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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • hendrixfreak
    Joined:
    Does anyone know how to ...
    convert a jpg or pdf for posting here? You can PM me or make it public. I've got two pics from Playin', end of first set, 28 July 1973, and a pdf of a front page newspaper that will show the extent of the crowd and reveal how close I was. Stories in 5, 4, 3, 2, 1...
  • Gary Farseer
    Joined:
    Thanks
    Great story and great pics. Monarda it is. Lear something new. We are having the weirdest summer ever. Lows in the mid 60's. Raining like crazy. What I save on the utility bill for a/c I spend in gas to mow the lawn.
  • dmcvt
    Joined:
    WG summer jam (long!)
    hendrixfreak, i can't wait any longer, looking forward to your stuff Wordy feels-like travelogue ahead, “bear” with me. Promise not to do it again. Editing this to 11.10.73 PITB> At the appointed hour… 45 years ago, right about now, about 200 miles west of here, near a racetrack, this music. (most interested to read others accounts… how much did I forget or make up…) Three of us took off from central Maine Thursday July 26 mid-day, old Volvo, scenic route across New Hampshire and Vermont.. It would be a ten hour plus run, never mind whatever we ran into on site, so we decided to split it in two, take time to stop and smell the roses, CKR. Anyone exploring central New Hampshire should enjoy the east-west Kancamagus Highway through the central White Mountains, long as your brakes are good. Figured to get there early Friday as we had an inkling things would get crazy, though we had purchased tickets. Two of us college boys ran the campus radio station, we had news off the AP wire and from friends it would likely bust out. Fan of The Dead for five years by then, but first my show came just four months earlier in Baltimore. Not old enough (parents forbid) Woodstock, largest event before Summer Jam was Concert For Bangladesh at MSG summer 1971. This would be big. We listened to cassettes on the way, especially various ABB and the original Europe 72. CDs would not appear for almost ten years. Don’t recall exactly where we camped out Thursday night, somewhere north of Saratoga Springs in the Adirondacks. Besides camping gear, we had a big cooler packed with home-made gazpacho, sandwiches & beer. As noted previously, the dark ages of beer, or maybe the age of dark beer… already snotty snobs about Bud Miller Coors, Ballantine IPA was barely drinkable, about the most exotic thing we could find being Carlsburg Elephant or Spaten Oktoberfest. Next morning we broke camp quickly, provisioned around Saratoga, made the run to the track asap. We were on schedule, goal was to be situated on site for lunch with enhancements. Like the antique cigarette tin box loaded with fine Columbian fatties (nickname of CKR/seeker). No trouble getting close late Friday morning, parked maybe a third mile away from entrance, spot selected for quick egress. Lots of people around, short lines getting in, plenty of room mid field, excitement and anticipation. Quite the scene walking in from parking to gate, many people just hanging out, vendors for about whatever you might want, setting up shop, free floating. Very relaxed, sunny and getting hot. No hustling to get inside. They were taking tickets at the gate, not yet declared free, things were organized. We strolled down towards the stage, past long rows of porta-potties and pallets stacked with gallon water jugs which early on defined the edges of what space they thought they needed. Hah! Most all the way down in front of the stage, we realized it was up in the air some 10-12 feet, we could not see half way back into mid stage. Eased our way back towards and just short of the sound tent on stilts… set our spot just right of dead center forward. Spent the rest of afternoon blissfully hanging out, wandering around, checking the scene, where you from, folks from all over, more and more people all the time. We had space for our small tent and room around it, we spread out a bit. Slowly but surely everything filled up around us, what that would mean later on. Many rumors circulated early afternoon as to some kind of music that night. Heard stories about the soundcheck being planned, or decided when they realized how many people were there, can’t tell other than there was a very high level of expectation, something would happen. They knew it too. Roadies messed around with stage stuff a lot, re- positioning and finishing touches on equipment, mikes tested, then they would vanish for a break back stage… amps were left on. Someone would play, at least a local/regional band. Time out for images… have seen a bunch of different stuff but found a collection on flikr by Grant Gouldon many of which were taken from very close to where we landed Friday. Like if he had turned a slightly different way, there we were. Thanks Grant. Will publish a link here because simple search will open it up anyway, hope this is OK https://www.flickr.com/photos/grantdabassman/sets/72157603224730871/ Somewhere along into early evening there was a flurry of activity… The Band came out and Robbie Robertson leaned into a mike, “do you mind if we tune up a little”. Roar approval, he