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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2201
    Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • #2202
    hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • #2203
    hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • #2204
    icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • #2205
    Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • #2206
    hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • #2207
    hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • #2208
    icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • #2209
    hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • #2210
    icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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7 years 7 months

Submitted by MDJim on Fri, 09/14/2018 - 21:05

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Giving Brazil a little love. Lord knows they need it right now. Tico-Tico no Fubá - I can see why Jerry liked to tune up with this little finger exercise. Next up Roll Out The Barrell, Beer Barrel Polka and Ken Nordine's Yellow Dog story Space Jam to the beat of My Funny Valentine. Second Only to Tuning. Ha.. Edit: Looks like Tico Tico made a guest appearance at the end of Peggy-O in the box.. technical difficulties 5/19/94 Portland.
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8 years

Submitted by twoswans on Fri, 09/14/2018 - 22:06

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Tomorrow I will only have the last show from this awesome Box, and I can’t wait to hear it. Every show has been extremely entertaining for different reasons. Long jams, one obvious lyric messed up (which I love), spaceship moments that would impress even Stockhausen or Sun Ra, and some of the bands most innovative transitions. All and all I’m completely knocked out by how much energy there is in these shows. I’m convinced these are the best sounding Wall of Sound recordings that have been officially released to date. High praise for everyone involved in putting this collection together. I’m in Dead Heaven.
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17 years 4 months

Submitted by Vguy72 on Fri, 09/14/2018 - 22:44

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....started with Seattle '74. Then Seattle '73 x 2. PNE '74 just finished. All exemplary shows so far. The sound is so on point, it's ridiculous. This will carry me through the rest of the year. Twenty year old me is impressed.
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16 years 9 months

Submitted by sheik yerbones on Sat, 09/15/2018 - 00:21

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I thought I were the lucky guy when I saw what happened to my european mates who ordered the box. I received the box on Wednesday and on Friday my wife received another visit from the UPS delivery man singing "I'm the taxman Yeaheahhhhhhhhhhhhhh!!!eventually she paid 61€ for tax duties. anyway I am very happy with the boxset it 's two great run of shows with incredible music. I wonder how WRSuite failed for the best of...
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17 years 4 months

Submitted by Chris Ripple on Sat, 09/15/2018 - 03:13

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Great sets, great sounds and great big tax bill because I live in the UK.£50.69 UK or $66.24 to youse guys. These things should come with a health warning. Just sayin' But apart from that...
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10 years 2 months

Submitted by daverock on Sat, 09/15/2018 - 03:56

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I had to pay an extra £69.18 when my box was delivered. Maybe worth trying to contact them for an explanation. Which I've just done, and been directed to ring back on Monday. The cost of the tax on this was the same as the cost of the vinyl edition of 5/19/74 on Amazon last week.
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16 years 9 months

Submitted by docmarty on Sat, 09/15/2018 - 04:22

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I wonder how they calculate the tax???Mine arrived in England last Wednesday and my bill was £48.71 Chris Ripple - you're not a scouser are you??? (youse...) If so maybe an extra £1.98 to get into the Peoples Republic?? And Daverock - London weighting???
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14 years

Submitted by Mr. Pete on Sat, 09/15/2018 - 04:41

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I like The Raven artwork so much I am having my friend, in Turkey, carve it on a meerschaum pipe. Mr. Pete-----------> aging hippie
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9 years

Submitted by billybud45 on Sat, 09/15/2018 - 04:52

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the pacific nw box just arrived in cumbria, england...i got stung by the customs man too, but this is to be expected for importing such treasures. although i’ve only heard the first vancouver show so far the sound quality is such an improvement it’s truly glorious...love the way that good restoration can open up the subtleties of the music like this. the chemistry really shines. it is a joy to hear and it makes me feel lucky to be experiencing it. cheers for this. as always the art work and build quality of the box is amazing, although it is very big and bulky for six shows. the next few weeks i’m really going to be losing myself in these. can’t wait. thanks again.
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8 years 6 months

Submitted by Lovemygirl on Sat, 09/15/2018 - 05:51

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I’m still enjoying 1973 myself to be honest. I like to think of 72’ 73’ & 74’ as an Indian braid. It’s quit beautiful how all three eras dance together in the Grateful Dead’s musical history and evolution as a band. I love it! :)
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6 years 11 months

Submitted by Dark-Star on Sat, 09/15/2018 - 06:30

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I can't get into the album cover art. I look at the iPod screen and it doesn't look Dead enough. I've switched it out with the 7" Singles pictures. It's not like they're on my iPod. Much happier.
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17 years 4 months

