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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2371
    Dennis
    Joined:
    Mule Skinning Dylan Fan
    First let us know when next Dylan comes out. I'm still digging Bootleg V13, I love all the different arrangements of the songs. (I assumed you're talking about a Volume 14?) Next naming conventions. Anal also. I shorten Lovelight, to Lovelight. I also shorten It Takes a Lot to Laugh, It takes a Train to Cry, to It Takes a Lot to Laugh. Me and Uncle is Me & My Uncle. I agree as long as they're all the same. I shorten some names because the full file name can get too long for my backup program to handle. (something like - the collection/grateful dead/shows/yyyy-mm-dd - venue - city/soundboard/05 - It Takes a Lot to Laugh, It Takes a Train to Cry) Not sure what the length is, but you can see where length can come in. Doesn't happen often, but has happened. Also too some names are just too fuckin long (train to cry for one)! I've been labeling every JGB show ever done (feels that way for sure) and I've come to the conclusion Motown songs have the longest titles, half of which are always in parenthesis! Another odd naming convention I've noticed is on rap albums, a shitload of them always have an "intro" and "outro" tracks at the beginning and end of the album, odd, but whatever, just don't see it in other music genre.
  • #2372
    muleskinner_blues
    Joined:
    ..And Leave it On Revisited
    Oh was going to mention a few listenings: Just got the Anthem release, I've sampled a few of the Winterland show but haven't dug in yet. That Gibson sounds heavy heavy. Big Miles Davis kick here lately, just finished his autobiography which is awesome and hilarious. Highly recommend. Listening to the mono releases of his first Columbia LPs currently. New Punch Brothers today, haven't listened yet. Not a huge fan of their records necessarily just as much as their talent, Chris Thile is fantastic. Randomly had 4/2/90 second set come up so listened through that into 4/3/90. Maybe was just in the mood for some 90s, but really enjoyed both. Never realized each of Jerry, Brent, Weir take a verse on that last version of Death Don't Have No Mercy. Sweet!! Rumor / pseudo-confirmation that this Fall's Dylan Bootleg Series will finally revisit Blood on the Tracks. They released an acoustic Meet Me In The Morning on RSD back in 2012 when BOTT was planned for Bootleg Series 11 (even said so on the sleeve) but got shelved for a few years. Love the idea, though I'm really curious what is in the vault for that one. The outtakes we do know are limited..several outtakes of the released songs, but Up To Me, left off the album, is a killer. Though, I had never heard rumors of that acoustic Meet Me In The Morning so this could get interesting... Listening to Dead & Co jam on Lovelight from 6/10/17 now. Or is it Love Light?
  • #2373
    muleskinner_blues
    Joined:
    ..And Leave it On
    Excited for both this and DaP27, looks to be alot of quality stuff. Very glad to see the Dave's get outside the well-mined era. Not very familiar with '83 other than 10/21/83 Worcester from 30 Trips and for some reason I also have 5/13/83, Greek Theatre. I'm trying to remember why...first Hell In A Bucket? As for the PNW, I picked up Winterland '73 right when I was getting into the Dead and listened to it on my trip cross country to see Dylan in Seattle, so '73 and the Pacific Northwest have been inextricably linked for me from the get-go. I know we've discussed track labeling and ID3 tags here before, some funny discussion that doesn't make me feel alone in the anal retentiveness of my collection. On that subject, I am OCD that every iteration of a given song is named the same..having both Me & My Uncles and Me and My Uncles in the collection disgusts me. So current conundrum - Turn On Your Love Light or Turn On Your Lovelight? My go-to is always go back to the original recording or release of a song and see how it was listed at that time (this approach led to me changing 137 versions of Don't Think Twice, It's Alright to Don't Think Twice, It's All Right) and the original Bobby Blue Bland release in 1961 on Duke is in fact Turn On Your Love Light. But for some reason, Turn On Your Lovelight looks better to me, and I feel more used on Dead releases (though they are inconsistent). Any thoughts? Or I also understand not making eye contact with the crazy guy on the subway. My other request/question - Any good recommendations for a console CD player? I know it's not 1994, but my 300 disc Sony changer has crapped out. I'm going to take a look at it, but thought about finding another, maybe a 5-6 disc changer. I don't use the full 300 but thought more than 1-disc would be good for these sets. Surely someone here still listens to these quality CD releases on their home stereo. If it doesn't fit, you must acquit.
  • #2374
    Slow Dog Noodle
    Joined:
    Sell Outs
    We don't know how many subscribers there are on Dave's Picks, but production is capped at 18,000 per release. Based on the speed of sell outs i'm guessing there are between 15-16k subscribers, leaving only a few thousand up for grabs when they're announced. Again, that's a guess. There could be 17,800 subscribers. As noted, there are 15,000 units of the PNW box. I too am a little surprised its not sold out yet. I agree it's probably a combination of the fact it can be downloaded rather than physically delivered, combined with the higher (but by no means unreasonable, given the price per show) price point. I'm also shocked by the availability of the Summer '78 box set, given the quality of the shows and recordings, and the price point.
  • #2375
    hbob1995
    Joined:
    Not sold out
    Do to the fact that you can buy downloads Plus almost all of the Dave’s Picks are sold during the subscription sale Rock on
  • #2376
    hendrixfreak
    Joined:
    it's simple, roccodh...
    A $30 DaP is easier to purchase than a $200+ box. The good news is that any true Deadhead can stop in and buy (3) 1973 shows and (3) 1974 shows just as fine as you please.
  • #2377
    roccodh
    Joined:
    Not Sold Out
    Can someone explain to me that DP27 sold out in a matter of minutes, but the Pacific 73 - 74 haven't sold out yet and on sale for a few weeks. I personally thinks these shows are gonna be awesome and I snatch up the box set as soon as possible. Peace
  • #2378
    dmcvt
    Joined:
    Wild Turkey et al
    Hmmm.... thanks for the cautionary words Jim & Dennis. I should make clear that I was not advocating a course of action, just reporting on something that happened 45 years ago. Stevie Ray made well known Guitar Slim's song: Things that I used to do, Lord, I won't do no more. Ain't it the truth, that was a one timer. At the time, it seemed like a good idea given that none of us really drank hard stuff, we were barely adults with a small tent and a cooler walking into who knew what. We did not know 600,000 would show up. The best beers we could find at the time were from Germany, Holland and Scotland. But they were so expensive! Bulky! St Pauli Girl, Spaten, Heineken, MacEwans. We loved beer but craft brews were yet to come. President Carter does not get enough credit for sparking what would become craft brewing by signing new law in 1978 and it would take at least ten more years before craft brewing began to take off. It was illegal to brew beer at home in some cases! Just think about how far beer has come in the last thirty years or so. We thought dosing a bottle which no one would dare chug (101 proof, right?) would be a convenient way to keep track of and merge little tiny dots or pieces of paper, which were sometimes notoriously variable in strength. Bourbon is for sipping! Jim's comment made me chuckle, what could possibly go wrong? Whatever can, often does. The sheer number of people and the weather that Saturday was the biggest challenge. Fortunately we escaped unscathed. I will refrain from any further comments involving attitude or altitude adjustments by external means, other than music. However, as you might imagine, there was a lot of availability on site of unknown provenance and authenticity. Be prepared was our Boy Scout motto. Safety First! See the cover for Only a Lad, Oingo Boingo for more details...
  • #2379
    KeithFan2112
    Joined:
    Here Comes Sunshine 12/6/73
    16 minutes, from the show that brought us the monster 43 minute Dark Star on the 2011 Road Trips Bonus Disc. I had two versions of this soundboard. One sounded really good, but had an audience patch at the end; the other one didn't have the audience patch, but it sounded extremely rough in the beginning. I combined the two at around 15:27 for one complete good sounding track (38MB 320kbps mp3 converted from WAV) Link: https://drive.google.com/open?id=1t-DyrL7b9q6VvSw51B44caLcxxIw09mW
  • #2380
    fourwindsblow
    Joined:
    Unboxing?
    In addition to the 30 shows the CD set includes a gold colored 7" vinyl with a 1965 Caution and a 1995 Box Of Rain (7/9/95)
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by Hippychic on Sat, 07/14/2018 - 20:09

