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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • #2201
    Vguy72
    Joined:
    Hold on hendrixfreak....
    ....I need to make some more popcorn and mescaline.
  • #2202
    hendrixfreak
    Joined:
    Noon-ish is not the best time to catch a full-blown show.....
    My memory has clearly telescoped events, because I almost think I remember rolling over in my sleeping bag and, for breakfast, snorting a pile of 'chocolate' mescaline off one of those mini-cereal boxes. I definitely took some blotter. But even if we'd 'slept in,' it must of been 10-ish or something. Surely we'd had some water and a snack, probably provided by a merciful neighbor. We were still 15 and we looked like what we were: goddamm-near children! Ah, so I was saying, we dropped acid and snorted mescaline and fired up the pipe with Numero Uno and, hey, is that freakin' Jerry on stage? Wait, Bobby. Phil. Bill. The piano guy. Jer kept dipping his cigarette into a brass ashtray and, when he re-lit it, it flared up. I didn't hit the blow til '75 but later, I thought, freebase. I hope someone can clarify this, but I think I recall the band starting just a bit after NOON(!). As far as I was concerned at the time, they fucking rocked the place for hours. I do recall, as I often feel, feeling goofy about a camera while tripping. But I managed to snap off three shots, of which two survive, which catch the three guitarists blasting away on Playing in the Band, then turning towards each other to converse more intimately, finally arriving in a tight circle and sending tides of sound across the crowd. I think this was the time I experienced Phil's bass as physical, purple pulses in my chest and the realization that vibrations, rather than corporeal reality, were at the heart of existence. I clearly remember the gospel treatment at the end of He's Gone and at the end of Sugar Mag, Weir thrust his arm skyward for stop time, ran back to his amps, downed the rest of a Heineken and raced back to the mic for the coda. Still, I was 15, down front at one of the biggest gatherings of humans in history. I did look back over the crowd, but, as usual, there wasn't much profit in looking back. Not with the Grateful Dead killing it in front of me.
  • #2203
    hendrixfreak
    Joined:
    The Soundcheck
    The Allmans rocked big time. They'd slayed us at RFK after the Dead when, exhausted and dehydrated, we had retreated to the shaded overhang of RFK and been simply psychedelically rolled over by the ABB. They smoked the Dead that day. Back to the Soundcheck. I got up and hiked around the scene while it was still afternoon. A very loose scene with lots of elbow room, cool air, breathing. I returned to our space, easily located, for The Band. It was nearly sunset when the Grateful Dead took the stage. We had all the room we needed. I started the soundcheck boogie-ing upright, shakin it to the rock 'n roll. I had snorted some mescaline and taken maybe a half tab of the blotter. Everyone knew this was unprecedented in GD history. Here we were, groovin' on a cool pine forest evening, high but not pressed and our favorite band was blasting away on the finest sound system we'd ever heard. I do not recall individual songs, just the transition between comprehensible songs and jams that had us smiling for reasons we knew not. [Beautiful Jam from So Many Roads is blasting in the background as I write these words.] I do clearly recall the feeling of complete ease as I nestled down into my sleeping bag, head on cool gallon jug, looking up at the band just jamming away. We rode it out after the band departed and the next thing we knew, it was morning and the crowd was bustling, hustling, and by noon it was show time all over again.
  • #2204
    icecrmcnkd
    Joined:
    Hendrixfreak
    I hope you are writing these in a word processing program and saving them.You probably should combine your memories and pictures and put it out on the internets where it will hopefully be forever preserved. Maybe upload the final version to the archive someday.
  • #2205
    Trainwrecked
    Joined:
    5/9/77
    Any headphone listeners out there? Or maybe you don't need them. I find the bass on this GSTL recording overwhelming. Bertha and Help On the Way are good places to start. I don't get the same thing with the SB I have if this show. I think Jeff Norman boosted it somehow. Anyone else notice it? Garyfarseer - what kind of medicine?
