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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #3471
    80sfan
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    Dead at Duke
    I'm traveling in North Carolina this week. I stopped in at Duke University and walked around Cameron Indoor Stadium. Within the halls of this legendary arena is a display featuring bands that have played here in the past. There is a really cool hand drawn poster featuring the Dead's performance here in April 82. I took a picture and If I can figure out how to post it I will... Edit: Ok I can't figure out how to post my picture, but the poster can be found in this article https://today.duke.edu/2017/04/35-years-ago-week-grateful-deads-long-st… Just found it cool that such a straight-laced university proudly displays a dead poster in one of the most famous building in all of sports
  • #3472
    KeithFan2112
    Joined:
    Congrats Sixtus
    May the Force be strong with this one...
  • #3473
    JeffSmith
    Joined:
    Tabloid merchandising
    Having alienated himself years ago from the band member and wife about whom his "exposé" seems to be gaining most attention, Selvin's book appears to be teetering toward tabloid journalism. With many well-received Dead biographers, original band members and photographers distancing themselves from his Fare Thee Well: The Final Chapter..., I think I'll spend my valuable reading time elsewhere.
  • #3474
    wissinomingdeadhead
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    Selvin Book
    Get it, while jarring McNally claims it to be 99% true. Goes to show you don't ever know.
  • #3475
    jaydoublu
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    Joined:
    DVD/Video releases
    I don't think there are many HQ recordings in the vault. Most of them are from the video screens feed, at stadium shows. however, seeing that we are going Box Set crazy. How about releasing a box set of the 1991 summer shows?Heck, summer of 1989 to fill in with, the 3 other 1989 releases. Pick a show from each year and sell it as a boxzilla style release. or just release 6/17/91.
  • #3476
    jaydoublu
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    Deborah Koons
    When and if, Phil, Bob, Mickey and Billy are on the same stage playing together, the rights belong to the Grateful Dead. At which point, Deborah is due a percentage, from Garcia's share. I think otherwise, Phil, would have made an appearance at Dead and Co. I love Phish, seeing them since 1988. However, Trey was not the right answer for a guitarist at FTW. Trey was used for ticket sales and the chance to bring in a younger audience, new mouths to feed, as we grow in age. Jimmy Herring would have been a better musical choice, in my opinion.
  • #3477
    jaydoublu
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    Joined:
    Deborah Koons
    When and if, Phil, Bob, Mickey and Billy are on the same stage playing together, the rights belong to the Grateful Dead. At which point, Deborah is due a percentage, from Garcia's share. I think otherwise, Phil, would have made an appearance at Dead and Co. I love Phish, seeing them since 1988. However, Trey was not the right answer for a guitarist at FTW. Trey was used for ticket sales and the chance to bring in a younger audience, new mouths to feed, as we grow in age. Jimmy Herring would have been a better musical choice, in my opinion.
  • #3478
    daverock
    Joined:
    Instant Karma
    I've just watched the clip of Phish covering Instant Karma. I'm not sure about this at all-maybe you had to be there.
  • #3479
    daverock
    Joined:
    The way to heaven
    LedDed- Yes, listening to Jeff Beck reminds me of Jimi Hendrix a bit, too. Especially "A Day in the Life", which he approaches in a similar way to how Hendrix approached "Star Spangled Banner" at Woodstock. Very powerful and moving. Vguy- you are going in the right direction-the next one, "Blow By Blow" is in the same vein as "Wired" but maybe even better. A really great release is 2010s "Emotion and Commotion", which features a version of Puccini's "Nessun Dorma", no less. Its also got a version of "Over the Rainbow" on it, a song which was posted on here a few weeks ago. Its all as good as you would expect. My version of this album has a dvd enclosed, featuring 6 songs from the Crossroads Guitar Festival, 2007. And that's got "A Day in the Life" on it. This is a fantastic release. As for Phish-I've never heard them!
  • #3480
    kyleharmon
    Joined:
    it really comes down to when
    it really comes down to when you first got into the Dead all Phish Heads are Dead Heads but not all Dead Heads are Phish Heads and honestly I have way more phish shows that touched me more personally than Dead shows have.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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Submitted by Hippychic on Sat, 07/14/2018 - 20:09

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Careful, there's a curmudgeon running around on the loose in here!
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Submitted by jrf68@hotmail.com on Sat, 07/14/2018 - 21:45

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Only reason I bought it was for the 1967-10-22 show. I've already got a really good soundboard of it but I'm listening with nice headphones right now & it's definetly worth it. Sounds fantastic.Get some... a little further in now...massive upgrade. Thanks :o)
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Submitted by Gollum on Sat, 07/14/2018 - 23:47

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I can't believe someone objected to Hippychic's posts. It reminds me of that Seinfeld episode where Kramer freaks out when Jerry threatens to report his female neighbor for walking around her apartment naked. Madness. I love this space, where every topic under the sun is fair game, but lets face it, it is mostly a sterile, barren, sexless sausage fest. especially since Kate C. no longer posts. Please keep the posts cummin Hippychic.
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Submitted by Hippychic on Sat, 07/14/2018 - 23:52