Submitted by simonrob on Sat, 09/15/2018 - 07:25

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Checked the UPS invoice and found that the value given was 162.71 Euros which at their stated exchange rate came to $189. This was the sum used to assess duty. This time shipping charges were not included luckily, but it has happened to me in the past when the package has been dealt with by customs rather than UPS. Sales tax was levied at the standard Dutch rate of 21%.
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14 years 9 months

Submitted by stoltzfus on Sat, 09/15/2018 - 07:39

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your stories about those things are painful, gentlemen. I am truly sympathetic. "when I was a younger man" (GD lyrics...do you know where from?), I thought people who complained about taxes were just being grumpy. but at 54, I understand why people despise them. "one grapefruit, please". "that'll be $40 import fee." tax this tax that tax this tax that tax this tax that NO MORE RED TAPE ty2the Circle Jerks, circa 1980
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14 years 9 months

Submitted by stoltzfus on Sat, 09/15/2018 - 07:42

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I haven't had time to do more than open and admire and lust after this release. no complaints, just a fact. but this afternoon.... :)))
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17 years 4 months

Submitted by andrew on Sat, 09/15/2018 - 08:45

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Firstly apologies to you all for the member log in email that went out. It was really directed at me as I registered years ago and then never logged in again. Sorry about that.Secondly thanks to everyone involved that saw this box hurtle out of the States to England faster than anything else ever issued by Dead.net (although I did get hit for the £48 bonus charge). I don’t recall ever receiving Dead discs before you stateside folk. Doubtless normal service will resume shortly but it’s been fun just this once. Thirdly what a year it seems 1973 was. The band is really playing well and the sound out of my speakers is some of the best ever. Truly a remarkable box set.
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8 years

Submitted by twoswans on Sat, 09/15/2018 - 09:31

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@ lovemygirl. The Indian braid is a cool analogy for the Dead. Each era is as great as the whole. They certainly created a glorious legacy that remains timeless. I also agree that 72-73-74 the Dead seemed to be channeling magic. I’m personally glad they took the break in 75, as it proved to allow them to re boot and take the music to another level.
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13 years 5 months

Submitted by Thats_Otis on Sat, 09/15/2018 - 09:54

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The start of the school year has impeded my listening as well, though I did get a good listen to Vancouver 73 discs 3 and 4 while waiting for Back to School night on Wednesday. This weekend, however, will be another story. I'm just now getting to ripping the 74 shows, and actually just started on Seattle. Once they are locked and loaded... well, I will be away for a while. I agree with Jim that ripping the box is a chore, as I too need everything to be "just exactly perfect," though it is an enjoyable one. While sitting here today, I noticed that Roy Vickers gave us an Earth, Air, and Water theme for both sets... that's cool. I was telling my wife how much I truly appreciate the time, effort, care, and talent that went into the creation of this physical product. Fantastic job, all around! On to Portland, talk to you all later! Peace
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11 years 3 months

Submitted by musicnow on Sat, 09/15/2018 - 09:38

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Slowly digesting this beautiful box. The sound quality is just amazing and I love the individual cases for the shows - just like a CD box should be. I was never a big fan of the elaborate packaging for separate shows. These are much more portable. We are some lucky fans to have this 45 year old music available to us with such great quality! Jam on Deadland!
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13 years

Submitted by MidwayKid on Sat, 09/15/2018 - 10:26

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Just to let folks know or who are on the fence. Right now some of the best value for you money is for sale on this site. This Pac Northwest box is by far one of the best sounding and recorded boxes out there. The fact that they are not sold out yet is crazy. Also and I did the add to cart trick on the Music Only 30 Trips Box that is for sale right now and it appears there are 262 left. I did some checking and from what I can tell these cds were printed in 2015 when the box was printed and sold. They are from the same original batch produced and were printed in the USA. The last box set to be printed in the good old USA. There are some fantastic shows in that box and at $25.17 which is what I paid shipping and taxes included a concert it is one of the best values in Grateful Dead music today. We all know what happens on eBay. I checked some of the single concert prices a few months ago on eBay before the Music Only Edition went up for sale and waterbury 72 and the NJ 77 concerts were selling for more than 100 dollars. After the dust clears on these 262 boxes left the prices will once again go up. Also if you wanted a single concert out of that set now is the time to buy on eBay. They are around 50 bucks a show. That will go up going into next year. Anyway just to let folks know. Now is the time to strike. These are two of the best boxes that will ever be produced and they are both on sale right now. My 30 trips music only box will be here soon. Plus they are factory sealed. The ones we got in the Original Box were not. Very cool.
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16 years 7 months

