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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Mr. Pete
    Joined:
    Gone by the holidays....
    I would guess by the time the box comes out, and deadheads comment on how nice the box looks, that will "seal the deal" for a lot of people.I am not familiar with the NW shows so I am very much looking forward to sitting down, pouring a cold beverage, lighting up one of my dead meerschaum pipes, and enjoying each show. I am sure the quality of the sound will be...excellent! A lot of us forget how bad cassettes were in the day. Not all...but most! Have a great day! Mr. Pete-----------------> aging hippie
  • tncorey
    Joined:
    @Keithfan
    Total run time for 6/1 @ Camden was 2 hrs, 54 minutes (18 songs including encore) per my Nugs download. For 6/2, it was 1 hr, 46 minutes (10 songs). I don't have the specific Set 1 vs. Set 2 breakdown at the moment. In listening, I felt like the 6/2 first set seemed longer than usual. On a related note, hoping to catch the boys at Blossom tomorrow if time permits!
  • Angry Jack Straw
    Joined:
    Refund
    Not sure why you feel entitled to a refund. You don't get a refund if a baseball game gets called early due to rain. You don't get a refund if you buy a ski pass for the season and it does not snow. Our plow guy certainly does not offer a refund if it does not snow. The same thing happened in Canandaigua a few years back. Sucks, but that is how life works.
  • Vguy72
    Joined:
    Fun fact....
    ....Dead & Co busted out The Eleven on the eleventh show of the tour. I don't believe in coincidences....Haha. Poop. Congrats Sixtus.
  • frosted
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    Jeff Beck
    Lucky you, daverock and Jim. Have only seen him live once, back in 1979 or 80 (edit: oops, not that anybody cares, but I remember now that it was in 1976. 42 years ago? Ouch) not long after Wired came out, so that and Blow by Blow made up a good portion of the show. How could anyone not like that? Seems he'll be in southern Cal this tour but I'm up north, so will miss him again. In the age of youtube, though, it's easy to see parts of these tours that I cannot attend. He's still among the pinnacle of my rock guitar favorites, with that rare blend of technique, emotion, and inventiveness. I can listen to Garcia endlessly, but when I'm in the right mood, JB has that different sort of mojo that's a cut above. Guys like Clapton, Santana, Robbie Robertson, and name 20 others always had lots of talent, but Beck continued to evolve and innovate, and damn does he ever age? I think his adventurous spirit, constant playing with new and talented sidemen, and restraint on overexposing himself has helped him maintain his longevity and freshness. Just re-read your post daverock, and somehow I missed the Imelda May reference as the warm up act on my first read. Wow, would I have liked to have been at that show! Jim, you'll be lucky if she comes along on his US tour too.
  • Sixtus_
    Joined:
    Percentages
    Thx Jimbo. And I did some quick math on your numbers below - they are eerily similar in terms of % unique songs played; FW 69 is 35.4839% 'unique songs' vs. PNW 73/74 being 36.5854% unique songs. Moral of the story seems to be that repeats have long been A Thing across runs. I ain't complainin'! Fun w/#'s Sixtus P.S. and it was the China > Rider transition from 5/19/74, while listening on my Walkman strolling to my French class that had me repeatedly rewinding that Feelin Groovy jam which has since had me 1000% hooked on that little snippet whenever and wherever it pops up.
  • JimInMD
    Joined:
    Re: Sixtus III, I'm Shocked, Songs..
