Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

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May 8, 2018 - 4:04pm

3,948 replies

clayv

Joined:
March 14, 2018

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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July 27, 2018 - 7:15pm

#2201

Vguy72

Joined:
June 29, 2007

Hold on hendrixfreak....

....I need to make some more popcorn and mescaline.
July 27, 2018 - 7:04pm

#2202

hendrixfreak

Joined:
February 26, 2014

Noon-ish is not the best time to catch a full-blown show.....

My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
July 27, 2018 - 6:44pm

#2203

hendrixfreak

Joined:
February 26, 2014

The Soundcheck

The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
July 27, 2018 - 6:39pm

#2204

icecrmcnkd

Joined:
October 20, 2015

Hendrixfreak

I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
July 27, 2018 - 6:32pm

#2205

Trainwrecked

Joined:
February 4, 2018

5/9/77

Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
July 27, 2018 - 6:29pm

#2206

hendrixfreak

Joined:
February 26, 2014

The greatest missed show on Earth

Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
July 27, 2018 - 6:06pm

#2207

hendrixfreak

Joined:
February 26, 2014

RFK, June 1973

Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
July 27, 2018 - 5:47pm

#2208

icecrmcnkd

Joined:
October 20, 2015

Nice warmup HF

Patiently waiting for the grand finale....
July 27, 2018 - 5:39pm

#2209

hendrixfreak

Joined:
February 26, 2014

Backstory and launch....

The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
July 27, 2018 - 5:31pm

#2210

icecrmcnkd

Joined:
October 20, 2015

Thanks dmcvt

The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.

John Perry Barlow

John Perry Barlow

Forums

Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

Bolo

What about the Johann clue that was there along with 6 2?? Thanks Bob t

Bolo, you twisted mind

Only a Deadhead CIA agent could concoct such an obscure clue.Bravo!

here I go again

Just like the Cornell Box, I already have more than half of these concerts. Gotta do it tho. Better quality is always much better. And I won't have to listen to things like "has anyone seen my hairbrush?"

Money, Money

According to DeadBase, these are the only 3 times The Dead played Money, Money. I will wait till September to officially rank them. Cannot remember why they put this song to bed so quickly. Of course, there may not be a reason. I need to be more open minded next time Bolo starts throwing around clues. I tend to let my mind limit my thinking to shows or box sets I want to see released, rather than letting the clues lead me to the promised land. I was thinking Ark 69' (maybe next year on the 50th anniversary) All this said, I am super excited about this box! Wonderful music indeed. Sam T

How will I sneak this one in the house?!

After the mammoth Thirty Trips set I assured my wife that I wouldn't be buying anymore of these elaborate Dead box sets. However, this one was too tasty looking to resist! Besides I have almost three months to figure out how I'll sneak it into the house without my wife noticing. LOL!

Just take my money Mr. Lemieux

What a great list of shows! Again........go ahead and take my money. Just pre ordered it and I can't wait.

Artwork

Checked out the site of the artist for this box, royhenryvickers.com and saw some cool stuff, looking forward to seeing some of the art for the individual covers for each show.

Funny...

...my wife and kids are nowhere near as excited about this box set as I am.

thanx

love all

Awesome !

this set will be top notch PITB 6.26.73 is smokin hot I have been traveling, last song I remember hearing was a 1974 Ship of Fools and was thinking another release with 1974 Ship of Fools would be excellent, a day later and here is this box set, nice timing Rhino, but I'm broke lol Speeding ticket in New York is a pretty penny. Don't sell out on me too fast hahah

bob t

Forgot about that one. If I'm not mistaken, I think it was actually Johanns (plural). That goes with Bachs, which sounds like box. So, box plus 6 over 2 means the box is 6 shows over 2 years. I know, I'm odd.

4/26/71 Good Lovin'

pure jam, no Pigpen rap o'horny it hot

I am soooooooo happy with this release

:))))))))))))))))))))))))))))))))))))))))))))))))))))))))

Re: Bolo

These were perhaps the easiest set of clues yet. It's no wonder it leaked.. we all, more or less, had this one pegged. Excited for this one too. This scratches my itch. One other thing. We are seeing our first four disc show in a while (since 2012 I think), but there quite a few returned 4 disc shows believed to now be in the vault. I believe this will be the model for their release perhaps for the next decade or so. I really don't see them being Dave's Picks.. even including them as the bonus disc would really turn people off and create a lot of piss and vinegar. (unless I'm wrong, of course. :D )

Last four disc complete show release....

