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    heatherlew
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    "We left with our minds sufficiently blown and still peaking..."

    We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

    DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

    Get one before they are gone, gone, gone.

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  • stoltzfus
    Joined:
    man
    what a fn bummer
  • JimInMD
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    Hampton 88
    Loved that run despite the disastrous one and only Stir It Up! (it was fun though, and spontaneous). I think we caught that wonderful Merriweather flood in '83 too.. one of my all time most fun shows, primarily because apparently I survived it. I am sure we passed each other on the freeways countless times. I was the one driving very carefully, wearing the tie dye with the bumper stickers on my Toyota. After all, you can't be too careful driving too and from shows.. especially when the speed limit was 55.
  • Across the Rio
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    JiminMD
    We surely were at a lot of the same shows together. And a lot of good ones. I guess you brought good karma. Hampton "88 was another run I enjoyed. Bobby and Phil engaging with the crowd that was demanding Phil, and then giving in to the "wisenheimers" with Box of Rain for a "Hampton redux of the breakout" was fun.
  • David Duryea
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    Dead of the Day - 3/20/71
    Dead of the Day: March 20, 1971http://gratefuldeadoftheday.com/03-20-1971 Iowa Field House Iowa City, Iowa Though there is good stuff from 1977 and 1970 on this day, we head to March 20, 1971 for our Dead of the Day. The band’s playing is tight throughout, and Jerry throws out some fiery jams, but Pigpen owns this show. He is lurking about through the Truckin’ opener and Loser, but comes to the fore in the gritty Hard to Handle. It is not like the rest of the band is slouching, though. They get everything out of that tune, with Garcia leading the way and Phil busting a great bass line and throwing in some funky bombs. The boys also play a very fine Bertha, Uncle John’s, and just about everything else. But, again, Pig provides the highlights in the Good Lovin’ and, especially, the closing Lovelight. At various times throughout the show, the vocals sound slightly off-key in the recording. But it is not really clear whether it is the boys or the tape, especially because there are parts, like Jerry on Bertha and Pig’s ragged blues intonations in the Hard to Handle, where the vocals are just perfect.
  • David Duryea
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    Port Chester 3/20/70 - give it a listen
    March 20, 1970http://gratefuldeadoftheday.com/03-20-1970 Capitol Theatre Port Chester, New York This is the late show from this date at the Cap. There was also an earlier show, which is out there in circulation, but is not available on Archive. First ever Friend of the Devil and second Deep Elem, not played since December 1966 at the Matrix. Capitol Theatre website has a nice t-shirt https://the-capitol-theatre.myshopify.com/collections/t-shirts/products… and dose of the dead poster for sale https://the-capitol-theatre.myshopify.com/collections/poster/products/d…
  • JimInMD
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    Re: Across the Rio
    Too funny.. you have to be my favorite tour buddy I never met. I bet there's a dozen or more shows we shared and it appears we even frequented the same hotels.
  • JimInMD
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    Box of Rain Breakout
    I was at that show.. The lead-up started much earlier.. Phil had a mic, but didn't use it. For a while, perhaps back into 1985, I don't recall.. one day he had a mic.. Then he started to sing harmonies, but just barely.. he would lean his mouth up the mic and sing a little.. Then he started singing songs, I don't recall if this was the first song he sang lead in after retiring his mic, if I have time today I will look into it. I remember it being hot inside that night, everyone was red faced after a few songs and beads of perspiration were flying around or coming off the ceiling.. the place was packed.. it was the first set closer and Bobby said something before the song like "Practice Makes Perfect" or something like that.. Then the opening chords of Box of Rain were played but it didn't sink in, we just looked at each other in disbelief.. until Phil stood up to the microphone and belted out the Look out of any window opening, then everyone went nuts. It was complete frantic chaos inside for the next minute or so. The Eyes of the World was sweet too. A good show for the period. I think we got a Visions of Johanna the night before and a Roadrunner (Bobby on Vocals), Duprees opener and a Supplication>Jam>Let it Grow to close the first set the next night. Perhaps one of the better runs that year. Goosebumps.. I loved that little coliseum, I have some great memories there. This might have been the night we didn't have a room and the group of us (plus about a hundred of our closest friends) ended up sleeping on the floor of the ballroom at the Holiday Inn. ..at least until the heat arrived just before dawn, just after folks starting getting some shut eye. :D ..but that's another story and one I am not very proud of. Sorry about the phone KF..
  • Deadheadbrewer
    Joined:
    Shrine '67
    My notes, composed whilst working my way through the TTATS box, have this entry for 1967:"A++: Might be the Grate-est Dead EVER!!"
  • Across the Rio
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    Box of Rain breakout
    I was there too. Just before they started it Bobby did say "this one proves practice makes perfect". I was on the floor, a bit in front of the soundboard. When they started, the place did go crazy. It was so loud that for about 30 seconds after Phil started to sing I couldn't even hear them. It was a special moment. I slept at the Holiday Inn as well (always the Holiday Inn when in Hampton), but I had a room. So that worked. The next night they did start with Roadrunner. In the second set they finished the Playing they started the first night (which I missed, so no Visions or Quinn for me). To finish the third night they played Sugar Magnolia - my notes show that Bobby climbed the speaker bank during it. He was in full on crazy Bob Rock Star mode. Good for you to see all three Jim, Always felt bad I didn't find a way to get there a night earlier to see the whole run. But the middle night was the winner.
  • Old Chief Smokem
    Joined:
    Shrine and DP 8
    Daverock-- enjoy those two gems. I'll be spinning the Shrine vinyl upon my return home tonight- can't wait to hear that first bomb into Viola Lee- that show just grabs you from the start and doesn't let you go. If I smoked cigarettes, I'd definitely fire one up after listening to that one. The art for that one is awesome too. Poster/ t-shirt? I'd buy em both. I'm told that today is the first day of spring, but the weather says another Nor'easter is heading towards the Philly area, so my snow day show, DP8, will be hitting the turntable tomorrow. Looking forward to a long listen (with the wife and kids this time) a nice fire in the stove and some leftover Guinness from St. Paddy's. Not a bad way to start spring if it's gonna snow a foot. Happy Spring, y'all!
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"We left with our minds sufficiently blown and still peaking..."

