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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • bohlint
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    Box set
    I have been a break from the dead lately. I tend to take a couple months off every so often to enjoy other music and to help keep fresh ears. Honestly the last few Dave’s Picks haven’t done much for me. I love it all but lately it has felt like more of the same when recieving them. While driving today I had a thought and I felt the GD juices beginning to flow again. That thought gentleman and Mary was some primal dead. That down and dirty mid to late 69 goodness. Then it all came into focus...... WE NEED THE ARC BOX! Now is the time Dave!
  • Born Cross Eye…
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    Dick's Picks 3 misprint
    Is it Mucic or Muclc? Until now, almost 23 years later, I was sure the mis-print was Muclc. Now I know and I used a magnifying lens to really see the "correct" mis-print. Thank you all for bringing this obscure detail to light. I remember calling the 1-800 number on the (printed) Grateful Dead Almanac and ordering this release. I was put on hold and Dark Star from Live/Dead was the on-hold Muzak playing in the background. When the operator got my call, I said to her after I placed my order, "I sorta wished I was kept on hold, I love that background music." We both laughed.
  • Oroborous
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    AJS vs Vguy/ RE: Daverock
    First, has anyone thought how fun this next week or so might be; not only do we get to WATCH the cup finals...we get a ring side seat for what I hope will be some amazingly entertaining “cup talk” between our very own Angry Jack Straw (Caps), and Vguy (Knights)..... Daverock, I think I was thinking lol, that musically, perhaps some of the bands then, could be considered to have been at their peaks?....I know crazy subjective nonsense, but just a thought. And of course we have recordings, as limited as they are comparatively, that influence this theory for many. So to see in cool venues at band peaks is I guess what I meant. i.e., 73 Winterland.....As lucky as I was to see/hear what I did, I’m sure shows like that would stand out? I think I have experienced and heard about enough of the venues/vibe thing to get that part. Perhaps one of the great parts of Phil and Bob getting back at it in the late 90s was everything was able to get small again. Seeing Further for the fist time at Broomfield made me think I was at a new, clean Rochester War Memorial. The place seemed half empty, everyone was on the floor, you could sit almost anywhere. The vibe was amazing. The venues, the tech, the vide, probably the stress etc, all got real small and laid back, so for us “youngin’s” Seeing say P&F at the Denver Philmore, gave us perhaps a glimpse of what it was like scene/venue wise waaay back. Obviously, “culturally”, ahem, there would be a big difference between 69 and 99.... And I saw enough and heard first hand about those old drafty 10k “war memorials” etc. To me, the ultimate vibe was portrayed in the Dead Movie....wanted to be that dude in the front row every night and have a intimate knowdlege of the music like that, not just some causal fan who came just to get high and dance. Not that there is anything wrong with that. It’s just we were young fans as well as budding musicians and sound techs etc, so getting in the front row was like going to college! “What pre amp is he using this tour?” ”Oh, that’s how he plays that.” Yeah know, that kind of stuff. It was on a whole different level for us, and of course I cannot begin to describe the connection with the band when you were up there.....phew, still gives me shivers.... The letting go, freaking out and dancing phase came later ; ) Hell, shows didn’t always sell out then, so often larger venues would be kinda empty. But to be at like winter land with 5k or what ever uncle Bilbo packed in, and just the lay out etc. And the vibe, seemed sooooo laid back. The band that era, and the Wall, to me that might of been up there at the top, well, let’s not go down the “favorite” dead end road again.... But it’s all Yin/Yang. Yeah the scene got too big etc, and general admission mostly became a thing of the past, and the crowds did change drastically, no offense to the Touchers etc., but it did. On the other hand they played some great venues, they got tight, the sound and lights got way better, they for a while became a tight knit, and dare I say professional working unit. Hell, for a while it was even cool/popular to be a Dead Head! So like everything else in the whole Dead equation, it constantly was changing for good or for ill....and one can find good and bad at any point, any era, any configuration. Luckily, with the right kind of eyes, there’s usually more of the former, than the latter! “In the strangest of places if you look at it right” Anyway, mostly just love R&R stories, so keep em coming all y’all.... Dave, love your insightful and detailed reviews/posts. How the hell do you have that kind of time to not only listen so intently, analyze and then write for us. You must be a lucky dog! Wuff!