seemed a bit goofy/tipsy. Started off with The Night they Drove Old Dixie Down. There was a confederate flag unfurled behind them, iirc. A slightly different world back then. They played for maybe 30 minutes, left the stage. People were breaking out their goodies, chowing down, biggest picnic I ever seen. Flow of inbound people looking for spots had just about stopped, didn’t seem to be much room anymore and moving around was a bit chaotic, a few clear paths. Little more time passed then ABB came out, they looked a little tenuous and played briefly, just a couple few songs iirc. If you don’t know iirc, it means I could be making all this up, but don’t think so. Didn’t seem to me that they played long, not for more than 25-30 minutes.They took off and then things went quiet for a while, people got up and moved around though we saw activity on stage, fingers crossed, they were dead roadies. Still plenty daylight, just starting to fade, almost 8 pm or so. The Dead came out to whistles and cheers, they began fiddling with their stuff. IIRC, vivid memory, Jerry walked right out to the front edge of the stage (precarious) and looked around for what seemed like several minutes scanning/surfing the crowd. Folks called out to him of course. He made eye contact with dozens and dozens of people, nodding his head, picking up the scene. Shook his head as he moved back as if to say, woah, just look at all these people out there. They launched into Promised Land, horrible thin audio. Took first part of that tune to dial it in, no Phil in the mix for a minute. By the time they hit Bird Song, everyone was up and dancing. To date, one of my all time favorite Bird Songs even if you had to be there. A great jazzy feel. My recollection was more better music as it got darker and darker. Two solid sets, they finished around 11 pm. The jam was clearly a special departure. We knew they were deep into it, Phil said a couple times, “remember this is just a soundcheck”. Or maybe there was an echo. We were in an afterglow somewhere way north of midnight. The aftermusic scene down front was wild enough to keep going for a while. About as perfect a day as imaginable for this music punk. Saturday was a let down for me after such a day… hate to say, you’ll see. By late morning our position was being overrun with a crush of humanity, we kept shrinking the footprint to no avail. Getting around anywhere about impossible, first time I ever felt a little claustrophobic… no fear, just no room to breathe… you about had to walk over or on top of many many people, relaxed but way crowded. Maybe the bourbon from the day before had gotten to me… We stuck around for the first dead set, however it became more obvious serious storms were headed that way. Great music, maybe not quite the equal to the previous night, we did not want to leave, but…. Plus it was hot, sun seriously beating down, dark roast, powering up the incoming front. Not like we would ever find another decent spot walking out of the sea of humanity. We could not believe the number of people. We had considered how much more we might endure, our provisions were ok to marginal, we just decided to get the heck out of there. Hard to believe perhaps but elbow to elbow going into bad weather and once it hit, felt we would be stuck among potentially tens of thousands seeking shelter, trying to leave or get back to their cars at the same time… spelling chaos. We headed out reluctantly and made it back to the car just as the first big fat raindrops fell… then held back briefly enough to think we were crazy to leave, before the total downpour. We sailed out easily, wipers on high. So grateful to have been there Friday. Sincere thanks to dead.net and archive.org for providing us with all this wonderful music and a place to discuss it.
  • dmcvt
    Joined:
    red budded? hhmmmmm
    so this time of year... Monarda? hummers here love Monarda ceptin' deer got much of it first... so very fragrant when leaves crushed, like a minty basil aromatic some of those cute fauna eat way too many things intended for food or visual pleasures i offer a free, all expenses paid trip via a havahart trap for chipmunks to the local state park
  • hendrixfreak
    Joined:
    Not even at Gitmo ...
    do they force 'em to listen to Justin Bieber! Okay, I'm making a liquor store run, then gonna do some ramblin' here. Back in a few.
  • Gary Farseer
    Joined:
    The Wheel Is Turning
    I sit in my fun room looking out the window. Yes yes when the family migrated from Europe to found this country they cleared and blasted their way through the wilderness, practically hunting the pests into extinction. Now the pendulum has swung the other way with the environmentalists. As I stare out the window, wheels spinning in my head, I look out on this rejuvenated nature. Last year, a young red tailed hawk matured in the trees in my back yard. Now I am looking out at what looks like 10-12 youngins. Just 10 feet away, there is a baby rabbit gnawing on some clover. Little does the rabbit realize that in just a few months he will be lunch for one of these red tails. Precious! Also, have a few hummingbirds feasting on the nectar of some red budded plant. They are literally just 5 feet from me, if they only knew...
