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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Greetings GD Community. Apologies to all for the interruption to this board. I am requesting some help for some information from a previous post in this board. I believe that someone posted a comment to this board recently and included that they were a Sandy Denny fan. I have searched and searched the posts for the past several days and I cannot locate it. Perhaps, I never saw this. Or never saw it here. Well, I thought I would ask for some help from you all. If there is anyone that noticed that post and can help me locate it, or perhaps the person who posted it, would you please be able to PM with that information? It would be much appreciated. I thank you all for your time in reading this message. Again, my apologies for the interruption to the discussions. Hope everyone has a beautiful day. Regards
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PHISH, MONDAY 07/12/1999 TWEETER CENTER Mansfield, MA Soundcheck: My Best Friend's Girlfriend, Centerfold, Dream On, Rift SET 1: Foreplay/Long Time[1] > Down with Disease, Back on the Train, What's the Use?, Split Open and Melt, Water in the Sky > Character Zero SET 2: Twist > The Moma Dance > Makisupa Policeman > David Bowie, The Lizards, Guyute ENCORE: Rock and Roll [1] First Phish electric version. Foreplay/Long Time was played for the first time since December 9, 1994 (310 shows) and was the first time Phish had ever performed it electric. Guyute was followed by band introductions, including Mike as "Michael Jordan" and "Air Jordan."
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Thanks for the recommendations, danc. I only really discovered King Crimson recently myself, and I have never heard many of the bands you mention. I will definitely do some exploring. Soft Machine are still touring, and are superb live. They are now led by Theo Travis on sax and John Etheridge on guitar. I also bought a cd by Ray Russell last year, called "Rites and Rituals" which is worth a listen. One new band I came across a few years ago, who play a very frenetic amalgamation of jazz and rock are Norways Elephant9. I saw them at the esteemed jazz venue, Ronnie Scotts, and they blew the roof off the joint. At the intermission, seasoned jazzers could be seen leaving the venue-and I overhead one pundit say-"You can't call THAT jazz!"-They were that good. As to the difference between prog and fusion...I'm not sure! I always think of prog as being more orchestrated-less improvisational and maybe more influenced by light European classical music. Fusion seems to stem from Bitches Brew. Although the free jazz movement of the early 60s is in there, too-Ornette Coleman, Sun Ra, John Coltrane. There were so many categories of music, all loosely played by so called "underground" bands in the early-mid 70s in Britain. Not only the above two, but also space rock-Hawkwind and Gong, heavy rock-Deep Purple and Black Sabbath, folk-Fairport Convention, Incredible String Band, blues-Rory Gallagher, The Groundhogs. None of these categories were recognised as such at the time, I don't think-but there was some great music being played across the spectrum. In about 1974, it all seemed to get very stale,though, and in 1976 we had the new, supposedly improved version of rock. Punk. That's one way of looking at it anyway!
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No disrespect meant Oroborous.. meant in a whimsical, alter ego way.. I'd expect the evil twin as having all the fun too.. think Dr. Evil.. not two horns, likes heat evil. Again.. said in jest, no disrespect meant.
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Deal's a deal.
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None taken me amigo, just messing around. In fact, I think I’m the one who started the “evil twin” thing : ) 4/27/71: that was fun, not sure I’ve ever heard any of that, especially The Beach Boys stuff. Great Lovelight.
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Hey Jim, think I saw him down by the corner taking to some a, “plus sized gal” something about the Brooklyn Bridge.....
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Oroboros.....another great story. Nothing tops the Dragon (Oroboros) story, but a Grate One all the same! Coincidentally, I have had Road Trips Volume 2, No. 3 downloaded on my phone, and therefore on regular rotation lately. Only problem is that it's only a partial show. Does anyone have a complete SBD of this show? If so, I would sure appreciate a copy....I have checked my files and can't find one. One thing......since the statute of limitations is past, how about that side story? (you mentioned you would only focus on the show story). You're such a good story teller, I have a feeling it's probably entertaining! Do tell!! Edit: An SBD of that Allman Bros show from KC in 74 would also be sweet!!! I wonder if that exists somewhere?
