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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • Mr. Pete
    Joined:
    Gone by the holidays....
    I would guess by the time the box comes out, and deadheads comment on how nice the box looks, that will "seal the deal" for a lot of people.I am not familiar with the NW shows so I am very much looking forward to sitting down, pouring a cold beverage, lighting up one of my dead meerschaum pipes, and enjoying each show. I am sure the quality of the sound will be...excellent! A lot of us forget how bad cassettes were in the day. Not all...but most! Have a great day! Mr. Pete-----------------> aging hippie
  • tncorey
    Joined:
    @Keithfan
    Total run time for 6/1 @ Camden was 2 hrs, 54 minutes (18 songs including encore) per my Nugs download. For 6/2, it was 1 hr, 46 minutes (10 songs). I don't have the specific Set 1 vs. Set 2 breakdown at the moment. In listening, I felt like the 6/2 first set seemed longer than usual. On a related note, hoping to catch the boys at Blossom tomorrow if time permits!
  • Angry Jack Straw
    Joined:
    Refund
    Not sure why you feel entitled to a refund. You don't get a refund if a baseball game gets called early due to rain. You don't get a refund if you buy a ski pass for the season and it does not snow. Our plow guy certainly does not offer a refund if it does not snow. The same thing happened in Canandaigua a few years back. Sucks, but that is how life works.
  • Vguy72
    Joined:
    Fun fact....
    ....Dead & Co busted out The Eleven on the eleventh show of the tour. I don't believe in coincidences....Haha. Poop. Congrats Sixtus.
  • frosted
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    Jeff Beck
    Lucky you, daverock and Jim. Have only seen him live once, back in 1979 or 80 (edit: oops, not that anybody cares, but I remember now that it was in 1976. 42 years ago? Ouch) not long after Wired came out, so that and Blow by Blow made up a good portion of the show. How could anyone not like that? Seems he'll be in southern Cal this tour but I'm up north, so will miss him again. In the age of youtube, though, it's easy to see parts of these tours that I cannot attend. He's still among the pinnacle of my rock guitar favorites, with that rare blend of technique, emotion, and inventiveness. I can listen to Garcia endlessly, but when I'm in the right mood, JB has that different sort of mojo that's a cut above. Guys like Clapton, Santana, Robbie Robertson, and name 20 others always had lots of talent, but Beck continued to evolve and innovate, and damn does he ever age? I think his adventurous spirit, constant playing with new and talented sidemen, and restraint on overexposing himself has helped him maintain his longevity and freshness. Just re-read your post daverock, and somehow I missed the Imelda May reference as the warm up act on my first read. Wow, would I have liked to have been at that show! Jim, you'll be lucky if she comes along on his US tour too.
  • Sixtus_
    Joined:
    Percentages
    Thx Jimbo. And I did some quick math on your numbers below - they are eerily similar in terms of % unique songs played; FW 69 is 35.4839% 'unique songs' vs. PNW 73/74 being 36.5854% unique songs. Moral of the story seems to be that repeats have long been A Thing across runs. I ain't complainin'! Fun w/#'s Sixtus P.S. and it was the China > Rider transition from 5/19/74, while listening on my Walkman strolling to my French class that had me repeatedly rewinding that Feelin Groovy jam which has since had me 1000% hooked on that little snippet whenever and wherever it pops up.
  • JimInMD
    Joined:
    Re: Sixtus III, I'm Shocked, Songs..
    First.. congrats and best of luck Sixtus. Seond.. I got a nice chuckle out of thin being "shocked!" Chortled my coffee a bit.. I suspect the frequent visitors of these threads are mostly all-in on this one with some that are interested but passing for various reasons. I think it's worth it for a cleaned up, pristine PNE 73 alone, add in Seattle 74 and the rest is bonus material. I cannot get enough WRS's either, Truckin' had legs back then, China Riders were going through a pivotal evolution, there are some first set novelties like The Race is On, early Peggy-O's and others and you have the makings for a great box set. ..and that's before the extra time and effort mastering, Plangent, etc. As for songs. Just for kicks and giggles I compared to FW 69. I know there is no comparison, FW was an explosive early high water mark. ..but this is how they match up: FW 69 Shows 4 Songs 62 Avg. Songs per Show 15.5 Unique Songs 22 PNW 73/74 Shows 6 Songs 164 Avg. Songs per Show 27.3 Unique Songs 60
  • KeithFan2112
    Joined:
    Dead & Co Rain Out Camden June 2