    First.. congrats and best of luck Sixtus. Seond.. I got a nice chuckle out of thin being "shocked!" Chortled my coffee a bit.. I suspect the frequent visitors of these threads are mostly all-in on this one with some that are interested but passing for various reasons. I think it's worth it for a cleaned up, pristine PNE 73 alone, add in Seattle 74 and the rest is bonus material. I cannot get enough WRS's either, Truckin' had legs back then, China Riders were going through a pivotal evolution, there are some first set novelties like The Race is On, early Peggy-O's and others and you have the makings for a great box set. ..and that's before the extra time and effort mastering, Plangent, etc. As for songs. Just for kicks and giggles I compared to FW 69. I know there is no comparison, FW was an explosive early high water mark. ..but this is how they match up: FW 69 Shows 4 Songs 62 Avg. Songs per Show 15.5 Unique Songs 22 PNW 73/74 Shows 6 Songs 164 Avg. Songs per Show 27.3 Unique Songs 60
  • KeithFan2112
    Joined:
    Dead & Co Rain Out Camden June 2
    On a different note, I decided I wanted to know where it said in my ticket agreement that the BB&T Pavilion can cancel a show at some point through it without offering a refund. They are offering some free streaming stuff, but to be frank, I was treated rather belligerently by the woman I spoke to. She actually interrupted me, and said the words, "you're not getting a refund" after cutting me off several times in an impatient tone. I was very cordial in my questions and demeanor, so, clearly no respect for the customer (not because I wasn't given a refund right), but because I was talked down to and interrupted. This woman, after not knowing the answers, told me to Google it. I guess I can't be too surprised at poor customer service, but I can't remember the last time congeniality was reciprocated by condescension. I asked for her manager and was forwarded to his voice mail, so I left him a message. I don't know about you guys, but this sort of thing sticks in my craw, and frankly the discussion on Hell Freezes Over and increased ticket sales prices is what really got me to thinking I'm not happy with this outcome, and that I was going to call about it. I believe that the cost to either BB&T Pavilion and or Dead and Company to redo the show is going to hurt their pocketbooks a lot less than a great number of fans who attended, once you break it down to percentages and household income, etc. If it says in my ticket or anywhere in my purchase agreement that they have a right to do this, then it is what it is and I'm fine with it. If anyone out there has statistics on the number of minutes played at any Dead & Co shows, I would be grateful for them (like, if you have a show loaded up on your iPod, and the total runtime for both sets and Encore equals x number of minutes, that would be great thanks). The June 1st and 2nd Camden shows especially.
  • Sixtus_
    Joined:
    Sixtus The Third
    Hey Now Just checking in after a bit of a hiatus - life's curveballs, you know? Busy times and not so busy times but busy times will indeed REIGN when Sixtus III arrives this Friday AM so long as all goes as scheduled. Then, crazy train. Good to catch up from the last several days, here. Psyched for this Big Box. Just looking forward to the smooth sound upgrade and some monster shows, just gimme it All. Dead & Co have been a lot of fun lately - that Billy Tell > Eleven rolled me over (sounds like VGuy too). Also coming out of Space into Eyes? My cup O' Tea. Be well people! revel in the summertime - I will certainly try and will do my best to check in and offer some candid updates. That may or may not involve poop. Sixtus
  • KeithFan2112
    Joined:
    Pacific Northwest Sellout Efficacy
    It's almost impossible to compare sales performance of any one Grateful Dead box set to another. Some we don't know how many they produced (Winterland 1973 & 1977); some are from extremely famous runs (Cornell, Europe '72); some are relatively expensive; some are relatively inexpensive; and some are available for download, so we can't even measure their sales. In hindsight, it seems clear why Cornell, Europe 72, Fillmore West 1969, and 30 Trips Around the Sun sold out quickly. It is interesting that Winterland June 1977 and Winterland 1973 took about five years to sell out, while the May 1977 box set took less than a year. Judging by eBay prices, the Winterland '77 Box is in much higher demand. This has me thinking they either manufactured an assload of Winterland June 1977 boxes, or the "Limited Edition" marketing scheme is hugely effective. I can't see Pacific Northwest box being on the shelves for more than 6 months after the September 7th release date for the following reasons: * The time of their career it encompasses, '73 / '74 * The 15K Limited Edition production run (a number we know doesn't last too too long) * The fact that it's in the medium to low price range * Its availability for the holiday season * The "word of mouth" advertising this box is sure to get (I believe it's a foregone conclusion that it's going to sound great and contain outstanding performances - we are going to be raving about it after it hits our doorsteps, and if it didn't sell out by then, they will start selling like hotcakes as the holiday season approaches) * The Grateful Dead's back catalogue is arguably in higher demand than ever. Dead & Co's impact, I believe, has contributed greatly to this. Even if one doesn't think there is any relevance there, the fact remains the back catalog is in higher demand than ever based on the increased production numbers of Dave's Picks. So yeah, good times good times. I'm not surprised that this didn't sell out overnight. It's not Europe 72. I think it's most akin to the Dave's Picks yearly subscription sales. We all know the boxes are out there in comparatively high numbers, and we all know the rate at which they're selling. Some of us are taking our time because we have time to take. But the window will shorten once the product hits the street and the holidays are upon us. You can't keep half a dozen brand new releases from one of the Grateful Dead's most cherished eras out of the hands of Deadheads for long. This is not Cornell or Europe 72, but it is also no July 1978 or RFK '89. I think after all is said and done, the Pacific Northwest box may reflect the sales pattern of 30 Trips Around the Sun.