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Can't escape the uniqueness of this set... jam>drums>jam>jack a roe.. playing in the band>shakedown street>if i had the world to give>playing in the band>around and around... the 10 minute jam to start set 2 is unlike anything else they ever did!!! The If I Had the World to Give makes me have the same feeling as Comes a Time from 5/9/77 or Mission in the Rain from 6/29/76.. oh well. be good bob t
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CCR was my first "big" show. MSG in May 1970. CCR was one of the top bands at the time and they were great! John Fogarty is an awesome song writer & performer. Booker T and the MG's opened. Green Onions & Time is Tight! Yeah baby. I have seen CSN, CN, SY and S solo. I think Stills is my fave. A local record shop has a boot of Stills playing w/ the GD at the Thelma, I think it is the nite before DaP10, 12/11/69. I am sorely tempted to pull the trigger on that one even though I usually do not buy unauthorized boots. Rock on
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You are correct hbob.. 12/10/69, Thelma. I've got it.. check your PM I'm happy to share. He also played with them on 4/16/83 at the Brendon Byrne Arena in NJ. Black Queen both nights. Rumor has it they made a giant series of lines on a mirror backstage that read Stephen Stills and gave it to him. Bet he didn't sleep well that night. When I was in college I had this short gig DJ'ing for the new (at the time) college radio station. I just played my tapes until I sort of ran out of new ones to play. I'd bet what I was doing was not quite legal.. and before Gan's The Grateful Dead Hour, but no one seemed to care enough to complain. I played that Brendon Byrne show and got my one and only phone call.. "Who's that singing Black Queen?" Pirate radio at it's finest.
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CCR were great-but I never really got into CSNY. I was put off by their appearance in the film of Woodstock. I was about 18 when I saw it and liked a bit more oomph with my music. So at Woodstock the music I liked most was Jimi Hendrix, Ten Years After and The Who. I thought Santana was pretty good, too. I used to like "If Only I Could Remember My Name",-the David Crosby solo album featuring members of The Dead. I haven't played it in years, though.
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i have 'ladies and gentlemen' but that is a compilation of a few dates. i'm listening to the archives now - is there a way to download the whole 4/29/71 concert, rather than just stream it? thanks!
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i have 'ladies and gentlemen' but that is a compilation of a few dates. i'm listening to the archives now - is there a way to download the whole 4/29/71 concert, rather than just stream it? thanks!
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7 years 4 months
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7/13/84 greek would be great, or even a 84 greek box set down the road ??
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7 years 7 months
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Hey gang! I took a day off from this board and holly smokes, you folks have been active!Caught Neil Young last night...great show! Currently listening to September '74 from TTATS.
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today I was out uber eats driving. I get a call to go to Aurora/Hwy 99. I put in Deep Purple live in Japan 1972. "Highway Star" plays. I see the sign southbound 99 that declares it a "Blue Star Memorial Highway." immediately to the right of the blue star in the rectangle it says "Star Highway." "just as plain as day, it could not be denied" interesting, if nothing else.
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11/20/78 GDH 406 If this show existed in better quality you know it'd be Normanized by now. While you compare the IIHTWTG to the Comes A Time from 5/9/77 it takes me to Comes A Time from 5/4/77, the Mission from 6/29/76 has no comparison IMO.