We're headed back to that peak with the newly returned tapes from Broome County Veterans Memorial Arena, Binghamton, 11/6/77. The Grateful Dead's last touring show of 1977 finds them going for broke, taking chances on fan favorites like "Jack Straw," "Friend Of The Devil," and "The Music Never Stopped," carving out righteous grooves on a one-of-kind "Scarlet>Fire" and a tremendous "Truckin'." An ultra high energy show, with a first set that rivals the second? Not unheard of, but definitely rare. Hear for yourself...

DAVE'S PICKS VOLUME 25 features liner notes by Rob Bleetstein, photos by Bob Minkin, and original art by our 2018 Dave's Picks Artist-In-Residence Tim McDonagh. As always, it has been mastered to HDCD specs by Jeffrey Norman and it is limited to 18,000 individually numbered copies*.

*Limited to 2 per order. Very limited quantity available.

Get one before they are gone, gone, gone.

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Incredible clip of Tom Waits singing Rain Dogs. I haven't come across anyone else in music who approaches things quite like he does. Hats off- a true original.
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17 years 4 months
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....I sense another Partridge Family / Brady Bunch debate forthcoming.
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13 years 9 months
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Who had the better Consigliere? Mr. Kincaid? or Alice The Maid? I wonder who Jerry liked or disliked more?
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No debate there, man. The Partridge Family all the way. They had instruments that they almost played. And a quasi-psychedelic bus. And Reuben Kincaid! Those Bradys were just a canned act. Cue audience applause -- now!
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13 years 9 months
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Yeah but I sill love Marcia, Marcia, Marcia!
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6 years 10 months
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I'm with you there. Though Laurie Partridge held her own. At least until Charlie's Angels came along.
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10 years 3 months
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Here is the live Tommy mp3 I spoke of yesterday or the day before, but forgot to post. A good friend reminded me. This is most of Tommy. I omitted Fiddle About, Cousin Kevin, and I think Tommy's Holiday Camp (Keith Moon would throw a FIT!) This is comprised of the best versions from Live at Leeds, Isle of Wight 1970, and Woodstock (Live at Hull had not been released yet). I think I doubled up on Sparks for very good reasons. https://drive.google.com/open?id=1gvnDVUzNQyjrs9XpNzKqkhGazTbb9cJI Let me know if it's properly accessible. For you audiophiles it went like this: CD => WAV => mp3 (320kbps); so while technically lossy, the word I've heard (read actually), is that the loss at 320kbps is in frequency ranges out of our hearing capability and metadata. When it came time to rip my Dead library digitally, I took the Pepsi Challenge on headphones and the big stereo, and Icannot distinguish between WAV and 320kbps mp3. Unfortunately, the Tommy WAV is MIA, sorry about that. Size = 101MB
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...as in, "Knockin' On Heaven's"... Sounds like ol' Jer might be figuring out how to plug in his MIDI from beyond the pearly gates! Either that or the "Space" from 7/8/78 that I broadcast into the universe from SETI's Allen Telescope Array a few years back is finally being acknowledged/answered by our alien brothers and sisters!
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Manzarek might have once asked Pigpen if he could use his organ and Pigpen didn't know this guy from Adam and refused him. From that you get what reads much like an over-wrought, heavily embroidered "story" about the GD from some skinny griper from LA. As a writer, it sounds like one or two molecules of memory and 99% BS larded on because poor little Ray's sensibilities were offended. Early '67 and a giant "support system" of blah blah blah? Sounds more like little Ray was intimidated by the general scene. Please pardon me, folks: F*** Ray Manzarek and his tight-ass LA BS.
