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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Oroborous
    Joined:
    89 Alpine
    Like 89 Alpine....Had new job and no money from taking several months off in 88 while “working for the state” still had Florida fall 88 debt to cover etc, so not able to do as much as usual. Also, my semi-respectable Cousin had new REAL job etc. so we only got to do 17&18th. He had a brand new Grand Prix, so me being the “Neal” back then he had me drive. Don’t recall too much, just we were stuck in the main paved lot, sleeping in the car etc. Amazing show on 17, great on 18th, but all that rain, and they had just resodded and I believe made the hill bigger/steeper to add more capacity. So of course the sod was washing away and down would go huge groups of heads down the side of the hill when the sod gave way, wheeeee! Talk about a mud fest! I think I ended up on one little island of stubborn sod that held fast, just enough room for me to boogie on all alone in the middle of a sea of mud ; ) But then I had to drive all night back to WNY to get us both to work! Funny thing, 2nd day we were trying to leave to find a hose some where and some real grub. So we’re waiting by exit to pull out, and little tiny clown like car full of like 10 kids are taking forever to pull out. Finally she starts to go, but hesitates and stops, then she try’s again, but had not returned car to drive after backing up so as not to stick out into road, so next thing we know, this car with freaks hanging out the window etc, smashes into my Cousins beautiful brand new car. Of course like 10 state troopers are standing there watching the whole comical scene! Luckily they left me totally alone, and only fucked with the other driver, and my cousins car wasn’t too bad (minor bumper dent etc). That could of turned ugly for me very fast...... Have 2 even better stories from Alpine 87, but perhaps another time. Seems only my evil twin and I really appreciate the old war stories?
  • Oroborous
    Joined:
    Gary
    Great story, thanks for sharing. Have many similar memories, usually no planes involved, but often calling in “sick” from hotel pay phones (had to pre pay long distance so when Louy the boss answered, the operator wasn’t there lol) and many a night I would drive us ALL night so we could make it to work the next morning....Some day I’ll have to break some out.... Oh too be young again...
  • Oroborous
    Joined:
    Grateful
    Phew, what a weekend. 2 fine D&C shows Friday and Saturday. Received a care package of 2 DPs and 2 RTs from real gone Monday off, so Rocked out to new shows all day, and of course the announcement of DaP 27! Friday was all over the place, a few fine peaks, a couple of Train wrecks, but the Terrapin>St Stephen>the 11 made all worth while. Definetly worth checking out! Great job on those! The rest of the set not too shabby either... Saturday more consistency, all around good show, but nothing mind blowing. Was hoping for the DS, but.... Personally, I’m stoked for some 83. More hot shows in there than many realize; not a “taper” so do not have encyclopedic knowdlege, but know 4/12, 4/15, 4/16, 4/17, 6/22, 8/27; 10 14+15, 10/23; and of course that MSG St Steve’s are all hot shows, Sounds like I need to check out the Santa Fe stuff too? To all who are disappointed, remeber folks the Band played for THIRTY years, not 4! “And every year always has some great moments, and at least a few great shows, (Just gotta poke around) so get over it, and be grateful that we have such amazing, still flowing, realeses to bitch about. Oy, such 1st world problems... Unfortunately, Dave pretty much spells out the source situation, but he also says there is more usable stuff.... Just hope it sounds great. I know first hand how amazing 10/14 and 3/27/88 were live, amazing shows, some of the best I was fortunate enough to see, but the realeses don’t seem to fully bring that out. I remember thinking that 10/14 everyone in the whole production was on that night. The band kicked ass, the sound was amazing, even sitting on the side in that old barn, and the lights, phheeww. Lil red sweethearts didn’t hurt either... Now, I do still enjoy this realese, Hell I live for realeses of good shows I was at, but imho it just doesn’t fully translate? I think perhaps it’s not as much breathing room as a multi-track, and definetly less dynamic range.... Point being it still is a great listen and I thank Dick every time I fire it up. So even though it’s not a full Norman, multi-track from fall 73, I’m gonna love it, hope all y’all can too....rember Eecktar’s rule of relativity, “a little bit of somethin is better than all of nothing” ; ) So be Grateful!