  • #2206
    hendrixfreak
    Joined:
    The greatest missed show on Earth
    Long story shrunk to size... We had to get home on 10 June 1973 because we were exhausted, dehydrated, broke, without tickets, food, water, anything, so we thumbed back and tried to blend into humanity. I was 15. I lived with my parents, of course, and they needed to see some evidence that I was alive. They never even said a word about my setting out for a multi=day excursion in jeans and a t-shirt. We just did it. We heard the 10 June show was smokin' and we were pissed. We were NOT going to be caught short like that again. No effin' way. So when the news broke of a show with all three of the greatest rock bands of that time -- the Grateful Dead, the Allman Brothers and The Band -- we were on it like white on rice. Tickets cost $10.50? We had 'em. And we'd just seen the Allmans at Madison Square Garden in, May? I smuggled in a bong. A young cop caught me. An older cop said, "Let him go. It's a bong. Don't worry about it." Jesus, this whole law enforcement thing was confusing! But my view was broadening... Late July 1973. The older brother of a hot schoolmate of ours was driving to Watkins Glen. We signed on. Me, Mark L, David W, and a few others. We brought our backpacks. We had a little food. A shit-ton of Numero Uno. No alcohol. I had a sheet of blotter. Someone's adept use of the map enabled us to skirt around the worst of the traffic and we actually accessed the grounds in fine fashion, probably 12 hrs ahead of the hoo-ska-boo that eventually developed. The van's inhabitants split into units and we never saw our driver-host again, until a week later, just before the 31 July - 1 August shows back at Roosevelt Stadium. (Biggies, waiting for release...) So we hike over to the "gate," passing food trucks that specialized in big scoops of weed. We snickered, fully equipped. We were still 15. We entered the gates around midday and for some reason no one took my ticket, so I immediately doubled back to the chain link fence and passed my whole ticket to a have-not. Instinct, communal instinct. Later, my parents said that friends of theirs in Europe had seen footage that included my entrance into the concert site. The stage was perhaps 2/3 of a mile away. As we walked down the gently sloping hill towards the stage it was obvious we were a bit early. In earlier shows we were leery of getting too close because of the physical crush, the volume and the collective high that sometimes ... got a bit hairy. But fresh off missing 10 June, we marched down and claimed a beautiful space about 20 yards from the stage, just a bit left of center. On our way, we'd grabbed a few one-gallon water jugs that were set out free by Bill Graham in response to the scene at RFK in DC 6 weeks earlier. I found myself high on mescaline, laying on my sleeping bag with my head resting on a cool one-gallon jug of potable water and passing a doobie when the crowd sputtered and roared. It was late afternoon and the Allman Brothers had just taken the stage.
  • #2207
    hendrixfreak
    Joined:
    RFK, June 1973
    Throughout the fall of 1972 and through the winter-spring of 1973 I had ingested numerous psychedelics, including the wonderful agent known as mescaline and naturally a few substantial doses of the Lady Herself. At one point, with my buddy Moose, we were sitting atop a van-sized boulder in a 2,000 acre wooded preserve near home and we focused on the visual margin between the rock beneath us and the ground in the background and felt that we had lifted the boulder upon which we sat perhaps several inches into the air, then lowered it again to its natural resting place. But I digress... June 1973 and me and David W are hitching to RFK in DC about 200 miles away for the 9-10 June 1973 shows. It's summer. So obviously we go in t-shirts, jeans, sneakers, with a ticket and few single dollars/dead presidents in my pocket. Next to the sheet of oval 4-way blotter. A little smokum in the sock, in case we got stopped. Look, we're 15, okay? 16 was months away. We were just up for adventure, loud rock 'n roll and, um, a closer look at the scene. I remember that some of the serious traveling hippies with LSD-dead eyes were there selling pipes, but also passing them around. We had long hair but we were little kids! These folks looked 50 but were probably 20, i.e., impossibly old, grizzled and of unknown origin. But no one actually bothered us, nor was there any attention. Everyone