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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #561
    stoltzfus
    Joined:
    she was a girl from Birmingham
    well, Muscle Shoals, actually. Sex Pistols + Donna talk = the quips above. NMTBollocks = masterpiece
  • #562
    Oroborous
    Joined:
    Re: itsinmyhead
    Thanks, it’s always nice when someone can relate, especially adding your live experiences. As great as these SB recordings are, I’ve never heard one that sounded like what the show sounded like live in the venue, (usually in front of the mixing board, or even in the front row).... Used to be a musician in a past life too, and though great recordings can be made, dry, direct only or close miked instruments do not sound quite the same as the live sound in the venue. Of course mic tapes can be adversely effected by your position and the venue, your gear, technique and of course your neighbors...... JJEEEEEEERRRRRRRYYYYYYYYYY DAAAAAAAARRRRRRKKKKKKKKK SSSSTTTTTTAAAARRRR LOL always durning the most subtle, quiet, emotional ballad ; ) A&A: yasss that could really be the best for the DG “treatment”. Everyone always thinks of the PITB or Scarlets, which sometimes work, but playing especially, like with this box, can sometimes be a bit too much re-entry shall we say. A&A is perfect for that type of enthusiasm! Makes we want to go Fire up a hot one....... SUGGESTIONS? What’s the hottest Pre-Brent/Vince Around and Around folks?
  • #563
    Lovemygirl
    Joined:
    -Dicks picks 34 11/5/77- vinyl release :)
    https://shop.realgonemusic.com/products/grateful-dead-dicks-picks-34-6l… If the saga of the Grateful Dead is a long strange trip, then we’ve definitely been along for part of the ride! First, we brought you the entire Dick’s Picks series of live concerts on CD, all 36 volumes of it, many of them never before available at retail. Then we began putting out the Road Trips series, none of which has ever been in stores before. But now, dear Deadheads and Real Goners, the time has come to take the next step in our evolution as a key source for rare Grateful Dead recordings. It’s time to cross…the vinyl frontier. And we are hoping you will cross it with us, because we aren’t even offering this release to retail until you have had a chance—at a special low price—to snag all 1500 hand-numbered, limited editions of our new 6-LP set, Grateful Dead: Dick’s Picks Vol. 34—Rochester, NY 11/5/77! That’s right…we are finally putting Dick’s Picks on vinyl, and, boy, have we picked the right one. How do we know? You told us! This was by far the best-selling volume on CD from our reissue campaign. And no wonder, it’s from that magical year of 1977, with fiery performances of “Big River,” “Jack Straw,” “Deal,” and “Eyes of the World” powered by a particularly lively Phil Lesh. But for many the highlight will be one of the truly great performances of “The Other One” in the Grateful Dead catalog, 12 minutes of surging intensity and building crescendos. This Pick also included highlights from a 11/2/77 Toronto show, including a great medley of “Estimated Prophet”/”St. Stephen”/”Truckin’”/”Around and Around” (we’ve reconfigured the track listing to put all the bonus tracks at the end of the set for a seamless concert experience). Definitely a great place to begin our journey into the realm of Grateful Dead vinyl! Such a stellar performance deserves a great package with great sound. For this Real Gone release, we’ve enlisted David Glasser at Airshow Mastering to remaster the set for vinyl. David’s had a long association with the Dead; he mastered the soundtrack to last year’s Long Strange Trip documentary among many other projects. For lacquer cutting, we turned to John Golden at Golden Mastering. John has worked with artists as far-ranging as Jonathan Wilson, Sharon Jones & the Dap-Kings, and Soundgarden among many others, and he is our go-to engineer for lacquer cutting. The test pressings were approved by David Glasser, the Grateful Dead’s resident audiovisual archivist David Lemieux, and Gordon Anderson from Real Gone. We’ve pressed the set up on 180-gram vinyl for maximum fidelity, too. And we even scrapped the first pressing because it wasn’t up to our quality standards. As for the packaging, we’ve placed all six LPs inside a hardshell box adorned with the original front cover and a custom back cover featuring a great shot of Jerry Garcia from the show. Inside, you’ll find a 4-page, LP-sized, full-color insert offering photos from the original package along with the original trippy graphics. And, as we mentioned before, each of these limited-edition sets is hand-numbered all the way up to 1500. This set will not be repressed once we run out of the 1500 limited edition copies.
  • #564
    itsinmyhead
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    I agree, Oroborous
