• 3,418 replies
    heatherlew
    Default Avatar
    Joined:

    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

Comments

sort by
Recent
Reset
  • daverock
    Joined:
    Meaty Beaty..
    This was about the 4th album I got, back in about 1972. I really liked the eccentricity of The Who in the earlier days, up to and including Tommy. It was a great time for British psych/pop/rock, and The Who made many great singles and album tracks around this time. They seemed of a piece with other great singles of the day by the likes of Pink Floyd, The Kinks, The Move-and literally thousands of others. The Who Sell Out may be my favourite album of theirs. They were a powerhouse in the early 70s-although I never actually got to see them at this time. But I preferred their 60s output to the heavier, more serious 70s material. They seemed a world away from The Dead, though, from what I have heard of their live recordings. And although I think Pete Townsend is a great guitarist, he seems woefully in the wrong place when he plays with The Dead at that Rockpalast March 1981 show. He and the band seem to be on different pages entirely.
  • kyleharmon
    Joined:
    glad I bought 4/26/72 when I
    glad I bought 4/26/72 when I did. it is out of print and nugs.net doesn't have it for download just edited Hundred Year Hall
  • The Outer One
    Default Avatar
    Joined:
    The 'Ooo Meaty Beaty Big and Bouncy
    My absolute first album ever bought! I still think it's arguably the numero uno greatest hits LP release ever! Two sides of silliness and bliss. I mean how can you not like Boris the Spider juxtaposed against My Generation or Magic Bus?! First saw the Who on the 1975 tour at their final stop in Toronto. Simply blown away by the sheer force and power (and volume!!Lol). Then after a blistering Won't Get Fooled encore Pete smashed his guitar to everyone's astonishment and delight. When they toured the 50th anniversary tour in 2016 I took the family to see them in Saskatoon. Far more contrived than in '75 but nonetheless a guilty pleasure all the same. Long Live Rock. WHO^
  • JimInMD
    Joined:
    The Complete Pete
    Not nearly as impressive the second time around..so long as that's not my epitaph.. I can live with it. I think the Who and equally important Pete Townshend deserve their time in the light. They were innovative, timely and Pete was/is the real deal. Not to mention John Entwistle, Keith Moon and Roger. I do get a kick out of most comparisons to the 'lesser' Grateful Dead. Same setlists.. solo's almost identical. But don't let that detract from the greatness of The Who.. they were/are great, but the Grateful Dead are in a league of their own and aren't we the lucky ones to be basking in the sun while all these great recordings are released. and.. right on deadicated.. '72 - the Olympia. Holy goodness, what a great twofer. Sacred grounds.
  • Angry Jack Straw
    Joined:
    The Who
    Was never a really big fan of The Who. Or the Dead for that matter. Listened to them both, but focused more on Traffic and Pink Floyd after the Zeppelin years began to wane. Happened to catch them both for the first time on the same weekend back in the early 80s. Was intrigued by the Dead, but blown away by The Who. So much so that I caught them again a few months later. Essentially the same show, same setlist, etc. Not nearly as impressive the second time around.
  • KeithFan2112
    Joined:
    Road Trips Question
    Was the 2011 Bonus Disc (12/6/73) shrink wrapped in the same package as the Denver 1973 Road Trips? The reason I am asking is because there is a 2011 Road Trips Bonus Disc shrink wrapped by itself on eBay. I thought this was strange, since all of the other ones I've seen were shrink wrapped in the main package with the primary release. Also looking forward to The Who Fillmore East show from '68. I've seen them about a dozen times, but never with Moon. Almost bought Hull the other day. It's the exact same show as the complete Live at Leeds show. It was supposed to be the one they used for the live album that ended up being Live at Leeds, but Entwistle's bass was not recorded on one of the reels. Years later, with the advent of digital production tools, they were able to take Entwistle's bass from a different night and fill it in. I was surprised to see the ad for the '68 Fillmore seats show, as Townshend has stated that they burned most of their vault tapes back in the 70s, to prevent bootlegging. I guess this one slipped through the cracks, I suppose because it's a multitrack.
  • Vguy72
    Joined:
    Man. I feel old....
    ...DP 33 was released 14 years ago? Denver RT 7? Geez. Thank God The Grateful Dead keep making me feel young again when I listen to them. Not always the case when I glance at the release years in the fine print.Road Trip bonuses were always packaged in the main release KF as far as I know. Repackaged my dude....
  • shirdeep
    Joined:
    https://m.youtube.com/watch?v
  • Born Cross Eye…
    Joined:
    The "Oo"
    I used to be a quite a fan of The Who way back then, with Pinball Wizard being their calling card to me, when it was on the top-40 AM radio charts. First I bought some 45rpm singles, then albums. In December 1975 I saw them live with Moon and Townshend smashing his guitar on stage at The Spectrum in Philly. That was the only time with Moonie for me. I saw The Who several times after that, most notable, in 1979 at Madison Square Garden for three of the five nights run, 9/16-17-18/79. As I listened and read about their shows, I began noticing that there wasn't all that much variety in their sets and a song played one night was the same or almost the same as the night before or following. Then reading about the Day on the Green Number 8 (10/9-10/76) Pete Townshend is quoted saying something like "he wishes The Who could be as versatile as the Grateful Dead" or something like that, or somebody else said it. I stopped listening to The Who about 1985 (Live Aid) and shortly afterwards, the Dead's '85 NYE national radio broadcast caught my ear and good-bye "Oo" and hello to a much closer appreciation of the good 'ol Grateful Dead. Since Dick's Picks 33 was released in November 2004, I haven't listened or watched any of The Who. They are still a great classic rock band.
  • kyleharmon
    Joined:
    12/7/71
    I hear a New Speedway Boogie tease in Big Boss Man. it seems to hit right on the 3:30 mark. and its very brief. also I fee like this one was announced for pre order on a Friday. and in the evening as well on my time zone. when its usually in the afternoon or even as early as 3 am usually the dave's picks have always been announced at 3am.
user picture
Default Avatar