treated us as adults. So we slept on the ground on the grassy parts outside the stadium that night. No water, no food, no equipment. The next day, temperatures climbed towards 100. We were smoking a joint by the grate that blocked one entrance and a black cop motioned us over. We approached cautiously. "Hand me some of that, will you?" he asked. "WHAAAT???" was our initial reaction, having already experienced the pleasure of being cuffed and harassed by the cops for having a beer in the park. Turned out, cops can be cool, too. We burned two with the cat and we bid each other a good day. He was clearly amused by the scene, but in a groovy way. This was 1973 and racism and violence over the Vietnam War made longhairs outcasts, just like minorities of every stripe, then and now. Short story long, me and David split a 4-way and the Dead played that afternoon, opening for the ABB that night. The lines for water were long. We survived on The Lady, a little water and some "Numero Uno" substance we thought was hash but turned out to be opium. Worked for us that day, though, the heat was excruciating and I'm sure a lot of folks needed help in the heat. I got up close for Chinacat at the end of the first set. I was mesmerized. Bobby played a Gibson SG, which in my mind meant "bass guitar." Phil was playing a big possibly semi-hollowbody bass that said to my untutored eyes, "rhythm guitar." But I was already a huge Phil fan (being a Jer fan was too obvious) and this had me confused. At some point some idiot hurled a lit M-80 onto the stage (June 9, right? obviously in close proximity to July 4??) and it rolled up to Jer. In that day, he had a stage mannerism of sort of shuffling in place and I saw him move his right foot forward in perfect time and using the tip of his cowboy boot sent the live M-80 back out over the crowd. I don't even recall hearing it explode. The music was pretty loud.
  • #2208
    icecrmcnkd
    Joined:
    Nice warmup HF
    Patiently waiting for the grand finale....
  • #2209
    hendrixfreak
    Joined:
    Backstory and launch....
    The briefest of backstories: Six years old in 1964, persuaded my mom to buy me a Beatles LP at the checkout counter of the local discount store. Played it on monaural phonograph with one 12" speaker output. Rocked as child. 13 years old in 1970, convince mom to drive me and a friend to a Chambers Bros concert. We dug the music but were too young for 'action.' 15 years old, summer of '72, catch The Byrds and New York Rock 'n Roll Ensemble at college outside Saugerties NY where The Band rec'd Big Pink five years earlier. We drove by Big Pink. (Still Pink.) We were 15. (An older brother was actually driving...) Since 1971, been spinning American Beauty and Skull & Roses LPs on the same phonograph as in 1964, only now it's in the basement where our ping-pong table and hang-out couch are located. 19 Sept 1972, I jump in a car full of older heads with an ounce of hash in my pocket, 33 days after my 15th birthday, and we proceed to the Roosevelt Stadium in lovely Jersey City, New Jersey, and catch my first Grateful Dead show. I had already been 'experienced,' but did not drop at this show; too chaotic, large crowd, determined to survive and catch my ride home. I listened for familiar songs, jams, anything -- nothing! Everything was different. Records, shme-cords. This scene was crazy. Maybe 10,000 people screamin' high groovin', freakin', dancin', gyratin', handing you things you knew best to pass along... I was alone in the giant crowd with the music louder but sweeter than anything I'd ever heard before. The music rocked, I just couldn't grab onto a big Jerry jabbin' guitar riff that would remind me of Skull & Roses. Obviously, this was no American Beauty. As Jer once said, recording in a studio is like building a ship in a bottle. Playing live is like being on the ocean in an open rowboat. And that's kinda how I felt -- out there, surfin', knew I'd have to get home ... 3 hours into the show, I do remember saying to myself, "Well, all righty then, damn good show, YOU CAN STOP PLAYING ANYTIME, I'M GOOD. GOTTA GET SOME REST... MUST SNAG RIDE HOME..." Part II, coming ...
  • #2210
    icecrmcnkd
    Joined:
    Thanks dmcvt
    The photos of the stage show how high it was. Need safety railings to keep the musicians from falling off.
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Submitted by clayv on
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Dead Store Products

