'll find much, if any dissatisfaction with this set, except for maybe some of the mixing decisions where some thought it felt rushed. The only "off" thing I can recall from the set is that 4/11/72 Newcastle, Jerry's guitar sounds a little more distorted than the two Wembly shows that preceded it and the rest of the shows afterwards. Something like a blown tube sound, that seemed to be fixed by the next show. The slight muddiness of his guitar tone doesn't detract from the overall enjoyment of listening to it though. There will always be an occasional glitch when an entire tour is released, even during their best tours. Speaking of anniversaries, March 14th is tomorrow. Time to break out 3/14/90 Cap Center from Spring '90 (TOO). If you don't have these two boxes yet and have the spare money, you won't be disappointed. Like E'72 and May '77, every show is epic.
  • SPACEBROTHER
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    TTATS
    I think it's a great box and well worth having because of the following... 11/10/67 Shrine Auditorium - Multi-track recording with some source material used for anthem of the Sun 10/20/68 Greek Theater - It's the Greek Theater and with Pigpen. A must have. 10/22/69 Dream Bowl - shows the preceded the famous FW'69 run. If you like Live Dead, you'll like this. 9/24/72 Palace Theater - Great show from a great tour in a great year. Another must have. 9/18/74 Parc Des Expositions - They seemed to really deleiver on the few occasions they played in France. 9/28/75 Golden Gate Park - A little rough around the edges, but a must have none-the-less. 10/27/79 Cape Cod - One of the "all-time" must have shows. The second set is a monster. 11/28/80 Lakeland Civic Center - A great run of shows, including 11/30/80 Fox Theater (one of the very best Dave's Picks and one of the fastest to sell out) and the often requested 11/29/80 Gainesville. I would place this run in the same caliber as 5/7-9/77 for the trifecta. Just awesome. Absolutely must have. 11/21/83 The Centrum - prior to it's release, I never heard this show. Now it's one of my favorites. 11/12/84 Augusta - An absolutely must have show. Right out of the gate, Feel Like A Stranger will have you grinning from ear to ear. Gotta have it. 6/24/85 Riverbend Music Center - A monster second set. The "Comes a Time" and "Wharf Rat" and Cryptical sandwich are very nice. 9/18/87 MSG - One of the all time great Morning Dews. A must have show. 7/3/88 Oxford Plains Speedway - Awesome first set, and awesome second set. This would probably see a lot of time in your CD player. Perfect summertime music. Possibly a definitve Hell In A Bucket. Jerry is just killing it in this show. Absolute must have. 10/26/89 Miami - A multi-track recording of one of the more heavily requested '89 shows. If you like the '89 Warlocks box (10/8-9/89), Nightfall of Diamonds (10/16/89) the two Spring '90 boxes and Without a Net, this is up there with the very best of this era. Every deadhead MUST have this one. A wicked awesome second set. 10/27/90 Le Zénith - Another example of the band playing a great show in France. I've neglected a lot of the Europe '90 fall tour shows, and this one really piqued my interest. I like it. 9/10/91 MSG - One of those shows that should have been released in wide cirulation. Much like the run from the FW '69 box, why they made this limited edition makes no sense. I don't care what someones favorite era is...if they don't have this in their collection, they need to get it. Possibly the biggest "must have" of the entire box. 3/20/92 Copps Coliseum - Probably definitive for a '92 show. I attended this one, so the incentive for me to obtain this was pretty high. It's not to say that the shows from '66, '70, '71, '73, '76-'78, '81, '82, '86 and '93-'95 are in any way bad. They are all great as well. For me, as someone who likes to venture into every era of the Dead, 30 Trips was the perfect release for varieties sake. If you're a big fan of all era's, like I am, you'll love it. If you hate everything they played after the Keith & Donna era, not so much. I would say get it if you can afford it. So much to discover. I was listening to a couple of these shows recently from my buddies USB version of this set, and now I kind of wish I would have went that route over the CD set.
  • daverock
    Joined:
    E72
    I missed out on FW69, but I did get E72, and I would say its my favourite Dead release. Incredibly, every show is essential. True, there is a uniformity of sound, and a finite number of songs are played, which do crop up again and again. But the actual playing means that they are never boring or mundane. While the first sets are good, the second sets are out of this world-the energy and jamming! There is no other band in so called "rock music" that can improvise as effectively as this. I suppose it depends on whether you like the signature sound of the year or not, so, as AJS says, the best bet is probably to buy a few 72 shows first to see if you like them. Funnily enough, I was never that crazy about the triple album "Europe 72". I liked sides 5 and 6, and the China Cat-Rider, but overall, I was a bit underwhelmed.
  • Cousins Of The…
    Joined:
    Maine: TTATS
    In my opinion, this box is uneven; some shows are truly great, while others are just average.The ones I listen to the most: 1967 through 1970, 1973, 1974, 1975, 1976, 1977, 1979, 1984, 1990, 1991, 1992, 1993(yes, I actually like the 90s better than the late 80s...) 1971 & 1972 are disappointing, considering other shows from that year. 1982 is kinda' hissy, 1980 kinda' muddy, compared to what's on the Archive, 1983 is a good show, but post-drums is from an audience source. $1200 is a lot of money, you could wait for an auction instead of a Buy It Now, you should be able to get it under $900.
  • LoveJerry
    Joined:
    30 Trips
    I didn't want to miss out on this box, because it was the first one that was available since I became a dead head. However I was not interested in anything after Keith and Donna. So I bought it and then sold the leftovers, which worked out to be 17 shows. So if you want some but not all that's one way to go about it. I paid about 200 bucks for Dave's Picks Volume 4, William & Mary, September 1976. The audio on here is probably the worst of any non 1974 70s release. I'm not complaining, I bring it to light because I wonder how this came to be, when I consider every other show from this time. Is a magnificent Betty Board. In fact it's not even in stereo. When I hit the mono button nothing changes. Does anyone know what happened with this one?
  • gdgray
    Joined:
    E72 & TTATS..... worth it?
    I bought both of these sets and still listening to shows. My favorite show seems to be the last one I listen to. Yeah I know that's a lot of money. But I do the same thing with Miles and Dylan, just got to have them. Buy what you can live with to the extend to avoid the purchase creating internal issues. Freud said if you suppress your natural desires , they become unnatural. Got back into Vinyl recently and bought DP 8 on vinyl sounds really good.Only issue had damaged disc and took four emails before someone at Brookvale got back to me. Waiting two weeks for replacement disc.
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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Yeah but I sill love Marcia, Marcia, Marcia!
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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Gotta transport those rockets somehow...
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9 years
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 10 months
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...are so alive. They pretty much power themselves.
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9 years 9 months
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Daddy's home
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6 years 10 months
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Daddy's drunk. Again.
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9 years
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Moe’s was having 3-for-1 specials all night long.
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 9 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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Thanks for the help with the Janis folks.:o)
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6 years 7 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 10 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 10 months
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...charade you are.
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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