....vs last four disc combo release? The last stop in E72. 2011. Close enough....I'll be honest. P.N.E '73 is the only one I'm really familiar with note for note, but I'm eager to learn.

5/26/72

Wasn't that set released on the 40th anniversary of the tour, in 2012? I'm getting old, can't remember shit anymore.. but I have an uncanny, almost rain man like ability to decipher bolo clues. Yes, I meant four disc single shows, not two shows on a DaP where the bonus disc makes it all possible. People would revolt and storm the vault if they made disc 4 of 6/10/73 the bonus disc. Dave would be treated no better than Louis XVI.

I mean....

....a lot of these 73/74 shows are a three and a half to four hour commitments. Stupid life keeps interrupting the mojo.

Double post....

....see how excited I am! (I glanced at the fine print on the back of 5.26.72. 2011).

2011

Right you are, Senator. It was 2011, the year I spent wandering around the desert looking for my car keys... I sort of block that period out. Has anyone ever lost their car at a show? I sure have.. on the bright side.. by the time you find it you are usually ok to drive. ..or as the guy from the Grateful Dead Movie would say, "I'm just trying to get my space together before I find my car and leave the show"

Newest Addition

Looking forward to this newest addition to my collection. Have not heard any of these shows before, and will not listen in advance. I still like hearing a "new release" fresh out of the shrink wrap. As always, thanks to Dave and everyone else involved for keeping this 50+ year trip alive. I always chuckle about the bickering between over what should and should not be released......I have and will continue to purchase every NOTE of this exquisite band!

summer of '04 it was copious amounts of the Dead and this album

re: Plangent processed

Will be interesting to hear one of the 74 shows from this boxset vs the Missoula show from an audio quality perspective to see if there's a huge audio upgrade wow factor. If so, I hope TPTB release plangent worthy upgrades to boxsets only so we get much better upgrades since they typically don't do the Plangent on Dick's / RT / Dave's releases. Obviously I would love to have the plangent on all digital releases.

Plangeant

Aren't all the Dave's Picks run through Plangent?

Miami, FLA

Early this week I was listening to Jai-Alai Fronton, Miami, FL (6/23/74)from Cosmic Charlie (Grateful Dead Hunter's Trix Vol 69) and was thinking a 74 box would be perfect. I hope 6/23/74 is in the vault. Very sweet 74 Dark Star.

excited for this one

5/19/74 is a long time favorite; I'm ashamed to say I've never had the other shows in my collection (although I've listened to 6/22/73 on the Archive). What an embarrassment of riches 1973 is. So much left to be mined from this glorious year (2/9, 2/15, 3/16, 3/26, 5/26, 6/10, 8/1, 10/25, 12/18 are the big ones that spring to mind). I guess they'll need several more boxes to finish it off! As for '74, other than 2/23 and 6/23, theres no other big obvious ones (only 40 shows that year!) unless you make an argument for 6/30 or going back and doing full-show releases of DP12, GD Movie, RT2.3, and DP31. Since we've had Dave's Picks or Box Set shows from 1971, 1972, 1973, 1974, 1977, 1978, and 1989 all in the last year, we could be up for something really different for DP28; my money is on something from June '76. Otherwise we could be going Primal or into the 80s!

Re: Plangent Processes

I don't believe Dave's Picks typically gets the Plangent Processes treatment. If a show has it, it will be credited on the liner notes. I just checked the latest Dave's Picks and there is no mention. I would be surprised if they are all not pitch corrected at this point.. but they seem to save this special treatment for box sets and special projects. That's my understanding, if anyone out there knows different, feel free to comment.

Is this period from the

Is this period from the Wall-Of-Sound ?Happy Listening!

