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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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I'm like an alcoholic falling off the wagon at an open bar when somebody mentions the Winterland 1973 box set. It only takes a little nudge. I stay away from this one to preserve its majesty...but if this is what the kids are doing I'm in. November 10, 1973, bonzaaai!!! Jimbo - you spent it on a green Gremlin??? This is worse than that time my kids got into my bitcoinage and went online at the five-and-dime. Ended up with a barrel full of squishy toys.
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Pardon me while I pause for a prayer of thanks.... ...sorry, its a long one... That was my first "real" GD show. Man, those were the days (spoken like a genuine member of the sub-species fartus oldus). I walked out of Winterland half-expecting to find a different planet on the other side of the door. A bit disappointed to find out otherwise. And so it began - this affliction we all share for which the only known cure is...more shows!!
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Chica-chicaaaah! Just got the shipping notice for my anthem of the sun Deluxe Anniversary Edition. Not so much interested in the anthem of the Sun, but I do believe there's alive show accompanying it. Somewheres around 1968 maybe? I forgot I ordered this. Did it on a whim one day. Maybe I'll double post to celebrate.
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Chica-chicaaaah! Just got the shipping notice for my anthem of the sun Deluxe Anniversary Edition. Not so much interested in the anthem of the Sun, but I do believe there's alive show accompanying it. Somewheres around 1968 maybe? I forgot I ordered this. Did it on a whim one day. Maybe I'll double post to celebrate.
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Grateful Dead is the best live band everThe Beatles is the best studio band ever Motorhead is the best high-energy band ever 13th Floor Elevators is the best raw band ever CCR is the best "singles are our forte, but our other material is fun, too" band ever
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So where’s the clue in that post?Winterland? Fartus oldus? More shows? Man, that’s possibly the toughest clue Bolo has ever posted. I’m going to have to go with “more shows”.
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Grateful Dead are the best live band ever Steely Dan are the best studio band ever KISS are the best high-energy band ever Ramones are the best raw band ever The Police are the best "singles and all..." band ever Ask me tomorrow, I might give you five different bands.
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Stoltzfus- I just listened to Ramble Tamble this afternoon. You're right on. Great track. Great band. Weird world sometimes. Just listened to it and here you are talking about it. Life is good. Box is soon. '69 or 70 for DaP 27. Short. Declarative. Sentences.
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Stolzfus - Good list, but you forgot to mention Nickelback. LedDed - I was thinking Steely Dan "best studio band ever", as well. Yes, that knocks off the Beatles, but I would argue the Beatles are simply "best band ever", with no qualifier. It's their world. Every other band just lives in it.
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Live-Grateful DeadStudio-Yes
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Live - Grateful DeadStudio - Pink Floyd
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15 years 10 months
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Studio:Beatles Steely Dan Pink Floyd Live: Grateful Dead Bob Marley Santana
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relates to the Dead era of this upcoming box set release, however this location was the midwest, instead of the northwest. But still 1974. This was my first show and it was on 6-16-74 in Des Moines, Iowa. This was a musical road-trip starting in Lincoln NE and four of us traveled down to Kansas City's Arrowhead Stadium on Friday night (6-14-74) to see the Allman Bros. Band. That was quite a hot show and ABB were loud and the guitar work on their raucous blues and rock was stratospheric. We got up early and were travelling in my convertible VW bug (top down) and took country roads back up to the Des Moines Fairground. Yes, back roads because we were not fit to drive on the interstate (nor the highways) with regular citizens, but staying on those gravel roads with occasional stops for exploration fit the bill in our crazed state. These were the 70's I remind you, so this era commanded a sort of reckless abandon. And we answered the call, but were unprepared for the aural adventure on tap in Des Moines. I recall our tickets to see the Grateful Dead ($3.75?) said the show starts at 1:00 on Sunday. This would be quite a treat, as I had never seen the Dead before, but I had listened avidly to Europe 72, Skeleton & Roses (Skullfuck), Workingman's Dead the new one Wake of the Flood. And the weather was wonderful as we traversed those back-roads, laughing, partying, and goofing to our hearts content. Needless to say the statutes of limitations have lapsed on that prankster period but I will stick to the show story as opposed to the side trip. We pulled into a campground and set up camp and as was our penchant 'back in the daze' began furiously rolling smoke-able party favors for the looming Dead show. The next day we arrived at the Des Moines State Fairground and it turned out to be a wonderful outdoor spot with the 'Wall of Sound' erected several hundred yards in front of the Fairgrounds covered grandstand. We were standing out front milling about, being part of the show and watching others do their part, frizbee, t-shirts (still have mine, a threadbare wonderful homemade "Garcia" image, not quite my size anymore ;o}), sales of various items and all of a sudden we hear a bullhorn announce "the show will start at 12:30." So we decide to head on in. I heard later they heard a storm was blowing into the plains so they started early to beat the rain. I never since saw or heard of an early start of a Dead show, have you? It is hard to describe how striking that 'Wall of sound" was sitting in front of us. It was simply immense. As you approached it, the massive assemblage of speakers seemed to grow outward and upward. So many stacks upon stacks. I thought the Allman Bros. sound system was loud 2 nights before but their system was absolutely dwarfed by this massive scaffolding & speaker construction. Crosby Stills Nash and Young's system wasn't even 1/2 this size and they blew our socks off. So what would this behemoth sound like? We all ran about in the crowd before the show started and there was a little stand for Rounder records with some miniature album covers advertising Jerry's new album (his second solo), a Kingfish album and the Grateful Dead's upcoming release "Mars Hotel". I marveled at the wonderful illustration of a seedy hotel on a Martian landscape for the new album. Ugly rumors indeed! Little did I understand what I was about to witness. Party favors circled about and the crowd swelled against that elevated stage in anticipation. The Dead had played here last summer and I had heard from my grinning buddies about the "double rainbow' that appeared on cue (as was so prone to happen at the Dead shows) during that show. The Dead ambled out to tune up. There is Keith on his grand piano, Billy at his drums in the middle under this cylindrical-suspended-speaker-section, Phil in his shades and a beard, and Bobby with a flannel shirt (to ward of the cool breeze blowing in). But who was that in a red 'Mars Academy' sweatshirt? It looks like a chubby Dustin Hoffman? No, it's JERRY! He shaved off his beard! He still had massive sideburns (ala the sixties). They tuned up and began playing and off we go-"Bertha" yes!!!!!!!!! and the crystalline sound of that system. Unbefuckiin'liveable, just off the charts, beefy bass, and loud!!!! I can hear everyone clearly...Weeee!!!! And the Grateful Dead took me on a journey, of Americana, country, space, rock, jam, fable, fun, roller coaster, and turn on a dime. An aural feast extraordinaire. That first set gifted me with my first Scarlet Begonias. When I first heard those shimmering leads and I first thought it was going to be China Cat Sunflower. No, it was a stand along Scarlet Begonias- from their new album (not yet released). A couple songs later after that was my first live China Cat> I know you Rider. Just exactly perfect. Mexicali-Blues, Row Jimmy, Around and Around and others were in that first set. Then the first set break. This was the old days and this was to be a 3 set show. We were terribly spoiled in those days, my friends. A bounty of riches that hazy overcast day in Iowa. Second set started with a US Blues and then The Race is On. However then the fabric of time slowed and expanded when an ethereal sounds of Eyes of the World soared out of that Wall of Sound. Garcia playing those 'catch me if you can' cascading leads, with Bobby's shimmering upstrokes in alternate rhythms, all the while Keith is playing the keys either in counterpoints or delicate mirrors to Jerry's leads. And Billy's effortless jazzy fills punctuating and driving the boys and Phil's bass dancing low and then those impossibly high bass notes. Bass leads, wait who has ever heard of bass leads? Then the Dead magically segued into Big River (a segue complete with a whiplash collar). This was a glorious Big River for us in the middle of the country right by the big river that Johnny Cash wrote about. Other tunes followed both old and new. This was stupefying, and after Donna joined the boys for Ship of Fools, then Phil delivered bass bombs during a staggering Playin' in the Band to end the second set. The sight of the wall of sound was remarkable but with this speaker construction of Owsley's, transformed Phil's bass notes into a pulsated sonic pressure right into my chest, sneaking into me physically and synchronizing with my breathing. I had to lean forward to not tumble over backwards. End of the second set. Whew... My mouth was hanging agape, I look to my buddies, and they stared wide-eyed back at me, grinning with anticipation. The Dead will be back for more? Another set? How much more can they show us? I thought that I am saturated, no more wonder will fill this cranium. My buddy who had been at last year's show smiles knowingly at me and then leans back to laugh with a Neal Cassady guffaw and we all break up giggling. Then yes, the Dead come out to astound us with more tales, mysteries, and celebrations,.... Set 3 Truckin'> Wharf Rat > Nobody's Fault Jam> Going Down The Road Feeling Bad and then we got an encore of Casey Jones. Aural delights that created a response with the crowd that would ebb and flow, an ocean of sound in Iowa, where the Dead would roll sound out at us and we would all respond with primal howls and cheers back at them, only to have them return with increased energy back to us in the next refrain. I really had no context for this experience. It was beyond belief........... Afterwards we all staggered back to the VW bug to make the trek home to Lincoln, Nebraska. What!! It is really 6:00 p.m.? How long did these guys play?!!!!!!!!!! How long indeed ;o} So my brothers (and sisters) that is how I got on the bus back in June of 1974. "Teachers open the door, but you must enter by yourself"
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That's some tale Oroboros.. many thanks. Muy celoso. Wow.. great story.
