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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • bob t
    Joined:
    Pacific Northwest Box set
    I am excited to get this. I am looking forward to all of it. I am most excited about the 6/24/73 show. The reason is back in tape trading days this one really didn't exist.. My Dead Base VI has the second set incomplete and nfa>gdtrfb>nfa as the only 3 songs.... I sort of already know what disc i am going to listen to first... have a good weekend everyone.. be good bob t
  • friscokid77
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    Joined:
    Box Set Reveal
    I wonder if this box is big enough to fit all the other boxesthat sit on my shelf and collect dust? The art is SO COOL! I wouldn't mind having this one on display, I'm just not sure what should go in it (since I'm old-school, the cd's are going on my CD shelf)
  • August West Wh…
    Joined:
    MUATM & THis bad ass box
    What fun last night at MAUTM! There weren't many of us and the volume was low at first, but got better by the middle of the 1st set. we stood up and hooped and hollered between songs and sang along w/ IKO when Jerry told us to ... I enjoyed it thoroughly being there with a few buddies, but I am wondering why they would choose something already released on DVD. I love the show and have the DVD but am hoping that next year we get something we haven't seen released officially ... and then they can release it after and we'll buy it up. Something from Summer '91 perhaps!? PS -pumped for this bad ass box! Sept is going to rock!!!!
  • Kayak Guy
    Joined:
    Box Set reveal
    The MUATM was very nice and seeing a happy Jerry interacting with Brent was sweet. There was about 20 people in the theater, all quiet for the show, but watching a show in deluxe lazy boy seats is so cool. thought we had missed the preview, but it came at the end AFTER the final credits and will probably be on this page soon as the Artist information clip. it was a short but interesting introduction to artist Roy Henry Vickers, who had the box in front of him as he described the idea behind it. it started with Dave, and he states that the artist is responsible for all the interior art. they might have showed the top cover taken off and the book is the top layer covering the contents, maybe a smaller wooden box that reminded me of the Warlocks box flashed by, but then went back to the artist. it is probably on youtube already and they just need to link it to this page, it's a standard seaside chat type clip. the box is a little smaller than the 30 Trips box, and won't fit on my shelves where it deserves to be, so it's off to the storage room after ripping. this should help move more copies as it looks really nice and they stuck to the outside, so no unpacking or reveal of the CD holders/digipacks. could be laminated card board or pressed sawdust, but from the outside it looks as sweet as the 72 steamer trunk.
  • Mind-Left-Body
    Joined:
    Sounds great!
    I am so looking forward to this box. The description sounds awesome. No storage room for this prize in my house. I am going to buy a 4 foot fucking pedestal for it and place it where the end table in the family room is soon used to be.
  • KeithFan2112
    Joined:
    Butch Bird Song 1972
    You've picked a great song and a great time to chase it down in. This is probably one of my top five Grateful Dead songs. I like them all a lot. I think the Download Series one from July is my least favorite, only because I don't think it's quite as developed at that point (for example the opening chords aren't quite as sharply executed, and the jam section where Jerry solos is shorter). Veneta is hard to beat, because it's longest, it's multi-track sourced, and the playing is exceptional. DaP 11 is also up there with Veneta for me. That one came almost 3 months later and the playing is just so good from having performed it so much by that time. Jerry's solo at the 3 minute mark is divine. Just listen to how he begins it! And of course the three from 9/21 - 9/27 are all solid (Jerry's a wee bit lower in the mix at Waterbury / 30 Trips). I'm still digesting DaP 24. The enhanced bass production is distracting for me. Once in awhile I can tune it out or get the EQ just right. I can't overstate how much Bill the drummer brings to this song. He's all over it with the drum rolls and ride cymbal. And then of course he has his little drum fill during that brief instrumental break before they all come back in again. Legendary. I'm looking forward to the first officially released 1973 Bird Song, coming along on this PNW Box Set. I'm going with the Dark Star finale from Dick's Picks 16 this morning. Unbelievable how good Uncle John's Band Jam sounds. I used to cherry-pick this song out for mixes, but it's even better within the structure of the complete Dark Star.
  • JimZ musicaficionado
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    Joined:
    Meet Up At The Movies Box Set tease
    So after tonight's Meet Up At The Movies...DL talks about this new box and introduces the artist behind the packaging.....What a BEAUTIFUL sight to see....Looks very sturdy and well constructed....I buy everything this band puts out from every era, and I know it is all about the music...but geez these packages look like sculptures on the display table.Meet Up At The Movies was great as usual, even though I already own the DVD, it is nice to chat with others that appreciate this band as much as I do. Don't miss this box!!!
