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    heatherlew
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    The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

    As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • JimInMD
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    Sorry
    Sorry for the brief blah comment last night. I should have passed. Live and learn.. hope there's no hard feelings.
  • Vguy72
    Joined:
    Indoctrination....
    ....I had the same psychedelic breakthrough clovett, but it wasn't The Joshua Tree. It was Huey Lewis & The News Sports. I know what you all are thinking. But LSD is a helluva drug....
  • garciaddicted
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    U2 and the Dead
    Had to comment as I have a very specific intersection of these two bands. Back in 1987 my brother, a friend and I were driving the NJ turnpike on our way to MSG to see the Dead when someone had the bright idea of taking our consumables. Well needless to say we entered NYC in a very altered state which made directions and anything requiring logical thought impossible. Completely missed the show, had about a dozen near death experiences as we drove in circles around Manhattan for hours. U2's Joshua Tree played in my friends cassette player on a loop. At first it was probably because changing the tape was too difficult, but after awhile it was because it was sooo damn good. By the end of that night I absolutely loved that album and I and still do. I don't think I ever had such an intense indoctrination into any album before or since.
  • daverock
    Joined:
    Midi - Jack
    Yes, that was definitely one innovation too far, when Jerry started digitally changing the sound of his guitar to sound like other instruments. I think one of the synthetic sounds produced was supposed to be a bassoon. The sounds produced weren't as good as the ones made by the authentic instrument. It was a strange idea anyway, when he had one of the best guitar tones in history, to change it so that it sounded like a wind instrument. I thought it had a certain novelty value at the time , but I like it a lot less as time has passed. And when were the Dead ever about novelty? Its worthy to experiment-but by its very nature, not all experiments work. And some experiments seem okay at the time-but lose their appeal as time passes. I guess a lot of people liked it! Yes, we are waaay overdue for this box announcement. I favour 1969, at the moment. We have been anticipating for so long, my mind has changed as to what I would like several times already.
  • Mr. Jack Straw
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    what's in the box?
    Sure could use an announcement soon. The natives are getting restless.
  • JeffSmith
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    The Dyer's Tale, Part 2
    Courtenay's trip continues with Episode 2: A Long Strange Golden Road:https://mailchi.mp/a7c29d9644ee/episode-2-a-long-strange-golden-road?e=…
  • Angry Jack Straw
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    Dave
    No doubt that bands since the beginning of time have used technology to improve their sound. My is issue with the use of technology to alter the sound. When Dylan went electric, he was still playing the guitar. Sure it angered the traditionalists, but it is still the guitar. When Garcia started using MIDI and his guitar sounded like a trumpet, I hated it and still do. If I hear a trumpet, I want to see a trumpet on stage. Yeah, I know the lines are blurred and I am splitting hairs. Just my preference. If I recall correctly, Branford Marsalis once commented in an interview that he felt the MIDI interferred with Garcia's sound and that it was unnecessary. In fairness, he then acknowledged that if he were playing the same instrument for 40 years, he would probably want to try something different. I am a bit surprised that my comments brought out the U2 haters. I had a chance to go see them back in 82 when they were still raw, but passed. Still kinda regret it. I do like them, just not my favorite. Saw D&C once. Really good show. Great sound. Mayer seems to be the best fit of all the iterations. But, I likely will never go again. Streaming isn't for me either. These bands need to be seen live.
  • frosted
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    Nice video, Jim
    Looks like a great setting, and a very short commute to your real job, running the river. Does your vehicle have a bumper sticker saying My Other Car is a Kayak?
  • direwulf
    Joined:
    Dead and Co.
    Really? Bad!? Seriously? So the only redeeming quality about the Grateful Dead and its music was Jerry Garcia? Sounds like a cult of personality to me, and that positioning that came about by the larger crowds in the 80's making him into some sort of pseudo-religious figure, is the type of shit that Jerry said freaked him out. Dead and Co. is carrying on the music in new and inventive ways, to see so many big smiles on stage it's pretty nuts to start saying this shouldn't be happening. If the band is happy, the crowd is into it and the music is doing interesting things, good things come out of it. Though I will agree the ticket prices are too high. Good thing I can watch them on my flashy tv and bose surround sound. Now I don't have to wade through piss to get to the urinal, deal with hairy k-snorting wooks invading dancing space to throw their sweat all over everyone and then run away, plus the family can freely imbibe whatever we like during the show. I was skeptical about the webcasts but these last two shows have started making me a convert. I am under the impression that the band thought the music is the most important and it happened to be their good fortune that the muse chose them to play through. I guess for me it's about the music not the men though I have pretty favorable opinions of them as people, at least they've been nice every time I've met them. The musicians are but merely vessels for the cosmic muse of inspiration, stop trying to compare apples to oranges, one makes great pies and the other is like eating the Sun, different but...yes,please. If the ethos and spirit of the Dead's music died completely with Jerry Garcia then the way the band believed it existed is made a lie by it's own fans. I don't remember hearing from my parents and their '60s acid-head friends that LSD and Dead music was about constants, repetition, singular individuals. It seemed like they were more about embracing new things and seeing where it takes you, into the both the inner and outer universe, then navigating from there using dead reckoning.