  • Mr. Ones
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    You've nailed it, Daverock!!
    I've always felt EXACTLY the same!! Every concert from'74 back to '68 was better than the 1,000+ shows I've seen since '75!! It's crazy how that goes. Also, if I didn't start listening to a band until album 3 or 4, I was hopelessly out of touch & behind the times. Even if the artist now has 15 or 20 releases. Case in point, the first Springsteen album I bought was "Darkness on the Edge of Town', #4. I believed I was so out of touch because I missed the first 3 albums. And now it turns out that after album #6, I pretty much don't like anything else. We music nuts have a lot in common with weird little minutiae like this. It's the beauty of sharing with like minded people!!
  • daverock
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    Missing out-Oroborous
    From what you write, I get the impression that you started going to gigs in the late 1970s, and that you regard the early 70s as being a better period for seeing gigs. I started going to gigs in 1972, and I always felt that the same way about late 60s - that they were better, and that I had joined a party just as it was ending. I wonder if this is a bit of a mis-perception-that things were always better before we arrived, which is usually the opinion of those who were participants during the earlier era. If you stared going to gigs in the late 70s-that was probably the best time for going to gigs-for you.
  • Vguy72
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    Decided to check out 5.26.95 today....
    ....now I have never listened to this show before. Not bad for '95, but I'm scratching my head at the FOTM. I don't want to say it's the worst version I've ever heard, but it's up there. https://archive.org/details/gd1995-05-26.sbd.larson.35169.flac16/gd95-0… ....Jerry is plucking his magic twanger for sure, but I'm not a fan of this twang...the vocals during the final coda are also cringe worthy. Moving on.
  • daverock
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    Dicks 3 etc
    Its spelt Mucic on my copy, although I have only noticed, now since it has been pointed out. Just shows how we sometimes see what we expect to see-not what's actually there. I agree that its a great show. Help-Slipknot-Franklins is my favourite 1977 jam, although it didn't crop up that often. I have always considered the one played on 9th June at Winterland to be the greatest-but I haven't played it this year yet-and they are all good. You sure listened to 18th June 1974 in more favourable conditions than I did, Jim! Not that there's anything wrong with my front room-but it doesn't sound as expansive as where you heard it.
  • Oroborous
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    Uncle/10-26-89
    You are correct, 10-26-89 has been released, bummer. Sorry, not overly familiar, since I didn’t get Boxilla... I did happen to go through list of shows (Wikipedia?) last night since I’ve seen so much here about it.....cursing myself, though it was a lot of scratch for me at the time... Always been a tad obsessed with those Miami shows as I had tix, but had to sell since I went to Hampton instead...(went to Philly also, but that was planned). Enjoyed Fla. 88 shows, and saw more shows at Spectrum than any other venue (13 I t think?) so the plan was to do Philly/Miami, but then Hampton happened.......Glad to hear the first night of Miami was good too, perhaps that will end up on something? Always thought perhaps not all, but a nice representation/sample of remaining unreleased 89 fall shows would make a nice box, especially since there are multi-tracks etc...perhaps that 9/29/89 also if it’s as good as it looks? I will have to get 10-26 copy elsewhere.... Really enjoyed your Floyd comments, especially the 73 show stuff. It must of been amazing to see all these great bands in perhaps their primes..... Personally, I really enjoy the posts by you folks that were a bit ahead of the curve age wise regarding early 70s, and sixties shows that you were at etc. I know how I remeber how much things changed from late 70s when I became concert goer, over the ensuing years. So using comparitve analysis in reverse, can only imagine what it was like back then; probably even more laid back, smaller scenes, with bands in their prime? Thanks to all who recall here their early experiences for those of us to young to have been there, so we can use these visions to enhance our imaginations etc., At least we have much of the fantastic music made in those days to enjoy!
  • stoltzfus
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    a tip of the hat to those for whom Memorial Day was created
    braver, stronger people than me.
