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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Guss West
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    Estimated>Eyes
    Looking forward to that E>E as I rewatch the show to figure out what the hell happened in that monstrous second set Jam. So Buttery...
  • Sydney Prentice
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    Failures
    Simonrob, you have not failed as such, your daughter is listening to music, even though some of us may not be appreciative of the genre. A lot of people I know do not have any interest in investing their time in listening to music. On another note the UK VISA payment system has crashed, thank goodness there is no Box Set announcement.
  • JimInMD
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    Re: Failed
    Sounds bad Simon, Rap? Hip Hop?? Would you like me to second assist with the Seppuku? (kidding) It's a battle most of us lose.. it is encouraging to hear apples not falling too far from the tree from time to time. I believe mhammond's kids are seeing shows for example.. but these seem to be the exceptions, not the rules.
  • simonrob
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    Fail
    When I hear the types of music that my daughter (23) listens to, then I can only conclude that I have failed as a father.
  • Thin
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    80's fan re: son liking rap
    1) If you REALLY want him to stop listening to rap, start listening to it yourself and quoting it. If you tell him what's "wrong" with it, or even politely tell him you don't think it has any merit, he will sprint toward it like a moth to a flame. 2) Music is in the eye of the beholder, and anyone who judges or talks down to ANY music just looks like an a-hole - Kinda like telling someone "You're hair looks stupid!".... ("Ya, f you too..."). We all have negatively judged music that we later enjoyed. Example 1: My dad (ex-Marine) HATED the whole Dead/Pink Floyd/hippie music thing so bad that it became a VERY hot topic at the dinner table and in our family in general. He used to spit at the ground and rage against the "g-damn hippie music" like a haughty, judgmental bore. Fast forward 15 years and I bring over some Garcia/Grisman CD's. "Hey, now THAT's music!" Reckoning: "Who is this? This is great stuff". Jorma's Quah album - "can you leave this CD here?" Today he actually enjoys hearing the Dead! Example 2: I recently spoke about how when I was 14 I fell in love with the GD songs but HATED the jams - I faded out Truckin' on my Europe' '72 Maxell cassette after the final lyrics because I thought the jam afterward was an embarrassing, self-indulgent example of the perils of drug use. Fast forward 25 years and suddenly I was creating CD's that ONLY contained the best JAMS from each year, editing out the vocals! 3) I like rap. Certainly not all of it. But its expressive. There have been some rap songs that have had me grooving' with my fist in the air in a way I never have with the Dead, or jazz, or pop or anything. Eminem, Tribe, NWA, Snoop, Dre, Lamar... There's something there for everyone - you just have to have an open mind and find what you like.
  • marye
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    good advice, thin...
    And kudos to Jim's dad for sneaking out the window to see those acts. From one who still regrets that there was no chance in hell my parents would let me go see Ike and Tina Turner and didn't even try.
  • Sixtus_
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    D& C Kickoff
    Appreciate the couple of shout outs here from the D&C Tour Opener. Thin, it sounds like you were right down in front of Gus and me; we were in the middle/left two rows under the roof. Bummah we missed you... As Gus alluded, the cosmos definitely aligned and at several points opened up for us given the magic that Gus hand-delivered. I always enjoy a strong Shakedown opener; a couple of out-of-the-gate bust outs with Alabama Getaway and It's All Over Now; it was a cool Bird Song> Loose Lucy> Bird Song in there too to end 1st set. But that start of the second set through drums was the true delivery mechanism. The transition following Scarlet Begonias was pure burre....so drippy and melty. One of the best I've witnessed live. Love Oteil singing on Fire on the Mtn btw; then the flip to Althea was awesome and was that telling. They jam hard on that one. The true highlight for me though was the Estimated > TOO Tease > Eyes. For whatever reason in all of my dozen+ GD shows, I NEVER saw an Estimated > Eyes, nor an Eyes outright for that matter; yet at D&C shows I've seen them play Eyes of the World so many times that it has made up for it and then some. Makes me so so happy as Jimmy alluded to on Wed. night. The drums had me jumping around and literally pulling drips of beats from the band with my hands and delivering them back out to the masses. I also had this amazing recurring vision/feeling like I could sled down the tops of all of the heads of the people in front of me and end up on the stage. I shoulda done that for reals. It was a little bummer they had an 11 PM hard stop so it did leave things feeling a little hanging. But, that's what the rest of summer tour is for. Big Giant shout out to Gus West for the inspiration and camaraderie. And Happy Friday in Deadland to All. Sixtus
  • JimInMD
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    generation gaps
    ..so true. My parents had a particular dislike for Jimi Hendrix. I had a particular dislike for some of their music.. Glen Campbell comes to mind. Now that we're all old.. those red lines have faded a lot.. I took my father to two Jazz and Heritage Festivals in New Orleans.. some of his legends were on stage (Fats Domino was on the main stage and others) and some of mine (Santana comes to mind). Like I said.. those red lines of dislike faded and the generation gap closed a bit. My dad is pretty straight laced.. but he told a story of how he used to sneak out of his bedroom window a lot in the 50's and head to downtown Baltimore to see R&B acts like Ray Charles, Fats Domino and others).. he had to sneak out because most of the bands he was seeing were black and racism was mainstream back then. I had no idea and my pop became less of a nerd that day. After a while the generation gap begins to close at least in that direction. Great posts.. rings true on many levels.. but don't expect me to warm up to Rap anytime soon. You set a good example, 80sfan.. we can all learn something from that approach. Gotta go, the hipsters are beginning to congregate out front. Get off my lawn hippies.. get a haircut. Over and out.