  • dmcvt
    Joined:
    Watkins Glen redux, RFK & The Stones
    thanks for comments... striving to provide some feels like... we left the electric wild turkey with our new friends and neighbors, took over an hour to carefully wade out to the fringes, CKR was our code for Columbian Killer Reefer. Best thing available in Maine at the time. folks might not be aware that it is less than thirty miles between Watkins Glen and Cornell, each at the southern end of adjacent finger lakes talk about tripping reminded me of another event, will hop on the wayback machine ... a slightly out of control scene at my first Rolling Stones concert. Could have seen them in Baltimore in 1969 when my parents took my fourteen year old brothers ticket away from him after they figured out where he was headed, I said I would go, but in a perverse sense of fairness, they said if he can't go, we can't let you go either... Mom, Dad, its The Stones!!! Mother's little helper!! 17 at the time and would have driven there in a heartbeat. Get your Ya-yas out tour. So a quasi communal group of us dropped on our way down to RFK stadium on July 4, 1972 for Stevie Wonder and the Stones. Following the usual procedures, to enjoy and get the most of the experience, plan ahead for the right surroundings and people, have as much as possible set up for positive outcomes, a sober guide/monitor present if its a larger group. Not necessarily a large concert... We got in, found our seats, Stevie started to play but a lot of people weren't paying him much attention, he was back round for large scale craziness. Typical hot steamy DC late afternoon. What did get our attention was the tear gas trickling in from outside the stadium. Overly excited DC police were trying to stop people scaling the stadiums outside walls to get in free. Think about it, being up in the air over pavement, wall climbing and tear gassed, or inside admission paid and tripping and you get whiffs of tear gas. Whole sections of people got up and moved around to better air. Loud booing and jeering. DC police were pretty quick to use tear gas for crowd control back then, in the archives I have photos I took at Viet Nam antiwar demonstrations on the national mall and at the capital with smoking canisters flying every which way through the air. They herded demonstrators onto buses in those mass antiwar arrests and where did they take detainees for processing? Why RFK stadium of course. Fortunately the tear gas traces inside RFK that day were not horrific and passed quickly, the Stones eventually came out also at peak, Exile on Main Street tour, a great and long show and there were fireworks.... lots of fireworks
  • Born Cross Eye…
    Joined:
    So, what do think about this one: Jerry 11/23/77?
    So Jerry would have been 76 today, Happy Birthday, Jerry!We miss him to say the least. Actually this is one for the Jerry Garcia Archive. If you have this show, what do you think about: Jerry Garcia Band November 23, 1977 Palace Theater Waterbury, Connecticut, USA Audience recording - soundboard recording unavailable. Set 1: How Sweet It Is (To Be Loved By You) Catfish John That's What Love Will Make You Do I'll Take A Melody Simple Twist Of Fate Mission In The Rain SET 2: Let It Rock They Love Each Other Mystery Train Love In The Afternoon Reuben And Cherise Gomorrah Midnight Moonlight ENCORE: Lonesome And A Long Way From Home* A.) Inspired B.) Uninspired C.) This show is releaseable in the official GarciaLive release series. D.) This show is unreleaseable because it sux. E.) B-b-b-boring. F.) What a little blotter will do to give the listener the thought, "this is the greatest Jerry show ever!" G.) It wasn't the greatest, but for my former tape trading partner, Paul M. from Wolcott, CT., he had a great time with his GF - who is now his wife. *My copy does not have the encore.
  • CHebel
    Joined:
    Driving on Acid...
    Loudon Wainwright III once wrote... Driving on acid is easy Driving on acid's a breeze Just keep the car on the highway Don't laugh and don't fart and don't sneeze
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Congrats on your new addition. Hope we can have another family outing at a daytime DSO show... Take care and give Ingrid our congrats! Bob and Darlene
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It always amused me that Sonny needed an older generation Italian to "translate" the Sicilian message, "Luca Brasi Sleeps with the Fishes". What if Clemenza wasn't there at that hour to interpret? Sonny would have been like "hey check out this new wall decoration someone sent as a get well gift for Pop...this is so cool....a couple of fish in a bulletproof vest - why didn't I think of that?!?" And then Tom Hagen is like, "no Sonny, this is a Sicilian message" and Sonny's like "I know Tom, I know! I didn't want to discuss too much of the family business in front of Michael - but as always, our trusted concierge, you know best." And turning to Michael, Sonny says, "Tom's right... It's a Sicilian message alright... It means, if Pop makes it through this, he needs to start wearing a bulletproof vest..."
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Congratulations Sixtus family and welcome to il nuovo bambino che rimbalza! We're counting on you Tigran! All the best! Onward!
