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    lilgoldie
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    Joined:

    What's Inside:
    • Five Complete Shows
    • 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
    • 5/12/77 Auditorium Theatre, Chicago, IL
    • 5/13/77 Auditorium Theatre, Chicago, IL
    • 5/15/77 St. Louis Arena, St. Louis MO
    • 5/17/77 University Of Alabama, Tuscaloosa, AL
    •14 Discs, 111 tracks
    •Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
    •Artwork by Grammy Award-winning graphic artist Masaki Koike
    •Period Photos by James R Anderson
    •Historical Essay by Steve Silberman
    •Individual show liner notes

    MAGICAL, MYTHICAL MAY 1977!

    If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

    For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

    And now for the nitty-gritty...

    Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

    Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

    Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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  • mustin321
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    Mr Charlie & Chinatown Shuffle
    Are two songs that you are only gonna hear during Pigpen's ear. If you dont like them, I dont care...but there is a pretty short window of which those songs were played. I personally think those are Pigpen's best songs...knowing that Hunter wrote the lyrics for Mr. Charlie only helps the cause. If no agrees with me that they are his best (original), you have to admit they are about as cool as could be.
  • Morton Duncan
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    Royal Mail
    No problem , Riggsjr - pitched up here in Manchester on Friday , so hopefully you will get it soon, Cheers Duncan
  • riggsjr
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    Joined:
    Thanks
    Morton Duncan, thanks for your quick reply, just have to play the waiting game a little longer!
  • Morton Duncan
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    Royal Mail
    Yes , Riggsjr - delivered by Royal Mail , so VAT and 8 pounds handling charge. Cheers
  • deadmike
    Joined:
    # 12287 has landed in Sweden ...
    And yes, you're absolutely right, I ordered it right away instead of waiting until the last couple of thousands and a lower number ... ;-) The 1990 box set wasn't charged with Swedish sales taxes and Custom service charges and many other other albums and box sets have slipped through as well. This one didn't. I had to pay about 50 dollars extra, 35 dollars in Swedish sales taxes and 15 dollars in Custom service charges. My Fillmore West box which I got through eBay, arrived last week to no extra charges. :-) Micke Östlund, Växjö, Sweden
  • riggsjr
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    Joined:
    UK Deliveries
    For those in the Uk who have received their box sets can anyone tell me if they are being delivered by Royal Mail. Just a guess looking at the charges being applied.Thanks
  • Dancingbear.dk
    Joined:
    Skipping songs?
    I'm halfway into my third runthrough of Europe '72 (only interrupted by Spring '77), and I find my finger itching for the Skip button every time Pigpen launches into 'Mr. Charlie' or 'Chinatown Shuffle', which he did in every first set on the tour, or near enough. I enjoy Pig's workouts and raps on the longer tunes, but the two mentioned were executed exactly the same way every time. Strangely enough, 'Big Boss Man' and 'Hurts Me Too' don't bother me nearly as much. Someone in this thread mentioned skipping 'Loser'??? No way! I try to take in as many versions as I can find, I just love the way Jerry makes his guitar weep and moan in the solo, and never mind that it wasn't always as long or inspired as one could wish for. Each to his own taste, I guess.
  • rattydog_uk
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    Joined:
    Keith's stage position
    If Keith is positioned Stage Left then he should be mixed to the Right since that is where he would be located relative to the audience (and the board). However, from this April 1977 photo, it appears he wasn't always to the audience's right. http://jranderson.photoshelter.com/image/I00000.LVj9LU7AE
  • Deadheadbrewer
    Joined:
    #9796 in Saint Paul, Minnesota, tore me up . . .
    I tend to skip "Terrapin Station". It's too lurching and halting to keep my foot tapping. I thought that I had finally "got" it when I heard a version from 4-11-87, but I just haven't been turned on by the song since. To me, "Terrapin" is only barely listenable when they played it perfectly and at a reasonable tempo. When they let the tempo drag (as they did too often the last 17 years on many a song), "Terrapin" becomes almost unbearable to me. Anyway--this box set is incredibly gorgeous, both visually and aurally! What a great time to be a Deadhead! p.s. My hope for DaP7 is something from 1967 or 1968. And I don't mind thoughtful compilations . . .
  • hbob1995
    Joined:
    Keith
    As you face the stage, Keith was always on the right hand side. But isn't this actually known as "stage left" as stage directions are notated from the eyes of the musicians? So if Keith is in the left channel of the recording, that would be correct. I think.
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Member for