  • daverock
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    Generation gaps-80s fan
    I like your attitude to your son liking rap music. Surely-hopefully-each generation has a music that speaks to them specifically. If they are lucky enough to have this the chances are that older generations won't "get it". My parents hated most of the music I liked as a teenager-which was to be expected. They grew up in the big band era- the likes of Deep Purple, Black Sabbath, Pink Floyd (Interstellar Overdrive) et al sounded like a godawful racket to them. That was alright by me-they weren't supposed to like it. The music reflected a lifestyle and experience that they had no idea about. How could they see hear the same things in "Anthem of the Sun " that I did? I went off a lot of rock music in the 80s-by the late 80s, with the development of rave/acid house etc I was left at home. I never took ecstasy or went to a rave-I turned 30 in 1987-dance music was aimed at teens and early 20s. I had become, even though it seems quite young now, a member of the older generation. Which doesn't mean that that music is/was invalid-just that my views on it were.
  • JimInMD
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    We're Not Worried
    We all pitched in and miracled you an XL Capitals jersey. The woman at the store recommended #8, Alex Ovechkin. You should have it tomorrow so you can wear it for the next game.
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Seeing some shows like Phil this Saturday on the Rocks. Later, Dark Star Orchestra with Donna. We make fun of Donna, but she was a lovely lady and when she says she couldn't hear herself, and being all amped up and stuff, pretty sure that explains most of the atonal banshee wailing. Shit, she sang on Elvis records and she's just got such a fine voice on Cats Under The Stars, etc. I don't know exactly what Phil will bring but I know he will bring it. As far as DSO, well, they're duplicating 7/8/78 on 7/8/18 and I do not expect to be disappointed... I expect magic. And if there isn't any there we will bring our own. Veneta was the first show I noticed Bob really bringing it on rhythm guitar with the occasional shy lead flourish... he had ballsy tone and that vintage Gibson hollowbody perfectly complemented Garcia's bell-like clarity. Then whether Bob tripped out or couldn't hear himself in the mix, (like Donna Jean), he went all icepick trebly and has remained ever since to date with John Mayer. John humbly leaves plenty of room for all. Bob's tone is like a glassy lake... it is beautiful, this is how he has learned to project and I have re-calibrated my ears to it, but man, as a guitar player, his sound just has no balls at all. Whatever. Jerry died too and yet here we are speculating and delighting over every rumored release. Bob, pick the Gibson back up. You and John will weave beautifully. Stop playing only in the range dogs can hear. \m/f
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....I was elected to produce an appropriate playlist for my father in laws funeral. Tough gig, but I think I'm up to it. The To Lay Me Down from DP 12 is definitely on the list. Mrs Vguy said I can only put one Dead song on it. Open to suggestions. GD or not....he liked country and gospel.
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The Green Green Grass of Home 5/31/69 Weir at his finest
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....funny that wissinoming would throw that one out. We are driving his body up to Caldwell, ID ourselves tomorrow. Back to his green, green grass of home. Nice pick. Doing a Spotify playlist btw....
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Finally spending some time with this pick and the fall 71 releases keep delivering. Wonderful stuff!
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Vguy an obvious one but for a gospel enthusiast necessary. Amazing Grace many versions my favorite is by Judy Collins. Listed on YouTube under the best version by far. It takes a min to start
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I'm not trying push in here but 1 more suggestion this one to satisfy the country side. Lee Greenwood's God Bless the USA. Peace
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Neil Young has some good crossover country tunes which could be appropriate.Consider Long May You Run, Old Man, Helpless, Star of Bethlehem, etc.