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Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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WOW awesome show and excellent mix-you can hear all the instruments clearly. This maybe the sleeper with all the attention on Portland 74.
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17 years 3 months
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Phil Lesh. The sound quality on (almost) every song in the box is superb, and Phil's bass comes through loud and clear. Inventive, tasteful, sweet, harsh, whatever the situation calls for. There are other official releases that meet the same Phil standards, but I think he controls the entire box.
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Thanks for heads up. The 'Playing' on vinyl from 5/21/74 looks very tempting indeed. I don't know when Black Friday is though-or even if we have it in England. Something to look into, while I should be doing something else more worthwhile!
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it's a real drag reading about all the problems with the cd printing of this box. I, too, have problems with some of the cd's and it's just a real bummer to have to, once again, deal with customer service on this site. I just don't get it, who are these people and why do they work for the dead? Are these more Mexico made discs? Who is in charge of quality control at dead.net? How much could it cost to have someone just LOOK at the disc before they stuff them into the sleeve? Most of my problems with my discs are quite evident and can be seen with the naked eye. I had so many bad discs in my E72 box I didn't purchase nothing from this site for 2 years afterwards. I'm there again with this box. I have finally listened to all these shows, the 74' shows are much better mixed and sound a lot better than the 73 shows. Great marketing ploy, get one really long, really good show, surround it with C plus shows and charge 200 bucks for it. Tricky. I'm not going to preorder anymore boxes from these guys, I will wait for the reviews, then, if all is good, order. Well, except for Dave's picks, gotta get those subscriptions for 99 bucks, only way to go. Hey Dave, what about Gainesville?
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I believe the discs are made in Mexico, yes. I share your frustration (my damaged discs were clearly and visibly scratched too) and agree with everything here except the C+ comment. There are two absolutely great shows here (6/22 Vancouver, 5/19 Portland), two well above average shows (both Seattle shows) and two very solid if occasionally perfunctory-sounding shows (6/24 and 5/19). I'd have bought any of these shows individually (though I agree there are clear standouts) and if it weren't for the QC issues, I'd have zero buyer's remorse about buying this set. Here's hoping that after these repeated problems with discs (and not just with this recent set, as you point out), they move future manufacturing somewhere else.
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Here is a list of available shows from 71-73-74 (I often return to Europe 72/Stanley Theatre or sunshine daydream for 72) I made this "work" about my favorite era of gd music to see what came before & after PNW...and imagine what may Dave bring next. It 's clear the stadium shows of summer 73 are not top gd music(but Kezar stadium?)I surely forgot one or two? GD-71-02-19-Port Chester-Three from the Vault GD-30 Trips-71-03-18-StLouis GD-71-04-Ladies & Gentlemen-Fillmore East GD-RT-VOL1-3-71-07-31-New Haven-cd1 GD-DP35-71-08-6-Hollywood GD-DP35-71-08-7-San Diego GD-RT-VOL1-3-71-08-23-Chicago-cd2 GD-DP35-71-08-24- Chicago GD-DA03-71-10-22-Chicago GD-DOWNLD-VOL03-71-10-26-Rochester GD-DP02-71-10-31-Columbus-OH GD-RT-VOL3-2-71-11-15-Austin GD-DA26-71-11-17-Albuquerque GD-DA22-71-12-6-Ann Arbor GD-DA22-71-12-7-Felt Forum GD-DP28-73-02-26-Lincoln GD-DP28-73-02-28-Salt Lake GD-DA16-73-03-28-Springfield GD-DA21-73-04-2-Boston GD-PACIFIC NW-73-06-22-Vancouver GD-PACIFIC NW-73-06-24-Portland GD-PACIFIC NW-73-06-26-Seattle GD-DP19-73-10-19-Oaklahoma City GD-73-11-9-Winterland GD-73-11-10-Winterland GD-73-11-11-Winterland GD-30 Trips-73-11-14-San Diego GD-DA05-73-11-17-LA GD-RT-VOL4-3-73-11-21-Denver GD-DP14-73-11-30-Boston GD-DP14-73-12-2-Boston GD-DOWNLD-VOL08-73-12-10-Charlotte GD-DP01-73-12-19-Tampa-FL GD-DA13-74-02-24-Winterland GD-DP24-74-03-23-Cow Palace GD-DA09-74-05-14-Missoula GD-PACIFIC NW-74-05-17-Vancouver GD-PACIFIC NW-74-05-19-Portland GD-PACIFIC NW-74-05-21-Seattle GD-RT-VOL2-3-74-06-16-Des Moines GD-RT-VOL2-3-74-06-18-Louisville GD-DP12-74-06-26-Providence GD-DP12-74-06-28-Boston GD-DA17-74-07-19-Fresno GD-DA02-74-07-31-Hartford GD-DP31-74-08-4-Philadelphia GD-DP31-74-08-5-Jersey City GD-DP07-74-09-Alex Palace-GB GD-30 Trips-74-09-18-Dijon GD-74-Oct-Winterland
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05/20/73 Santa Barbara. In a football field. One of the best rock concerts I ever atttended.