    I appreciate the breakdown of all the factors that go to the Donna problem.If i may add: I went to many many 70's shows (and then some). Not once did she sound so off, or shrill, as the tapes make it appear nowadays. No one ever left a show criticizing Donna for her 'screams'. Maybe the live loudness of the auditoriums kept it at bay somewhat but nobody who was there was complaining at the time. And some of the best pure rock 'n roll girl screaming i've ever heard was on 'Round & 'Round !!
  • #565
    musicnow
    Joined:
    Seattle PITB
    Finally got to the 46 min PITB. Holy crap! They just kept going and going and going! Whew!
  • #566
    Vguy72
    Joined:
    The Donna discussions never go away, they just go on hiatus....
    ....I like her, but to be honest, when she unloads one of those screeches, my dogs always give each other the "WTF was that!!" look.
  • #567
    daverock
    Joined:
    Donna as back up singer
    I would agree that her greatest moments with the Dead were when she was singing back up. I am thinking particularly of the post retirement Looks Like Rains. Actually, all of the Dead were at their best when they were tightly enmeshed in the whole. Take any one member out of that whole and they always sounded-and probably still do-somewhat diminished.
  • #568
    Oroborous
    Joined:
    Sweet Donna Jean
    When I was younger I usually liked the screaming, but have less and less tolerance for it as years go by.That being said, let us remeber ... - Bob can be just as bad on occasion - They are hearing themselves through completely different equipment in a completely different context. I guarantee if you heard much of this live it would not be as prominent and thus not as bad...especially since she was often turned way up to try and make her be heard, which does not translate well to direct recorded tape. Just listen to E72 shows for a better idea of a well balanced vocal mix including DG. - Women often don’t have the same power as men to sing or yell loudly enough so they, and sometimes Bob strain or extend themselves which doesn’t usually sound good, You can even find examples of ol Jer too. (This is not sexist. Some women have a thin or higher range that is harder to be LOUD is all I meant) obviouslly there are many great women singers that have super powerful voices, just not all) - DG obviously could sing or would not have gotten work as a studio singer. In fact most of the work she does with the dead in the studio was awesome. Some folks, and perhaps some women have a harder time singing live in really loud R&R bands. She as well as the rest have admitted as much. - Personally, I’ve rarely heard a female vocalist that meshed well with the dead. Even post dead etc. I did really like that Garcia gal that sang backups in Futhur. Something about the boys to me made it tough for women to mesh, any era...I’m sure there are occasional exceptions, but generally speaking.... - Donna imho was a way better when she was more of a secondary, back up singer (in the dead). I know many feel she was better in the post hiatus band, and in some ways she was. I believe they made monitor/gear and position changes that helped. I think time also helped her learn the material and mesh better. As some mention, the stuff she did that they learned after she joined is often better for her than the “old” stuff they learned before her. But to me, she like some of the other “non-core” dead members over the years were better as secondary players. I didnt always like when they start having these folks become full on participants. But that’s just my worthless OPINION. - Board Recordings. Yes there are some truly jarring instances on this box where it’s tough to take, but that’s more because of technical variables and the idiosyncrasies of SB recordings as much as DG herself. Unfortunately the human mind often focuses on very different, jarring, scary sounds more than soft or soothing. If all you listen for is the ugly stuff, yeah, your not going to like DG. But if you move past that stuff and concentrate on the other, perhaps less dramatic stuff she did, she can be indeed very sweet. - Intoxication;in fact, and as she herself has said, intoxication can often be very detrimental to singing. Hell all music can be sometimes be affected negatively, look what happened to Jer...... Finally, ive talked to a few people who have had a chance to meet her and all have said she is truly a very nice person. So before one is tempted to be negative and perhaps even say something hateful, consider the big picture and all that was involved......
  • #569
    DaveStrang
    Default Avatar
    Joined:
    Nugent7453 - May '77
    Check your PM.
  • #570
    80sfan
    Default Avatar
    Joined:
    In praise of DaP 11 (11/17/72)
    Took a break from listening to the box set….to listen to more grateful dead. I dove into 11/17/72 (DaP 11). This has got to be a top 5 pick. One of the best bird song’s of all time, and perhaps the all-time He’s Gone>Truckin>TOO....wow this is a great one.
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by allman on Fri, 06/22/2018 - 07:32