  • jaydoublu
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    Thin Re; Vault
    The Grateful Dead leased the vault to Rhino for 10 years, in about 2005. Rhino spent 30 million. That contract was renewed a year or two ago. Rhino owns the licensing rights for ALL recordings, merchandise, logos, emblems, and this website. That to me is selling the vault.
  • daverock
    Joined:
    Going to all three
    I only noticed after The Dead came to England in 1981-reading a review of a show I hadn't been to revealed that they had played a completely different set to the one I had heard. The broadcast Essen Germany show from March 1981 was also different from the show I had seen. In those days, most live albums seemed to be compilations of songs from the whole tour, rather than a recording of one particular show, which suggested the same set list played throughout. Obviously both Europe 72 and Steal Your Face fell into this category. Both horrendously, misrepresentative too, but that's another story. Occasionally one show was featured - The Who's Live at Leeds comes to mind. But having recently heard their Live at Hull album from the some tour, the level of similarity from show to show for some bands verged on the uncanny.
  • KeithFan2112
    Joined:
    China Riders
    The longer the better right? If you're looking for something off the beaten path, try 12/18/73. That whole damn show needs to be released. 6/30/73 is pretty good too. I think Roanoke too, I forget the date....Sept something 74
  • JimInMD
    Joined:
    Going to all three
    Shit.. early on (at least for me) it was more like both going to all I can afford and somehow not creating the optics that I didn't care about fiscal responsibility and was not robbing trains to support my GD habit. 35 years later.. not much has changed. Looking back.. I could have probably found a way to see at least another few shows if I was just a little smarter about it, but I did what I could. And what and adventure it was (and still is).
  • nitecat
    Joined:
    Goin' to all three...
    That was a revelation, and that's one of the things that hooked me. I think I got that at the BCT August 72 shows. I realized I could see a totally different show, and maybe hear the songs I wanted to hear but didn't. It's also interesting because we talked about the different musical genres in each night, 'Yeah that was the spacey night, next night was the rockin' night. That was it. I started going to all three,(four? five? six?) and also started traveling to shows on the west coast. Oh what fun times!
  • Vguy72
    Joined:
    Re; Going to all 3....
    ....yeah. I realized that during Long Beach '87. "And they won't repeat a song?" Some head sitting next to me. "Nope." Me. Staring blankly. "But it's Sunday. Dammit!" All bets were off after that revelation....a year later, I hit all 3 Long Beach shows, and was trading tapes ravenously. We had six tape decks going at once for a while. Grate times. And there's nothing weird about Desolation Row. Hindsight is 20/20. Back then, that was a bathroom song. Stupid youth....
  • JimInMD
    Joined:
    7/17/89
    Great show.. I realize as I write this that it might sound weird.. but I really loved that Desolation Row (from 7/19), might just be my favorite part of the DVD. Ok.. add in the Deal. The start of the second set is amazing too, a great China>Rider, Playing UJB SOTM. Wow. I didn't catch that one, so I'm glad it was released on DVD at least.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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What's in John Boy's fanny pack? Inquiring heads gotta know. Billy's stash?!
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15 years 1 month
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I really hope it's a super cool box because if not that's 70 bucks per Ship Of Fools.
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....I tried tying my fanny pack with one of those. It worked. I had one that was homemade with small ropes instead of the clip. Found it on a Shakedown at Shoreline. Fuckin lost it a few years later. So it goes....
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i guess my post wasn't all that clear. the reasons i gave were what pushed it over the top for me. i plan to listen to the entire box set. i'm sure it will be worth multiple plays. ----
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I'm looking at the photos of the box and thinking it's big enough to house proper digipacks (like the old Rhino reissues of the studio albums), which I hope is the case rather than flimsy cardboard sleeves or worse. Surely the book won't take up that much room. Somehow never heard Seattle '74 but could a 47 minute PITB possibly be as good as it sounds? Needless to say I am getting excited about this. September seems a long way off! Hey Dave - how about an 'unboxing' video??
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worth every cent if they're good ones :-) It was the song in my head when I walked out of AT&T
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I may have said this before, but I see this as more of a JGB song, not Dead. The Dead don't do sappy, over-literal "I love you sooo much" songs (OK Looks Like Rain... but that's Bobby). Jerry Garcia Band DID do sappy love songs. But there's no real jam in it so it didn't make the JGBand cut either....