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....I have a playlist that would run into the sunset. Thanks guys. Old Man? Idk. Star Of Bethlehem? Getting warmer. Forgot about that tune. So much music, so little time.... Amazing Grace is sacred ground. So is A Bridge Over Troubled Water. Not going there....my Dad was troubled with his past sins. I once told him welcome to the club. He chuckled....
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#1511/18,000. who received #19? TODASH. S.K. DARKTOWER.Waiting to play #26 for weekend. My mastiff Sarge listens also. He's got no choice.
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The next subscription of DAP's starts at # 29. This is a prime number. Mabey the hints of bolo or whoever,is hidden behind primes?.....mabey not.
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The # of songs on DAP 26 is 41. Also a prime. Ok I'll stop.
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a couple of suggestions based upon his preferences: "Take Me Home, Country Roads" - Ray Charles "Wayfaring Stranger" - Jerry Garcia and David Grisman Both tunes I chose for my Mom's CD when she was going into hospice this past year...coincidentally (or not), "Bridge Over Troubled Water" was also on that CD I gave her...
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That one Grateful Dead tune... "Brokedown Palace." P.S. - "Teach Your Children" - CSNY, was also on my CD. Best wishes to you and your family.
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May I suggest No Hard Feelings by the Avett Brothers... A beautiful song by one of my favorite bands
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I don't think you can go wrong really, with your own excellent taste and some of the good and thoughtful suggestions on here. It can be a tricky thing to think about, because you want to reflect your father-in laws taste-but also have something that the congregation can connect with. Perhaps. Anyway-I am sure what you choose will be appropriate. The only song that came to my mind, was Goin' Back, by The Byrds-but these things are very personal. I wish all the best to you and your family.
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4th 1977
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That is a tough one VGuy. I don't envy that responsibility, but they must have felt you are up to the task. When I go, To Lay Me Down, Brokedown Palace, Ripple and Fat Old Sun are on the playlist. Fat Old Sun is particularly meaningful to me. Poignant and layered, likely full of dual meanings. Good luck. Hey, I learned a new trick. To conjure the ghost of Dantian, I think one must stay up all night drinking (hopefully good) red wine and listening to really kick ass, but eclectic music. Be sure to toss in some obscure Greenwich Village folk. If you've done everything right he will magically appear just before dawn and lay some inspiration choice listening on you. With a little luck it might be available on CD, but likely lastly issued as vinyl and occasionally only as 78 rpm vinyl. It's a cool little trick, I suggest you try it.
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Last night I finally had a chance to sit down with the showcase for this release and here are a few thoughts (and apologies if I'm old hat to what’s already been mentioned). The dusty, juke joint piano style Keith has at this time is very fitting for Albuquerque. Adds some ragtag fun in Tennessee Jed and El Paso in particular. But what does it remind me of? Brent’s plunky ’84 synth. Makes me think I have a better grasp of what Brent was shooting for at that time. I’ll never hear it the same way again. The Playing in the Band jam has to be the most inspired moment in the first set. Jerry plays as though he knows he is on to something. No idea what it might be though until, of course, he finds it. Pure rich and radiant gold. I’m sure I felt as much surprised joy as he did when it panned out, as well as everyone that was in attendance that evening (I don’t give the samples a listen when the releases are announced for this reason; I enjoy a totally fresh listen). The Other One truly is monstrously fabulous. I previously thought that the only TOO with a feeling groovy jam was from Newcastle 04/11/1972, and for that reason it has always been one of my favorites. So what a thrill to hear it tucked away in this version. And the lay out of the whole TOO- Uncle-TOO sequence is wonderfully sectioned, similar to movements found in symphonies. So easy to follow. In that respect, it actually has a design more in line with the Dark Star’s from E’72. Bravo my fine fellows!
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Gregg Allman doing ""Will the Circle Be Unbroken".
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gotta be Brokedown Palace. gotta be.
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Vguy, Hallelujah by Leonard Cohen, but covered by everyone, comes to mind. Also, if you have not heard his tribute concert, I'm Your Man, there is a lot of great stuff in there. "Sisters of Mercy" by Beth Orton and "If it be Your Will" by Antony are two that come to mind. Best wishes to you and your family.