Sound Boards

I've been a long time lurker here. I probably visited once every couple weeks. It's not easy to catch up with all the posts at that rate, but that's all I was really interested in. Something changed in me in the last 3 months. I bought that Europe 72 shows and completely felt no need to listen to any other band. I've been listening to the Grateful Dead for 15 years, I like complete shows, and I like the 70s most especially when it was just one drummer Bill the drummer. I am a completest for 60s and 70s. Some early 80s is okay to me. Won't get into the reasons why, but I sure you I've listened to it all and I'm simply sticking with what sounds best in my personal taste. What I came here to post is that I am so glad that I did not listen to the sound boards that I have of these shows from the Northwest box set. I've had them all in decent quality for a long time, but like some others who have mentioned it on here, I've been saving my last virgin orifice, my ears for the official releases. I did not always feel that way, but I think I ruined the excitement of get shown the light box set, by listening to all of those shows way before they were ever released. I am so looking forward to hearing the shows for the first time after Jeff Norman and plangent processes has made them ready for consumption. And it's funny, I've almost overcome the temptation to listen to these soundboards, especially when the June 10th 1973 I was going around, but I never make it past the song or two after which I decide I should be listening to an official release. I know there are others who feel the same way going by previous posts here. It has paid off for me this time. I can't wait for September what I can listen Like a Virgin and play diddle diddle my cat and my middle ;-)

Re: WOS

The 1974 shows are Wall of Sound shows.

From time to time

I guess I didn't mind a Dap from '73 or '74 but I really wanted these years to be saved for boxset's because of Plangent Processes(Dave explains how much better they sound in his seaside chat).

Song info for box

Mexicali Blues -- 6Beat It On Down The Line -- 6 Big RIver -- 6 Promised Land -- 5 Jack Straw -- 5 The Race is On -- 5 Row Jimmy -- 5 China Rider -- 5 El Paso -- 5 Greatest Story ever told -- 5 Sugar Magnolia -- 5 Sugaree -- 4 Bertha -- 4 Deal -- 4 Playing in the Band -- 4 Truckin -- 4 Box of Rain -- 3 Big Railroad Blues -- 3 Eyes of the World -- 3 China Doll -- 3 Brown Eyed Women -- 3 Wharf Rat -- 3 Johnny B Goode -- 3 Me and my Uncle -- 3 It Must Have Been The Roses -- 3 US Blues -- 3 Ship of Fools -- 3 Money Money -- 3 Loser -- 2 They love Each Other -- 2 Looks Like Rain -- 2 Around and Around -- 2 Mississippi Half-Step uptown Toodeloo -- 2 You Ain't Woman ENough -- 2 Stella Blue -- 2 One More Saturday Night -- 2 Tennessee Jed -- 2 Here Comes Sunshine -- 2 Black Peter -- 2 He's Gone -- 2 The Other One -- 2 Casey Jones -- 2 Me and Bobby McGee -- 2 Loose Lucy -- 2 Scarlet Begonias -- 2 Weather Report Suite -- 2 Dark Star -- 1 Bird Song -- 1 Ramble On Rose -- 1 Dire Wolf -- 1 Nobody's Fault But Mine -- 1 Black Throated Wind -- 1 Peggy-O -- 1 Not Fade Way -- 1 Going Down the Road Feeling Bad -- 1

Signed up for the digital release

Given all the hassle I had with trying(and failing )to get the "Get shown the light" box set delivered to me, plus the huge delay in getting the DP cd's, I decided to go straight to the digital download. (also, I only ever listen to music from my PC or on my ipod) so it makes sense to me. I don't reckon the art work, liner notes etc will be worth the big price difference. I already have all these shows downloaded onto my PC & ipod so can thoroughly recommend them. I buy them because I feel it is doing right by the band and their families. I download from internet warchives, but always replace the shows when they get released. I own all the Dicks &Dave's picks, Download series, Road Trips from 60's & 70's and May 77,Get shown the light and Europe 72. So, inthe same spirit, I will delete my Internet Archive recordings once these shows get released. I,too am wondering how much sound will improve as. I know from many IA soundboards, the quality nowadays is as good as DP/DaP /RT releases.Still, always something more to live for and look forward too. [June 9&10 1973; June 23&24 1974 Jai Al Fronton shows. The other parts of the Dick's Picks vol. 7 shows. 26/5/73 Kezar Stadium(oh please,please this one)......and on and on. Happy listening from a Scottish Deadhead Bear

Hippychic

"I bought the Europe 72 shows and completely felt no need to listen to any other band." well said

What a coincidence.....

my wife doesn't understand why I need all these GD shows either!

What a coincidence.....

my wife doesn't understand why I need all these GD shows either!

Mustin321 song counts, and why I prefer '73 to '74.