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...I'm jealous. I assumed you'd hop on that train....have fun man. Hope All are well in Deadland. Bummer that my new job is set in prairie-dog land, so I can't f-off like I used to be able to do. Nonetheless it's good to check in on the ongoing banter and updates as usual. Be Good, People! Sixtus
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9 years 11 months
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...this just hit my inbox. We don't know what this is, do we??? "It's our very last Dave's Picks of 2018! Mark your calendars and ready your phones, tablets, and laptops for Friday, October 12th at 10AM PT because as history shows, our numbered limited-edition Dave's Picks Volume 28 will sell out fast." Queue the non-subscriber scramble... Sixtus
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....I smell 1979.
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9 years 11 months
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I would LOVE to smell a '79. It would be a first for official stand alone releases (aside from RTs and 30 Trips). Bring it...olfactory hues. Sixtus
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7 years 8 months
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I'd love 1979, too. When Keith first joined, it was awesome as they morphed and found their footing. Ditto Brent. However, this also means we'll get new thread with such topics as: - shipping too slow/expensive - not someone's favorite year - didn't like the artwork - partial human fingerprint on one of the discs - UPS guy dropped/sneezed on/stared too hard at the outer packaging Happy weekend everyone! \m/
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16 years 11 months
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LedDed, "partial human fingerprint on one of the discs" Uh no, many of us received discs that skipped due to large scratches and abrasions, and this isn't the first time. (See: Get Shown the Light.) Pro tip: The next time you feel like making a snide remark about others, maybe think twice before actually posting it.
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10 years 2 months
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So you don't care what year a show is from, you don't care about the artwork of the releases, you don't care about the condition the discs are in when they arrive, you don't care how long it takes for them to arrive after you have ordered them, you don't care if some people have to pay exorbitant shipping costs and you don't like people who want to discuss such things. Nice one!
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9 years 6 months
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For once I'm not anxiously awaiting the next annoucment. Still enjoying this box set too much to really care. I'm sure that will change when I find out what it actually is. Truly doesn't matter to me what they put out....but if I had my way it would be some crazy primal show from 1968 pulled deep from the depths of the archive. Have a great weekend everyone. I'm already one beer in (Brooklyn lager) and ready for a peaceful weekend.
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7 years 7 months
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..but one beer behind. Will have to change that and get in a festive mood.. I am about to march into 1974 on the big box. Way behind.. where does the time go? How does this song go?
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10 years 6 months
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I went to 9/26 and 10/10. Think it was through mail order. Don't remember it being too hard---just get order in. Six ticket max per order; we only needed six so that's all we ordered. This was before huge scalping profits available so we did not even think about getting more. Our group from LA could only go weekends, we decided to spread it out to beginning and end, and got the two Saturdays. Hope that is informative?
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9 years 5 months
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we must need a new release to change the subject, it has gotten to posts about people complaining about people complaining about people complaining. i think i got that right ;) we must need a NEW subscription series to fill the awkward weeks between releases, like once every 4 months and with Plangent processing for the returned reels and other degrading reels in the vault before they become unplayable. Däve's Top Shelf, no cover art just a generic reel box like Dick's 1-6 and with a disclaimer, and a digital download version too, so it never really sells out.
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If I recall correctly, it was a mail order, 6 tickets max per show, with no limit on how many shows you wanted. I bought tickets for 13 out of 15, but had to bail on two of them in order to recuperate: these shows started at 8pm and ended around 1:00 am, with the last show(10/14) ending around 2:00. All my tickets were in the same section and mostly the same seats, after a while it really felt like home.