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Give a listen to "Where the Soul of Man Never Dies" by Tony Rice and Ricky Skaggs from the album Skaggs & Rice (is on youtube). Two and a half minutes long, and their voices and acoustic instruments mesh like brothers. Both wistful and comforting at the same time. Condolences to you and yours.
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A Voice From On High by either Bill Monroe or preferably The Grateful Dead circa 5/15/1970. I second Hallelujah by Leonard Cohen too. It's a great pick, his appeal spans generations.
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Jeff Beck, second row orchestra, Heinz Hall at face.. Love pre-orders that work for fans instead of pre-orders that work over fans (directed at you, LiveNation [Dead & Company]).
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Check out If We Never Meet Again, by either Elvis or the Delmore Brothers.
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been really enjoying this pick, i thought the felt forum pick was fantastic but for some unexplainable reason i like this one better, maybe because its most recent but i think it is something else, glad someone else mentioned the piano sound, that loud and sustain-rich piano sound i have only heard in a couple other shows, specifically a tape of fox theater st louis 12/10/71 that i obtained while attending high school in st louis in '83 has that sound mainly on playin and sugar mag also throughout to lesser degree, of course that show has been recently available in the dreaded yellow box, this albuqurque show has it in spades, the piano is not only extra loud (but not too loud) but he seems to use the sustain pedal a lot to great effect, wish he had done it more also the idea of 2 shows with very similar setlists with and without piggy grease works very well, I don’t actually rip all these picks to itunes like some of yall do but that was needed def for ann arbor to get the song sequence right btw the guitar, drums and bass also sound as good as they get thanks dave!
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My most sincere condolences... only can offer the thought a quick and peaceful passing at home is way better than life wasting away in nursing homes as I am sure many of us have seen. For my father's memorial, I selected music from things I knew he loved. There are numerous versions of this piece in many different styles, music by Dvorak from the New World Symphony iirc. Lyric by someone else it is titled Going Home. It is presumed by some to be Christian hymn but it is so much more.
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The figured that out right after they figured out the only day that gives a command,,,,, March 4th!
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Vguy - best wishes to you and your family. Great suggestions by the folks here - that's quite an honor to be asked to do that.
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Amazing song from the "Oh Mercy" album. My bro and I have agreed this song is played at the funeral of whoever goes first. FIND THE STUDIO VERSION ON I-TUNES. It's not on youtube. If you think Leonard Cohen's "Hallelujah" is powerful, you will love this. Some of Dylan's most powerful lyrics: Ring them bells ye heathen from the city that dreams Ring them bells from the sanctuaries cross the valleys and streams For they're deep and they're wide And the world is on its side And time is running backwards And so is the bride Ring them bells Saint Peter where the four winds blow Ring them bells with an iron hand So the people will know Oh it's rush hour now On the wheel and the plow And the sun is going down upon the sacred cow Ring them bells Sweet Martha for the poor man's son Ring them bells so the world will know that God is one Oh the shepherd is asleep Where the willows weep And the mountains are filled with lost sheep Ring them bells for the blind and the deaf Ring them bells for all of us who are left Ring them bells for the chosen few Who will judge the many when the game is through Ring them bells for the time that flies For the child that cries When innocence dies Ring them bells for Saint Catherine from the top of the room Ring them bells from the fortress for the lilies that bloom Oh the lines are long and the fighting is strong And they're breaking down the distance between right and wrong
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Gave the CD proper a one-time through listening session (not the bonus disc yet). I find the Albuquerque show to be interesting in that most everything up until Cryptical feels like the band is still working out the songs. Embryonic. Kind of throwaway material in my opinion. Cool as a historic document and reference to see how they grew into the newer material and Keith's recent addition. By the time they hit Cryptical though, it's like a switch gets flipped, and the band goes from rehearsal mode/working out the kinks into what really makes this band awesome. Transcendent. The Ann Arbor portion on the other hand, awesome from start to finish. pigpen's presence clearly lifts the band considerably, and keith plays and sounds the best here of his entire time in the Dead. A true Keith peak. The piano has never been mixed better prior or after in my opinion. I understand wanting to release shows that the Dead didn't have in the vault, and welcome them all, but man, that Ann Arbor run should have been released as it's own standalone package. Those who didn't subscribe, but were lucky enough to score one ala carte, are getting totally gipped out of the best part of this entire release. I oftentimes find these bonus discs to surpass the actual release. I've had the legendary Ann Arbor shows forever, and in good quality, but this is by far the best and cleanest I've ever heard of this first nights show. Absolutely amazing. Another legendary show cannibalized as use for filler. Yikes. (just like 3/24/90 and 7/12/90 and many others...wtf) Sometimes these marketing decisions leave me scratching my head. Hopefully 12/15/71 won't be stuck into some $1500 box set and/or hacked-up into multiple releases. Waaaaay too important of a show for that.