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Bolo that was great - the only cure for our affliction is more shows. That is about the size of things isn't it. I thought this was a great statement too: "I walked out of Winterland half-expecting to find a different planet on the other side of the door". I've been blown away by a couple of bands like that. I didn't realize you were that.... you know, I didn't realize your Grateful Dead experience went back to.....that's great you got to see them before the hiatus. Really cool. I would love to hear more about it some time. Hiatus. HiATEus. Hi-ate-us. Funny word, hiatus. Anyway, I didn't have enough time to listen to the whole thing last night, so I'm finishing it right now. I'm in the middle of the Playing in the Band medley, and completely forgot there's a Morning Dew in there. Imagine my delight when I heard the opening chords. 1973 and 1974 I think of my favorite year for that song. I really did Keith's piano. I'm not sure if that was Erik or Jenn, but I concur. 30 Trips 1974 kicks ass. That Lemieux knows how to pick them. Awesome UJB opener, one of my favs. Coincidentally, there's been some talk about the Fillmore East shows from April 71. That was the first version of Uncle John's Band I ever heard, and I still think it's the best one. The only disclaimer I put on that statement is that I'm talking about the core song and not any of the extended jamming that took place as the song developed over the years. But yeah, 30 trips 1974, great show, great sound for 1974 too. I was just listening to that one the other day in the car. I do a little cherry picking of the super good songs when I'm in the car. Really enjoyed the Jack Straw, Peggy-O, Me & My Uncle, Eyes Of The World, Truckin' and Caution Jam. It's kind of funny. My doctor told me I've got some hearing loss in the mid-range. I'm thinking yeah it's those Wall of Sound shows doing that.
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Lot of great songs.But the ~16 minute Heard It Through The Grapevine is my favorite. I had it on cassette in the 80’s. It was on CD in the early 90’s but it seems to be out of print. I bought the vinyl recently and the Grapevine was trimmed down to ~3 minutes, cuts out just as the jam is about to begin.
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I just realize that you were talking about Crosby Stills Nash and sometimes Young all this time. I've seen: CSN X2, CN, Nash, and NY ×10?
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...this performance was really one of there early performances in playing to a large crowd if my memory serves me right... Here’s some info ——“Scared Shitless ” is not a phrase I would associate with the heaven sent quartet Crosby, Stills, Nash, and Young, but if my second performance with my band was at Woodstock, I’m sure I would be able to relate. The group formed in 1968 after the fracturing of bands The Hollies, The Byrds, and Buffalo Springfield. The initial lineup consisted of only Crosby, Stills, and Nash, and the band needed more personnel in order to tour, as Steven Stills was responsible for most of the instrumentals. The trio finally settled with Neil Young. Their second concert together was none other than Woodstock 1969. Crosby, Stills, Nash, and Young had played only one previous show together prior to Woodstock, and although each member was an experienced musician, the lack of playing together resulted in the band being incredibly nervous. The set included acoustic performances of songs from the first album released without Young, who came out and played as a duo with Stills. They were announced as their former band Buffalo Springfield, although the actual Buffalo Springfield had since disintegrated. After their sink or swim induction into the rock and roll world at Woodstock, they followed up with their first release as a quartet titled “Deja Vu ” which topped the charts and produced three hit singles. Soon after, a hasty move by Young to release his single “Ohio ” dissolved the band ‘s relationship and the band began shifting between releases as a trio and a quartet. As a band, they were never able to recapture the esteem and momentum that they originally possessed. Over the years the band was mainly comprised of different combinations of Crosby, Stills, and Nash, while Young spent most of his time touring with his other backup band Crazy Horse and being at odds with Stephen Stills. After David Crosby ‘s wild ride with drug and firearm charges, Young rejoined the band briefly and they released the album “American Dream ” in 1988 which did make it to number 16 on the charts, but received poor reviews from critics. Young refused to tour on the album and the band would not tour together again until 2006. Their “Freedom of Speech ” tour was launched in support of Young ‘s album “Living With War ” and included new protest songs as well as songs from Stills’ latent release titled “Man Alive “. Crosby, Stills, Nash, and Young have always been known for their activism as well as their anti-war mentality. Like many other artists involved with Woodstock, they are again emerging as musicians with a voice who vocalize dissatisfaction with the country ‘s current state of affairs. Crosby, Stills, and Nash were most recently on the Colbert Report where they performed their famous song “Teach Your Children ” from the “Deja Vu ” album. CSNY later went on to record Joni Mitchell’s song “Woodstock”. The song rose up the charts quickly lead by the vocals of Stephen Stills, and instantly became the most recognizable song about the Woodstock festival.