Member for

7 years 11 months

"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

user picture

Member for

10 years
Permalink

Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
user picture

Member for

17 years 2 months
Permalink

....I sense another Partridge Family / Brady Bunch debate forthcoming.
user picture
Default Avatar

Member for

13 years 7 months
Permalink

Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
user picture

Member for

6 years 8 months
Permalink

No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
user picture
Default Avatar

Member for

13 years 7 months
Permalink

Yeah but I sill love Marcia, Marcia, Marcia!
user picture

Member for

6 years 8 months
Permalink

I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
user picture

Member for

10 years 1 month
Permalink

Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
user picture

Member for

14 years 9 months
Permalink

...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
user picture

Member for

10 years 6 months
Permalink

Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
user picture

Member for

6 years 11 months
Permalink

KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
user picture
Default Avatar

Member for

6 years 6 months
Permalink

I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
user picture

Member for

13 years 2 months
Permalink

..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
user picture

Member for

10 years
Permalink

I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
user picture

Member for

8 years 11 months
Permalink

I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
user picture

Member for

6 years 8 months
Permalink

Gotta transport those rockets somehow...
user picture

Member for

8 years 11 months
Permalink

Rockets are too big for the trunk. But what about Love and Rockets?
user picture

Member for

6 years 8 months
Permalink

...are so alive. They pretty much power themselves.
user picture

Member for

9 years 7 months
Permalink

Daddy's home
user picture

Member for

6 years 8 months
Permalink

Daddy's drunk. Again.
user picture

Member for

8 years 11 months
Permalink

Moe’s was having 3-for-1 specials all night long.
user picture
Default Avatar

Member for

17 years
Permalink

By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
user picture

Member for

17 years 2 months
Permalink

....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
user picture

Member for

6 years 5 months
Permalink

finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
user picture

Member for

17 years 2 months
Permalink

....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
user picture

Member for

17 years 2 months
Permalink

....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
user picture

Member for

6 years 5 months
Permalink

it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
user picture

Member for

8 years 7 months
Permalink

Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
user picture

Member for

6 years 5 months
Permalink

I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
user picture

Member for

8 years 11 months
Permalink

LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
user picture

Member for

11 years 1 month
Permalink

Thanks for the help with the Janis folks.:o)
user picture

Member for

6 years 5 months
Permalink

unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
user picture

Member for

6 years 8 months
Permalink

Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
user picture

Member for

6 years 8 months
Permalink

...charade you are.
user picture

Member for

10 years
Permalink

I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
user picture

Member for

8 years 11 months
Permalink

7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
user picture

Member for

13 years 2 months
Permalink

The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
product sku
081227931742