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Boy that box looks big. Is there something in there that we are not being told? A big thank you to Cosmic Charlie for turning me on to Swing Auditorium, San Bernardino, CA (2/26/77). A terrapin opener. Hunter's Trix Vol 80.
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Submitted by NCDead on Fri, 06/22/2018 - 07:50

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Maybe empty and will be a nice case for some existing releases. I am going to assume closed in like 30 trips and a lot of unused space. I am also assume like 30 trip it will be wood.
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9 years 3 months

Submitted by Gary Farseer on Fri, 06/22/2018 - 07:58

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I made the comment a few months back about my "downward spiral of metal." To which you responded, "I get you now." Paraphrasing both. I got to see Iron Maiden on the Killers tour. I was was in my peak of metal in 1981, and yes I occasionally will put on a grinder just to shake things up. It was Maiden as the original group (adding Adrian Smith)and they blew us away. Hard, loud, powerful, and sounding great. They played almost all of Killers and most of their first album as well. Aha, Murders in the Roe Morgue! From the first album I can remember Running Free, Charlotte the harlot and Iron Maiden. Of course, then Priest came out and destroyed what was left of the Fox in Atlanta. Less than 6 months later I was turned on to these guys and slowly started the Golden Road. That road has continued since always cleaning and purifying to the point where Grateful Dead is almost 100% what I listen to. Cheers! g Edit:Sux caused I missed the dead there in 80, of course too young. But then got shut out to 1 of the 1985 shows at the Fox. It was hard to find heads when all of your buddies are full on metal gods.
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Submitted by mhammond12 on Fri, 06/22/2018 - 08:47

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Don't forget Dick's Picks 19. 10/19/73 Oklahoma. Complete concert. Very good sound quality. Killer show.
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Submitted by Cousins Of The… on Fri, 06/22/2018 - 08:58

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Thanks Shirdeep! Saw them many times during their short-lived existence, Jerry was on fire every for single show, arguably his best playing of that year was with Reconstruction. An official release would be welcome.
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13 years 4 months

Submitted by JimInMD on Fri, 06/22/2018 - 09:01

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Agree. Amazing show and still one of my favorite releases.
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17 years 4 months

Submitted by allman on Fri, 06/22/2018 - 09:27

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DP19 is my favorite release to date. Perfect from start to finish. I wonder if anything will be released to change that.
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9 years 3 months

Submitted by Gary Farseer on Fri, 06/22/2018 - 09:42

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Speaking of DiP19, it is a great release. Every so often it comes up and I am amazed at how many think it is the best so far. I guess I need to try again. Dont get me wrong I love it. I just need that extra persuasion that it is a love supreme. I think I have two copies should someone need it. I will double check. g
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Submitted by Thin on Fri, 06/22/2018 - 10:51

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I found this cassette while trading with a guying Texas about 20 years ago. I was floored when I heard the 2nd set.... couldn't stop listening to it - like no other show I'd ever heard, and still amazes me every time I hear it. If you don't have this show, you are missing out!
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Submitted by Thin on Fri, 06/22/2018 - 11:02