  • unkle sam
    Joined:
    i had to laugh
    when I saw Terrapin Moon's post, you are not alone moonie, I too just can't listen to them. Reminds me of a time way back when I compared another band to the GOGD, my deadhead buddy said "don't be sacrilegious". I know this is not the place to discuss cover bands, and I love Bobby, Mickey and Billy almost as much as I loved good old Garcia, but when the best thing about this band is the drum solos, you just got to wonder what they are thinking. Thank you TPTB for releasing all these great Grateful Dead shows, at least we still have these sonic journals of the greatest band ever to take us back to those good old days. I have posted on Mickey's site about this band and I think this might be the beginning of the end for this latest concoction. Mickey, bring back the Mickey Hart band, Bobby, bring back Ratdog or Furthur or the Other Ones. I also agree that they just want way too much cash for tickets. I did call the shakedown opener for their first show, anybody else call it?
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The unexpected return of the masters of the Grateful Dead's triumphant show at the Albuquerque Civic Auditorium, November 17, 1971, yields great rewards. The Dead came in HOT for their first New Mexico show. Aided by clarity and precision and abetted by confidence and focus, they finessed old standards with definitive takes. With Keith now blending in seamlessly on keys, the first set offered up a triple shot of electric Blues, an exceptional "You Win Again," and a stellar "One More Saturday Night" to wrap things up. And the second set, well, it might just be unlike any you've ever heard. Archivist David Lemieux urges you to turn it up and do it loudly. We won't dare spoil all the surprises, but pay special attention to the rippin' "Sugar Magnolia," the aggressively monstrous "The Other One," and the highly-danceable "Not Fade>GDTRFB>Not Fade." Rounding out the 3CDs, you'll find selections from Pigpen's return tour at Ann Arbor, MI, 12/14/71. Subscribers will get nearly all of the complete show as this year's bonus disc.

As always, Dave's Picks Volume 26 has been mastered to HDCD specs from the original analog tapes by Jeffrey Norman and is limited to 18,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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"I need more shows..." Not to play "Dead-er that thou", but the test of "whether you're a Deadhead I want to really engage with" is to ask them what shows they wish they could add. If anyone says "Oh I've got all I need", then they're not as interesting to me. Put me at a party with the guy (or preferably a la-dy:) who says "I need more shows" and we'll have a good old time. Having said that, I have plenty of Deadhead friends (almost all, actually) who have no interest WHATSOEVER in Dave's Picks (fools!!!). And I just DON'T GET IT. Why don't they get it? If they got them, they'd get it. But they don't get them so they don't get it. Got it? Good.
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It would appear that your friends are casual Dead heads whereas you, and many of us, are fully addicted beyond repair.And I’m happy with it being that way. We don’t need more people competing with us to obtain the most recent release of Full Norman Glory. Don’t use the roguedeadguy technique on your friends, they might convert. So, I’m ready for a new release announcement..... What? We have to wait until August for the big reveal of what comes in the Bolo Bacon Box?
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I could see the pre-order/announcement coming almost any time. I bet it has more to do with Dave fitting in the seaside chat with migratory, predatory sea birds. Fourth of July week would be a good time.. these big box sets don't always sell out immediately (exception E71, FW69 and the limited part of Get Shown The Light).. so why not get the pre-order rolling. There are a few more box sets that would really get people pumped though.... Still.. record the seaside chat already Dave!
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Hippychic said:Over the weekend I found Dave's Picks 18 to be a great background music CD for company at a party. And when I say background, I don't mean the volume was low. I mean you can turn it up loudly without it overwhelming people's conversations. Very soft smooth and delicate. Upon reading I saw Dick's Picks 18 and all I could think is WTF! : )
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Icecrmcnkid - It's funny - These are guys I USED to trade shows with, went to tons of shows with them, etc, etc.... They just lost their interest in NEW shows. "I have 500 shows already, more than I could ever fully digest blah blah...." You know... morons. Pet peeve: People who refer to shows as just DaP18 or DP23 AS IF we all remember exactly which dates correspond to each of the 60 Dick's/Dave's releases. Most times I have to open a new screen, and google "Dave's Picks 18", JUST so I can understand the context. AT LEAST say the year to give us a clue, please. "DaP 18 '76", for example. And Yes I agree, it is clean enough of a recording (and clean shimmering tones on the guitars) that it can be played loud. I think DP23 also can be played loud (SEE? You had to look it up - annoying, right? And if you DID know it off the top of your head, then you ARE Deader than me in which case you REALLY have a problem, because I know I'm way off the deep end.)
