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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • hendrixfreak
    Joined:
    Does anyone know how to ...
    convert a jpg or pdf for posting here? You can PM me or make it public. I've got two pics from Playin', end of first set, 28 July 1973, and a pdf of a front page newspaper that will show the extent of the crowd and reveal how close I was. Stories in 5, 4, 3, 2, 1...
  • Gary Farseer
    Joined:
    Thanks
    Great story and great pics. Monarda it is. Lear something new. We are having the weirdest summer ever. Lows in the mid 60's. Raining like crazy. What I save on the utility bill for a/c I spend in gas to mow the lawn.
  • dmcvt
    Joined:
    WG summer jam (long!)
    hendrixfreak, i can't wait any longer, looking forward to your stuff Wordy feels-like travelogue ahead, “bear” with me. Promise not to do it again. Editing this to 11.10.73 PITB> At the appointed hour… 45 years ago, right about now, about 200 miles west of here, near a racetrack, this music. (most interested to read others accounts… how much did I forget or make up…) Three of us took off from central Maine Thursday July 26 mid-day, old Volvo, scenic route across New Hampshire and Vermont.. It would be a ten hour plus run, never mind whatever we ran into on site, so we decided to split it in two, take time to stop and smell the roses, CKR. Anyone exploring central New Hampshire should enjoy the east-west Kancamagus Highway through the central White Mountains, long as your brakes are good. Figured to get there early Friday as we had an inkling things would get crazy, though we had purchased tickets. Two of us college boys ran the campus radio station, we had news off the AP wire and from friends it would likely bust out. Fan of The Dead for five years by then, but first my show came just four months earlier in Baltimore. Not old enough (parents forbid) Woodstock, largest event before Summer Jam was Concert For Bangladesh at MSG summer 1971. This would be big. We listened to cassettes on the way, especially various ABB and the original Europe 72. CDs would not appear for almost ten years. Don’t recall exactly where we camped out Thursday night, somewhere north of Saratoga Springs in the Adirondacks. Besides camping gear, we had a big cooler packed with home-made gazpacho, sandwiches & beer. As noted previously, the dark ages of beer, or maybe the age of dark beer… already snotty snobs about Bud Miller Coors, Ballantine IPA was barely drinkable, about the most exotic thing we could find being Carlsburg Elephant or Spaten Oktoberfest. Next morning we broke camp quickly, provisioned around Saratoga, made the run to the track asap. We were on schedule, goal was to be situated on site for lunch with enhancements. Like the antique cigarette tin box loaded with fine Columbian fatties (nickname of CKR/seeker). No trouble getting close late Friday morning, parked maybe a third mile away from entrance, spot selected for quick egress. Lots of people around, short lines getting in, plenty of room mid field, excitement and anticipation. Quite the scene walking in from parking to gate, many people just hanging out, vendors for about whatever you might want, setting up shop, free floating. Very relaxed, sunny and getting hot. No hustling to get inside. They were taking tickets at the gate, not yet declared free, things were organized. We strolled down towards the stage, past long rows of porta-potties and pallets stacked with gallon water jugs which early on defined the edges of what space they thought they needed. Hah! Most all the way down in front of the stage, we realized it was up in the air some 10-12 feet, we could not see half way back into mid stage. Eased our way back towards and just short of the sound tent on stilts… set our spot just right of dead center forward. Spent the rest of afternoon blissfully hanging out, wandering around, checking the scene, where you from, folks from all over, more and more people all the time. We had space for our small tent and room around it, we spread out a bit. Slowly but surely everything filled up around us, what that would mean later on. Many rumors circulated early afternoon as to some kind of music that night. Heard stories about the soundcheck being planned, or decided when they realized how many people were there, can’t tell other than there was a very high level of expectation, something would happen. They knew it too. Roadies messed around with stage stuff a lot, re- positioning and finishing touches on equipment, mikes tested, then they would vanish for a break back stage… amps were left on. Someone would play, at least a local/regional band. Time out for images… have seen a bunch of different stuff but found a collection on flikr by Grant Gouldon many of which were taken from very close to where we landed Friday. Like if he had turned a slightly different way, there we were. Thanks Grant. Will publish a link here because simple search will open it up anyway, hope this is OK https://www.flickr.com/photos/grantdabassman/sets/72157603224730871/ Somewhere along into early evening there was a flurry of activity… The Band came out and Robbie Robertson leaned into a mike, “do you mind if we tune up a little”. Roar approval, he seemed a bit goofy/tipsy. Started off with The Night they Drove Old Dixie Down. There was a confederate flag unfurled behind them, iirc. A slightly different world back then. They played for maybe 30 minutes, left the stage. People were breaking out their goodies, chowing down, biggest picnic I ever seen. Flow of inbound people looking for spots had just about stopped, didn’t