  • JimInMD
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    Re: daverock, bob t
    Bob t.. Couldn't agree more. daverock, funny you brought up 6/18/74 Louisville. I had a busy day planned.. needed to start my day early, change the oil in the truck and get on the river early. So just after reading your post I go to move my truck to the oil changing spot, the radio was last on SiriusXM 23, The Grateful Dead Channel and that remarkable eyes of the world was playing. I recognized it immediately.. and it gave me a chuckle. Seeing how serendipity was already interfering with my plans.. after I changed the oil I made sure to grab my waterproof shuffle that had 6/18/74 already loaded and enjoyed most of the show on what turned out be a spectacular sunny day carving turns through the beautiful mountain canyon just upstream of my home. 11 miles of Class IV and V whitewater.. didn't see another soul except the buddy I was paddling with and even spotted a bald eagle in the top part of the run, which doesn't happen every day. Thanks for that post, you tilted karma my way and set in play what turned out to be a most enjoyable Saturday morning. Happy holidays all. 5/25..yes, I think that's what I will listen to on my bike ride up to get my truck. It's a stunner and the ride will likely take almost a couple hours. Just enough for the second set. Nice ramble, unkle.. a few nice little bits of history you got to attend.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I have to say that DaP 26 is just a continuation of one the best things that has been done in Grateful Dead releases. First I never heard either of these shows so that alone is cool. I like how we are getting basically two complete shows, of which one has Pigpen. I was appreciative of the bonus disc explanation- makes sense. Plus I trust Dave; he is one of us so he does have the best interests of all of us at heart. I know that these releases don't always have the variety that some would like, and I can understand that. Yet we are getting great sounding shows, many of which are these recently returned tapes. Getting that music out is huge my opinion. Along with the many things I look for in a release, if we are getting the best quality shows both in performance and sound we are good to go. Dave and CO could have elected to go a different route with some these recent releases, but then again why wait to opt out this recently returned tapes? The other part is that this Dave's Picks series gives us 4 new shows (sometimes 5 with bonus discs) per year. I just can't think of a better way to approach this, at least in way that provides a consistent release pattern. The subscription is a golden ticket. I have it allotted in my budget every year, just as if it was another bill. The only risk is that I may not like a release that comes out. I can say the DaP 20 was one that really didn't do it for me- it wasn't terrible but not high in my rotation of shows. Conversely I missed out on releases 1-12 and I have regretted it ever since. I have managed to go back and get 6, and 9-12, of course at a high cost. DaP 5 still eludes me as I haven't quite been able to convince myself to pull the trigger on the $200-$275 range it sees to go for these days. I have to get it tough- it is my birthday show. I really dig the build up to the announcement, the subsequent discussion prior to the shipping date, and the the reviews after we get them in our hands. Having these releases and then a box set, plus a few other releases every year is wonderful. Between this, my better half, working out, and Brazilian jiu jitsu that is how I enjoy life. Also throw in the outdoors too. Good times!
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You really summed things up nicely, especially, "Plus I trust Dave; he is one of us so he does have the best interests of all of us at heart." Indeed, he is one of us.
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I guess this has now officially turned into the Who 69-73 thread. Thanks for posting the videos. As far as the SG with single coil P 90's, man that is the sound. There was a description for Pete's lead in Heaven and Hell as vicious. Yes it's that but it's also crude sounding cause he strays out of key and gets kind of lost. A few clam notes are okay but there are times when I just say to myself he should not be attempting to go there. I think a couple single note licks here and there work but it's probably best to leave the lead playing to the Ox. Pete's rhythm/power chord playing is a thing of raw beauty & Pete is a tremendous songwriter. I still love the Ooo, flaws and all Edit: I gave it a relisten on a computer where I can hear the bass a bit better. Pete was not as off as I initially thought. On key for the most part. He may not be as lickety split a guitarist as Clapton & Page but the feel is great.
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Agreed. The discussion is getting old. It's like debating which is a better pet. A guinea pig or a turtle. The answer is neither. It's a dog. I never saw the Doors live, but here are the bands from Canadaland I have seen that were better than the Who. The Band Neil Young The Tragically Hip Blue Rodeo Cowboy Junkies Bruce Cockburn I chose Canadaland as a nod to the Stanley Cup playoffs. And my beloved Winnipeg Jets. I've been a Jets fan for almost a week now.