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https://www.rhino.com/article/out-friday-graham-nash-over-the-years -First he was a member of The Hollies, then he joined forces with David Crosby, Stephen Stills, and sometimes Neil Young, and whenever the opportunity has presented itself, he’s also had a significant solo career. Now, Graham Nash is about to issue a two-disc compilation which features some of his most notable compositions from the CSN(&Y) years and the work he’s released under his own name, and while it doesn’t technically feature anything by The Hollies, it does kick off with a song that he offered them but which was rejected. Yes, the song in question is “Marrakesh Express,” which went on to become a classic CSN track, and it’s joined on this new compilation - OVER THE YEARS – with a number of other tracks which will immediately ring a bell, including “Immigration Man,” “Simple Man,” “Teach Your Children,” “Our House,” “Wasted on the Way,” and “Just a Song Before I Go,” among many others. Better yet, it’s a 2-disc set, one which features 15 studio tracks on the first disc and 15 original demos on the second disc. OVER THE YEARS will be released digitally and as a 2-CD set this Friday, and it will also be released as a 15-track, double-LP version on August 31, one which has music on three of its sides and an etching on “Side Four.” You can find the track listing for all of these formats below, but in the meantime, you can spin the Graham Nash playlist we’ve compiled. Over The Years... CD Track Listing Disc One 1. "Marrakesh Express" 2. "Military Madness" 3. "Immigration Man" 4. "Just A Song Before I Go" 5. "I Used To Be King" * 6. "Better Days" * 7. "Simple Man" 8. "Teach Your Children" 9. "Lady Of The Island" 10. "Wind On The Water" 11. "Our House" 12. "Cathedral" 13. "Wasted On The Way" 14. "Chicago/We Can Change The World" 15. "Myself At Last" * Previously unreleased mixes Disc Two: The Demos 1. "Marrakesh Express" - London, 1968 2. "Horses Through A Rainstorm" - London, 1968 3. "Teach Your Children" - Hollywood, 1969 4. "Pre-Road Downs" - Hollywood, 1969 5. "Our House" - San Francisco, 1969 6. "Right Between The Eyes" - San Francisco, 1969 * 7. "Sleep Song" - San Francisco, 1969 * 8. "Chicago" - Hollywood, 1970 * 9. "Man In The Mirror" - Hollywood, 1970 10. "Simple Man" - Hollywood, 1970 11. "I Miss You" - San Francisco, 1972 12. "You'll Never Be The Same" - San Francisco, 1972 13. "Wind On The Water" - San Francisco, 1975 14. "Just A Song Before I Go" - San Francisco, 1976 15. "Wasted On The Way" - Oahu, 1980 Previously unreleased demo versions, except * LP Track Listing Side One 1. "Marrakesh Express" 2. "Military Madness" 3. "Immigration Man" 4. "Just A Song Before I Go" 5. "I Used To Be King" * Side Two 1. "Better Days" * 2. "Simple Man" 3. "Teach Your Children" 4. "Lady Of The Island" 5. "Wind On The Water" Side Three 1. "Our House" 2. "Cathedral" 3. "Wasted On The Way" 4. "Chicago/We Can Change The World" 5. "Myself At Last" * Previously unreleased mixes ...anyone else give this a listen ? :)
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What a talent, and considering who he worked with and through what years.. a great diplomat. I have been to Marrakesh once, and had a grand time. Flew into Casablanca.. met some friends, spent a few days here and there but the train trip to Marrakesh and back, plus the time we spent in the city was quite the event. I can't remember when I went there, but it must have been before 9/11 or shortly thereafter because I don't recall any of the related travel hassles that seem to come with visiting a predominately Muslim country, it was easy travelling both here and there. It was a spectacular trip and I highly recommend it. Sorry for the tangent.. guilty as charged. That songs just always reminds me of a poignant period in my life.. as good music should. I highly recommend seeing as much of the world as you possibly can.