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I try, but often don't add the date when referencing a pick. I will try to add the dates and the link to the archive.. I'm totally guilty of this.
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I second that pet peeve. I've gotten everything from both Dick and Dave's picks as they came out. I think I know them all really well, by DATE of performance. It never would have occurred to me to memorize the numbers of each. I'm surprised so many people here have apparently done just that. There are 62 of them now for heavens sake.
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To refer to a show by when it was released rather than the date of the show. Is it only people with small collections that do that? Yeah, I just finished listening to Charlie Miller 102473. It was awesome. (Actually made up that number). Jim, you don’t have to provide a link to every show that you mention. The readers should be able to look it up themselves.
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are the only ones I know that buy the releases. The subject never comes up in analog life.
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I certainly don't remember nor do I have all of the official releases (definitelymy fair share.) However, I've been in since the get go DP1 (arguably OFTV.) Praise Latvala! That being the case there are absolute stand-outs (DP4, 8, 12, 18 etc...) especially pre-Archive then post-Archive (TPTB download shutdown) when, it seemed like forever before the next release. It gave you a lot of time to familiarize. I get the need for a date. When I replied to Hippychic I had no idea (and still don't) what Dave's Pick 18 is but, I do know DP18 and there is nothing chill about that one. In the future, if my feeble mind allows I'll refer to the show date, maybe.
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I spend all morning sharpening my mind and try to keep it that way throughout the afternoon. At some point it begins to lose it's edge and by the time I make my first cup of coffee the next morning it's usually dull and lifeless and the process begins anew. One of the great mysteries of life I guess. Saturday and Sunday mornings sometimes require special brain exercises (cranial CPR of sorts) followed by very large cups of strong coffee, not exactly sure why that is. I do know most of the releases by #.. but not all. That Alpine '82 eludes me. But certainly the biggies, the mind-melters. Now where were we? The drum roll for the next box set? I bought a couple new waterproof shuffles this spring (they are being discontinued) and loaded them up somewhat randomly and chronologically. Now I have four and I don't know what is on any one device. Monday I grabbed the red one and the day brought especially good weather and high-water.. I was delighted when 2/18/71 came on. The Dark Star>Wharf Rat>Beautiful Jam>Dark Star started just before the most difficult part of the run and it took me to the outer cosmos. By the end of the day I had wrinkles on my face where the smile used to be. One day we will get that whole run restored and expertly re-mastered. That will be a glorious day and a great box set. One way or the other.. we will be getting a box set announcement sooner rather than later.
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I can remember the first 6 Dicks Picks off the top of my head-and all the 3 Vaults releases, but after that its just a blur, I'm afraid. It is about 25 years ago since the first Dicks Picks came out, so its a lot of years and a lot of releases. Lucky us. The most bamboozling series, however was Road Trips. If you know what Road Trips Volume 4 Number 5 is without looking it up, then you have my deepest respect. Heck-if you can be sure there WAS such a release without looking it up you have my deepest respect.
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Immediate recall as if it was just the other day:June 9, 1976 at the Boston Music Hall in Boston, Massachusetts, USA. It was released November 2011, and with it's announcement I believe there was an announcement that the Road Trips series was ending and a (then) yet un-named release series was taking the place of Road Trips. As for 6/9/76 immediate recall brings to mind that St Stephen was played. For the rest of the show, I'd have to look it up. A good show to end that series.
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8 years 1 month
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13 hours until the boys take the stage in MA and I am psyched! Previous set lists look amazing! °o°
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8 years 5 months
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The fact remains that Hippychic's assertion about Dave's 18, aka 7-17-76, is spot on. I love the summer of 76 for exactly that reason . . . its got this smooth, easy, loping vibe that just feels like summertime. Road Trips 4.5 aka 6-9-76 fits the bill also. You could call it "Gateway Dead", as its arguably more palatable to a n00b who typically listens to 3 minute radio songs. Get someone hooked that way, and before you know it they're talking about Charlie Miller and Hunter Seamons as if they're old friends.
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I love that release.. it's a sleeper, it sort of grows on you. That and Cobo from 30 Trips, 10/3/76 share a sort of loping, ethereal cosmic groove. Jelly beans for the brain. I guess you could say that about a lot of the 76 shows. They haven't quite found the forceful strength and tightness of 77 but they haven't lost that congealed jazzy looseness of 74 either. I got hippychicks post, it immediately made sense to me. Oh, before we lose this train of consciousness, 7/17 is mostly known for the Comes a Time>Other One>Space>Eyes>Other One.. but don't overlook that Playing in the Band jam from the bonus disc. It as easily just as good. 76 is sometimes undeservedly maligned. I look at it more like the peanut butter and jelly between two different kinds of toast.. Heading out on my morning bike ride sprinkling in a little 7/16/77. A should out to all our MA friends and others that are about the sample the opening notes of the tour. I will be catching it from the sofa. Enjoy.