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....complete band twice. NY solo twice. That's it.
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Think it was 4/16 Black Queen and 4/17 Love the one your with. (Would have to look up?)Had great tape of that and some bastard stole it, probably that MDJim... Definetly check out the Love the one your with, Phil brings the roof down! Edit: Steve sounds like he did that whole Mirror!
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Hey Vguy where’s our joke today? “Dear Mr Vguy, send us a joke Something to make us all happy You are the one who makes us all glad Tell a joke, play guitar, make it snappy”
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10 years 11 months
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CSN & Woodstock was one of the answers tonight on Jepardy.Just sayin'... :o)
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All but the last CCR album have been remastered and re-released with bonus tracks: outtakes and live cuts. 'Grapevine' clocks in at 11:03 on 'Cosmo's Factory', and the entire album sans bonus tracks clocks in at 42:25. Since most albums were 18-22 mins. per side I don't think this is an edited version. Was it a live version you're speaking of?
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Bobt; sounds like another bueat to check out eh! CSNY; used do GDized versions of Wooden Ships and Almost cut my hair back in the day.... “Like looking in the mirror and seeing a po-leece car” But I’m gonna let my freak flag fly! Yeah baby! Sheeeee-itt! T-minus 28 hours and 45 minutes or so....?, (Hey, there rock stars!) Until shhhhoooowwww time! Can not wait to hear some live music, sweet, sweet, music Hope it doesn’t rain the whole weekend? Murphy’s law, dry as Haiti’s all dam summer, but this will be the weekend the Monsoons start. Oh well, that's why God created Gortex.... no such thing as bad weather, just bad gear eh! Edit; can’t believe no one commented on my 7/9/95 story. Not as good as the Dragon, or Historic 73 shows I know, but.......crickets!!! Tough Crowd! Need Vguy to warm the place up... Swear to The Gods, true story, I literally came feet away from smashing into Jerry at full tilt boogie, 6’2”, 200 hundred plus, you do the math.....
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Chronicle: 20 Greatest HitsThat was the cassette tape, I was guessing about the length of Grapevine since I had the cassette in the 80’s. I recently bought the vinyl and Grapevine is 3:52.
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Not only GD's last performance at the Fillmore East but also the last performance of 'Alligator'.
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8 years 8 months
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Just tracked it down, Grapevine is the album version at 11:04. So, how about some live CCR official releases? I love the Fogerty part of 11-3-91 with GD as his backing band.
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....when I noticed a small man shimmying down a rope along the outside prison wall. I thought to myself, "well, that's a little condescending."
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Niiiiiccce, thank you sir, I now can retire for the day satiated...
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... if they made DaP27 a show adjacent to one of the box set shows? Say, 5/25/74 Santa Barbara, which is a great show despite no Other One/Dark Star? Sneaky pranksters.... Rationale: Apart from making September a 73/74-fest, they might predict that it would create more demand for the 73/74 box, since they've already done the initial push and some may be on the fence. Folks might get DaP27 and decide to pull the trigger on 6 more just like it. Yes you could argue it would cannibalize sales, but again the initial sales rush is over and now it's a matter of converting those who decided to pass on it for now. That would be something. That really would be something. Or Gainesville...
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.... working on finding the groove. Trey looks like a ginger Joey Ramone. Seen it before, but a welcome sight. Been re-loving the recent JGB Hawaii release lately. And when I say lately, I mean now.