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Having recommended Goin' Back by The Byrds earlier today, I decided to listen to its parent album-The Notorious Byrd Brothers. Superb album-both the songs and the laidback flow. Earlier albums, Younger Than Yesterday and 5th Dimension also surely pass the acid test. Things were less happy in Deadland. I decided to listen to DaP 4-24th September 1976. I haven't got to the 3rd cd, which looks promising, featuring as it does Help=Slipknot-Franklins-but the first 2 cds are a bit ordinary. I am not sure I would welcome a 1976 box...I think I've got enough of this sort of thing already.
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I thought the Playing and Cumberland were exceptional. Throw-aways? I don't know.. I consider the first set more a spicy but excellent breakfast burrito myself. To each his/her own I guess. I think both shows are well played and find myself liking them about the same. I could be alone here.. but I also like the fact that we pretty much got two shows in close proximity to each other date wise with similar setlists packed into one release. Both shows are well played, they seem relaxed and having fun.. yet both are vastly different in my opinion. Had they come out as separate releases at different times I might not have given them comparative listens. It really brings to the surface what the Grateful Dead were so good at.. improvising and making each show different and special. Just my thoughts, certainly no wrong or right here. Have a great weekend all.. I'm heading out for what promises to be a grand adventure.....
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Currently finishing up a second full listen of this release, and while I like all of it a lot, I would agree with Spacebrother's description of the Albuquerque sequence starting with Cryptical Envelopment and continuing through Wharf Rat as indeed transcendent. The same is true of Ann Arbor sequence starting with Cryptical Envelopment through Wharf Rat on the bonus disc. I really don't know which sequence I like more at this point, but both are definitely highlights. There is just something different about these Other Ones, I lack the vocabulary to adequately describe the difference, but the difference is in a way that helps blunt the long dry stretch between Dark Stars in the recent Dave's Picks. Also find myself taking notice of the Sugaree's and the Pig contributions on this release as well. The more I listen to it the more I like it. The sound quality is top shelf as well. I used to worry that there would be a decline in release quality over time, but that does not appear to be the case, they just seem to sound better and better.
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Well, earlier i was finally reading the liner notes late at night and Dave discussed the Austin Road Trips release from 11/15/71. I have a tough time buying a la carte on the web with the prices these command, but with DaPa 26 playing, and a head soaked in red wine, I found one at a nice price on Discogs. It just arrived two days ago, I've been spinning that heavily. It is nice to listen to Austin and then Albuquerque. Both really good recordings. I'm turned on to 1971 like never before. Concerning the fist set, i'm enjoying these songs, there's an exuberance to them. I really like hearing the strong harmonies and vocal inflections that changed or got lost over time. They have young voices and the recording highlights them well. I'm also digging Billy's drumming, played like a lead instrument. So much already said about the single drummer years, these recordings are just more testimony time to that. Keith's playing is great, i like that it's right up in the mix and driving the songs along. Just a plug, RT Austin was my first purchase on Discogs, and it seemed to me a more laid back, personal event. Check it out. Kinda between craigslist and ebay?
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Both shows are gems and stand strong on their own merits, but Albuquerque hits the sweet spot for me (though it may not be as smooth as Ann Arbor). Nothing sounds embryonic or remotely throwaway to my ear. The first set line up may not be as exploratory or as expansive as they would quickly become, but the band is clearly in the zone and firing on all cylinders. And, more importantly, they sound like they're having one hell of a good time. There's a collective enthusiasm that radiates from each gig, with and without bacon.
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Nailed my feelings on this release...its a doozy of shows.
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I haven't listened to these shows as closely as some here, I like them both. You can argue about close setlist of both. But as Jim pointed out, gives a nice comparsion of the two shows/two lineups. But I think I speak for everyone here when I say what a GREAT recording. It will NEVER cease to amaze me how these things were recorded out of habit with no thought of commerical gain at the time it was done. Sure, some recordings were done with sale in mind (E72), but a Wednesday night show, in some outhouse, in podunk, usa, and it was not only recorded by many a fan, but captured by the band. Wow!
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....the Doc knows his shit. So does Dave. So does the kind soul that pressed that record button. On the road again. And we're off....
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Little Martha
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On the artwork, but this one, for me, Fantastic! Time to crack the shrink wrap.
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