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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #3271
    Born Cross Eye…
    Joined:
    They love each other ("core 4")
    JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
  • #3272
    Cousins Of The…
    Joined:
    FTW: to set the record straight
    Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
  • #3273
    JimInMD
    Joined:
    Psst..
    You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
  • #3274
    Vguy72
    Joined:
    Bobby's Greatest Hits....
    https://youtu.be/j0VM5DkErMs....as per Grateful Dean.
  • #3275
    daverock
    Joined:
    FTW and 1976-count me out
    I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
  • #3276
    boblopes
    Joined:
    D&C slowness
    Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
  • #3277
    rodrigodiaz
    Default Avatar
    Joined:
    re FTW
    To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
  • #3278
    Jason K
    Default Avatar
    Joined:
    RE: fare thee well, or good bye Phil and Jill
    Well said Unkle Sam... "She will go down forever as the Yoko Ono of the Grateful Dead."
  • #3279
    Cousins Of The…
    Joined:
    Slow D&C
    The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
  • #3280
    Angry Jack Straw
    Joined:
    76
    I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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15 years 11 months

Submitted by boblopes on Fri, 06/22/2018 - 22:27

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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10 years 4 months

Submitted by KeithFan2112 on Sat, 06/23/2018 - 04:03

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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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10 years 6 months

Submitted by JeffSmith on Sat, 06/23/2018 - 06:53

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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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7 years 1 month

Submitted by CaseyJanes on Sat, 06/23/2018 - 07:28

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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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14 years 10 months

Submitted by Deadheadbrewer on Sat, 06/23/2018 - 08:26

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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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6 years 11 months

Submitted by SkullTrip on Sat, 06/23/2018 - 10:33

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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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10 years 3 months

Submitted by daverock on Sat, 06/23/2018 - 11:42

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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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13 years 6 months

Submitted by JimInMD on Sat, 06/23/2018 - 12:46

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Happy belated birthday Tigris. Hopefully you'll find a way to get some sleep.
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7 years 10 months

Submitted by FloridaBobalooToo on Sat, 06/23/2018 - 13:09

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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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14 years 1 month

Submitted by Gollum on Sat, 06/23/2018 - 14:27

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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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17 years 6 months

Submitted by Deadicated on Sat, 06/23/2018 - 14:35

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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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17 years 5 months

Submitted by Vguy72 on Sat, 06/23/2018 - 18:54

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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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13 years 6 months

Submitted by JimInMD on Sat, 06/23/2018 - 20:05

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Great place to see a show.. I hope everyone there is having a good time.
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16 years 9 months

Submitted by theelevan on Sat, 06/23/2018 - 21:25

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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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14 years 11 months

Submitted by stoltzfus on Sun, 06/24/2018 - 07:28

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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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15 years 7 months

Submitted by kevjones on Sun, 06/24/2018 - 09:40

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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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14 years 11 months

Submitted by stoltzfus on Sun, 06/24/2018 - 10:49

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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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13 years 5 months

Submitted by JimInMD on Sun, 06/24/2018 - 11:47

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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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10 years 4 months

Submitted by The Outer One on Sun, 06/24/2018 - 19:15

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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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15 years 7 months

Submitted by kevjones on Sun, 06/24/2018 - 23:04

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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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11 years 4 months

Submitted by jrf68@hotmail.com on Sun, 06/24/2018 - 23:28

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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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12 years 1 month

Submitted by Dennis on Mon, 06/25/2018 - 07:30

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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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12 years 1 month

Submitted by Dennis on Mon, 06/25/2018 - 07:50

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Stadiums do like big holes from above, true?
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13 years 5 months

Submitted by JimInMD on Mon, 06/25/2018 - 07:52

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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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15 years 3 months

Submitted by Cousins Of The… on Mon, 06/25/2018 - 08:10

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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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12 years 1 month

Submitted by Dennis on Mon, 06/25/2018 - 10:34

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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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17 years 5 months

Submitted by Vguy72 on Mon, 06/25/2018 - 10:48

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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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17 years 5 months

Submitted by claney on Mon, 06/25/2018 - 12:33

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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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11 years 6 months

Submitted by Thin on Mon, 06/25/2018 - 14:28

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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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15 years 3 months

Submitted by Cousins Of The… on Mon, 06/25/2018 - 13:41

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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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10 years 3 months

Submitted by daverock on Mon, 06/25/2018 - 14:33

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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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15 years 7 months

Submitted by kevjones on Mon, 06/25/2018 - 16:33

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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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9 years 3 months

Submitted by bluecrow on Mon, 06/25/2018 - 16:45

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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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