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Got this one rockin this morning, my first listen....Beautiful Sunday show makes for perfect Saturday morning listening! Gorgeous TLMD, WRS>LIG>China Doll Some other interesting moments...first and last performed "Let It Rock" (Chuck Berry Cover - I wonder why the first & last performed?), and first ever Seastones.... Congrats Sixtus on your new addition to the family!! Big shout out to Jim for helping to fill my calendar for probably the next 3 years...And to Oxford 88 for filling my order for all KC shows that are known to exist, plus the other "tasty boots" that he has promised. You guys rock...thank you very much!!! Oroboros.....I've been thinking about your Winterland Story all week....makes me smile, smile, smile everytime! Looked up the you tube video and sure enough, at the end of Fire on the Mountain, the dragon lurks....so fuckin cool!!! Happy Saturday Dead people, KCJ
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Congratulations, Ingrid, Tigran, and Sixtus! Today is Robert Hunter's birthday, I believe. The word gifts given us by this master poet make the music we all cherish infinitely more fascinating. Without Robert's lyrics, I know I would not crave this band as much as I do. Even on song versions where the group's playing may lack a certain X Factor, I can always take interest in, and find new depth in Robert's poems. Happy Birthday, Robert! You are a crucial member of the Grateful Dead.
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Whereabouts in South Jersey, KeithFan? 'Cause that's the land of my origin.
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I am continuing my gentle canter through Europe 1972, and today was Amsterdam, 5/10/72. Its a show that meant absolutely nothing to me-I've played it before-3 or 4 times , I guess, but nothing stuck in my mind about it. Surprising-because its amazing! The first set-in fact the first two cds are pretty good-like any other cds of a band you like playing at the top of their game. Its on the 3rd cd that things really take off-an incredible jam from Truckin' to The Other One-Me and Bobby Mcghee-The Other One and winding up with Wharf Rat. One of the best uses of a wah wah pedal I have ever heard. A truly exceptional sequence of music. The 4th cd feature some more high energy music, punctuated by another excellent Sing Me Back Home. If they hadn't played so many other great shows in Europe 1972-and maybe if they hadn't all been released at the same time (not that I'm complaining) this would surely have been heralded as one of the best shows of all time. I normally leave a gap after playing a Europe 72 show...but after this I felt like some more-so off we go into Rotterdam for the following night. Great news from Sixtus, too-happy days indeed!
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Happy belated birthday Tigris. Hopefully you'll find a way to get some sleep.
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Holy Smokes!!!!! Sweden has got to be wondering how the hell a ball can spin like that!!!!!That was awesome, regardless if you dig the Germans or not. Would have liked to see the Swedes advance. But no denying the skill of that last goal! Darn!!
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Thanks for the link eyes43. I was able to catch Peter Rowan's set. Dang, that brought back memories. I used to see him at the Birchmere in Alexandria, VA some 30 years ago. He and his band still sound as great as ever!
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6/23/26 Louis Armstrong6/23/38 Billie Holliday 6/23/57 Hank Mobley 6/23/58 Count Basie 6/23/67 Miles Davis 6/23/74 GOGD And one more for Septimus: Sound Dimension: Mojo Rocksteady Beat (wicked!)
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....damn Deadicated. That is some serious mini umbrella drinking, smoking ganja stuff going on. Thanks!! Loving the trombone. Kudos....p.s. Spotify is your friend.
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Great place to see a show.. I hope everyone there is having a good time.
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It would be nice to see a portion of the proceeds for this amazing release being donated to the tribes of the Northwest Coast for using their traditional story-telling iconography. This is by far the the most beautiful cover art to ever grace the band's albums.
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please enjoy 12/3/79 another nice show from 79 where _dat_ box at?
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Sitting here sipping a little coffee and jamming on a crunchy Miller SBD of 6/24/90 (he does just as good a job as Jeffrey Norman) Just sliding into Slipknot!!!! Love it!!!
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Mitch Mitchell was a cool drummer. He was a major part of the JHE's sound, at least live.
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And get the hell of my lawn, you damned hippies!Guess Bobby was having a bad day. Happens to the best of us.
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Any indication of the size of the actual box? Dave mentioned in his seaside chat that he was thinking about displaying this box in his home as a de facto piece of art or some sort of display piece. Despite my wife's love for Vancouver Island and the fact that we already have a Roy Henry Vickers print hanging in our home, that will be a tough sell in my house if this box is ginormous, beautiful as it may be.
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Been diving into early 80s Grateful Dead recently. While the setlists may seem uninteresting on paper, this era contains some of the most imaginative playing of the band's career; particularly Jerry. I listened to the Dane County show and Poplar Creek shows from 1983 this weekend. Jerry's playing is inventive and different. He seemed to be at the peak of his creative power in the early 80s, before the diabetes and health issues really began to take effect. This is a generally unfamiliar era for me, with scores of shows I've never heard, but it's worth digging around a little bit, and you will find yourself pretty blown away.