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...amen to that, I couldn’t agree more my brothers & sisters :)
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The band I have listened to most this year, apart form the Dead, has been King Crimson. They are as different from The Dead as night is from day, but they might just have been the most effective improvisational rock band to come form Britain in the 70s. They had three main line ups in the 70s, but the one I am listening to most is the final one. They made three studio albums-including "Larks Tongues in Aspic"- with an extra percussionist- "Starless and Bible Black" and "Red". I have got the whopping box set "Starless" which features many jaw dropping live concerts in superb sound quality. Its a bit much to buy, if you haven't heard them before-so I would recommend one called "Nightwatch " which is included in the box, or The Collectable King Crimson Volume 1.-which features two great concerts from the same lineup-one of which, Mainz 1974, is included in "Starless". Its not for the faint hearted, though.
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I grew up loving CSN/Y. It was part of the soundtrack of my youth. I've always been an acoustic guitar/harmony loving guy. Love James Taylor, Neil Young, and they all inspired me to play guitar, which I do to this day. But there were a ton of CSN songs I'd always skip - they seemed too sissy-ish and effeminate. I eventually learned that all the songs I skipped were Nash's. Then I saw them live and I was wondering what was wrong with Nash? Is he drunk? Did someone dose him? Nope, that's just how he rolls: writhing his body to every lyric and nuance of the song like a melodramatic 8-year old girl singing into her hairbrush. It was beyond distracting - it made me uncomfortable. Why the cartoonishly over-wrought emoting? Is he self conscious that he's not playing an instrument? Clamoring for attention on a crowded stage? Every time I saw them after that, I had to look away and focus on the others. But mad respect. The guy is the R&R Hall of fame 2x (I think?) and helped pull Crosby out of a ditch many, many times. He knew the Beatles before they were the Beatles. But his music is absolutely NOT my bag. Sorry for the negativity, but I'm curious how many others feel the same. Is it just me?
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He gave us the Nash Strat and hence the E72 sound, that's good enough for me. I like the pedal steel on Teach Your Children too. I think he had a strong influence on their harmonies and direction. I do tend to prefer the Stills tunes though if that's fair to say. I don't listen to CSN that much anymore.. but sometimes I have an itch to scratch. I also somehow don't think CS would have nearly the staying power as CSN or CSN&Y.
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Yes, respect to Nash for giving Jerry the blonde Strat he used in '72. I agree he added the baking soda that made the CSN cake rise. Baking soda works well, but in small doses. To me, Nash is basically CSN's Garfunkel. (fav Veep insult: "You're the Secretary to the Vice President - thats like being Garfunkel's roadie.")
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I always thought Stills was a bit under-rated too.. he's really a great guitarist and songwriter. I would have a higher opinion of Crosby.. but some of the interpersonal things he has done and the carnage left behind leaves me feeling a bit woozy.. but the guy could sing.
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I'm a guitar guy so Stills is easily my fav of the CSN trio (Neil Young of course being THE star of CSNY). Stills has some great solo albums that flew under most people's radar. I always thought his "Treetop Flyer" was brilliant: https://www.youtube.com/watch?v=IV4PI0Vt6nU
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I never really got into these guys when they were together; always thought the bands they each came from were better, Hollies, Buffalo Springfield and the Byrds.