15 years 7 months

What's Inside:
• Five Complete Shows
• 5/11/77 St. Paul Civic Center Arena, St. Paul, MN
• 5/12/77 Auditorium Theatre, Chicago, IL
• 5/13/77 Auditorium Theatre, Chicago, IL
• 5/15/77 St. Louis Arena, St. Louis MO
• 5/17/77 University Of Alabama, Tuscaloosa, AL
•14 Discs, 111 tracks
•Mastered in HDCD by Jeffrey Norman, Plangent Processes playback system for maximum sonic accuracy
•Artwork by Grammy Award-winning graphic artist Masaki Koike
•Period Photos by James R Anderson
•Historical Essay by Steve Silberman
•Individual show liner notes

MAGICAL, MYTHICAL MAY 1977!

If you're a Dead Head, chances are you've spent many an hour expounding upon the distinction of May 8, 1977, Cornell University, Barton Hall. Well, at the risk of preaching to the choir, we'd like to reintroduce you to a series of shows that matches said greatness from that same gloriously fertile season. While Barton Hall is well known, the astounding tour that surrounded it has occasionally flown under the radar due to the uneven quality of tapes in circulation. May 1977 is set to change all of that with a boxed set that zeroes in on this high-water mark in the Grateful Dead's long strange trip.

For a band resurrecting itself after a 20-month hiatus, there was a great frenzy of expectancy that surrounded the Spring of 1977. We anticipate a grand reoccurrence of this fervor with the release of May 1977, a 14-disc boxed set featuring five complete shows from consecutive stops on that magical tour. Mastered in HDCD by Jeffrey Norman at Mockingbird Mastering, the "psychoacoustic phenomena" as Jerry once put it, of St. Paul Civic Center Arena, St. Paul, MN (5/11) Auditorium Theatre, Chicago, IL (5/12, 5/13), St. Louis Arena, St. Louis MO (5/15) and Coliseum at the University Of Alabama, Tuscaloosa, AL (5/17) can now finally be appreciated. Each of these shows finds the Dead delivering punchier, more focused sets, tightening up the framework; each night turning out first-ever renditions ("Passenger,""Iko Iko,""Jack-A-Roe"), unloading potent new pairings ("Scarlet Begonias">"Fire On The Mountain", "Estimated Prophet">"Eyes Of The World"), classic covers ("Dancing In The Street") and soon-to-be staples ("Estimated Prophet," "Samson and Delilah"), and ultimately rising up to paradise.

And now for the nitty-gritty...

Due June 11, May 1977 is limited to 15,000 individually numbered copies. Presented in a psychedelic box that boasts an intricate die-cut design created by Grammy®-winning graphic artist Masaki Koike, the set also includes a book filled with stories about each show, as well as an in-depth essay by Dead historian Steve Silberman, who delves deep into the history behind the tour and the band’s return from its extended hiatus.

Once these 15,000 boxes are gone, May 1977 and its shows will never be available again on CD. However, the 111 tracks will be made available on release date as FLAC and Apple lossless full-set-only downloads for $99.98.

Like its predecessors Europe '72: The Complete Recordings and Spring 1990, we expect May 1977 to sell out. Your best bet is to pre-order it now, then sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks right here and on Facebook.com/GratefulDead and Youtube.com/gratefuldead.

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7 years 4 months
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When will this be available as downloads again? I own the high-res digital download of Get Shown the Light and it is spectacular.
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7 years 9 months
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Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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Member for

7 years 9 months
Permalink

Oh man! Still waiting for these (May 77 and July 78) to be available for download! Please open this up or at least stop listing them as available. Killing me.
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6 years 3 months
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I think a fundraiser for the tapes is the dumbest idea Ive ever heard.
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