  • Gary Farseer
    Joined:
    Love it Love it
    When the warmth of my medicine kicks in. Mmmmm
  • bob t
    Joined:
    Keith Fan and Vault tapes
    I remember reading once that Bill K had listened to the 9/14/74 Munich show and being excited how well it sounded... around the time of the Winterland October 74 shows...
  • bob t
    Joined:
    Dave's arrived today
    Wasn't suppose to arrive until Monday!!!
  • simonrob
    Joined:
    Fake news...
    Hendrixfreak - guilty as charged. Sentence: 120 hours of continuous forced listening to Justin Bieber and Rick Astley. But seriously, I (and many others) wanna hear your stories.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Well said. I get '76 GD. When I am in the mood.. there is nothing more soothing. That being said, I get in the mood for just about every era if you give it enough time. When I am in the mood and find just the right show, it's like food for the soul and keeps me going. 1976. Yes please. Mattress Firm Amphitheater. They better have some really comfortable seats..
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to read Fare Thee Well. Do want to read Barlow's Mother American Night.
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Will not read it.Fare thee well the book will be relegated to the close out book store sale tables of the near future, whereas the work of John Barlow will last as long as humans still listen to music.
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Yes, I wait all year to listen to 1976 Dead. Particularly June and July each year. So much fun. Has a little of that pre-retirement vibe, but also moving towards the tightness of 1977. The most wholly unique year in the band's history in my opinion.
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I love it
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15 years 4 months
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Is there anything better than a '76 Scarlet or Lazy Lightning/Supplication? I wait all year to listen to the June '76 shows. They are so special. Again, the most unique year in the band's history. Where else will you find Help>Slip>Frank, St. Stephen, Cosmic Charlie and Crazy Fingers all sharing the same setlist? Disco Dancins? Not to mention High Time, stand alone Playin's and Eyes with the '74 jam (Stronger Than Dirt) at the beginning of the song. So magical Oh, and don't forget those muscular NFAs
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....no fence on that tome. Regarding '76 Dead. It hits all the right spots when I want those spots hit, which may not occur every day, but those days do arrive.
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15 years
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Rock and roll wives can be trouble. The Beatles. Spinal Tap.
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17 years 2 months
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....what the PNW 73/74 Box dimensions are. Let's hope they don't pull a Stonehenge ala Spinal Tap.
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15 years 11 months
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Yes, it's sketchy, why Steve left, who wants to just play in a band when the leaders wife runs the show (a non musician running a band never works out). I remember rumors of her telling them all there would be NO drugs on tour, not even joints. When Steve got caught catching a fire, she flipped out on him, told him that Phil could not take the temptation and that druggies were not welcome. I too would have told her to go ...herself. Furthur broke up due to the drug use by the band around Jill, not Phil. In my opinion, Jill broke up the band, not drug use. Then she sells out for one more big paycheck that was FTW. Should have been called LTR (laid to rest) The FTW line up had no heart, because she has no clue what the band was meant to be and could be with the love that made them what they were. She will go down forever as the Yoko Ono of the Grateful Dead. Now, no one but Bobby will play with Phil, so, she took all the toys and went home, how's that working for you now. Phil went from one of the greats to being a restaurant owner. Sad, really sad.
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What’s been posted about the FTW book is enough to appease my curiosity. I get it-- can imagine what it would be like if I was still living in a house with my old college buddies and their girlfriends. Tempers flare hottest around those you know best. Best to just go on your own and listen to some June ’76. Cat on a tin roof, dogs in a pile....
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Kevjones I'm right there with you man. They don't call me Seventy-Sixtus for nothin' And never forget June 11th 1976, which I tout at least 76 times a year - an all time favorite among many other favorites in a favorite year. FAVORITE!! https://archive.org/details/gd1976-06-11.141709.sbd.miller.fixed.flac16… Tigran comes home today. I'll put some '76 on for him. Seventy-Sixtus
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.......not a big fan. It seems I'm in the minority here (-all dead is good dead-) but it lacks the imagination of 72-74, and lacks the power of 77 (or 78). I'm hoping for some primal 60's or 79-81, now that I just got 6 hot shows from 73-74. But hey, I'm sure I will be happy with whatever I get. Hope everyone is well. I've been listening to a lot of Yes lately, as I'm seeing them in Detroit on Saturday. Close to the Edge is an album that always works for me.
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....sounds like a bitch. I bet she rocks one of those "I want to see your manager" bob hair styles too.