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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6 years 10 months

Submitted by SkullTrip on Sat, 09/29/2018 - 13:03

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Of all the official ‘77 releases, Dick’s 34 is my least favorite. It just doesn’t catch my ear the way most shows from this year do. Not sure why. But after Dick’s 3, 10, and 29, it was something of a let down for me. More so alongside the Dave’s and box set ‘77 releases. Guess it’s that subjectivity creeping in again. Glad to see it getting some love on vinyl though.
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9 years 1 month

Submitted by Charlie3 on Sat, 09/29/2018 - 13:36

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Sometimes you get what you are hoping for, and that is the case with this box for me. I was really hoping that we would get a '73 box this year, and the addition of the '74 shows is the icing on the cake. I am currently finishing up a more focused listen of all three of the '73 shows after giving the entire box a quick listen to identify skips or defects, hopefully I didn't miss any. The sound on these shows seems great to me overall, the adjustment during the early songs of each show and the couple of vocal drop outs aren't really even a distraction. Everything sounds clear and distinct, and while Jerry is not at the forefront of the mix on every song, I didn't really ever feel like he was lost in the mix either. The extended jam sequences are so good on the '73 shows that I can't even say that the Dark Star sequence from Portland is the highlight and I love Dark Star. As far as the tempo, I dig the slow tempo stuff from the Dead, whatever the era, and the slow tempo stuff in this box is about perfect. There is, however, plenty of energy on the more up-tempo stuff in these shows. All in all, this whole run just reinforces my love of '73 Dead, a time period that seems like a peak to me. Next up, a more detailed listen to the '74 shows in the box. All of the performances of EOTW from the '74 shows really jumped out at me on my initial listen, so I am eager to give them a more focused listen.
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10 years 6 months

Submitted by Pancho Pantera on Sat, 09/29/2018 - 14:52

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Good Day All. My apologies for using this forum for what might be an unrelated Grateful Dead question. I am hoping that someone might be able to help. If you can, I would ask that you use a PM for the reply. I am hoping to communicate with someone on this board that would have access to the Northbrook Public Library in Illinois. If you might be able to help I would genuinely appreciate it. My apologies to all for the interruption. As for the PNW box...this very well could be, the most beautiful pieces of art to hold music in. A perfect place for this music...and the box is still available. Difficult to believe! Have a beautiful day. Regards.
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14 years 10 months

Submitted by stoltzfus on Sat, 09/29/2018 - 15:33

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so little time
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10 years

Submitted by deadtony on Sat, 09/29/2018 - 16:03

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I dunno, sounds sweet to me... My box arrived in good condition with one small scuff on one of the discs, nothing to get in a twist about as it plays fine. We are so lucky and spoiled to get this kind of material, most bands don't have anywhere near the amount, and in such great sound quality. Also some charge 2-3 times more. I get the frustration with some of the tunes having dropped vocals, but it doesn't bug me that much within the scope of the whole set. Just my two bits i guess...
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17 years 4 months

Submitted by Vguy72 on Sat, 09/29/2018 - 18:09

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....A chicken farmer walks into a bar, sits next to a woman and orders a glass of champagne. The woman perks up and says, "How about that? I just ordered a glass of champagne, too!" He turns to her and says, "What a coincidence. This is a special day for me, I'm celebrating." "This is a special day for me, too, and I'm also celebrating," says the woman. "What a coincidence," says the man. They clink glasses and he asks, "What are you celebrating?" "My husband and I have been trying to have a child. Today, my gynecologist told me I'm pregnant!" "What a coincidence," says the man. "I'm a chicken farmer. For years all my hens were infertile, but today they're finally fertile." "That's great," says the woman. "How did your chickens become fertile?" "I switched cocks," he replies. "What a coincidence," she said. Hardy har har....
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13 years 9 months

Submitted by bjornindia on Sat, 09/29/2018 - 18:06

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What´s the odds? After almost exclusively listening to the PNW box over the last two weeks, I went for an Airplane album. At the same moment as Martys You Wear Your Dresses Too Short from Winterland 72 were thundering from my speakers, I read the news about his demise. So sad. In my view his voice was the superior one in JA ... and somehow so ahead of its time. At the end of the song Grace says "Thank you Marty!" Yeah, thank you for your contribution to the psychedelic revolution
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9 years 11 months