Thanks for posting - I was beginning to look at song counts.... I was surprised to realize that in addition to only 1 Dark Star, the box has only 2 Other Ones (both in '73). In '72 these 2 songs alternated every other night as the "big jam". By 1974 these 2 songs were much less frequent: only 5 Dark Stars and I'm just realizing only 8 Other Ones. The three '74 shows have neither Dark Star OR Other One, which surprises me. This is part of the reason I prefer '72 and '73 to 1974: Not as much a fan of the setlists, relatively speaking. The jams often launch from Truckin' and Playing in the Band (both waaay down the totem of my fav songs) instead of Dark Star/Other One. Plus they added U.S Blues, Must Have Been the Roses and Phil&Ned in heavy rotation.... not my fav's.... Fun fact: Money Money was only played live at 3 shows: the three '74 shows in this box.

Thin's observations

that's the story of, that's the glory of the GD they were so creative, they came up with interstellar overdrives with additional material. I LOVE THIS RELEASE.

Just a "Box of Perfection"

I believe it and I need it! Thanks Dave!

Bad timing! ;(

Wanna get this here box set, but... my SS check doesn't come in till June 27th. I wonder, can anyone help me out somehow, till it does come in? I do have paypal. Or a snail mail check in the mail. (I need a ticket!)

i could be wrong, but...

i doubt the box will sell out before june 27th. this box set seems like a cash grab. i don't understand why they decided to release it as one giant box instead of two smaller boxes ('73 & '74). could it be they're worried that as time passes fewer people will be alive to pay top dollar for live grateful dead? i'm going to wait on this box until i know whether i really want it. if the compilation album contained a "ship of fools" i'd probably purchase it instead of the box. ----

Sam Hughes, is that you?

...............................

Finally!

This box set will allow us to determine the GOAT Money Money.

Great Box set...

Looks like all of us are in for a "very" nice musical treat. These shows will be sonically as good as one could hope for. I have spent a lot of time reading about the Plangent process and it is amazing. If you are in doubt read what they are saying about Springsteen's "Born To Run" project using Plangent.I am sure people will "bitch and complain" about something to do with this set. It will be MUCH better than cassette tapes! The artwork looks...amazing! Dave and his staff has done and excellent job. Looking forward to September when I can put a cd into my player, light up my pipe, pour a cold beer into a glass..and sit back and....enjoy! Again...Dave...Norman...et.al...Thanks!! Mr. Pete---------------> aging hippie

Looks cool

Definitely want this, but have been hit with another financial hardship. Hope it doesn't sell out before i can afford to acquire a copy. That 45 minute "Playing" from the 6th show and the fact that nothing from that Summer '73 has been released yet, makes this very enticing. Been really digging into this era a lot lately.

Meh...

...it's only summer 73, whatever...not even really worth it at all, "it's just a cash grab." What!?! :) ...Personal preferences aside and to each their own but seriously, I'm sure that Dave wants to hear this in full sonic glory as much as we do. I think you would be hard-pressed to find the majority of deadfreaks list this amazing box as a "cash grab." "Did you just cash grab my ass? That would be impossible Mr. Zadir, I'm all the way over here."

GOAT Money Money?

I think the fact they dropped it after 3 attempts implies that none should be considered GOAT - "Greatest" implies greatness, which this song never achieved. Some songs just didn't work live.... like Let Me Sing Your Blues Away and 'Til the Morning Comes....

Re:Thin

Uhh yeah, I was being sarcastic.

On the way?

Got the Mail, that my order is on the way. Can this really be?

I'm down with this

easy ordering, easy decision. These are some fine Dead shows here folks, maybe only 1 Dark Star and 2 Other Ones but they are good ones, and quite possibly the best version of Bird Song ever, definitely in the top 3 of all time. I am happy with this release, oversized shipping sized box and all. I did not pull the trigger on that T shirt, it's not limited and I think it will be around for a while if I change my mind. I am not familiar with the 5/17/74 show and it's always good to hear "new" dead music. Looking at the set list for this show, there is no real big jam and that's probably why I have not heard it. That's what attracted me to the Dead, the improvisational jams and space trucking mind melts that only the Grateful Dead can deliver. I too, prefer 73 to 74 but I am looking forward to all these shows. It will be a great September.

mhammond

Yup - knew you were being sarcastic - did not intend my comment to sound overbearing. This is going to be an amazing release. I can't wait to get my hands on it. I love the art, love the Plangent angle, love the setlists. Giddy-up.

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