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Huge fan of 76, my 1st show was 10/9; by the fall of that year they were firing on all cylinders. Too bad(for us) they took such a long break before new year's eve, the last show 10/15 is a barn burner with one of the best 2nd sets of the year.
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All this seventysixtus talk... Got the Capitol Theatre show streaming from the Download Vol4 release. Never gave those DL's the nurturing they deserve. I guess I'm biased towards the physical product I can hold in my hand... Bonus nothing better than a Mission in the Rain from 1976 unless it's one from JGB in 1978 ;)
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I'm with Doc (and Thursday) on this one. 76 = The GD on Valium. Does nothing for me. Lot's of folks love it, but I get bored silly listening to it. By the way D&C seem to be headed down that path as well. The summer shows have been way to slow for my taste.
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The cause of the slow tempos are detailed in the FTW book; it's all Bobby's doing: his concept is to sing the songs very slowly, to emphasize the story telling aspect of them. I'm guessing he might have gotten that from Jerry, for example when he slowed down Friend of the Devil(which I never understood: the original tempo conveyed the running from the devil exactly perfect)
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To me phil comes off as playing in a Grateful Dead covers band. I never have had any interest is seeing any post dead. It seems that Bob is trying not to recreate what the dead did but pay the music homage by presenting it in a different light. I am now interested in seeing Bob again in something like his campfire band or even Dead and company. I think like the wheel he has moved on from the past and embraced the present with a view to the future. Good for you Bob and our drummers.
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I can't say I'll be rushing to read this book on Fare Thee Well. From what people are saying on here it sounds ghastly. In fact, I'm amazed such a book has been published. I'm not keen on 1976, either. Some of the drifting jams appeal to me-but it sounds like a massive comedown from all the previous years to me. It seems quite an easy listening sort of year. And the shows in 1975 had such promise, too.
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Was watching the rebroadcast of the Mansfield show and one of the commenters who was commenting (or was that trolling) during the broadcast was railing against the slowness and suggested changing the stream to 1.25. I did that and boy did the music seem normal pace. I felt that the D&C shows I saw at Fenway and the Boston Garden were painfully slow last year. More so than the Worcester show for that 1st D&C tour or that first Fenway run (Loved that Acoustic Dark Star). I still loved going to those shows, but after seeing D&C 7 times probably not up for the exorbitant prices the enterprise is charging for not the best seats when JRAD, JGB, DSO can scratch that itch for a lot less scratch. I'm glad the music is out there and hope they continue to perform as long as they're putting quality performances but getting a tad bit too slow for me. Bobby just needs to let John, Oteil and Jeff run with it for a bit. BTW - who is Grateful Dean (Dean Stiller) - I think he is hillarious for his YouTube reviews and seems pretty spot on.
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You didn't hear it from me.. but I hear Steve Parish had Bobby's lovechild and has been raising it in secrecy all these years. It shouldn't surprise any of us that after 50 years there are squabbles. If any of you come from bigger families.. I bet there are a few skeletons in your closet too, and I bet we would be horrified if someone researched and wrote a tell-all book. The truth, we weren't there and no matter what was written there is a likely more to it then how it reads. I have no doubt it's based on real events but it seems to focus on the negative. I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind just like I love my brothers and sisters, but I won't be moving back in with them anytime soon. I'm also sure there's a little bad blood.. I threw a screwdriver, a pair of scissors and a can of Spegetti-O's at my brother one day (although honestly.. he deserved worse). I'd like to think all is forgiven.. and honestly, I think we are better off in the way they have diversified and played / interacted with different artists. As for who is the biggest poser and the cover band aspect of it all.. Really? These guys have earned the right to play GD music how ever they see fit. I recently saw Phil Lesh and Friends backed up by the Preservation Hall Jazz Band and it was hardly a cover band. Fresh interpretations that strayed pretty far from the original arrangements. It was fresh, powerful and downright wonderful. I'd see that lineup again in a New York Minute. Let the music play.. it speaks for itself. Step to the side of the small talk and gossip. Just my opinion.. As always, I reserve the right to be tragically and horrifically wrong.
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Most of the book focuses on the business dealings; what comes across as negative gossip is tied to these events. The exception being the "encounter" between Billy and Jill's twins :-) but really, it was only a quick one sentence mention.The detailed descriptions of how the post-Jerry bands evolved, how Terrapin Xroads and Bob's TRI studio came into existence, of the organizing of the FTW shows, and more are indeed quite interesting.