seem to be much room anymore and moving around was a bit chaotic, a few clear paths. Little more time passed then ABB came out, they looked a little tenuous and played briefly, just a couple few songs iirc. If you don’t know iirc, it means I could be making all this up, but don’t think so. Didn’t seem to me that they played long, not for more than 25-30 minutes.They took off and then things went quiet for a while, people got up and moved around though we saw activity on stage, fingers crossed, they were dead roadies. Still plenty daylight, just starting to fade, almost 8 pm or so. The Dead came out to whistles and cheers, they began fiddling with their stuff. IIRC, vivid memory, Jerry walked right out to the front edge of the stage (precarious) and looked around for what seemed like several minutes scanning/surfing the crowd. Folks called out to him of course. He made eye contact with dozens and dozens of people, nodding his head, picking up the scene. Shook his head as he moved back as if to say, woah, just look at all these people out there. They launched into Promised Land, horrible thin audio. Took first part of that tune to dial it in, no Phil in the mix for a minute. By the time they hit Bird Song, everyone was up and dancing. To date, one of my all time favorite Bird Songs even if you had to be there. A great jazzy feel. My recollection was more better music as it got darker and darker. Two solid sets, they finished around 11 pm. The jam was clearly a special departure. We knew they were deep into it, Phil said a couple times, “remember this is just a soundcheck”. Or maybe there was an echo. We were in an afterglow somewhere way north of midnight. The aftermusic scene down front was wild enough to keep going for a while. About as perfect a day as imaginable for this music punk. Saturday was a let down for me after such a day… hate to say, you’ll see. By late morning our position was being overrun with a crush of humanity, we kept shrinking the footprint to no avail. Getting around anywhere about impossible, first time I ever felt a little claustrophobic… no fear, just no room to breathe… you about had to walk over or on top of many many people, relaxed but way crowded. Maybe the bourbon from the day before had gotten to me… We stuck around for the first dead set, however it became more obvious serious storms were headed that way. Great music, maybe not quite the equal to the previous night, we did not want to leave, but…. Plus it was hot, sun seriously beating down, dark roast, powering up the incoming front. Not like we would ever find another decent spot walking out of the sea of humanity. We could not believe the number of people. We had considered how much more we might endure, our provisions were ok to marginal, we just decided to get the heck out of there. Hard to believe perhaps but elbow to elbow going into bad weather and once it hit, felt we would be stuck among potentially tens of thousands seeking shelter, trying to leave or get back to their cars at the same time… spelling chaos. We headed out reluctantly and made it back to the car just as the first big fat raindrops fell… then held back briefly enough to think we were crazy to leave, before the total downpour. We sailed out easily, wipers on high. So grateful to have been there Friday. Sincere thanks to dead.net and archive.org for providing us with all this wonderful music and a place to discuss it.
  • dmcvt
    Joined:
    red budded? hhmmmmm
    so this time of year... Monarda? hummers here love Monarda ceptin' deer got much of it first... so very fragrant when leaves crushed, like a minty basil aromatic some of those cute fauna eat way too many things intended for food or visual pleasures i offer a free, all expenses paid trip via a havahart trap for chipmunks to the local state park
  • hendrixfreak
    Joined:
    Not even at Gitmo ...
    do they force 'em to listen to Justin Bieber! Okay, I'm making a liquor store run, then gonna do some ramblin' here. Back in a few.
  • Gary Farseer
    Joined:
    The Wheel Is Turning
    I sit in my fun room looking out the window. Yes yes when the family migrated from Europe to found this country they cleared and blasted their way through the wilderness, practically hunting the pests into extinction. Now the pendulum has swung the other way with the environmentalists. As I stare out the window, wheels spinning in my head, I look out on this rejuvenated nature. Last year, a young red tailed hawk matured in the trees in my back yard. Now I am looking out at what looks like 10-12 youngins. Just 10 feet away, there is a baby rabbit gnawing on some clover. Little does the rabbit realize that in just a few months he will be lunch for one of these red tails. Precious! Also, have a few hummingbirds feasting on the nectar of some red budded plant. They are literally just 5 feet from me, if they only knew...
  • Gary Farseer
    Joined:
    Love it Love it
    When the warmth of my medicine kicks in. Mmmmm
  • bob t
    Joined:
    Keith Fan and Vault tapes
    I remember reading once that Bill K had listened to the 9/14/74 Munich show and being excited how well it sounded... around the time of the Winterland October 74 shows...
  • bob t
    Joined:
    Dave's arrived today
    Wasn't suppose to arrive until Monday!!!
  • simonrob
    Joined:
    Fake news...
    Hendrixfreak - guilty as charged. Sentence: 120 hours of continuous forced listening to Justin Bieber and Rick Astley. But seriously, I (and many others) wanna hear your stories.
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6 years 6 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