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Careful, there's a curmudgeon running around on the loose in here!
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11 years 1 month

Submitted by jrf68@hotmail.com on Sat, 07/14/2018 - 21:45

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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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13 years 9 months

Submitted by Gollum on Sat, 07/14/2018 - 23:47

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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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Submitted by Hippychic on Sat, 07/14/2018 - 23:52

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You're a gentleman and a scholar!
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16 years

Submitted by Born Cross Eye… on Sun, 07/15/2018 - 04:21

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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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6 years 2 months

Submitted by Boheme on Sun, 07/15/2018 - 06:51

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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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15 years 11 months

Submitted by fourwindsblow on Sun, 07/15/2018 - 07:06

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Fresh transfer with new audio upgrade.
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10 years 8 months

Submitted by alvarhanso on Sun, 07/15/2018 - 14:35

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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 14:57

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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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7 years 7 months

Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 16:01

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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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Submitted by Strider 808808 on Sun, 07/15/2018 - 16:31

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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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7 years 7 months

Submitted by LedDed on Sun, 07/15/2018 - 16:55

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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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Submitted by icecrmcnkd on Sun, 07/15/2018 - 18:36

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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Submitted by nitecat on Sun, 07/15/2018 - 19:16

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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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Submitted by Dennis on Sun, 07/15/2018 - 19:53

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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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Submitted by OKCDeadHead on Sun, 07/15/2018 - 20:03

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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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17 years 2 months

Submitted by Vguy72 on Sun, 07/15/2018 - 20:40

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....the last '81 release was met with spittle and brimstone. Not by me tho....
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:47

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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:50

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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Submitted by daverock on Mon, 07/16/2018 - 03:31

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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Submitted by Thin on Mon, 07/16/2018 - 07:50

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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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12 years 3 months

Submitted by reijo29 on Mon, 07/16/2018 - 08:05

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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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Submitted by icecrmcnkd on Mon, 07/16/2018 - 08:17

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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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Submitted by Thin on Mon, 07/16/2018 - 08:26

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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Submitted by OKCDeadHead on Mon, 07/16/2018 - 08:36

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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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Submitted by Thin on Mon, 07/16/2018 - 09:27

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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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Submitted by fourwindsblow on Mon, 07/16/2018 - 09:52

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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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Submitted by Mr. Jack Straw on Mon, 07/16/2018 - 09:55

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9/2/83
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Submitted by mcgrupp216 on Mon, 07/16/2018 - 10:10

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excellent - looking fwd to this one
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Submitted by RV3 on Mon, 07/16/2018 - 10:12

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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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Submitted by 80sfan on Mon, 07/16/2018 - 10:16

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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Submitted by Thin on Mon, 07/16/2018 - 10:23

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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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