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JimInMD writes: "I sincerely believe deep down inside these guys still love each other and are proud of the body of work they left behind..." Old story I think, I first heard a statement similar to that was about in early 1996 just after they retired the name Grateful Dead and still deeply mourning the death their dear brother, Jerome John Garcia.
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Does that mean I am not forgiven for throwing a can of Spagetti-O's at my brother? :D
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I really wanted them to win. Hope the French crush Messi and his buddies next Saturday!
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I think it’s Grate that 76 doesn’t sound like 74, 75, 77, or 78.It would be pretty boring if every year sounded the same.
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It was closed.. left quite the hematoma as I recall. It's one of the few brawls that I clearly won (he's older).. so I am a bit proud of it. If I had given it more thought, I would have opened it first for good measure.
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Funny, my last brawl(I was 17) started after I dumped a rice plate over this guy's head durimg lunch...rivalry over a girl, no less.
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As always, so eloquently said and very fair. All excellent points. Speghetti-Oh's story made me chuckle out loud, I have two brothers myself and fully understand said 'brotherly love'. Be well my friend. Sixtus P.S. icecremconekid - your point is also spot on. Life is all about variety, change, adaptation, and love. All Good Things.
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17 years 2 months
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....yuck. No nutritional value whatsover. Would make a good blunt weapon i suppose.
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I haven't read it yet but I'm sure I eventually will (seems like the perfect book to buy in the airport before a long flight). From what I've read and heard though, all of this seems pretty tame compared to other bands "tell all" books. You mean to tell me a band that's been together since 1965 has had their ups and downs? Has had to deal with power struggles or strong personalities? I'm shocked. Also, there isn't a band in the history of bands who didn't have an incident where someone made a pass (or worse) at another guy's wife or girlfriend. Meanwhile the shows (d&c or Phil) continue to be a great time and the music coming out of the vault is as exciting as ever.
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12 years 3 months
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I really enjoy 1976 Dead. In fact I always go back to Dave’s volume 18. Those 4 discs are phenomenal.
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Member for

15 years
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SpaghettiOs! Sorry.
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17 years 3 months
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fuck yeah! spaghetti-O's w/ meatballs! hated the hot dog one. I miss chef Boyardee pac man pasta was a big hit with kids like me who was way into Atari. spaghetti o's, cherry kool aid and Atari. 'MERICA! FUCK YEAH! lol
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12 years 3 months
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My first ever show.
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14 years 8 months
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sooooo good. listening today...The Other One...CUTS. ouch.
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7 years 2 months
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I'm hoping for some kind of wood... my cynical soul is saying plastic... Damn... I hope it's not plastic. There's too much of it in the oceans already; it would be kind of depressingly ironic if this one were made of plastic, given the artistry it bares.
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13 years 2 months
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They are typically heavily processed wood (some sort of glued fibers or essentially a form of cardboard). I hope I'm wrong but doing something like this out of wood just isn't that common and production can be problematic. I am thinking something along the lines of 30 Trips. Plus.. it's painted, so they cover it up anyway. Just being realistic.. I have a ton of box sets, not just GD and the only one I have that is made out of wood is the Warlocks cigar box, and even that is pretty cheesy. ...but if it's wood, I vote for Cherry. Love Cherry, or perhaps zebra striped maple to look like Mayer's new guitar. That would be something.
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13 years 2 months
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This week and next.. what a wonderful thing. Plus, it's still raining here almost every day and the creeks are full.. but back to the music. I am a closet streamer.. when I am interested in something I purchase from Nugs and sometimes just don't have time to watch and listen, but they seem to stick around for a while. Last week I noticed for the first time that one of my unwatched streams was about to expire (from five years ago). Blasphemy I say. So I watched it and by the end of the night I was in no shape to start work by 8 am the next day. So I worked a half day and life was good. Tonight, in honor of my favorite GD cover band I am watching for the first time a Phil N Friends show from 2014 at the Brooklyn Bowl, Vegas (..not slated to expire). JK and Jackie Greene on Guitars.. some simply killer slide guitar on GDTRFB from Senor Greene Joe Russo on drums. Seems ok to me.. Hipsters, tripsters real good chicks sir.. everybody's Doing That Rag. It's too bad this technology wasn't around say.. 55 years ago. Oh.. and the tempo is fast, and it is loud enough to shake the plaster off the ceiling. Fortunately, the river is raging outside so ambient noise gets lost in the shuffle. I bet my neighbors can't even hear it. Life is good. Might sleep in a bit mañana (don't tell my boss).
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