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I know, isn't that just a bit too many toppings on the cake? That's howthey billed it. Friends were like, "is Dean going to play all Dead covers?" No. He didn't. Just drove home from there, hella fast with that remastered "Appetite" guiding my way. Living in a big city, well, semi-big (Denver), one knows how to get around. Cops have real crime to fight and they rarely give a shit about some white boy in a Hyundai with clear windows speeding five over and jamming the rock n' roll. The theater was just part of the local hype for the next two nights at Folsom Field. Last shows of the tour, folks. Dean Ween was uneven, but gave it the old college try as he does. We did a blaster for the road and high-tailed it out of there before the encore. We know folks there and got heavy pours and discounts all night. Buy $100 worth of booze, get charged $20, tip your bartender $80. Hey, I can play this game. I'm really looking forward to Friday and Saturday. The last shows of the tour in rock and roll, well, hard rock anyway, were always known for craziness and hi-jinks. We'll see what the geezers have up their sleeve. At least Sharon Osbourne isn't involved. Iron Maiden, anyone? God bless everyone. See you at Folsom! The weather shall be perfect.
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15 years 7 months
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Noticing that disc 4, has only 20 minutes of music listed. Wondering/hoping if/for a hidden track. I know they have placed a few hidden gems on previous releases. while not from the era , but area.Think its 6/12/80 with Scarlet>Fire from Portand would be nice. Mount St Helens erupts, or some Phil and Ned. seems like awhile from last DVD release.
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“T-minus 12 hours and counting until liftoff” wooooooohoooo!!!We’ll be in the back, can’t miss us. WEEN “ my dinners on fire while she watches TV......”
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6 years 10 months
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PHISH, WEDNESDAY 07/13/1994 BIG BIRCH CONCERT PAVILION Patterson, NY SET 1: Buried Alive > Poor Heart > Sample in a Jar, Foam, The Mango Song, Down with Disease > Fee[1] -> It's Ice > Fast Enough for You, I Didn't Know[2], Split Open and Melt SET 2: Possum, Cavern -> Wilson[3] -> Cavern > NICU -> Tweezer -> Julius -> Tweezer -> Big Black Furry Creature from Mars[4] -> Tweezer -> Mound > Slave to the Traffic Light > Suzy Greenberg ENCORE: My Sweet One > Tweezer Reprise [1] Trey sang verses through megaphone. [2] Fish on trombone. [3] Played to the tune of Cavern. [4] Unfinished; Played bluegrass style to the tune of Scent of a Mule. Trey sang the verses of Fee through a megaphone. I Didn't Know featured Fish on trombone. Wilson was played to the tune of Cavern. Tweezer contained Woody Woodpecker theme, I Wish, and I Know a Little teases. BBFCFM was unfinished and played bluegrass style to the tune of Scent of a Mule. Trey teased Slave throughout Suzy Greenberg.
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7 years 11 months
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There is a live CCR release, compiled from a European tour they did in 71. Its not titled 'Europe 71' but it should have been :) It has a nice jammy 13 min version of 'Keep on Chooglin'. I'm not sure what chooglin is exactly, but John Fogerty makes it sound like a lot of fun. Love CCR. Fogerty is one of the great rock n roll songwriters of all time.
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17 years
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....the new Cowboy Junkies record All That Reckoning dropped today. Just a friendly public service reminder. As you were.
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9 years 11 months
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Going with choice selections from DP 28 Feb '73. Great Cold Rain & Snow. Fantastic GSET, but the Louie Louie riff Phil plays before it starts drives me nuts every time. I always want them to play the whole song. Also has one of those slow slinky Loose Lucy's. And of course Dark Star. What's everyone else listening to? wissonomingdeadhead - I saw that you listed yes as your favorite studio album band. I'm a huge fan as well. I started buying those 5.1 surround sound Steve Wilson remasters, and they're fantastic. Tales From topographic oceans never sounded better than this. Of all their Studio records that one in its original pressing was always a little disappointing from a Sonic standpoint. It was as though I could never turn the treble up high enough to hear the drums well. Everything was just kind of muffled and muted or something. Not anymore! Did you also pick any of those up? Shirdeep - you seem to have a huge collection of old Grateful Dead pictures. Do you have any Keith pictures? Doing a Google search doesn't really get you too many of him.
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Hey! Where the heck is DaL with his seaside chat?We are only 2 wks away from launch Rock on
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