I agree that listening to this release on headphones is a joy. The nuance in sound is amazing, I got used to the louder drum kit and yes who ever mentioned this was a philfest, I agree. Have not had a chance to crank it on the big boy stereo yet,

disc skips 6.26.73 damn it. That sunshine Daydream Sugar Mag was rockin just a few minutes ago !!!!

I gotta make that dreaded call to customers services line. F%!Ck need replacement disc

On to the Wall of Sound shows finally ! Slowly marinating in this box set. The 1973 shows each had their own flavor and something to offer.

Box of Rain Bird Song

Looks Like Rain Box of Rain

Jack Straw Box of Rain

The next session begins with beat it on down the line. Dire Wolf ~ 5.17.74 ! Super treat !!!!!!

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send me a PM with the details and I'll pass them to the Doc.
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13 years 10 months
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Get 'em while they're hot! This new site, for whatever it is worth, made the process quick and easy!

I was guessing either 10/18/72 Fox Theatre (an all timer!) or the Swing.. solely based on Lemieux's SiriusXM roll-out hype for Dave's Picks 28 when he eluded that #29 was one of the all time great shows and will likely be viewed as the best of the series so far.

But I was not the only one calling for the Swing, I think Keithfan was plugging it not too long ago among others.. It is an all-time great show and one of my favorites from all of 1977.

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In reply to by MDJim

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Alright, goddammit. I'm back but only because this is one of my top three.

I'm not taking any credit, but I did enjoin a very polite refrain requesting 2/26/77 very, very recently. Right around the time they would have been making the final call. Bless 'em!

Deepest, sincerest "Thank you!!!" to Dave, Mac, and TPTB.

God Bless the GOGD!

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I consider myself an expert on the live performances of Money Money. I have listened to every version repeatedly. I am confident in saying the 5/19/74 Money Money is the greatest ever. At the very least it's in the top three.

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I've been marveling at the Grammy-worthy box packaging for weeks now, and have not had one spare minute to digest the music. I see some comments regarding the mix. I'll reach my own conclusions of course. I'm hoping it's not all that bad, just spotty like so many ancient tapes.

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In reply to by One Man

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Gathers what another man spills.
Good to see you, sir!

The mix is spotty, that is all. You will be blown away by the sound stage and presence of these Plangent-processed SBD tapes. Truly magnificent what has been done with these ancient dusty reels!!

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In reply to by Guss West

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Glad to hear that Guss. Kinda weird navigating this new site. Where is my IN box?

Hi Unkle, Thanks for your response! I'm glad to hear I'm not the only one who was having trouble hearing Garcia's guitar. There's been some more comments about this issue, and Marye even posted that Dr. Rhino's looking into it, so we''l see what happens. I agree that McIntosh is the way to go when listening to the Dead--especially since it's Owsley-approved, and Garcia always had the glow of blue meters in his rack until very late in his career. I like to think it gets you a little closer to the original sound. It sounds like you have a nice setup, too. Good ol'-fashioned, two-channel systems beat the hell out of a cell phone, crappy earbuds, and lossy mp3s.