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You're a gentleman and a scholar!
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16 years 2 months

Submitted by Born Cross Eye… on Sun, 07/15/2018 - 04:21

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Getting off the subject of the Grateful Dead, a blast from my past: Lothar And The Hand People. I never really got to see them many years ago at the Roxy Theatre in Northampton, Pennsylvania, but I definitely do remember the name. I used to have their 1st Capitol Records LP, I guess -the one with pictures of the band members photos on the front cover on a tan background. I thought the their facial expressions in these photos were hilarious, and ages ago I bought the album with that being one of the reasons for buying it. Another reason to buy it was to "explore" new music and it was quite low-cost price for the time. ($2.98 or something like that) Anyway, with that being said, here's a sound sample - I think it's the whole album, or at least the opening track on Side 1, "Machines": https://www.youtube.com/watch?v=dDpIz8E6wvs&list=PLW1w8neoXejs188MBadMB…
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6 years 3 months

Submitted by Boheme on Sun, 07/15/2018 - 06:51

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My first comment here, after lurking for a few months, ha! I personally would love to see 6-4-76 Paramount Theater, Portland, OR. Great setlist, historic show, and does not circulate in SBD. That said, a mini box of both 6-3 and 6-4 might be warranted, so perhaps they'll hold off (provided 6-4 is even in the vault). Just sayin'. Hey everybody!
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16 years

Submitted by fourwindsblow on Sun, 07/15/2018 - 07:06

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Fresh transfer with new audio upgrade.
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10 years 9 months

Submitted by alvarhanso on Sun, 07/15/2018 - 14:35

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I like the build up for the announcement. Just hoping for a good show with great sound. I'll probably be busy and miss the announcement going live, but will be checking for a Listening Party at lunch after Taper's Section in the morning. May all who need to get it a la carte have your dreams come true tomorrow!
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Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 14:57

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If you're a fan of Americana and Roots music you might enjoy thisDITTYTV.com or Ditty TV streaming on your AppleTV or Roku. Ive been watching it a lot as its like MTV was when they did videos. Learning a lot of new groups and sounds and the shows are really enjoyable. Check it out and see if it gets you goin Lost on Cedar Key.................
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7 years 8 months

Submitted by FloridaBobalooToo on Sun, 07/15/2018 - 16:01

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Thats the placebut its 5000 light years from the mainland I really don't want to leave.........ever check this out...........http://cedarkeybedandbreakfast.com/ this is the place Ive been longing for......... Awaiting tonights soul satisfying sunset
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17 years 4 months

Submitted by Strider 808808 on Sun, 07/15/2018 - 16:31

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I was there last night. I didn't think it was dub steppy at all. Actually I thought it was fucking awesome!
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7 years 8 months

Submitted by LedDed on Sun, 07/15/2018 - 16:55

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No not the guitar company or the mental thing... the Miles Davis album. Miles Davis, E.S.P. Man, is this beautiful music. The last two songs, "Iris, and Mood" are just hypnotic. I was at the Dead & Co. shows in Boulder the last two nights. I was with some buddies Friday and had a great time though I felt the pace dragged a little. So, taking the wife last night, I kept hyping it - that Friday maybe wasn't the most stellar show and being end of tour, last night would kill it. It lagged even more than Friday. When Bob took the band into a languid, "Days Between" right out of a long-ass drums/space, I think half the stadium fell asleep. Still love the band, but, that was exactly the moment to go into "Me And My Uncle, or Truckin'," something to put a little juice in the proceedings. As usual the sound was immaculate; pristine. That band has the cleanest, purest live sound mix I have ever heard and they get it outside. Amazing. Shakedown street there at Folsom Field is a beautiful scene. You can get great food, cool swag and there are several full bars. The cops just hang out behind their sunglasses with their arms folded and watch the girls. A great weekend. Happy Sunday everyone.
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Submitted by icecrmcnkd on Sun, 07/15/2018 - 18:36

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I thought the Boulder shows looked pretty good on paper. But, I wasn’t there and I didn’t do the stream. I did catch the free stream of Set 1 opening China/Rider and thought it was great. Agree with LedDed that D&C has spectacular concert sound. So does Roger Waters. Worst concert sound I experienced: Van Halen 2007. Horrendous. It was indoors, but I have also seen Roger Waters 3x and D&C 2x at the same place and they sounded great. For RW in 2012 I was one row in front of the same seat I was in for VH 2007, and it sounded great, so can’t blame the arena for the bad VH sound. Saw VH outdoors in 2015 and it sounded way better, but not even close to how D&C sounds outdoors.
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Submitted by nitecat on Sun, 07/15/2018 - 19:16