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KeithFan I downloaded it okay. WOW. I've only ever heard the Tommy LP and this is WHOA NELLY!!! I can't believe my ears. Do you have a list of which songs came from which albums? Just a comment on the thin Doors - isn't it possible that the thin live sound is due to the recording quality? I mean, if you listen to '74 Dead, it's thin, but only because of the limitations imposed by the WoS rig, inasmuch as recording the music is concerned. There's no question that in person, the Wall of Sound was much fuller than what we got on tape. There is, of course, no substitute for a bass guitar in rock n roll, but if bass pedals and bassy low end organ is being played at the live Doors gigs, I imagine their sound would have been rich enough in person. But I'm guessing. I've never seen the Doors or heard a live record. Thin, I was not offended by anything you wrote, but commend your handling of the situation in subsequent posts. You are an officer and a gentleman. or was it a gentleman and a scholar? Laurie Partridge might be the most beautiful brunette of the 70s. The blue eyes, the bell-bottom jeans, the plaid button down shirts, the feathered hair style (did I miss any 70s attributes?) Oh yeah, I was reminded of the bra-less nipples through the t-shirt look, and the hairy armpits.
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I hardly ever listen to The Doors (anymore). That being said, I think L.A. Woman is up there in the pantheon of great studio albums. It's not Blonde on Blonde or Abbey Road, etc., but it is solid and definitely worth a listen.I think it is their studio album that has the most chance of appealing to a music-lover that does not otherwise consider themselves a Doors fan. Really looking forward to DaP 26! Still kind of wondering why they didn't go 12/14 and 12/15/71 (so as to get a Dark Star and that Lovelight medley on 12/15 - also back to back nights). But I hope it's because 11/17 was just too darn smoking and too much of a sonic upgrade to pass on.
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..purportedly made the brown acid at Woodstock. I guess that explains those freaky eye shades he was always wearing on tour. It's a toss up. Checking the weather in Vancouver.. perfect windy weather to record the box set release video... That Bolo video reminds me of the beginning of Close Encounters of the Third Kind..
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I had forgotten about the old supposed split in ideology between San Francisco bands and L.A ones. I always assumed THAT was BS-but thinking about it, maybe in the mid 60s the bands from LA made better records, but the bands from SF were better live. LA bands like The Doors, Buffalo Springfield, The Byrds, Love-all made brilliant records in 1966-67-but all were apparently less impressive live. With SF bands the reverse may have been true. Although Electric Music For The Mind and Body by Country Joe and the Fish was a classic. And After Bathing At Baxters was good, too. So maybe what I am saying is BS.
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I have some Doors concert recordings, will have to go back and check if they sound ‘thin’. Doors had a keyboard player who faked bass. Rush has a bass player who fakes keyboards. I like both Doors and Rush. But I like Grateful Dead best!!!!!
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6 years 10 months
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Gotta transport those rockets somehow...
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9 years
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Rockets are too big for the trunk. But what about Love and Rockets?
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6 years 10 months
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...are so alive. They pretty much power themselves.
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9 years 9 months
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Daddy's home
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6 years 10 months
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Daddy's drunk. Again.
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9 years
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Moe’s was having 3-for-1 specials all night long.
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17 years 2 months
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By the end of the 60s, Sly and the Family Stone, Santana, Steve Miller Band, Creedence made GREAT music in the studio, much of it equal to or surpassing that of the popular L.A. bands. And where does the brilliance of the Mothers figure in this comparison? Great, original, loved and reviled....
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17 years 4 months
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....(cue Obi-Wan). "Now that's a name I have not heard in a long, long time."
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6 years 7 months
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finally listened to Wake of the Flood all the way through since it came to my house in the Beyond Description box set. and I haven't listened to a studio album in a long while. "we need a box set announcement now! YOU'RE ALL A BUNCH OF FUCKING ANIMALS!"