Hi MDJim, Thanks for your response! I also thought that if I was getting sound at all, it had to be a problem with the mix. There have been some other recent posts that mention the same Garcia guitar issues, and Marye said that Dr. Rhino is looking into it, so we'll see what happens. While the Dead is truly a group effort whose sum is greater than its parts, and while Garcia was a reluctant leader, without his guitar at least a little bit out front driving and steering the band, some of the magic is inevitably lost.

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Please send me a replacement disc for disc 5 of the boxed set. Mine is defective during China Cat - Rider.

When I say defective, I'm not talking about the mix or missing vocals. The CD skips, gets hung up repeating, stops playing.

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Yes, particularly earlier in the box, the 1973 shows are plagued in spots with strange mixing issues. Whatever is printed on the cd is not "defective," in the disc itself; they chose to burn these shows which undoubtedly had recording issues at the source - loose cable jack into the board/recorder, maybe someone inattentively bumping the faders up and down on the board... at one point, for a few seconds all you hear during one of the "Promised Lands," is Billy's drum track. The vocals and guitar fade in and out and some times the rhythm section is prominent, other times tinny. There is a there there, but I wouldn't allow it to detract from a great box. It's interesting to listen to it like that as much as it is annoying.

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Klay Thompson set the record for most 3-pointers in a game tonight.

Post-game attire? Green sweatshirt with a tasteful Stealie! No doubt influenced by his previous coach, Luke Walton.

Represent!

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What can be done? What will be done? Will they remaster the entire box? Will they send us an "update" that adds Jerry's contribution to the sound? I think not. Nice thought tho, but I highly doubt that anything will be done, take it as it is, or leave it if you dare. I will hold on with my final review until next year, if they haven't done anything by then, nothing will be done. Sad really, no more preorders for me on box sets, listen first, then purchase will be my new coda.

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if you have them, send me a PM with the details and I'll pass them to the Doc. Posting about it in the thread may be suboptimal as there are a lot of posts and it could get lost. Thanks.

Perhaps I am behind in reading all these posts.. but the mix issues on my CDs seem to match up with the mix issues on the soundboards in the Archive. This means either the problems with the mix exist on the source master reels or all these sound engineers are hitting off the same crack pipe (which I guess is a possibility albeit a slim one). So remixing the entire box would likely yield the same result, but at great expense and causing much confusion for all.

Just to make sure I was not seeing double (hey.. it happens), I took some time to compare the PNW box to my source soundboards that I pulled down from the archive long, long ago. The issues with the mix are consistent comparing one show to the next.

Is this another poke to make sure we have maintained our sense of humor? ….remixing the entire box seems a bit silly perhaps, but not very much fun.

Again, I could be missing something..

One thing comparing my recordings to these did yield.. the PNW box sounds better than what I pulled down. Even the 73 shows sound quite good to me and my system with and without headphones.

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I totally understand there may be sound issues with recording sources that are 30-50 years old. Recently we've had the heavy 'reverb' on the GSTL from '77, the splice in Dave's 27, Eyes of the World, which seemed to enrage so many, and now the various issues with PNW. Bill and Donna are high in the mix at times and some say Jerry is too low.
My complaint is on disc 1 of Portland '74. From about halfway into Sugaree thru El Paso the vocals are practically inaudible. Like karaoke versions. Which admittedly is kinda fun in a weird sorta way. But c'mon.
Maybe there should be a page or paragraph or Something in the already included literature by the producer/engineer where they could address and acknowledge some of the issues with a particular release.

What's the old saying? "Don't piss on my leg and tell me it's raining". And don't say nothing and pretend that everything is just exactlty perfect. By saying Nothing it only makes people wonder if it's only their disc/equipment/ears/delusion.

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In reply to by Drifter's Escape

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They should really put these chats right under the product page the way it was previously. There are now less and less posts cause it's simply a headache to find these threads. I think the community is thinning out because of this. Steve Hoffman Forums is a great alternative community for GD superfans who want to chat up these releases or anything else.

I think Reijo has a point.

Drifters, I see your point too. But I like that show and am still glad it got released. The China>Rider, WRS and Jam after Truckin' are very nice and I really like the young Peggy-O's which are somewhat special and rare. The fade is on the source recording so the choice is whether to release the show or not.. all the remastering in the world is not going to bring the vocals up in the mix.