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Hey now I just came a cross this on ebay, it's probably already been discussed. Are any of these extra tracks on the bonus third CD of Long Strange Trip previously unreleased? EXCLUSIVE Bonus Disc Three TRACK LISTING: 1 Playing in the Band (Beat-Club, Bremen, West Germany, 4/21/1972) 9:48 2 Eyes of the World (Roosevelt Stadium, Jersey City, NJ, 8/6/1974) 18:35 3 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 4:47 4 Not Fade Away (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 16:20 5 St. Stephen (Cornell 5/8/77 Barton Hall, Cornell University, Ithaca, NY, 5/8/1977) 2:04 6 Dark Hollow (Warfield Theatre, San Francisco, CA, 10/7/1980) 4:04 7 Stella Blue (Zoo Amphitheater, Oklahoma City, OK, 7/5/1981) 10:14 8 Days Between (Madison Square Garden, New York, NY, 10/18/1994) 13:56 the only ones I question are the Zoo from 81 and Days Between? Didn't the Eyes come out on a Dicks picks? Help I'm not a schooled archivist. :> Thanks, nitecat
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Submitted by Dennis on Sun, 07/15/2018 - 19:53

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First I don't really like Van Halen, that said,, I think I caught the same 2007 tour, and yes the sound really sucked. Really, really.
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Submitted by OKCDeadHead on Sun, 07/15/2018 - 20:03

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You are right. Only the last two songs of the bonus disc were previously unreleased. Been hoping for a full 7/5/81 release for a while now. Great ‘81 show but also a hometown one for me. Enjoy the CD!
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Submitted by Vguy72 on Sun, 07/15/2018 - 20:40

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....the last '81 release was met with spittle and brimstone. Not by me tho....
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:47

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I have to listen to post brent. cuz im pretty close to having a crash and burn and chucking the grateful dead out the window.
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Submitted by Terrapin Moon on Sun, 07/15/2018 - 20:50

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if you sit and just focus on the sound mix quality of that '81 dave's picks you're going to have a bad time. its one of those you have to look at the whole overall package
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Submitted by daverock on Mon, 07/16/2018 - 03:31

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Agreed-a superb album-Herbie Hancocks piano and Tony Williams drumming-exceptional. All those mid 60s Miles Davis album are great-but E.S.P might just be my favourite.I only got into Bitches Brew this year. There is a 3 cd 1 dvd anniversary edition of this out, that doesn't cost so much, and sounds brilliant. Much, much better than earlier editions-to my way of thinking.
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Submitted by Thin on Mon, 07/16/2018 - 07:50

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Vguy - Love ya, but I disagree that the '81 TTATS was met with "fire and brimstone". No one dissed the show itself (as I recall). The general consensus was that it was one of the weaker recordings in the box - merely a statement of fact. '81 is one of the worst-recorded of the Dead's 30 years, so it was to be expected, no? "Fire and brimstone" seems a bit dramatic, but perhaps I'm forgetting some of the comments.
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Submitted by reijo29 on Mon, 07/16/2018 - 08:05

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Figured I would spend my Monday morning looking for news on 27th Dave. While waiting I streamed that Dicky Elizabeth Reed video. Wow, that hit the spot. I always thought volume swells could only be done on a Strat. What a glorious intro by Dicky. Thanks for posting
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Submitted by icecrmcnkd on Mon, 07/16/2018 - 08:17

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I think that Vguy was referring to 12-9-81.Other than the AUD splices, I don’t have a problem with that release. T - 103 minutes until the DaP27 announcement
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Submitted by Thin on Mon, 07/16/2018 - 08:26

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I think tracks 6 and 8 are unreleased. Unless perhaps by November download? (Anyone?)
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Submitted by OKCDeadHead on Mon, 07/16/2018 - 08:36

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Thin-I was thinking nitecat was referring only to the last two tracks on the bonus disc from the Amazon-exclusive version. You are correct, there are several unreleased tracks throughout the 3-disc version. https://en.wikipedia.org/wiki/Long_Strange_Trip Happy DaP 27 announcement day, everybody!
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Submitted by Thin on Mon, 07/16/2018 - 09:27

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thx for clarifying. Nevermind my previous comment.... 34 minutes until they announce 5/25/74 as DaP27....
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Submitted by fourwindsblow on Mon, 07/16/2018 - 09:52

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So excited for the announcement of 27 my bellybutton has been puckering and un-puckering all day.
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Submitted by Mr. Jack Straw on Mon, 07/16/2018 - 09:55

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9/2/83
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Submitted by mcgrupp216 on Mon, 07/16/2018 - 10:10

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excellent - looking fwd to this one
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Submitted by RV3 on Mon, 07/16/2018 - 10:12

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We have a WINNER, keep the early 1980s coming for the next 4-5 picks DL!!
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Submitted by 80sfan on Mon, 07/16/2018 - 10:16

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First Wang Dang Doodle and Throwing Stones of the series...and I think only the second H>S>F in the series. Looks awesome - can't wait!
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Submitted by Thin on Mon, 07/16/2018 - 10:23

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Nice - Glad they found a good show and good recording form the 80's. Help Slip Franklin's is one of my favorites, and is one of the songs that no one has enough of. Glad to hear Eyes is NOT one of the super-speedy versions that was the norm in the 80's. BRING IT!
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