Submitted by Decola on Sat, 09/15/2018 - 10:52

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Was so happy to see this box waiting for me when I got home the other day. That changed quickly when the very first disc I put in started skipping on the last song. Tried it in two other CD players with the same results. Disc looks clean to me so it’s strange how something like this can happen. Sent my message over 72 hours ago. Was promised a response within 48. That didn’t happen.
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10 years 2 months

Submitted by daverock on Sat, 09/15/2018 - 11:23

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London weighting-maybe that's why I seem to have paid so much more than everyone else. Not that I live in London. Lowestoft on the East Coast is where I now hang my hat-a few 100 miles from London-but maybe my box went there first. All will be revealed on Monday. I'm not actually against tax-if I think its going to help fund much needed services-but I'm not as keen to donate funds to private companies like UPS. Suffice to say I am also enjoying this box, and will do for some time. I'm currently half way through 6/26/73. Lovely clear sound - its all very smooth, isn't it?
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10 years 7 months

Submitted by Sydney Prentice on Sat, 09/15/2018 - 14:36

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Daverock, you are not alone in paying more, I too had to shell out another £69-18, I'm sure this is the most expensive box set per disc thus far, I've worked this out to be £43 per show or £13-57 per disc. Enjoying the shows immensely and also love the artwork, it was great to also have it shipped out so quickly to us over here.so we can digest these wonderful shows at the same time as our American cousins. Reached the last 3rd of the box now, gonna listen to the last two shows tomorrow, then repeat other parts of the box, happy listening.
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17 years 4 months

Submitted by Vguy72 on Sat, 09/15/2018 - 14:48

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....I would've dropped the price tag a hundred bucks, but that's just me. I also would've prepped fans that this was coming. Instead, a lot of people shopped ala cart since the release. Seems kinda weak.
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6 years 2 months

Submitted by Exile On Main St. on Sat, 09/15/2018 - 15:37

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It's great that we got 6 shows from this era, but I'm baffled at all of the comments about how great the sound is. I listened to all of the 1973 shows so far, and it seems most songs are affected by either Jerry being too low, Billy's symbols being too high, Jerry being too low, Keith being absent (Dark Star, wtf??? Seriously, he must have ducked off backstage with Donna for some stage service), vocals coming in too hot. I'm just having a difficult time turning it up loud and experiencing consistent good sound, especially when there's singin' going on. Things like Playing in the Band and Dark Star DO sound really good during the instrumental parts.
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16 years

Submitted by fourwindsblow on Sat, 09/15/2018 - 16:15

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I guess it's not perfect but it's Grateful Dead. I guess we deadheads are a forgiving bunch. I find it helps to decode the HDCD also.
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10 years

Submitted by deadtony on Sat, 09/15/2018 - 17:12

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Just wondering if you could post some pictures of some of those pipes you had carved. They sound really cool
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9 years

Submitted by icecrmcnkd on Sat, 09/15/2018 - 17:26

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This Box proves that Kayak Guy May be on to something with his idea that all good sounding reels should get Plangentized. Have made it through all the shows, went chronological. No defective CDs, 1 had a large finger print smudge but I was able to wipe it off without damaging the CD. All CDs played without any issues. Will now load onto HD - I always make sure they play on my stereo CD player before ripping them. Sorry for those with issues, I’ve had defective CDs in the past. The fastest remedy is usually Dr. Rhino. Love the Box. Will give it many plays this fall/winter as I slowly digest its contents. Taxes/tariffs Sounds like the UK folks should tabulate what each person got charged and then inquire with customs what the rules and rates are. Seems pretty arbitrary at this point.
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9 years 1 month

Submitted by Charlie3 on Sat, 09/15/2018 - 17:45

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Listened to all 3 shows from '73 so far, all seemed great to me, just what I was hoping for, sound quality seemed good to me. The only glitch was the harsh skip on disc 5 at the end of Box of Rain on the 6/24/73 show. When I checked the disc it had an almost imperceptibly thin scratch that was deep and apparently the cause of the skip. Guess I'll see about a replacement once I listen to the rest of the box and confirm whether or not there are any other defects. Liked all three '73 shows so much I really can't even say which one I like more at this point, going to take a few more listens to really digest it all.
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7 years 8 months