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I haven’t disliked any DaP. When I first got on the bus (4-6-89, although I was aware of them years earlier and had cassettes of studio albums, but they didn’t come to my geographic area regularly - 84, then absent until 88, but I didn’t know about the 88 show until afterwards) there were few official live recordings. So, I started collecting cassette tapes of shows, and at the beginning they were really hissy. I spent many, many hours listening to hissy cassettes with muddy sound. And all it did was convince me that I needed more cassettes and that I needed to see more shows. Fast forward to present - these official releases sound amazing, and often are shows that weren’t in circulation. They are a blessing! And the shows that I previously had on cassette and are now being released in Full-Norman are also a blessing. Bring on more blessings!!!!! Thanks Dave and Company!
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I personally love DaP20. I have turned a lot of folks onto this show. We have all heard plenty of Dead tapes where they might shit the bed in a few sections throughout the show and we love it....why the hate for this one? Once they blow it to hell with the Jack Straw it is almost like they spend the rest of the show trying to make up for one SNAFU and they ABSOLUTELY DESTROY the rest of the show. I listen to more 80's Dead than you can shake a stick at so I am very biased, I understand this. But really...why all the hate?
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Canadaland bands I have seen:The Guess Who (2x) Rush (3x) The Band (didn’t actually ‘see’ them, I listened to them from outside of Soldier Field 7-8,9-95 and went in after they were done).
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....going to break out the brooms tonight against the Queens boyz. Someone needs to make up some "I Trust Dave" stealie stickers. Etsy?
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And, you're welcome.
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I too am a fan of this show. After the melt down during Jack Straw, they are on fire! I don’t consider myself an 80’s head or a 70’s head, or any particular era. I love it all. I only got to see them with Jerry twice in the 90’s and I consider myself very lucky I got to see them the two times I did. I wish it could have been 1000 times, but at least I get to hear what I missed with these great releases. So, bring it on. 80’s - hell yes, 90’s - hell yes. Keith? Brent? Vince? Yes! I want it all! Dave, keep up the good work!
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....there should have been 26 balloons on the Albuquerque cover. I count 22. Just an observation. Side effect of my OCD.
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...’When the mind is wild with mockery And filled with pride and haughty arrogance, And when you want to show the hidden faults of others, To bring up old dissensions or to act deceitfully, And when you want to fish for praise, Or criticize and spoil another’s name, Or use harsh language, sparring for a fight, It’s then that like a log you should remain.’... https://www.tibetanbuddhistaltar.org/vigilance-from-the-way-of-the-bodh… Vigilance: From “The Way of the Bodhisattva” by Shantideva :)
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...’When the mind is wild with mockery And filled with pride and haughty arrogance, And when you want to show the hidden faults of others, To bring up old dissensions or to act deceitfully, And when you want to fish for praise, Or criticize and spoil another’s name, Or use harsh language, sparring for a fight, It’s then that like a log you should remain.’... https://www.tibetanbuddhistaltar.org/vigilance-from-the-way-of-the-bodh… Vigilance: From “The Way of the Bodhisattva” by Shantideva :)
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There is a Dave's picks 5 currently listed at a low bid. Maybe this is a good week, with deadheads spending on DaP 26. Also a new E72 show for cheap 49.99. Dave's picks 5 But is $36.99 EBay item # 302704972702 Grateful Dead Europe '72 5/11/72 bid is $49.99 EBay Item number 202289833585 I noticed Pete too on that solo, and it was very uncharacteristic. Not saying he was a virtuoso by any means, but that wasin no way typical. It was so unusual I took note and replayed it. It looks like Pete went off track in the guitar solo because Entwistle was fixing a broken string. The base clearly dropped out and it was just Townshend and then Moon playing, and you can see Entwistle sort of side stage.