    On a different note, I decided I wanted to know where it said in my ticket agreement that the BB&T Pavilion can cancel a show at some point through it without offering a refund. They are offering some free streaming stuff, but to be frank, I was treated rather belligerently by the woman I spoke to. She actually interrupted me, and said the words, "you're not getting a refund" after cutting me off several times in an impatient tone. I was very cordial in my questions and demeanor, so, clearly no respect for the customer (not because I wasn't given a refund right), but because I was talked down to and interrupted. This woman, after not knowing the answers, told me to Google it. I guess I can't be too surprised at poor customer service, but I can't remember the last time congeniality was reciprocated by condescension. I asked for her manager and was forwarded to his voice mail, so I left him a message. I don't know about you guys, but this sort of thing sticks in my craw, and frankly the discussion on Hell Freezes Over and increased ticket sales prices is what really got me to thinking I'm not happy with this outcome, and that I was going to call about it. I believe that the cost to either BB&T Pavilion and or Dead and Company to redo the show is going to hurt their pocketbooks a lot less than a great number of fans who attended, once you break it down to percentages and household income, etc. If it says in my ticket or anywhere in my purchase agreement that they have a right to do this, then it is what it is and I'm fine with it. If anyone out there has statistics on the number of minutes played at any Dead & Co shows, I would be grateful for them (like, if you have a show loaded up on your iPod, and the total runtime for both sets and Encore equals x number of minutes, that would be great thanks). The June 1st and 2nd Camden shows especially.
  • Sixtus_
    Joined:
    Sixtus The Third
    Hey Now Just checking in after a bit of a hiatus - life's curveballs, you know? Busy times and not so busy times but busy times will indeed REIGN when Sixtus III arrives this Friday AM so long as all goes as scheduled. Then, crazy train. Good to catch up from the last several days, here. Psyched for this Big Box. Just looking forward to the smooth sound upgrade and some monster shows, just gimme it All. Dead & Co have been a lot of fun lately - that Billy Tell > Eleven rolled me over (sounds like VGuy too). Also coming out of Space into Eyes? My cup O' Tea. Be well people! revel in the summertime - I will certainly try and will do my best to check in and offer some candid updates. That may or may not involve poop. Sixtus
  • KeithFan2112
    Joined:
    Pacific Northwest Sellout Efficacy
    It's almost impossible to compare sales performance of any one Grateful Dead box set to another. Some we don't know how many they produced (Winterland 1973 & 1977); some are from extremely famous runs (Cornell, Europe '72); some are relatively expensive; some are relatively inexpensive; and some are available for download, so we can't even measure their sales. In hindsight, it seems clear why Cornell, Europe 72, Fillmore West 1969, and 30 Trips Around the Sun sold out quickly. It is interesting that Winterland June 1977 and Winterland 1973 took about five years to sell out, while the May 1977 box set took less than a year. Judging by eBay prices, the Winterland '77 Box is in much higher demand. This has me thinking they either manufactured an assload of Winterland June 1977 boxes, or the "Limited Edition" marketing scheme is hugely effective. I can't see Pacific Northwest box being on the shelves for more than 6 months after the September 7th release date for the following reasons: * The time of their career it encompasses, '73 / '74 * The 15K Limited Edition production run (a number we know doesn't last too too long) * The fact that it's in the medium to low price range * Its availability for the holiday season * The "word of mouth" advertising this box is sure to get (I believe it's a foregone conclusion that it's going to sound great and contain outstanding performances - we are going to be raving about it after it hits our doorsteps, and if it didn't sell out by then, they will start selling like hotcakes as the holiday season approaches) * The Grateful Dead's back catalogue is arguably in higher demand than ever. Dead & Co's impact, I believe, has contributed greatly to this. Even if one doesn't think there is any relevance there, the fact remains the back catalog is in higher demand than ever based on the increased production numbers of Dave's Picks. So yeah, good times good times. I'm not surprised that this didn't sell out overnight. It's not Europe 72. I think it's most akin to the Dave's Picks yearly subscription sales. We all know the boxes are out there in comparatively high numbers, and we all know the rate at which they're selling. Some of us are taking our time because we have time to take. But the window will shorten once the product hits the street and the holidays are upon us. You can't keep half a dozen brand new releases from one of the Grateful Dead's most cherished eras out of the hands of Deadheads for long. This is not Cornell or Europe 72, but it is also no July 1978 or RFK '89. I think after all is said and done, the Pacific Northwest box may reflect the sales pattern of 30 Trips Around the Sun.
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6 years 8 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