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I always liked "If I Had The World" well enough-and still do. Maybe it would pall a bit if they had played it as often as Sugar Magnolia, but as it stands-good. This made me think of other songs the band made good studio recordings of, and then never played much live. Ripple, Unbroken Chain and Crazy Fingers are all great in their studio incarnations-but none of them - to me-really translated all that well to live performance. Crazy Fingers was good on 13th August 1975-but it obviously didn't survive long. I'm not even going to mention the 1990s versions.. Another great studio recording, was "New Speedway Boogie". I wonder why that one never became established as a jamming vehicle like "Truckin'" did? "Box of Rain ", too-an incredible song.
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probably too dark a song for a long running jam vehicle? being the horrific story of Altamont free concert gone bad... The Dead left without playing a note after Marty Balin was knocked unconscious, they were scheduled to play second to last, just before Mick and the boys. Four people died that day amidst chaos, one murdered right in front of The Stones on stage. See Gimme Shelter but be ready for some ugly stuff.
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How about never-played/yet-to-be-played songs such as "France"? Could Dead & Co. play thissteel-drum-meets-Lowell-George-meets-Bobby-and-Donna as a one-off by bringing Donna to the Dead & Co. stage?
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as 10/31/84 begins to finally circulate, I ask people out there please check your tapes for uncirculated '95 boards. I myself and others would like to start filling holes in our '95 collection.
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To me, France sounds a Pablo Cruise song. As far as under-played songs, I'll take Rosemary any day.
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Love Donna to pieces, but I don't think her voice is what it used to be. I heard her play with D&C in Boston 2 years ago (and sit in with Ratdog about 9 years ago in New Haven) and while she did OK, she sure didn't sound as god as she used to - I think she doesn't have the range she used to have, which is common among women. Mad respect though. Funny thing is at the concession stand at Fenway, on the field where you could still see the band, I overheard a guy telling his gf/wife it was Mountain Girl. Me: "Actually that's Donna". Girl: "See? I TOLD you!". Guy: "No, IT IS Mountain Girl"... long pause as he glares at me that I had just contradicted him in front of his partner. Guy behind me: "Dude it's Donna Jean Godchaux, she used to be in the Dead in the 70's - who did you say you thought it was???" Guy: "Nevermind", still glaring at me.
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as a post brent fan i'll say crazy fingers was definitely good in the '90's. vinces work on it was a highlight.
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While a different tempo than Blues For Allah, I think Crazy Fingers worked pretty well for the band. A good 90's Bruce/Vinnie version can be found on Dick's #17! I'm also fond of the 6/20/92 RFK version.....and, I just love that damn show! :)
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Moving through GD eras, Keith's grand piano really fits the rock-n-roll and Americana songs, but his electric keyboard during certain songs of 73-74 along with Jerry's wah-wah is a sure fire ticket to outer space. Sounds like a Fender Rhodes?? This is the juice for me! Just wandered through Winterland 1973 - great stuff! Also, IMHO, 73-74 is Bobby at his peak. Not that he lost any chops, but in 73-74 he really stands out in the mix and surely is one of the best all-time rhythm guitarists. The Dead have been and continue to be such a positive force in my life - and it is needed now - Will be teeing up some DaP 26 Albuquerque for the ride home - and a shout out to Phil as a great backing vocalist in his time, those early harmonies were sweet. Thanks Dave, Jeffrey and all the Rhino crew for keeping this going!
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And the modern ones had some grate jams. The transition into Playing from 9-25-91 is spectacular (and real).