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I agree, King Crimson is amazing. That band has been an incredibly satisfying discovery for me since 2012. While waiting for your favorite live Dead to come out of the vault, check out the many great improv and jazz-fusion bands that emerged from England in the late 1960s and early 1970s. For me, the bookends are Soft Machine and Robert Wyatt's solo brilliance. In between at least a dozen artists rank very high in my head e.g. early Nucleus, Ray Russell, early Surman, Chris McGregor. I think a good percentage of Dead listeners might thrill to KC early records up through amazing Red. And if you really find yourself smitten by KC, head to Japan for some KC-inspired Altered States (truly great below-radar group), and the several AWESOME duo discs of Altered States guitarist Kasuhisa Uchihashi and Ruins drummer Tatsuya Yoshida.
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Not familiar with all those, thanks for the infoHow bout Brand X? and not English but always have held Return to Forever at top of the heap. Was fortunate to see them in early 80s as well as the reunion tour in I believe 2004? Edit: I guess I’m crossing swords a bit between Jazz fusion and prog rock. Sorta tastes the same to my palate, but I’m sure some of you more scholarly connoisseurs, like Daveroc could elaborate...
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Love your recollection of your trip up from Kansas City to Des Moines to see the Dead on 6/16/74. It's eerily similar to my experience. I was living in one of the KC suburbs at the time. I skipped the Allman Brothers Band show (wasn't that the one where Dickey Betts had his leg in a cast?), but drove up to Des Moines on the morning of the show with my buddies, also in a VW bug. One of the reasons for driving the back roads at that time is that the interstate had not been fully completed at that time. You had to get off I-35 somewhere in northern Missouri (maybe near Bethany) and take back roads through southern Iowa before rejoining it south of Des Moines. There was a pretty nasty stretch along one of the state highways that was had a reputation for being dangerous because of the large number of accidents that occurred along a very winding 20-mile stretch. I knew that road well from traveling to Des Moines a couple of times every year to see my grandparents when I was growing up. They finally completed the final stretch of interstate there a couple of years later. I remember that the morning of the show was very cool and I too remember the dead starting early. I think Phil said something from the stage like, "We're gonna start early so we can play all afternoon." In the end, the late afternoon ended up being sunny and warm. It was an excellent introduction to the Wall of Sound. I always loved the "I've been working on the railroad" riff during the China Cat Sunflower - I Know You Rider transition jam. We spent the night after the show with some friends from Grinell College who were living in Des Moines for the summer.
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Always liked most of their stuff, but as some of you have replied, kinda have to be in the mood. Saw them live a few times, including opening for the dead, I think? Kinda feel like their an author you like, but who can’t seem to get out from behind their own coffee breath, as the Great Author Jon Evison would say...Also their egos seam to leave an aftertaste....great musicians, great music, just wierd personalities and weirder chemistry..
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I remembered I still had this tape of 06/22/73 P.N.E. Coliseum - Vancouver B.C., actually a 3 tape set and I listened to most of them last night - amazing, to say the least - one great show! Tapes: Betty reel> PCM> DAT> cassette 3. Maxell XLII C90 with man sitting chair logo. J-cards: semi-custom printed (typed) set lists. I wish I could find a good j-card creator program that Windoze 10 will accept. Tape 1/Side A: Bertha is cut in the beginning of the song and the tape flip comes after Bird Song. Side B starts with The Race Is On and ends with Jack Straw. Pretty much it's Disc 1 of this box set. Pretty decent sound. Tape 2/Side A: China>Rider, Big River, Tenn Jed. Side B: Playing in the Band (and a lot of empty tape after that.) Tape 3/Side A: H.C. Sunshine - Big RxR Blues Side B: He's Gone> Truckin'> Nobody's Jam> The Other One// nasty cut near end of tape. Tape: Maxell XLII C100. I had upgraded to CD-R a few years ago (at least 10), but they are currently MIA (or AWOL - may have been loaned out and not yet returned) but I can't remember if those discs are the complete show or not (3 or 4 discs) I am thinking when this box arrives in September that I may tape over this show, especially tapes 2 and 3 and have the complete show on tape and J-cards will be a surprise for a future listener, or I just may keep them as is.