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I felt the center of the universe shift just a little to the left...., I think a Sixtus may have been born... I can't BELIEVE we haven't gotten any updates. Where are his priorities?
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11 years 5 months

Submitted by Drifter's Escape on Fri, 06/22/2018 - 11:04

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Back when I was raiding the Archives, the shows from this release just didn't have the recording quality I was looking for. So I'm really looking forward to this one. I did grab the UW Hec Ed show just for the novelty of the long PITB. An LP version would fill both sides of an entire album. Maybe it's just me, but in a 'Beavis and Butthead' kinda way I find it hilarious that in the main graphic the 8 figures arrayed around the skull are so, uh, anatomically correct.
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Submitted by thismikebenz on Fri, 06/22/2018 - 11:10

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Are they gonna keep our $$ this many months in advance, or are they gonna refund it to us for now, and re-charge shortly before shipping?
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13 years 11 months

Submitted by Gollum on Fri, 06/22/2018 - 11:12

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Good eye, drifter's. I totally missed that.
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17 years 4 months

Submitted by allman on Fri, 06/22/2018 - 11:43

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Great catch indeed. Helen Lovejoy - will somebody think of the children.
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Submitted by allman on Fri, 06/22/2018 - 12:07

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Look at the top large picture and focus on the 8 figures (male and female) that circle the center skull image.
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Submitted by mardieta on Fri, 06/22/2018 - 12:29

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I hope its better quality than the 30 trips box. My 30 trips box was cracked on arrival. Music is great, so the box is not that important.
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10 years

Submitted by Sixtus_ on Fri, 06/22/2018 - 13:16

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Thin....you're on to something here... it certainly left a smokin crater in my mind I'd like to blown away! Our guy arrived just after 8'AM this morning....Tigran Victor Abrahamsen. That's Armenian, after Ingrid. She's doing excellent, we're all a little tired. BUT... Back to priorities; I'm still planning to stream tonight! Ha ha Ha from our hospital room. Long live Alpine Valley! Be well out there people. Sixtus
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Submitted by wissinomingdeadhead on Fri, 06/22/2018 - 12:46

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While not likely I'd like to see an all music edition get released after the E72 crate & the 30TATS box I've run out of room to store these mega packaged releases call this one MiniZilla. It's Friday DeadLand did you kind folks PLAY DEAD today, here is a good selection for today 6/22/91.
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8 years 3 months

Submitted by Roguedeadguy on Fri, 06/22/2018 - 13:01

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Congratulations man. All the best to you and your crew.
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Submitted by Born Cross Eye… on Fri, 06/22/2018 - 13:08

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The "mother-of-all-1973-shows"?Hardly likely. Just one of my all-time favorite shows, as with the big Dick Latvala himself. I am under the impression that Dave Lemieux was reading Latvala's notes, so in my minute, twisted, perverse, acid-soaked, pea-brain, Dick was still calling the shots (from the great beyond) Mentally, I still can see those two AudioMagnetics C-90 Type-I cassettes with poor muddy and hissy sound in my cheap boom-box cranking out this show.
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Submitted by Gary Farseer on Fri, 06/22/2018 - 13:18

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Sixtus so happy for you and yours. You and Jim and a couple of others may be the most energetic people I have ever seen. How you can keep us posted, be a married man, a father, an employee, wow! Wish some of that energy would rub off on me. Congrats to yall. Dang my short term memory, the Mrs' name escapes me, maybe Ingrid??? Let her know we are all pulling for you all! g Edit: d'oh, didnt see you said her name. I am proud of myself for remembering something more than 2 hours old.
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Submitted by Born Cross Eye… on Fri, 06/22/2018 - 13:18

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Hardly likely at this point. Only if this box sold out within the first four days or a very short time, much quicker than expected, would Rhino/Warner Music Group think of quickly creating an AME.
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11 years 4 months