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Forgot a few things. Dave's picks 5. By all means, grab that one. The best release of the entire series, IMHO. Tom Petty. Never got into the band. Not sure why. Although I do think Mudcrutch is very good. Petty's songs always seemed a bit too much "pop" for me. Or it could be when he and Bob Dylan toured with the GD, his band played "Hey Spike, what do you like" every night. Plus it took an entire squad to bring out his top hat. Or maybe it was the Silence of the Lambs soundtrack. It puts the lotion in the basket.
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I was pleasantly surprised that the carry over thought from DAP 25 or whatever the fuck it was continued right up this Who/Doors tangent. I don't get tired of it. I try to maintain the excitement and enthusiasms for life as I did as a wee lad, and later, why just earlier tonight the wife gave me the crooked smile... People here like Duryea, publicly, lay down the most awesomest of Deadposts I can't even begin to contribute on that level. But I sense hockey fans here, probably (gasp!) football fans and creatures of all colours who cling desperately to the Grateful Dead. For reasons their own... count me among them. The Who, the Doors, Pink Floyd Neil Young Bob and the Beatles and what's his name, Mick... It is all good. Talk will turn back to the next Dead release when the needle drops. Best,
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I guess you didn't count the birds! I can see 26 birds!How deadicated are we?? Romeo Nathan
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Fiend.
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...delivered big time with Quadrophenia and nearly with By Numbers, i think. 1) Quadrophenia is among the best ever conceived and played works of the rock genre. Like Pet Sounds and Sgt Pepper ever. Thrill to Who rock, riffing and pounding about on the utter pain and loneliness from really looking in the mirror, if you don't know this ambitious work that has aged incredibly well, dive in immediately. 2) At least half of By Numbers (side 1 plus Blue Red and Grey) is pretty fucking great, perfectly styled and dynamic Who music and right in tune with Pete's earlier growing-old-sucks rant. Good treasure those two records.
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I hear you, AJS. Tom sat on the pop side of the scale for sure, though he and the band could jam live when they had a mind to. I connected with his music when I was young, like I did with the Dead, and he rolled with me until now. Check out his cover of "Friend of the Devil" on his live anthology though. It's pretty sweet. In fact, the whole live anthology might give you a different perspective on his music in general.
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...obviously validating their own self pity. Not everyone can get it. That's life. Just glad i'm on the good side of the fence and will continue to be! (Thanks to a good job and being smart with money early on.) Now bring on that lovely Summer '73 Box Set announcement. It's time.
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Thanks for the heads up. Like I said, his material that is not mainstream is actually quite good.
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Looks like it might be somewhere in Philly, because of train and weeds, looks about 1973.Jim
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Dave is waaaaay overdue for a '74 show in the series. I nominate 5-19-74 P-town Wall of Sound Bobby's rhythm guitar really dialed in....and count down to Lift-Off in.... Erm. Too soon ?!? Lols.
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Congrats. Wow. Unreal sweep. The Kings had Brown, Carter and Kopitar. All jammers. Not sissy ass pricks like cindy. These guys are grinders. Real grinders. And you beat them. Good for you. And how did you get Fleury again? Hot goalie wins the cup.
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Love Quadrophenia...I have an MFSL Gold Disc, sound is incredible/Bass playing...Who By Numbers is an overlooked Gem. #60 danc Offline Joined: Sep 11 2007 The Who... ...delivered big time with Quadrophenia and nearly with By Numbers, i think. 1) Quadrophenia is among the best ever conceived and played works of the rock genre. Like Pet Sounds and Sgt Pepper ever. Thrill to Who rock, riffing and pounding about on the utter pain and loneliness from really looking in the mirror, if you don't know this ambitious work that has aged incredibly well, dive in immediately. 2) At least half of By Numbers (side 1 plus Blue Red and Grey) is pretty fucking great, perfectly styled and dynamic Who music and right in tune with Pete's earlier growing-old-sucks rant. Good treasure those two records.