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CCR; a virtual hit machine! Perhaps somewhat overlooked because of all the “supergroups” and amidst all the ridiculously great music at that time. Bolo; that’s one hell of an initiation! Like in the old,old days when you’d turn 18 the old timers would take you to a bordello, to “become a man” only when you got there it was full of supermodels! ; ) I was definitely very lucking with some of the shows I was able to see, but you, Anatexis, Oro et el were truly blessed.. Dam, if only mom, god rest her had got knocked up in high school.....lol Speaking of Oroboros, thanks for another great story! I don’t know about all y’all, but stories from the oldus farticus faction of our lovely little community are one of my favorite things here. As far as I’m concerned, please keep em coming. Especially like hearing how folks got their preverbial cherry popped. Not just the geezers either, love to hear anyone who has interesting tale of “firsts” Edit: speaking of 11/9,10,11/73, late fall 73 is perhaps “MY” fav, or E72 (tough choice), but as I’m totally not familiar with Summer tour 73, I’m hoping maybe this new Box might cause me some cognitive dissonance!
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my CPAP machine is broken. waiting for a new one. my sleeping has been affected negatively. sleep deprivation is an interesting mindset. if you want to scare the crap out of someone, play Jefferson Airplane's Chushingura at medium to high volume as someone is slowly waking up. Hilarity ensues. as does insults, screaming, and throwing of objects. GNash is a little soft in his songs, but he got the babes.
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4/29/71 is a righteous show. one of the all-time greats.
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4/29/71 is a righteous show. one of the all-time greats.
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Agree.. 4/27/71 is playing on SiriusXM right now. It's no slouch either and you get a little beach boys banter.. but 4/29 is the bomb.
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17 years 4 months
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Just dialed er up. Thanks for the heads up, NICEeeeeeeee!
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There's two of you guys? Oroborous and Oroboros? I was having a hard enough time with the Jack Straws and the RV 3s. One more guess for the next Dave's. High time for another one of those '76 Orpheum run shows.
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Having seen them live a couple times the only other band that sang four-part harmony that well in a rock context, to my ears, were the Eagles. Deja Vu was undoubtedly their high-water mark as an lp. You could almost listen to it all the way through. Many of their later offerings would have one, maybe two singles or worthy tracks and just a bunch of filler. Stills was the best guitarist in the band - no disrespect to on again/off again member Neil Young. When they were together, and "on," those dual lead lines were just incendiary. I occasionally really like to jam up "Long Time Gone, Almost Cut My Hair, Woodstock, Just A Song Before I go," etc. They had their thing, man, they were great for a short time and serviceable throughout their career. But, terribly uneven. Crosby put out a couple of complete turd records there with one good song on them just for drug money. Can't do that anymore!
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I think we came to the conclusion that Oroborous is Oroboros' evil twin. They seem to get along ok though.. I think we have and need an evil twin. If you are the evil one, then be thankful somewhere out there exists your saintly double. It balances out all the calamity. RV3 likes 80's, RV 3 digs the 70's. Makes sense to me. :D
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Ledded, once again you nailed it! Stills was definetly an underrated guitarist imho. Just too many persality quirks, at least according to things I’ve read....
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The evil twin will of course have a goatee.
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There last night. Those boys actually practice.
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Jim, Evil is a strong word. I may be many things but I don’t think that is one lolThat’s why I prefer the Seinfeld analogy of Bizzaro Oro, like the Bizzaro Jerry episode, 10/3/96 137th episode. If you have not seen check it out, it’s well, Bizarre. Yuck-yuck
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I did when I shaved my head years ago. Now full beard. Sorta look like Jerry only bald untop ; )
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@ Stoltz - came in for my buddy's 50th celebration a few years back and we went to Robert Plant and partied back at his house. I left the cpap hose at home, was a sucky night of sucking air, so I feel for you brother... I liked what Neil brought to the foursome for both lead guitar and songs, but Crosby is probably my favorite of the trio. What a magical voice and a truly gifted poet. CCR was a hit machine, too bad the interpersonal relationships left that a smoldering mess. Looking forward to AOTS delivery tomorrow. Been hitting up the later 80s 30TATS lately along with July 78.
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How about that dust storm before the show. It was so windy I thought Peter Otoole was gonna walk out of the desert eithers into shakedown st as Lawrence of Arabia. I was telling friends it was like the Sahara or Morrocco or New Mexico or somewhere. Driving north yesterday up the Rio Grande Valley my men's intuition kicked in and I took a guess at the opening song, Mississippi 1/2 Step. Weir nailed Hard Rain.
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