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I'm thinking late 1969. They had some great shows with some great dark stars between October and the end of the year. 1025, 11/2, 1226, even just over the hump and two new year, January 2nd, maybe they found the Dark Star for that show. I think that's the one with the missing Dark Star. Or vguy's 8/30 would suit me. Plenty of room for bonus material, like if they did one of the shows from the Boston Tea Party Trio. I would be more than happy with something in this range, and we're due. P.S. - count me in as a T.C. fan. I always read about how one of the big reasons he left the band was because there was no Sonic space for him. I do think, however, that everything he plays ads to the texture of the song, and if he's up in the mix, you can tell that he's present and playing constantly. And I like his tone. Very unique. It would have been interesting to hear him playing alongside Keith godchaux. I think my all-time favorite. Might be when Keith and pigpen we're onstage together Hammond and piano.
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1969. I expect to see more 69 releases soon simply because the master reels are ancient and likely suffering from the ravages of time. Plus.. so many Dark Stars, so little time. Unfortunately.. some have probably already suffered from decay and abuse, so they might not sound quite as good as some of the recently released material. A quick shoutout again to 80's fan. I have never seen a negative post, nothing but positive comments that propel the conversations along. And count me in the group that agrees with Kayak Guys Plangent Processes with the higher quality master reels. There really is no excuse not to do what we can to make some of these historical recordings sound as good as humanly possible. One last comment on diversity of releases and sometimes getting a release or box set out of our normal comfort range.. I embrace quirky releases, especially ones that fill in gaps from periods I am not 100% fluid with.. I almost always learn something and the body of music they created does not make sense if you have big holes.. it was a growing, breathing thing that constantly built upon itself and expanded. If I had unlimited time, for example.. I would like to listen to every China>Rider in sequence to appreciate how it expanded and contracted. No best ever, they all are important and one without the one before it just wouldn't make sense, it doesn't work that way. Onward.. enjoying the box and looking forward to next Friday and November 1.
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14 years 9 months
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1968 but that won't happen 1967 but that won't happen 5/6/70 but that won't happen 1982? 1984?? 1985??? 7/2/88 would be _extremely_ welcome on many levels
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7 years 7 months
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I think 1982 is a bit under-rated.. the soundboards sound a little flat and tinny.. but there are some great shows. Thinking treatment like Dave's Picks 8, composite, sdbd/aud.. there is room there. ok.. back to your regular programming..
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Thanksgiving long weekend north of the border this weekend. CFL football, turkey & all the fixings, and this wonderful box to enjoy all weekend long! Heading to the PNW at the end of the month for hiking and decompressing on Vancouver Island. Can't wait! Everyone have a safe, wonderful, and thankful, weekend.
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15 years 1 month
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Caught 2/19 and 2/20 82 in San Diego and they were great shows. Hard rocking. Jerry was rocking out and Brent on piano and organ was right with him. During Truckin I thought the seismic throb created by the band and the foot stomping crowd was going to bring the building down. Of course I also thought the floor was going to fall in while experiencing a similar seismic throb during a rooftop concert at the San Diego Convention Center by The Allman Brothers. Marijuana.
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17 years 4 months
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....I guess that snide remark went right over my head, or I'm just stupid. And I don't think I'm stupid. This sensitivity that seems to leech into people's mindset is, for a lesser word, embarrassing for the human race. I like beer too. Throw me out.... And it's gonna be a '79 show btw.
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7 years 7 months
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I feel for the folks that have defective discs.. it happens every time a big release occurs. At it's core is the reality that the cost of errors related to outsourcing production is less than the cost of producing in in the US (factoring in the cost of replacing defects after production), and companies just deal with customer service issues and replacement costs after the fact. It's simply cheaper. Yet.. I feel for the folks that have to deal wit the uncertainty of replacement. I am sympathetic. It's a significant part of the process. Let it be.. weird comments and all.. if we fork out hard earned dough, we expect to be made whole. In the end we are all better off if releases are practically perfect in every way. I don't get the political reference either. But that could just be me.