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....what are ya gonna do about it! What are ya gonna do about it! What are ya gonna do about it!." Morrisons rants aren't like Pigpens, but they get the point across....box set please?Welcome Terrapin Moon. I like your style.
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....your plane is crashing into the waters off some uninhabited island. You have a crate of every Who song ever recorded. You also have a crate of every Doors song ever recorded. Which one do you attach the parachute to? Answer wisely. Doors. (this is an unbiased poll. No "but I have a cargo ship of every Dead song ever recorded" answers.) I admit. It was a tough call for me ;)
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6 years 7 months
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it's the only thing I know about him. Animals was my second real pink Floyd album (I won't count Echoes). I special ordered it at a record store in February '02. there's nothing that can replace special ordering an album at a record store and picking it up
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8 years 9 months
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Have to go back to 23 and then all the way to 19 for a similar result. Topical and inspiring. More of same for awhile please!
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6 years 7 months
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I think id take the doors and I don't even listen to the doors. I have a bit the who I just don't listen to em anymore and I think I like Who's Next out of what I have. but all this Doors talk is making me think of that Kids In The Hall skit about being a Doors fan
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LOVE Animals, my favorite Floyd album.Love Echoes too. By the way, which one’s Pink? I’ll jump out of the plane with The Who collection. Alternatively, I’ll throw both collections out of the plane and maybe the plane will keep flying until I reach my destination on the deserted island of Club Dead.
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11 years 3 months
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Thanks for the help with the Janis folks.:o)
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6 years 7 months
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unpopular request but, i'm hoping for some spring '92 to get released at some point. could make for a nice mini box.
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6 years 10 months
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Bolo's back on the bacon. Or mayhaps not. Seems it could go either way.
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6 years 10 months
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...charade you are.
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10 years 2 months
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I always thought Roger Daltreys scream towards the end of this song was copped from Jim Morrisons in When The Musics Over. Not a bad thing-its one of the best Who records.
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9 years
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7-27-73 2 CDs7-28-73 4 CDs 7-xx-73 1 CD Seven 7’s in the dates, and 7 CDs in the Box.
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13 years 4 months
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The Ice Cream Kid makes a valid point, 1973? I suspect 1973 represents a large portion of the newly returned tapes and it fits with recent focus on returned reels. I was going through my collection this morning. The shows directly after Pig's passing (3/8/73) are the Spring '73 Nassau Coliseum shows. Excellent shows btw. 03/15/73- Nassau Coliseum - Uniondale, NY 03/16/73- Nassau Coliseum - Uniondale, NY 03/19/73- Nassau Coliseum - Uniondale, NY I went to add up the # of discs it would take, etc. and realized my 3/19/73 started with the last song of the first set, Playing in the Band. The soundboards for the first set were incomplete when I pulled this down from the archive all those years ago. Then I looked back out at the archive and sure enough.. there is a new Miller seed that has the complete show. It was added less than a month ago, on March 11th, 2018. Big Man, Pig Man (no Pig Man). HaHa.. Charade You Are. When Dave's Picks 13, 2/24/1974 was released.. on the release video (the one where he narrowly avoided being mauled by the group of bad tempered, LA sound grooving, rabid seals) Dave said this should have been released a long time ago but it was overlooked, because... "it was just too obvious." 1973 is just too obvious. I still think it's a Summer '73 Box, but Spring seems to fit the clues a touch better. The closer we get to nailing this, the more likely Dave will be to dust off his log rolling shoes and drag himself out on the rocky beach to dodge surly sea lions and record for us a release video.
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