Submitted by MarcelloZappellini on Sun, 09/30/2018 - 05:55

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Since I live in Brazil, deliveries take a longer time, but my box have finally arrived. I'm listening to it now, and I can describe it in a word: AMAZING! By the way, my wife (which is only a casual fan) loved the art!
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9 years 11 months

Submitted by MarcelloZappellini on Sun, 09/30/2018 - 05:56

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Yes, thank you Marty! We'll all miss you!
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14 years

Submitted by nitecat on Sun, 09/30/2018 - 08:30

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I'm with charlie3 and all his comments. I love this box. Had a first listen to all shows, very satisfied. I'm taking a break from that era with other years, but soon I will relisten to that most excellent Vancouver 73 show. Love the box.
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6 years 3 months

Submitted by phil_head on Sun, 09/30/2018 - 09:40

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When do subscriptions usually come out and do they sell out quick?
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6 years 3 months

Submitted by Exile On Main St. on Sun, 09/30/2018 - 09:41

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I was also sold at 6 shows from 1973-1974. How can you not be, right? I find it's much easier to fine tune the sound on headphones on a system with an EQ. I suppose that's true of most of these old recordings, but it really helps with the 1973 concerts on the tracks where Jerry isn't quite as loud as usual. Even guitar volume considerations aside, the headphones are an essential listening medium for all shows. I get a hugely different perspective on the music. Headphones. Buy good headphones.
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6 years 10 months

Submitted by dreading on Sun, 09/30/2018 - 10:10

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The Dave’s Picks 2018 subscription announcement came on 10/24 of last year. They usually close it off I think after New Year's. The subscriptions have never sold out. Any of the 18K that are not sold in the preorder session are sold ala carte. They were close to selling out this year. We know this because they told us they were close, and therefore had very few ala cart copies left to sell to people when each release was due to come out. The few ala carte copies for each release sold out in a couple hours. It feels like the Dead are more popular now than any time since Jerry died, at least going by Dave's Picks sales and Dead & Co attendance. I think this may be the year we see a Grateful Dead Dave’s Picks Subscription sellout. Buy it. P.S - better to buy it early because you get it for $99 and free shipping. Later in the subscription sales window the price goes up to $115 and I believe shipping has a cost at that point. Plus even if you were guaranteed an ala carte copy, you only get the bonus disc if you pay for the subscription. And the bonus disk is the best thing since One from the Vault.
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15 years 2 months

Submitted by Seth Hollander on Sun, 09/30/2018 - 11:44

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I hope my doing a deep dive into a statement of yours doesn't piss you off, "MindLeftBody". Nothing personal, just a Historygeek being triggered! Seems like pretty good factual support for the importance of this box here: "They're also rarely performed songs like The Race is On, Box of Rain, Money Money, and the only 1973 Bird Song" I was pretty surprised to see that there was only one '73 Bird song! And glad it's on the 3CD set I bought (even if it has that 13:39 stumble-skip in it). Too surprised. I hit THE BOOK for "just the facts". (per DeadBase III, so some numbers may have changed): 87 (55 post-Pig) shows in '72, 73 shows in '73, 40 shows in '74. More than 1866 shows played 65-95. The Race Is On: seems to have been included in a few acoustic sets '69/'70 before entering performance rotation on 3/19/73 for 24 '73 performances and 8 '74 performances. 10/19/74 was the last TRIO until 9/27/80/The Reckoning shows. Box Of Rain: debuted 10/9/72 (about 2 years after the studio version was released!) for 11 '72 performances and 27 '73 performances. From 11/19/72 to 6/26/73 it was NOT played at only 4 shows. It missed 3 shows before being played 7/28/73 for the last time until 3/20/86. Bird Song: after a 14 performance run in '71, Bird song took 11 months off before entering regular rotation for 29 performances in '72 and 12 in '73. 9/15/73 was the last BS until 9/25/80/The Reckoning shows. Maybe the sentence should be: "There are also relatively rarely performed songs like The Race Is On, Box Of Rain, Money Money, and Bird Song". All 4 songs ARE quite rare in terms of 65-95, but two of them were not uncommon during the period covered by this box and 6/26/73BS is NOT the only '73 BS. I started this post because I thought the statement I'm scrutinizing was wrong. After my research and number-crunching, I do agree with the jist of the original statement, despite the, ummm, "factual deviationality" shall we say.
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Submitted by Vguy72 on Sun, 09/30/2018 - 12:39