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...always loved the bands playing during the 73-74’ era. I really got excited when I heard about the official announcement from the band and company. You can really get lost in amazement @ ah, from each band members performance as a whole... I’m sad to say I had to sell my copy due to an alarming rate of doctor bills. Just returned home from the hospital after a long 33 day recovery and be allowed to return home to my family, friends and my fellow deadhead relationships :). I gonna try my hardest to buy another boxset for myself before they all sell out, wish me luck, Im gratefully in need of some prayers...Peace be with you all my brothers and sisters and have yourself a grand 4th of July celebration ! Smile smile smile :)
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The promotion said Donna will be there. Thank fucking god there's no "Playing" in that set. Jesus Christ, to this day I roll the volume back while she shrieks horridly during those two refrains. All over E72, like swatting away a fly "TURN IT FUCKING DOWNNNNN..." But, I love her. Our hippie priestess. C'mon, Donna Jean meant the dorks had a girl - a Girl! - onstage. She looked nice, at least, Bob, Billy, and so on and so-forth felt so. She was alright. She sang on Elvis records, for Chrissakes. And on Jerry's solo lp's, where she could "hear herself," she was spot-on, a session princess. I am going to be there representing in full Jedi force Sunday, you asses, that's right, parading all across Red Rocks. I may just well be bearing one of my Dead & Co. T-shirts, to spite Phil, and Gyll, after digesting the Joel Selvin book. To hell with it. Pools, waterparks, booze, tits, family, my guitars, yadda... A long fourth-of-July weekend here. As God is living, herself, through every keystroke and breath and shit we all are taking, well, her, let's take Cheers! and make love manifest in all that we are and do. Each and every time, \jm/ LedDed
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Jerry's guitar solo during "Bertha" makes my ear-sockets melt...
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Yes, funny-you get guys like that in England, too. I have always enjoyed a chat/discussion-and in the past have thought I was being helpful challenging something someone has said-or I have just enjoyed the possibility of opening up a potentially interesting debate. I guess some people take a discussion as an opportunity to assert their superiority-and if someone challenges what they have said they feel personally attacked.
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Good to hear people have enjoyed 1990s versions of Crazy Fingers-its a great song, and as such maybe any airing should be welcome. With New Speedway Boogie, I was forgetting the lyrics when I said that I thought it would have made a good jamming song. "Gimme Shelter" is a horrifying film-and if the song was firmly attached to that event, I can well understand why it wasn't played too often. But musically, the chord sequence, and the rhythm suggest that it was made for jamming.
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just out today, the current administration had help from the Russians in winning the 2016 election, concludes the Senate. How do you feel now? This administration has and will continue to erode all and any past accomplishments in the name of progress and freedom to suit it's own greedy maladjusted agenda. If you believe in Freedom, if you believe in Justice, better wake up and vote in November. The times they are a-changing and it looks like we are going back to the 50's. Affirmative action to be stopped in colleges, tariffs against our allies, gestapo type tactics against any and all immigrants, tax cuts for the rich that will never expire, supreme court being loaded with conservatives that will make all of this craziness the law of the land. WAKE UP and remember what our ancestors fought and died for, Freedom from want, Freedom from fear, the right to life, liberty and the pursuit of happiness, freedom from a government that did not listen to it's own citizens. They fed us the line that democracy was and is the best thing going and we fought and died for it, and now, it is being slowly and deliberately destroyed by greedy, crazy aristocrats who want it all and will take us all down to get it. I love my country, I fought for my country, I was willing to die for it, and now, I don't recognize my home, the idiots are winning and we must fight with all the love that we have to stop what will become the easiest take over of a country by a foreign regime ever. Not one shot being fired, all in the name of greed. Happy 4th of July everyone, I will fly my flag today, upside down, to symbolize a nation in distress and in need of help. I only hope it's not too late. Go ahead, fly your freak flags high, it's just a mater of time before you won't be able to with out fear of retribution from your own government.
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Wave that flag. Wave it wide and high. Democracy has come and gone, my oh my. I picked up a cheap used copy of the Truckin Up to Buffalo DVD recently and watched it last night. 1) Good stuff, although I think Downhill From Here is a little better overall with better video quality -- "Better" being relative since they're both old standard def feeds anyway. I notice there's at least two other video releases from that tour, 7-7 and 7-8, and that seems to be where they mine all the Meet up At the Movies also. 2) Holy hell, that was a ripping All Along the Watchtower. Maybe the best non Jimi version I can remember. Highlight of the show, IMHO. 3) During Drums, Mickey is squeezing something that looks like a giant air filter, and banging on it with something like a crowbar. What is that ?