Dicks Picks used to place a caveat emptor on the back of the jewel case regarding sonic anomalies and the ravages of time, etc. The other point to make about some of these box sets is the tendency to make something very good and slip in a show that might not have made it as a Dave's Picks. Sort of slip one in on is. I don't think this is the case for this box, but 30 Trips had a couple of these. For $30 a show, and being a bit of a completist myself I am ok with it.. but I see the other side of things. I am sympathetic but happy to see these old tapes get special treatment. I appreciate the efforts they went through making this sound as good as it can.. but that's just me. One opinion.

Love the latest Dave's Picks.. but a topic for another thread. Talk about exceeding expectations...

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I would agree with the points below, but it may also be the fact that there are multiple recent release threads - e.g. this PNW box thread, the DaP 28 thread and the DaP 2019 Subscription threads. Who knows, hopefully it will pick up again.

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In reply to by Charlie3

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I see this too, but there is a silver lining.. I am seeing lots of new folks step up and post positive comments, reviews and keep the vibe alive. The yang is there too.. a bit of complaining and the blem CDs and manufacturing error rate provides more than a valid reason to complain. I would consider providing CDs that play a core competency.

Still we get some good with the bad and new inputs and perspective is a good thing. I hope we didn't lose more than we gained.. there are a few I have not seen in a while that consistently added to the mix.

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In reply to by marye

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Hey I just saw your message in thread, I think I got it all sorted out with email to customer service. They replied with replacement disc on the way.

I appreciate the speedy response and help.

Time to rock out !!!

Spinning some 1985 Grateful Dead

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My big beautiful insane Pacific Northwest box arrived on Thursday afternoon, September 13. I opened it up, examined it for damage or weirdness. I found lots of weirdness, but no damage at all. It was (and is) perfect, but I was busy so I put it away on my living room bookshelf. Yesterday, November 4, I took the box into my office and started ripping and listening to the CDs. This is astonishingly beautiful music. The playing is intense, inspired, and precise, and the clarity and detail of the recordings (as rendered here) are breathtaking. There are some flaws scattered about – dropouts and balance issues – but for me these flaws do not detract at all from the immensity of the greatness of this box of beauty. These are among the greatest Grateful Dead recordings I’ve ever heard (and I have 288 hours of Grateful Dead recordings ripped so far). So thank you for this fantastic effort. A lot of work and care went into this, obviously. Similar to some of the Mosaic boxes of classic jazz recordings, this one is for people who want to hear all of it, not just curated highlights.

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I too have had 2 issues with this box set. 1 - my booklet had been bent during packing and I have 1 defective disc Disc 17 (disc 1 of 5/21/73 Seatle. Big scuff mark and skips on track 9 and fails to pick up on track 10 /11 / 12 after skipping.)

Got the standard response from Rhino - filled in the forms and nothing back from them yet. Both complaints now over 30 day s outstanding - any advice on how to proceed.

BTW -- a lot of fantastic music on this set -- but also a lot of recordng issues -- most of which have been already mentioned. This too is making me question whether to buy complete boxes in future ??

If you need replacements just reply to the email you received with your shipping tracking number.
Within a few hours you will get an automated response (from a robot) and within about 2 days you will get an email telling you that it will take at least 2 weeks due to the high volume of replacements that they have to send out.
That email comes from Eric, who may be a robot, I don’t know because I wasn’t able to see the results of his reCAPTCHA exam.

Speaking of which......

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9 years
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Just to give credit where credit is due, I had a defective disc in this PNW box and have received a replacement without any real hassle after contacting Dr. Rhino via email. If you got a defective disc, I can reassure you that they seem to be making it right. Had defective discs on DaP 28 as well and for that they emailed back an automated form to fill out after I sent Dr. Rhino my initial email. It took about a month for me to receive the PNW replacement disc.

This box is well worth any hassle of replacing defective discs, there is really not a weak show in the box from my point of view. Currently spinning the Portland '73 show and it really hits the spot for me.

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15 years 9 months
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I have now purchased 2 box sets in hopes on having one be completed. I have been in contact with Doc Rhino and now with Daniel, been since September, now I'm told it could be another 2 to 4 weeks... One box is being returned and now I have to submit a form to replace 2 discs on the second box.
So not happy with all the hoops I have had to jump through.