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....that the morning brings. But the heart has it's seasons, it's evenings and songs of it's own.The Grateful Dead help me deal with the stresses of life. And for that, I will always be Grateful.
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10 years

Submitted by rombumzora on Sun, 09/30/2018 - 12:44

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There's a BIRD SONG in 30 DAYS OF DEAD (2011) (10 JUNE)!rnb
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10 years

Submitted by rombumzora on Sun, 09/30/2018 - 12:45

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There's a BIRD SONG in 30 DAYS OF DEAD (2011) (10 JUNE)!rnb
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6 years 9 months

Submitted by Trainwrecked on Sun, 09/30/2018 - 13:58

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30 Days of Dead is all soundboard quality. 6/22/73 is the first produced / engineered version of Bird Song. I think the point being made was that one had to delve into the soundboard archives to hear '73 Bird Song, until now.
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9 years 5 months

Submitted by Kayak Guy on Sun, 09/30/2018 - 14:05

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seeing how it's about facts, and your using a Deadbase that came out in 1988, i'll update it to a Deadbase from 1996 and the total listed is 2,314 shows from 1965-95. (that was the factoid that made me dig out my Deadbase 50, it's fukken heavy) the last Birdsong of 1973 is from Providence and only circulates as an AUD, but is worth a listen as it's the last Birdsong until the 1980 acoustic sets. https://archive.org/details/gd73-09-15.aud-sbd.cotsman.16174.sbeok.shnf…
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17 years 5 months

Submitted by Deadicated on Sun, 09/30/2018 - 14:11

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I really like the duet JG & DG do on Dolly Parton and Porter Wagner's "Tomorrow is Forever". There weren't that many, but each is good. Jerry always took a nice break in there, too. Was looking through my cassettes from ago to find the 6/22/73, Vancouver, show and I found it! maxell UD xl 2, C90 with faded, but legible, writing on it. It's got a 3/82 date of reception on it. The tracks were: Side A: … Bertha BIODTL Deal Mexicali Box of Rain Bird Song The Race is On Side B: Here Comes Sunshine He's Gone/Truckin' What a show!!! Thanks, PTB.
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9 years 1 month

Submitted by Charlie3 on Sun, 09/30/2018 - 15:13

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Listened to the Vancouver '74 show today, and dig the whole show, but man the EOTW is a blissful highlight. And is that a little Slipknot riff in the jam at the end of EOTW?
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17 years 4 months

Submitted by Vguy72 on Sun, 09/30/2018 - 16:02

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....top notch. Lots of truth on that album. Hey. One can't listen to the Dead 24/7....
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10 years 2 months

Submitted by daverock on Mon, 10/01/2018 - 03:27

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Amen to that. Although the first 4 are my favourites. The reissued box set of Paranoid is a corker, with its two live shows from 1970 included.
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17 years 5 months

Submitted by Alain on Mon, 10/01/2018 - 06:19

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Charles Aznavour is dead,
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9 years 7 months

Submitted by 80sfan on Mon, 10/01/2018 - 06:33

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The gentlemen below are correct: Bird Song: played 301 times total. 13 times in 1973 (Providence was indeed the last until 1980) Race is On: Played 59 times total. 27 times in 1973, 9 times in 1974 (and then no more until they played it 10 times in 1980) Box of Rain: 158 times total. Also 27 times in 1973, and then no more by the dead until 1986. However, Robert Hunter performed it dozens of times from 78-86 before the dead dusted it off. In fact he's performed it 112 times total (the most recent being 2014). caveat: I have only had 1 coffee today so please excuse any errors...
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14 years 10 months

Submitted by stoltzfus on Mon, 10/01/2018 - 07:17

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but I am a "Venusian spy" (name that show)
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14 years 10 months

Submitted by stoltzfus on Mon, 10/01/2018 - 07:18

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5/21/746/24/73 sooooooooooooooooooooooooooooo good
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14 years 10 months