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I have a buddy who we call "Cadillac George", because he is all things Caddy. I'm finally getting around to making him a collection of songs that include Cadillac in the title or lyrics. Hit me with titles and artist of such songs. I've got a pretty good list going already. (of course Cassidy is on it!) Thanks Dennis
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Commander Cody and the Lost Planet Airmen -- Hot Rod Lincoln Brian Setzer Orchestra - Brand New Cadillac Stray Cats - Look at that Cadillac; Gonna Ball; probably several others too. Johnny Cash - Psycho Billy Cadillac Cadillac Angels - Big Bad Cadillac The Daytonas - Gonna buy a Cadillac (I got myself a Chevy but I'm gonna buy a Cadillac...). Don't miss this one. Mine the rockabilly vein, you'll probably find several more. Search for Rockabilly Cadillac on youtube and check 'em out.
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16 years 2 months
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Dead and Co from Mass tonight free on nugs.net, anybody gonna watch?
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13 years 6 months
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I'm going to check it out. Hoping all our friends in the Northeast have as much fun as humanly possible.. I bet many are getting it together to head for the show right now... I think the boys are playing good right now.. unsung hero points for Chimenti and Burbridge. I'm pulling for Playing in the Band and Comes a Time. Perhaps I am asking too much.
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16 years 2 months
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I will check it out, got nothing going on till 8pm tonite, lets just hope they have upped the tempo a bit. Shakedown opener would be cool.
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15 years 3 months
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Got 5 top of my head: Sammy Masters Pink Cadillac Chuck Berry Maybelline Gene Vincent Git It! Warren Smith Red Cadillac and a Black Moustache Animals Hey Gyp! Probably a ton more, Cadillac is the most iconic car(especially the '59!)
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10 years 4 months
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Off the top of my head, I can think of 5 Black Cadillac by Joyce Green Brand New Cadillac by Vince Taylor-or the later version by The Clash Cadillac by The Kinks Nadine by Chuck Berry-has a "coffee coloured Cadillac" in it. Marquee Moon by Television has a Cadillac pulling into a graveyard. And is excellent!
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A name that has appeared in the credits of recent releases: ABCD Enterprises."Tapes provided through the assistance of ABCD Enterprises, LLC." Just who is ABCD Enterprises? Read on: www.legalnews.com/detroit/1457673
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15 years 3 months
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Bo Diddley: C.A.D.I.L.L.A.C Arthur Gunter & Elvis Baby Let's Play House
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15 years 3 months
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Otis & Carla Thomas: Tramp("I got six Cadillacs, five Lincolns, four Fords, Six Mercuries, three T-Birds, Mustangs, ooh, I'm a lover" Next: Yugo and Trabant songs
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17 years 6 months
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....its a back to back knight. Game #2 and show #1....
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12 years 2 months
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Running out to service the #a needs of our favorite clientele, but want to extend a early thanks to those who have offered up "caddy" driven music. D PS - Tonight's listening will be 8 hours of musicals! So mark that down as my next 5 :-) ….everytime I look at you I don't understand.....
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10 years 4 months
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Twin Cadillac Valentine by The Screaming Blue Messiahs.
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17 years 6 months
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Some folks say she must be a Cadillac,I say she got to be a T-Model Ford.
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9 years 2 months
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That bear at the top of the screen looks more like a dog than a bear.
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7 years 10 months
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"Slick Black Cadillac" - Quiet Riot "Pink Cadillac" - Bruce Springsteen "Cadillac Ranch" - Springsteen My two cents.
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8 years 5 months
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Glad to know its not just me. I dont even see tonights show listed as an option. Nugs.tv URL wont even come up. You can buy the whole summer tour in HD plus a complimentary download for a mere $749.99 tho.
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8 years 5 months
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Glad to know its not just me. I dont even see tonights show listed as an option. Nugs.tv URL wont even come up. You can buy the whole summer tour in HD plus a complimentary download for a mere $749.99 tho.
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8 years 5 months
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There, its up now on Youtube. Just takes a loooooooooooooong time to load.
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17 years 7 months
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I'm getting it just fine on my creaky DSL.
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13 years 6 months
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Just started Shakedown Street and its working just fine on my DSL via Nugs. Unkle got his Shakedown, disco ball and all.
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13 years 6 months
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Anyone know what that widebody Bob broke out during All Over Now? Its not the ES 335.. Looks 50's ish.. Nice tone. Gretsch? (yes.. I'm at least an hour behind)
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