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Love Quadrophenia...I have an MFSL Gold Disc, sound is incredible/Bass playing...Who By Numbers is an overlooked Gem. #60 danc Offline Joined: Sep 11 2007 The Who... ...delivered big time with Quadrophenia and nearly with By Numbers, i think. 1) Quadrophenia is among the best ever conceived and played works of the rock genre. Like Pet Sounds and Sgt Pepper ever. Thrill to Who rock, riffing and pounding about on the utter pain and loneliness from really looking in the mirror, if you don't know this ambitious work that has aged incredibly well, dive in immediately. 2) At least half of By Numbers (side 1 plus Blue Red and Grey) is pretty fucking great, perfectly styled and dynamic Who music and right in tune with Pete's earlier growing-old-sucks rant. Good treasure those two records.
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Nice tip of the hat by Reijo29 to the Kinks yesterday. They had an incredible run of singles in the 60s that were definitely as good, if not better than those cut by any band that weren't The Beatles. Unfortunately, they didn't seem to adapt to the more aggressive landscape of the 70s too well. And that song, Waterloo Sunset, is one of the most beautiful records of any era. There was a great rendition of the song in a play shown on television in 1971, called Edna The Inebriate Woman. Its about an older woman who is homeless and has an alcohol problem, and the play follows her in her downward trajectory through hospital, prison etc. etc At the end of the play-still suffering from problems-she sits down at a piano, maybe in a hostel, and sings Waterloo Sunset with her cracked and damaged voice. And it is beautiful. I haven't watched Daves chat yet. But I am sure that is beautiful too.
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I'm a sucker for anniversary show dates, none more than Europe '72. I think 4/17 is one of the premier shows. There are a lot of shows in this set where you can't hear Keith too much, but he is ever-present on this one. Trivia question - what do Caution (Do Not Stop On Tracks) and Good Lovin' have in common? Answer - she got her leg up against the wall.
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I am excited for this release- the good Doctor has shown me the light of '71 Dead as he has many others, I'm sure, and this one looks like a phenomenal release. To prepare, I listened to Austin Road Trips yesterday and it's just awesome. Dave spoke about it a little bit in the basement chat, but the first set Dark Star and the Chinacat jam in NFA>GDTRFB is really cool along with just about the whole dang show! I don't mind breaking up the Ann Arbor setlist (seems mostly to be for business reasons); it should be easy enough to piece it together, but I do wish they would've cut Run Run Rudolph instead of whatever else it was that they cut. The boys do a good version of Rudolph, but the one from last year was enough for me. Anyway, what about Gainesville? Hofheinz Vinyl is the truth! RSD--> take my money!! Happy Wednesday, all.
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true saying, all that shines is not gold.Like the good book says, you gotta reap what you sow.
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As most of us know the PTB have used the Bonus Disc as a carrot to entice salesAnd as such they represent a unique set of releases. I am glad I was able to be able to purchase the Road Trip series as they were released. And similarly with the Dave's Picks series (Dick's Picks needed no extras as it was unique at the time) With the Dave's Picks Bonuses There are quite a few covers Like 2012 Nobody's Fault But Mine 2013 Smokestack Lightning I Know You Rider Good Lovin' 2014 Clear 2015 I Know You Rider 2016 Clear 2017 I Know You Rider Road Trips Even More So 1.1 I Know You Rider 1.2 Iko Iko 1.3 Hard To Handle Sing Me Back Home Big Boss Man Not Fade Away > Goin' Down The Road Feeling Bad > Turn On Your Lovelight 1.4 Good Lovin' 2.1 Clear 2.2 Viola Lee Blues Good Morning Little Schoolgirl Turn On Your Lovelight 2.3 Morning Dew Around And Around Goin' Down The Road Feeling Bad 2.4 Gloria Broken Arrow Stuck Inside Of Mobile With The Memphis Blues Again 3.1 Clear 3.2 I Know You Rider Me And My Uncle 3.3 Cold Jordan Beat It On Down The Line Next Time You See Me Not Fade Away > Turn On Your Lovelight 3.4 Clear 4.1 No Bonus 4.2 No Bonus 4.3 I Know You Rider 4.4 No Bonus 4.5 No Bonus Oh and for those that made it this far GDRadio is playing 12/15/71 right now
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Confused by this too. Was never an issue in the past. Why now? Ahhh, lawyers , guns and money involved no doubt. Hence Dave lying low in the basement. Fired up for the ‘71 shows and pending mystery (Spring 73!?) box set.
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