Yes I am still waiting on replacements. Quite frankly, I needed a break for this hassle. I volunteer, with the rehab of injured Dolphins and have not had the time, due to a current visitor.
Maybe people are also strugglin' with new web site.

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7 years 6 months

In reply to by jaydoublu

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Sorry you are having trouble.. nobody likes a hassle. Check your PM.

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12 years 11 months
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So Im finally getting around to listening to and burning these discs and have found at least one defective one. Disc 1 from 6/22/73 skips on jack straw...

Is Rhino issuing replacements for these?

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10 years 10 months
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If anyone is looking for this boxset, shoot me a PM. Mine is mint and I'm selling it for $125 plus shipping and insurance.

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17 years 3 months
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Hello Glocke12

In my box, disc 2 of 6/22/73 is defective. I wrote to Rhino on October 17th. I received an e-mail on November 8th informing me of the shipment of the replacement disk. Today, November 20, I still have not received it.

I am very disappointed.

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17 years 3 months
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I purchased the digital download. After successfully solving an initial issue with the PITB download, I’m now noticing the complete loss of vocal tracks, specifically on Sugaree, Jack Straw and IMHBTR on 5/19. There could be others. Is this normal or a digital glitch?

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7 years 6 months

In reply to by Sinc6

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Hey Sincie.. you are not hallucinating, the vocal dropouts you mention exist on the source master reels.. there are a few more on the first couple songs of a few shows.

Since they exist on the source tapes, there is nothing the digital wizards can do to correct it, short of bringing Jerry back from the dead and have him do a few vocal overdubs.

Happy Thanksgiving all.. I'm thankful someone remember to hit the Record button all those years ago.

I think it was 80sfan that was hyping the China Riders on this box.. Just listened to the PNE 74 version. Wow, smokin'..

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7 years 6 months

In reply to by Charlie3

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One of my more liked bumper stickers back in the day, "At Least I'm Enjoying The Kind"

Yes.. be thankful, be grateful, be kind. Happy Thanksgiving all.

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16 years 4 months
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Finally listening to 6/22/73 from the Northwest box set. Disc 2 has flaw. I notice there are other comments to the same. Is anyone getting replacement discs?? I remember back when that happened to a Dick’s Picks and a replacement disc was sent out without asking.

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9 years
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It took awhile, but I did get a replacement for a defective disc in this box. Probably worth giving the whole box a listen before contacting customer service or Dr. Rhino, as different people seemed to have different defective discs, and sometimes more than one.

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5 years 9 months
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This might be a dumb question but do I get an actual box set by the artist even though I got the digital download?

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7 years 6 months

In reply to by Charlie3

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ahh, yes. 74 Eyes of the World are one of the first things that really got me hooked. It was an early boot I had (Louisville '74) and it has never gotten old.

I keep trying to move on from this box.. (ok, not trying all that hard to do this..), but the way my life is, I have all these little digital compartments to listen to music on. ..and they are all currently loaded with some portion of this box. So without thinking I the handy device I reached for (tonight) happened to have Portland loaded and I listened to the China Rider through WRS>Let It Grow.

Sometimes I think we live in the Garden of Eden.. what a great era, warts and all.

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7 years 6 months

In reply to by MDJim

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..really digging the Weather Report Suites too.. they were only around for something like 13 months.

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7 years 7 months
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The enthusiasm you all have for this music is awesome. May you never lose it. I found an incredible 1976 box with 5 shows on 12 discs for a great price and the sound is excellent. I'm totally digging in.

Got my Rolling Stones tickets. Taking our sons, it will be their first concert. And Grandma is going, too, so there will be three generations there.

I would like it to be the Dead, as well, but the boys are always telling me to turn it off - that and jazz. Their little ears haven't quite gotten wrapped around it all yet, but, Jumpin' Jack Flash gets them going every time.

Hey, it could be worse. At least no one listens to rap in my house.

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11 years 5 months
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I've noticed that the first set of 5/19/74 Portland, that's disk 14 in the Pacific Northwest Box, has three or four songs in which it's very hard to hear the vocals, especially Jack Straw and the next three or four songs. Anybody else notice this? I've tested the disk on different devices so I don't think it's my devices that are causing the problem. Disk 15 is okay, so I think the problem is not with the original recording, it's with the mixing on Disk 14 ?????

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