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that when ya read it(or type it or write it...),it reads "Mississippi Half-Step Uptown Toodeloo" but when they sing it it's "Half-Step...Mississippi Uptown...Toodeloo"? Bueller...Bueller...
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First - I always only type "Mississippi Half-Step" in my song titles. I have found if the titles get too long I can have file path names that are too long for my backups. This isn't the bone. The "Bone" - I'm working thru the labeling of D&C shows and I find they played a show at the "Ruoff Home Mortgage Music Center"!!! What the hell kind of name is that!?! Nothing said musical entertainment like home mortgage. Remember when they called them things like "performing art centers",, "memorial stadiums" (sure we memorialize our troops until we could sell the name for a buck) This is a thing I wish they stop. You see a name today like "Preparation H Hemorrhoidal Stadium" and NEVER think you're seeing the Yankees. The other side I hate,,, everytime we talk about corporate tax we hear corps don't pay taxes, customers do. Then who the hell is paying for the name on the building???? Can you show me one report that shows return on advertising dollars from stadium naming rights! Ok, bone picked. Back to what you were doing.
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The tapes from that show suck.. but if you were there you know how hot a show that was... Just saying, you had to be there. Too funny.. I hate that too. We have become so corporate and not for the better.
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Excellent, entertaining read; very detailed and fascinating insight into all the business aspects of post-Jerry years, as well as all the inter personal ups and downs. All things considered, not as ugly as I expected; Jill Lesh comes across as a greedy control freak, the exit of Steve Kimock was particularly unpleasant. Other than that, it's pretty much typical band arguments. Of note, was the disagreements regarding tempos and loudness, with Bobby insisting on slowing everything down to emphasize lyrics, and wanting Phil to turn down his bass(sacrilege!) Oh, we also learned that rowdy Billy K. grabbed Jill's breastusses backstage...
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you have to wonder how much money are in mattress sales that you can afford to purchase naming rights? Or do new mattress come with cash in them?
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....they should let everyone bring a pillow in. During drumz, let everyone have a pillow fight. That would be awesome!!
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Mattress Firm? Cripes. Proud of KC's Arrowhead and Kaufman Stadiums. Hang in there KC.
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I recall there being some drama as Kimock left The Other Ones.... He appeared a week or so later at a separate event and, If I recall correctly, he got a rousing ovation and flipped an emphatic double-bird, as if at his previous band mates.. Can someone give a quick thumbnail gyst of that beef? I call the song in question simply "Half Step." I think the multiple "official" names are just a SNAFU, similar to "Brown Eyed Women" being given a typo and accidentally listed (and officially published as) "Brown Eyed Woman" (singular instead of plural) on Europe '72. As for song tempos and bass volume, etc... I'm in a band - these topics are all pawns in a power struggle. As with all rock bands, you get to a point where you're not going to back down after xxx years.... Me, I like the slower tempos - most of the time it works, but sometimes yes, it drags. As for bass volume, my experience is the bass may be too loud on stage, but away from the stage it sounds just right - this is why bass players are often placed on a far corner of the stage, not in the middle, as Phil likes to do sometimes.
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Steve Parish & Ramrod fired by the Leshes; they resented the fact that Jill was making decisions such as how to load/unload equipment, and what attire was acceptable or not on stage.Parish told Kimock he should be making more $$ Kimock asks Jill for a raise, Jill goes on a tirade. Kimock leaves the room. Jill catches up with him, yelling and then throws a bunch of crumpled dollar bills at Kimock, while shouting "you want more money?" Kimock left the tour the next day, quoting Dylan and Hunter on his website. After reading the book, it's obvious all these people had really bad tempers!!
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………..lost in a shaft of sunlight, The wild thyme unseen, or the winter lightning Or the waterfall, or music heard so deeply That it is not heard at all, but you are the music While the music lasts. T.S. Eliot
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Just popped in 6/26/76 Relaxing, sipping a brewski I feel bad for Heads that don't get '76. Such good vibes. Looking forward to the Playin>St.Stephen>Wheel>Playin' sandwich
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I think Kimock split from a Phil and Friends Tour Fall '99. We saw P&F play 3 shows at The Fillmore in Denver, 10/21-23. Band was Phil, Steve, John Molo, Paul Barrere and Billy Payne. Fun line up. Steve was also with Phil and Warren at Red Rocks that August. I remember a guy with a "Got Kimock?" shirt (play on got milk?) in line outside Fillmore one night. From there, band was hooking up with Dylan's band for a series of shows. Whatever went down happened at Fillmore or at next show on tour (10/27), as Steve (or someone for him) sent out a cryptic email 10/28 that he had left tour. Sigh. I'll have to do some time traveling and revisit those shows on sugarmegs. I loved the instrumental Stella Blue they were playing in those days. At Red Rocks they played Stella -> Wish You Were Here. Yowza.
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