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Thank you for your fine patriotic post.And hats-off to Roguedeadguy, too U.S. Blues Grateful Dead Red and white, blue suede shoes, I'm Uncle Sam, how do you do? Gimme five, I'm still alive, ain't no luck, I learned to duck. Check my pulse, it don't change. Stay seventy-two come shine or rain. Wave the flag, pop the bag, rock the boat, skin the goat. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. I'm Uncle Sam, that's who I am; Been hidin' out in a rock and roll band. Shake the hand that shook the hand of P.T. Barnum and Charlie Chan. Shine your shoes, light your fuse. Can you use them ol' U.S. Blues? I'll drink your health, share your wealth, run your life, steal your wife. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Back to back chicken shack. Son of a gun, better change your act. We're all confused, what's to lose? You can call this all the United States Blues. Wave that flag, wave it wide and high. Summertime done, come and gone, my, oh, my. Songwriters: Jerome J. Garcia / Robert C. Hunter Copyright 1974 Ice Nine Publishing Company, Inc. (ASCAP) U.S. Blues lyrics © Universal Music Publishing Group, Warner/Chappell Music, Inc
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Man, sorry to read about your long bout with the figment of a health care system we suffer under. Glad to know you're home with family & friends and on the mend. Lots of warm, positive vibes radiating to you from west Texas. Onward! Wonder if we can scrape up a box for you?. . .
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SWEETHEART OF THE RODEO 50TH ANNIVERSARY featuring Roger McGuinn, Chris Hillman and Marty Stuart and his Fabulous Superlatives Hi everyone - very excited here. I've pasted in above the announcement from my in-box today regarding 50th anniversary of Sweetheart of the Rodeo. I love the Byrds. Seems like they should have shared some bills with the dead, but I'm not aware of any. Particularly at the end of the Byrds' career when they were an excessively hairy jam-band. Grateful Dead, Byrds, Small Faces, Traffic - these are probably the 4 classic rock bands I've listened to and enjoyed more than any others. I've never seen McGuinn live...seeing him at the Ryman is something to look forward to. Monday October 8 is the day. If anyone wants to come to Nashville for the show let me know and we'll make preparations. Happy 4th to all - hoping for quick recovery and good health for all. Rock on!
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Really looking forward to the announcement... maybe in a couple of weeks?I’m guessing that it’ll be primal Dead. Spring ‘69? Would love June ‘76 though... maybe fall ‘80 (Gainesville?) Maybe the first ‘79 show in the series? Can’t wait.
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Just saw on another thread that Seth Hollander was hoping for 12/12/90.Awesome show... that would be a great choice too!
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And the radical he rant and rage,Singing someone got to turn the page. And the rich man in his summer home, Singing would you like some whine and cheese with that ? Ashes Ashes all fall down.
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12 years
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Jack Hardy. Anyone have a good collection of his stuff? Here's one of his cuts https://www.youtube.com/watch?v=qbMEYfYpa7s He seems to have 2 "collected" works available. Anyone have a copy of these two? I like the guy. OH, also,,,, anyone out there have any Joe Hill, I'm not even sure if he was ever recorded. It seems his songs were covered by a large number of "union" singers.
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10 years 2 months
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"Patriotism is the last refuge of the scoundrel."-Samuel Johnson 1775. I agree with Vguy72-there are two sides to every coin. I would add, though, that sometimes its best not to agree with either of them.
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Member for

17 years 4 months
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....social media is the cancer of the world. When I first got the internet in 1997, I played a ton of Scrabble. Now, it's full of hate and retoric. Personal opinions are viewed upon as "wrong" by people with other viewpoints. Big men behind a big keyboard. Open the barrier and let's see how big their mouths are. I will watch this Four Horsemen doc because I've never seen it. Noticed it was published in 2013. Wierd....
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6 years 6 months
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uuuuuuuuuuuuugghhhhhhhhhhhh oh my god more political bullshit in here holy fuck balls.
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17 years 5 months
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Good to see everyone is enjoying the 4th of July.
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Member for

17 years 4 months
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....and a new dog. It's officially Scary Big Boom day. Should be interesting. But seriously. Happy Birthday America. Keep it up, unless it's upside down. Funny. I ran some errands today and saw a lot of US flags. All right side up. Idiots.
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