Submitted by ArthurDent on Sat, 09/15/2018 - 18:07

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Yes, the mix has it's ups and downs, and there are goofs and forgotten lyrics etc, but it really is amazing that tapes made nearly 50 years ago still can provide so much fidelity on the bits that flow so right. I'd rather hear all the faults than an edited down assortment of only "perfect" parts. Donna wailing was how it was, they in real life forgot the lyrics, not all instruments were up in the mix at all times, so this rendition is "true" for certain values of reality. Like a favorite photograph that might be creased and dogeared, with faded colors, and maybe a bit blurry, the faults are there to those who look on the surface, but there is a depth that ignores those faults and you can experience the underlying feeling of that moment.
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14 years 9 months

Submitted by stoltzfus on Sat, 09/15/2018 - 18:22

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heard first two discs so far :))) :))) :))) China Rider!!!
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6 years 2 months

Submitted by Exile On Main St. on Sat, 09/15/2018 - 18:33

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I think I mentioned in my post below that I had only listened to the first three shows from 1973. Well I just got through the first 1974 show, and all I can say is AHHHHH, THAT'S MORE LIKE IT. Who can say what accounts for the difference, but the first '74 show sounds like I was expecting. And Goddam well I declare, Keith is playing so fast on Ramble on Rose you would think the piano was on fire. But the audio here is more in character with what the recent releases have been sounding like. Now I hear the magic, f'in love these guys! All I can say is the difference can't be Rex Jackson, because he did a great job on Dave's 21. Maybe just the source tapes. Ahhh, now I'm a happy camper.
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16 years 3 months

Submitted by ozdh on Sat, 09/15/2018 - 18:41

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having delved into the contents of this magic box, glimpsed the book, a beautiful essay from nicholas merrwether, cool inserts from roy henry vickers, listened to a transcendent 'bird song' on cd1 'tis already clear to me, in concept and in delivery, it is just exactly perfect...
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14 years

Submitted by Redlodge on Sat, 09/15/2018 - 21:23

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I just returned from over a week of hiking and camping in the Pacific Northwest. Box 11,570 was waiting for me when I returned, along with some excited dogs. It's great to see this now familiar style of art and to extend my experience of that part of the world. A perfect homecoming for a perfect trip.
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9 years 3 months

Submitted by Ziffle on Sat, 09/15/2018 - 21:46

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Hello all, I've never been impressed with the audio quality of 73-74 recordings, and so have held off on this. Hoping for some honest comments from folks who went for the hi res download version. Please don't flame me. I saw the Dead several times in that period and the concert sound was potent, powerful, especially (or particularly) Lesh. But the audio on the soundboards I've purchased here have been a shadow, thin, weak, compressed. By comparison, most of the releases 1969-1972, 1975-1979, and 1989-1990 capture the power of the music, I mean, based on my memories of the concerts compared with the recordings. Thanks for any thoughts ...
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12 years 1 month

Submitted by Angry Jack Straw on Sat, 09/15/2018 - 21:42

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bought it on the spot. Those who doubted, but read the reviews and purchased, are fortunate. Those who hesitate now and miss out are just foolish. Clearly in the top three of all box releases. God bless those boys.
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17 years 4 months

Submitted by Vguy72 on Sat, 09/15/2018 - 22:52

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.... coming, coming, coming around. I'm three sheets to the wind and my dogs are fighting over a rubber ball. Another Greatest Story is firing up. And again these things just have to be done....
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17 years 4 months

Submitted by Vguy72 on Sat, 09/15/2018 - 23:11

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....a tale of tonight. My wife and best friend works part time as a home health giver. One of her clients is a man named Sam who was a world class chef who cooked for Disney. Nice gig. Had a stroke. Gig gone. We went to his birthday party tonight. After the congregation left, it was my wife, me, Sam's wife GiGi, her daughter and her boyfriend Mike. Apparently, Gigi's daughter bought her mom an Alexis. I shouted out "Alexis. Play The Beatles In My Life." Alexis didn't answer. Mike synced his phone up to Alexis. After In My Life ended, I heard the notes of Brown-Eyed Women. "Dude. What's up with that?" Mike responded with "It's the Grateful Dead." I stood up, and gave him a huge hug. My wife smirked. We are indeed everywhere. He thought the PNW release was only offered in a three-disc set. I enlightened him....Mike passed my test.
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14 years 4 months

Submitted by Cool Water on Sat, 09/15/2018 - 23:58

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I know Dona played with Elvis, What were other Bands that Dona Played and recorded with ? Also After Boston with Dead and Company were there any other shows that Dona played on ?
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17 years 4 months