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15 years 2 months
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Would love either of these as DaP28 (12/1/79 was suggested on the Dap27 thread).7/2/88 because I actually won't buy a Ebay 30T 7/3/88 without already having a GDM version of 7/2. Yeah, The Weight, but 7/2/88 is a night they played almost only favorite songs of mine and 7/3 is a night they played mostly songs that I don't love. GOTTA buy 7/2 first. So Ebay sellers: hope for 7/2 as DaP28! 12/1/79 because I have 35 mp3-sourced shows left on my Deadshelves. LMArchive cut off D/Ling soundboards shortly after i got DSL and before I was able to D/L many FLAC/SHN shows. Since then I have searched the net for FLAC/SHN D/Ls. I have 35 shows left to upgrade and 12/1/79 is one of the better ones. Bring it on GDM! Of those 35, my favorites are 12/1, 10/19/81, 8/8/82, and 6/28/88... While I have been able to aquire D/Ls of every high-qual '69 sdbd, I would be happy to get a GDM-packaged edition of ANYTHING '69! The "Magnificent Seven" were AMAZING! The Playing In The Band sandwich segment of 10/9/76 Set Two popped outta my iPod in the car this AM. That was a double bill show with The Who. Reminded me of how I have often thought that the two bands sounded remarkably similar on stage in '69. And that is a compliment to both bands! I have a very nice 4/22/79 sdbd. A tasty show that would not disappoint me. Anyway, get it, hear it, iTunes a bit of it, shelve it, and on to 29...
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15 years 2 months
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And another show from my "mp3 35" came up today. My iPod threw the PITB/DStar combo from 9/13/93 at me as I was looking for parking after my post-work drive. Was blown away by both the intensity of the PITB and the different sonic palatte that Vince and MIDI brought to the band. Didn't even reach the Dark Star before I shut down the car, so I am looking forward to my Tuesday drive to work now! Jerry's pseudo-acoustic guitar sound is too twee for my rocker taste, but Bobby is crunchy and Vince is constantly intertwining work on multiple keyboards and Mickey is in Techno/Industrial mode. Through the warm vibes of The Dead's Americana I was re-introduced to Johnny Cash and introduced to Merle Haggard and opened to the joys of the late 60s Country-Rock crossover scene (Burritoes, Nitty Gritty, Commander Cody, etc) and I was mentally trained for Coltrane and Davis AND The Orb. The Dead truly were a band that "contained multitudes"! EDIT: Oh yeah, my point was that 9/13/93 would be a cool DaP (fits on 2 discs, so third disc could be the majority of another 93 second set...).
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10 years 2 months
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Its a topic in itself, in a way-whether we should complain if we feel we have received a poor service, or whether we should grin and bear it. I can remember a friend of mine years ago saying that if he was out for a meal with his wife and friends, and was served food that should have been hot-but was served cold-he wouldn't say anything, as to do so would spoil the mood of the party. How much do you take before you speak out? At the other extreme, I can remember guy who would complain constantly-even if there was nothing wrong- in order to get a free meal. I recently bought a new turntable, and on the second day of ownership, the lid snapped off. I can play albums without the lid - but the way I am-I wanted things put right. So I contacted the seller-who is handling things alright. I always tried to give a good service when I was offering one-and used to encourage people to complain if they felt I-or the organisation I was working for-wasn't meeting their expectations. I should also say that it isn't just Dead box boxes that have defective cds enclosed. I have also had to ask for replacement discs in the Pink Floyd box and the David Bowie box with Heroes in.
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10 years 3 months
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It's really funny that you mentioned this, because I immediately thought so the first time I heard the Live Dead record about 15 years ago. I think what probably accounted most for the similarity is the fact that Townsend and Garcia both played the Gibson SG, and Entwistle and Lesh both played a Precision Fender bass (at least in early '69 for Lesh - at some point he switched to one of those Alembic concoctions with the four knobs to control volume).
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14 years 9 months
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that is proof that mo' 80s should be considered. what about... GAINESPHQKINGVILLE???
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14 years 9 months
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listen to 6/22/73 in its entirety. but 4-5 uninterrupted hours are very hard to come by right now. maybe one disc at a time will have to suffice.
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14 years 9 months
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hahahahahahahahaha.... ha... stoltz your fus HAHAHAHAHAHAHA... Ha... ha...
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9 years
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I listened to 6-22-73 last night. It’s awesome.Started my 3rd voyage through the Pacific Great Northwest last night. Awesome Box. And for DaP28? I don’t know......just make sure that quality control is actually used in the production and packaging process. Edit: OK, I’ll throw a guess/request for DaP28. 6-14-76. Although that really should be part of next year’s June ‘76 Box. Otherwise, 5-18-77 with filler the missing songs from 5-22-77. That would help fill in a gap.