Submitted by stoltzfus on Mon, 10/01/2018 - 07:19

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6/22/73 then 6/26/73 THEN late 69/early 70 things
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8 years 6 months

Submitted by Lovemygirl on Mon, 10/01/2018 - 07:50

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...Marty Balin & Charles Aznavour passed away recently. Both ArtistWere truly gifted & beautiful human beings. R.I.P my brothers, peace be with you both. God Bless... : (
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12 years

Submitted by Dennis on Mon, 10/01/2018 - 08:06

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would that be the boom anime that makes me think the wrong thing?
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12 years

Submitted by Dennis on Mon, 10/01/2018 - 08:38

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Ice Cream Cone Kid - nice vid clip from the Princeton Record Exchange. (20 South Tulane St, Princeton, NJ) I used to go there a lot when I live in Jersey. Worth the trip if in the area. Again this site has only cost me money. First Dylan's Bootleg 14, then Jimi's Electric Lady, today with the Sabbath "Paranoid" box set. I can't afford to come here anymore! Of course I have to buy Dave's this year since he let me pick all four releases, so there's another chunk of coin in November. For those that care, Lockn 2019 tickets just went on sale (alumni sale) (250 a pop for 4 days!,,, best music deal out there) If in the North Jersey area, my buddies there say "the cosmic Jerry band", has been tearing it up, knocked out a 4 hour show the other night. On the recording quality front, I'm always searching archive for old 78 recording and found this collection the other night at work. Played this collection at the store and was surprised at the general "likes" it got. If so inclined, follow link and listen to the second song, "Am I Blue", by Ethel Waters and Her Ebony 4. A 1929 recording! https://archive.org/details/VINTAGE78RPMRECORDS/New+folder+(2)/Vintage+…
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12 years

Submitted by Dennis on Mon, 10/01/2018 - 08:36

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It's been one week since you looked at me.... Like Kurosawa I make mad films Okay I don't make films But if I did they'd have a samurai Gonna get a set of better clubs Gonna find the kind with tiny nubs Just so my irons aren't always flying off the back swing Gotta get in tune with Sailor Moon Cause that cartoon has got the boom anime babes That make me think the wrong thing
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17 years 4 months

Submitted by hbob1995 on Mon, 10/01/2018 - 12:24

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FYI, "Mac" @ Customer Service is in reality the one and only Dr. Rhino. I know this from a previous encounter that he handled for me beautifully Rock on
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7 years

Submitted by CaseyJanes on Mon, 10/01/2018 - 13:24

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I emailed Dr. Rhino about 3 weeks ago, and after a couple of small status communications from him/her over that time period, my replacement disc #11 from Vancouver 74 arrived, and I finally get to listen to that show in it's entirety. Will be enjoying that starting.....now! Dick's Picks 34 Vinyl to arrive on Thursday! Can't wait for last Dave's announcement of the year. I think he alluded to the fact that we may not see 80's, so I personally am hoping for some '79, '90 or '91..... KCJ
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Submitted by Scott111 on Mon, 10/01/2018 - 16:30

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Replacement disc came today. Received dicks picks 34 vinyl on Sunday. Nice quality pressings. Dont have the CD version so I can’t comment on sound quality compared to that but overall, sound is enjoyable enough
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9 years 9 months

Submitted by MinasMorgul on Mon, 10/01/2018 - 17:32

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I was never crazy about this one. Odd choice for vinyl when you stop to think about how many better ones there are. I found the show to be just kind of average for 1977. The best thing about it are the bonus tracks from 11/2 at Seneca. There's a really hot Playing in the Band on Dave's Picks 24 from Berkeley. When I say hot, I mean this is in my top 5 all time. There is an intensity that Jerry and Phil provide, which seems to bring up everybody's game. I haven't listened to this show since it came out, and even then I was preoccupied and never gave it its full due.
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10 years 4 months

Submitted by RowStevieRow on Tue, 10/02/2018 - 05:52

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Only Grace, Jack and Jorma left, oh man that hits hard. He tried to help without any thought of his own safety at Altamont, a great singer, RIP Marty Balin, fly high.
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