Submitted by Vguy72 on Sun, 09/16/2018 - 00:21

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.... brings the goods. That GDTRFB fade out is heartwrenching. One More Saturday Night indeed
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16 years 1 month

Submitted by unkle sam on Sun, 09/16/2018 - 06:10

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I like the box, still kinda big for just six shows but that's ok, but what is up with all the scratches, finger prints and smudges on the playing surfaces of these discs? I have several discs that look like who ever packaged the discs was wasted or just didn't know how to do it. You would think for over 200$ for 6 shows there would be better quality control. I have not played all the discs yet, but I have inspected all of them, it just blows my mind that there can be this many imperfections on a brand new box of cd's. It's just weird that all the jammy meat of the show discs are the ones that have been mishandled the worst, like who ever stuffed this box had never touched a cd before, or just couldn't believe what was on them and just had to listen to them? Believe me, these shows are off the hook, but if they skip, I am going to be one pissed off deadhead. I've got them all except the 77 boxes and this one, disc wise, is in the worst shape. When I get a Dave's Pick, it don't look like these, why? Rhino, Why? Funny how with Dave's releases, I get a return postage sticker just in case there is a problem, nothing with this one, are we suppose to pay to return a defective disc? Will Rhino send me a shipping return sticker? Will we all just have to eat a shitty disc? Now, on to the best part, listening to primo Dead from a primo year on a primo stereo with primo head supplies. It don't get any better than this. But if these skip, look out rhino, I will be coming for you.
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14 years

Submitted by Mr. Pete on Sun, 09/16/2018 - 07:11

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Got my box...it was perfect. Checked it all over...perfect condition. When I went to download the cd's to my Mac I obviously check out each cd for smuges/scratches/peanut butter/etc. Each disc was....flawless. I downloaded all of them but have not had the time to check them for any audio glitches. That is this weeks project. I do know that when you try to "pop" them out of the box you have to be VERY careful and push down on the center spyder as you remove them. I have learned my lesson, over the years, with other cd box sets. Sometimes you just have to take your time and message the center spider ring several time. gently pushing it down several times. Often, you will have to use different positions on the cutouts along the cd. I have spent several minutes doing this until the disc decided to release. If you try too hard you can break off the center plastic tab(s). I have done that one too many cd's until I got more...patient. It would be very easy to scratch the cds taking them out for the first time. Be very careful. Scuff marks are probably from someone just sliding them off pile of cd's. I am sure Dr. Rhino will take care of any of your issues. I had a few cds, over the years, that did not work and he replaced them with out any hassle(s). He is a great guy to work with. I was surprised to get such a high number. I guess that when they got unloaded, like airplane luggage, the first ones loaded, on the truck, gets off last! Enjoy your weekend. Mr. Pete----------> aging hippie
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15 years 8 months

Submitted by rbmunkin on Sun, 09/16/2018 - 07:45

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I wish I could mix Donna out of the concerts. Why did the Dead keep her on for so long? Just listen to Money Money. OMG she is absolutely and entirely horrible! She can't sing to save her life. Ruins every song she sings in more than background vocals. How on Earth did she ever make a living singing?
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10 years 6 months

Submitted by lebowski99 on Sun, 09/16/2018 - 07:43

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Dr. Rhino has already responded to me via email that my replacement discs for 2 scuffed ones are being sent. Glad to see such a quick response, though frustrating that so many people are having problems. However, don't say they didn't warn us. Page 35 of the PNW booklet, quotes a 1973 edition of the Dead's newsletter when, announcing Mars Hotel being pressed on their own brand new label, the band noted "some of the problems they had encountered with manufacturing. Sorry as we are to say it, absolute quality in this environment of scarcity and crisis is almost impossible." Gotta say, I got quite a chuckle out of that.
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17 years 4 months

Submitted by simonrob on Sun, 09/16/2018 - 08:01

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It is good to hear that Dr. Rhino is reacting quickly to defective disc problems. It would be nice if he could address the source of the problem. I have never seen scuff marks or fingerprints on new CDs before. I suspect the cause of scratches on the discs is the same i.e. sloppy work. I think discs are stacked on spindles prior to inserting them into their trays so scuffing shouldn't be an issue unless one practices their DJ skills on the stack. Shouldn't the packers be wearing gloves of some sort? That this only seems to happen on Dead releases and typically the box sets is strange but should be easy to track down and rectify - if there is a will to do so. That this hasn't been corrected long ago suggests that Rhino are happy with the way things are. They know we will keep coming back for more, whatever.
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