Submitted by Thin on Fri, 06/22/2018 - 17:01

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So you named her after Jerry's "Tiger" guitar... (or perhaps the Tiger jam?) I predict you get a Row Jimmy tonight for Tigran: "Rock your baby to and fro, Not too fast and not too slow."
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Submitted by SkullTrip on Fri, 06/22/2018 - 13:25

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The recording has always sounds papery and thin, at least throughout most of the first disc. There's just not a lot of depth to it. And too much hiss. Things improve somewhat as the show progresses, but not by much. Then again, most of Kidd's recordings sound that way, at least to my ear. Dave's 21 (love this one) is a Rex recording, and the difference is like proverbial night and day. It's not without its own flaws (name a recording that doesn't have them) but there's much more resonance. Again, not saying I don't appreciate Dave's 16. It's become a repeat play. But my ear sockets need to adjust each time I listen to it before I settle in for the ride.
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Submitted by Vguy72 on Fri, 06/22/2018 - 13:28

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....that would be cool as shit. I'm gonna root for one! What's Become Of The Baby would be even more awesome!
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Submitted by fluffua 01 on Fri, 06/22/2018 - 14:29

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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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Submitted by fluffua 01 on Fri, 06/22/2018 - 14:29

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This looks freaking awesome!! It's boxes like this and 30 Trips that make me hate the fact I lock them up in the shipping box and put the discs in slim cases. Easy money for me Dave keep them coming.
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Submitted by Dennis on Fri, 06/22/2018 - 14:30

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Sixtus :-) Skull - I agree with your opinion on DaP 16 & 21. I would have said 16 was "airier"? I gave all of a 5 minute listen to Stella's, both were amazing clear. That one on 16 thinnest sound great at volume. A hollow hall, standing on the edge of the pit, glowing before you, the way a stella should be, right? Anyway, how do account for the difference in recording techniques. Feeds used? Mixes made on fly? Mike placement? All of the above? Opinions on sound at both venues? Jim - when I went back I saw you had the voiced on the 16/21 recordings/shows. But what I went back for was you very fine quote - "flawlessly flawed". :-) You probably stole it. That was Twain, right? In the time since I've started this, I've got thru both recording of Stella. I think 21 is a little closer, warmer and intimate. Where the jam in 16 is "larger/spacious", 21's is bluer, more controlled, was it played on a Sunday? Sounds like a Sunday. Crazy huh? In any event Stella is a great across the eras tune. It may sound different but it's one you can get lost in your own thoughts while listening to and still snap out for the return to lyrics. But all the while you weren't really thinking about the era, but floating on the sound, right? Just hit the 3 from the spring 90 collection. The one from 1990-03-16 - Capital Centre - Landover, MD, was stella. That recording was very dimensional (in my book). Also the later Stella's soared, Phoenix from ashes shit (imho). I'm always impressed(?);-) with the width and depth of arcane knowledge. I'm excited about this box, because comparisons will be nice, but yeah, the box. I do like then cluttering the shelfs. As I look around, what other band has this many "box things", that aren't just repackage stuff already available. Now where am I going to put it,,, the books must go! Yes dear I gave them to charity, I knew you were never going to read War & Peace again. You said Infinite Jest twice was enough. (she still looking up footnotes) Speaking of box sets, is Pink Floyd going to release another box set? The Later Years?
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Submitted by fluffua 01 on Fri, 06/22/2018 - 14:31

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E72 has all music only edition
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Submitted by icecrmcnkd on Fri, 06/22/2018 - 15:44

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Listening to 3-28-73 now and I don’t hear any hiss or other sound problems.In fact, sounds pretty damn good compared to the cassette tape collection I once had.
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Submitted by icecrmcnkd on Fri, 06/22/2018 - 15:52

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6-22-91I bought an obstructed view seat at the box office the day of the show. The view was obstructed by the soundboard! The ticket was in the taping section. The view definitely was obstructed, so I stood off to the side in the aisle. Also found an upper level ticket on the ground before the show.
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Submitted by KeithFan2112 on Fri, 06/22/2018 - 17:11