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17 years 4 months
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the 'Lemmy zone' hehe . I would love that show if he came out for a hot 'summertime blues' with the Dead . Jerry just smile smile smile g'damn it'd be magic...
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17 years 5 months
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Good morning to you all, well it is morning here in the Burg’. I have been slowly getting into the PNW now. I had some discs that needed replacing which took some time to accomplish. So now that I have them in my possession it is has been great. I am listening to the shows in reverse order and I am getting into the shows from 73. Honestly I don't have much new to add. I think this box is great in both design and quality of music. The shows, once they get through opening anomalies (weird mixes, volume drops, etc...) sound great. It has been a long wait for me but now I am very happy with this box. I have to say that I have reached a point where I am feeling somewhat content with the number of shows I have. Between what Dick and then Dave and Co. have given us, plus Real Gone Music and eBay I have managed to get about everything i want. I am missing Dave's 1- 5, 7, 8. There is one Dave's I need to get out of that lot and that is #5. I got it once only to have stolen from the mail...bummer. I have a few Road Trips to get which Real Gone will do the job. There is a little chance that they will release the bonus discs, but I can live without them for now... Which brings up the looming announcement of Dave's Picks 28. I am all about a show from 1979. I have been requesting that for a while like many others. Or another 76 show - i think there are some untapped gems in there. I also wouldn't mind, if the sound quality is up to the standard, a show from 80-82. However one thing that the PNW box reminds me is that consistency and quality wise the shows from 69 -77 and then 89-90, are where I feel more shows should be pulled from. Now I am not discounting everything from 67-68, 78 -88 , and 91-95 . I stand by what I said about Dave's 27 - a show from 83- in that I liked it. I just hope we get releases of good shows both playing and sound wise regardless of the year. I just think the majority of those shows come from 69-77 and 89-90 periods and if Dave's 28, ends up being another show from say 1972 for example I won't be disappointed. If it ends up being from 1984 as long as sound and playing quality are at the standard (relatively speaking), I will be happy. When it is all said and done I am not trying to stir up an era debate. As I said, I like all eras. I will continue subscribe to the Dave's Picks series. I still think that hands down it is one of the best things any band has done for their fans. Adding a yearly box makes things that much sweeter.
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16 years 11 months
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How about 7/18/76 Orpheum Theatre, awesome show, doesn't affect a future box set of 76, and we already have 7/16 and 7/17/76... I haven't guessed one right yet!!!! bob t
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16 years 6 months
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I've been wondering about the error rate. Is it going up? How did it compare to the 1st contract or when GDP did releases. As far as it being Mexico just my opinion but if they can't make cds then you'd be reading about a lot more wheels flying off of cars. I'd like to see the error rate with a really big release. This was around 300,000 discs. What did the Beatles boxes or the new Beeb realease have in the way of problems.
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16 years 11 months
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When Dozin at the Knick came out they had to resend a complete new CD out to everyone that ordered. That was in 1996
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15 years 10 months
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Thanks for the replacement disc. I just didn't have the time to check 30 trips, for all defects. Thanks to all the other who sent me files. I will PM, each of you. My PNW box, 9 cds are in need of replacement. I actually had to purchase a second box set. I had to have 5/5/77 cds replaced. I used to not worry about GDCDs, however since the 11/73 box set, releases seem susceptible to issues. Have spoken to marye and doc rhino.
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15 years 10 months
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Would just like to thank Marye, for effort provided on helping us all out. Whether its site monitoring or help/contact with Dr. Rhino. Such an invaluable resource. Thanks, JW
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10 years 3 months
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For another '77 Pick. But when the time comes, I would really like a Normanized 2/26/77. That Slipknot! is so good - price of admission right there. Many others as well, not least of all, Phil's exuberant conclusion to Eyes of the World. Dark Star fever here. 8/30/69 (thanks for the recommendation Vguy), 10/25/69, and Fillmore West Complete's 4th show. I think I'll revisit 11/19/72 - I rampaged home on that one last night (nothing like a long drive and a decent car sound system.
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16 years 11 months
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I love that Swing Auditorium 2/26/77 show and agree with your comments. I could see them sandbagging that show for the first or second release of next year's Dave's pick to increase subscription sales!! just a thought.. bob t
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