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It's poker night here in South Jersey. I'm playing Hold'em with the same four guys I've been playing Hold'em with for at least since Rockin' The Rhein came out. That is in fact the show that made me feel the magnetic pull and infectious delight of the Grateful Dead (Sugar Magnolia in particular). Not long after, my Uncle sent me Ladies and Gentlemen, where the best core version of Uncle John's Band resides, in my humble opinion. I just informed them of who you are and that you have a baby Sixtus in the world with you tonight. My buddy Dominic, who is hosting tonight, breaks out a bottle of 21 year old Redbreast Irish whiskey. My buddy Jimmy the Fish packed up the bong. I put Sugar Magnolia and Uncle John's Band on the stereo, and we toasted baby Tigran, Son of Sixtus. My only regret in this whole escapade, is that I flashed the picture of your dead net avatar, and there's a serious discussion going on about locating and tearing down a Dead End street sign for Dominic's bar.
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17 years 4 months

Submitted by cheyler196 on Fri, 06/22/2018 - 18:08

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Like taffy1969 wrote, this has been a favorite for more than 30 years now, can't wait for the official release. We first had this show missing 6 songs; later on the six songs were added to make the show complete. The reason that six songs were initially left out was the fact that the vocals were too low in the mix. Portland '74 is a two-track tape, isn't it? So it will be re-mastered but no re-mix is possible? That's fine with me, always interested in complete shows as long as the mix isn't terrible...and the mix is superb apart from the six songs with low vocals. Glad to see these six shows available as a boxed set!
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11 years 4 months

Submitted by Thin on Fri, 06/22/2018 - 18:21

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I almost added the animal reference of "Hell in a Bucket" earlier related to my Tiger song ideas... it mentions "your chair and your whip and your pets" and the tiger snarl at the end... Apparently someone called Bobby about Tigran and he's pointing out the Hell in a Bucket connection in addition to my thoughts.
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10 years

Submitted by Sixtus_ on Fri, 06/22/2018 - 18:58

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Oh man, so many wonderful, thoughtful, kind, even creative remarks and well wishes - We are truly touched. I've shown Ingrid All of The Love that's being offered for Tigran and our family. She is similarly warmed in her heart. Thin, he caught that Bucket Opener too - I think he was so excited he pooped! I am an expert poop changer and swaddler, for the record. Two burps in a row meant he was PSYCHED for second set. Truly Feeling The Love. Thank you All for offering such a kind Family Welcome to our newest Deadhead and lifetime clan member. Another generation destined to know Jerry and The Grateful Dead. With Fond and Sincere Regards Sixtus
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14 years 11 months

Submitted by bolo24 on Fri, 06/22/2018 - 19:02

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I would like to congratulate you both on the birth of your masculine child. -- Luca Brasi
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14 years 10 months

Submitted by stoltzfus on Fri, 06/22/2018 - 19:08

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great show never heard the first set until now have had the 2nd set on cassette for a long time it would a nice part of a Greek box set, Dave
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9 years

Submitted by icecrmcnkd on Fri, 06/22/2018 - 19:27

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Who is the guy with dark hair and headband that is in the front row of every D&C show?
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13 years 4 months

Submitted by JimInMD on Fri, 06/22/2018 - 19:51

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My guess is Warren Buffet or Bill Gates.. perhaps Mark Cuban? Lucky bastard.. I hit a string of NY area shows about a decade or so ago. I was working that way and it was easy for me to get there and they were playing a lot.. I guess if was P&F / Further. Anyway.. there was this one guy, thin, kinda wiry.. he was front and center at every NY area show I caught.. and he was a jumper, up and down, up and down.. like straight up and straight down. So we aptly called him Tigger (as in Winnie the Poo Tigger). Perhaps it's Tigger.
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Submitted by Gollum on Fri, 06/22/2018 - 21:10

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Tigran Mansurian. Highly acclaimed Armenian composer. His "Four Serious Songs for Violin and Orchestra" are really easy on the ears.
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