I agree that listening to this release on headphones is a joy. The nuance in sound is amazing, I got used to the louder drum kit and yes who ever mentioned this was a philfest, I agree. Have not had a chance to crank it on the big boy stereo yet,

disc skips 6.26.73 damn it. That sunshine Daydream Sugar Mag was rockin just a few minutes ago !!!!

I gotta make that dreaded call to customers services line. F%!Ck need replacement disc

On to the Wall of Sound shows finally ! Slowly marinating in this box set. The 1973 shows each had their own flavor and something to offer.

Box of Rain Bird Song

Looks Like Rain Box of Rain

Jack Straw Box of Rain

The next session begins with beat it on down the line. Dire Wolf ~ 5.17.74 ! Super treat !!!!!!

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send me a PM with the details and I'll pass them to the Doc.
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Get 'em while they're hot! This new site, for whatever it is worth, made the process quick and easy!

I was guessing either 10/18/72 Fox Theatre (an all timer!) or the Swing.. solely based on Lemieux's SiriusXM roll-out hype for Dave's Picks 28 when he eluded that #29 was one of the all time great shows and will likely be viewed as the best of the series so far.

But I was not the only one calling for the Swing, I think Keithfan was plugging it not too long ago among others.. It is an all-time great show and one of my favorites from all of 1977.

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In reply to by MDJim

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Alright, goddammit. I'm back but only because this is one of my top three.

I'm not taking any credit, but I did enjoin a very polite refrain requesting 2/26/77 very, very recently. Right around the time they would have been making the final call. Bless 'em!

Deepest, sincerest "Thank you!!!" to Dave, Mac, and TPTB.

God Bless the GOGD!

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I consider myself an expert on the live performances of Money Money. I have listened to every version repeatedly. I am confident in saying the 5/19/74 Money Money is the greatest ever. At the very least it's in the top three.

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I've been marveling at the Grammy-worthy box packaging for weeks now, and have not had one spare minute to digest the music. I see some comments regarding the mix. I'll reach my own conclusions of course. I'm hoping it's not all that bad, just spotty like so many ancient tapes.

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In reply to by One Man

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Gathers what another man spills.
Good to see you, sir!

The mix is spotty, that is all. You will be blown away by the sound stage and presence of these Plangent-processed SBD tapes. Truly magnificent what has been done with these ancient dusty reels!!

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In reply to by Guss West

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Glad to hear that Guss. Kinda weird navigating this new site. Where is my IN box?

Hi Unkle, Thanks for your response! I'm glad to hear I'm not the only one who was having trouble hearing Garcia's guitar. There's been some more comments about this issue, and Marye even posted that Dr. Rhino's looking into it, so we''l see what happens. I agree that McIntosh is the way to go when listening to the Dead--especially since it's Owsley-approved, and Garcia always had the glow of blue meters in his rack until very late in his career. I like to think it gets you a little closer to the original sound. It sounds like you have a nice setup, too. Good ol'-fashioned, two-channel systems beat the hell out of a cell phone, crappy earbuds, and lossy mp3s.

Hi MDJim, Thanks for your response! I also thought that if I was getting sound at all, it had to be a problem with the mix. There have been some other recent posts that mention the same Garcia guitar issues, and Marye said that Dr. Rhino is looking into it, so we'll see what happens. While the Dead is truly a group effort whose sum is greater than its parts, and while Garcia was a reluctant leader, without his guitar at least a little bit out front driving and steering the band, some of the magic is inevitably lost.

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Please send me a replacement disc for disc 5 of the boxed set. Mine is defective during China Cat - Rider.

When I say defective, I'm not talking about the mix or missing vocals. The CD skips, gets hung up repeating, stops playing.

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Yes, particularly earlier in the box, the 1973 shows are plagued in spots with strange mixing issues. Whatever is printed on the cd is not "defective," in the disc itself; they chose to burn these shows which undoubtedly had recording issues at the source - loose cable jack into the board/recorder, maybe someone inattentively bumping the faders up and down on the board... at one point, for a few seconds all you hear during one of the "Promised Lands," is Billy's drum track. The vocals and guitar fade in and out and some times the rhythm section is prominent, other times tinny. There is a there there, but I wouldn't allow it to detract from a great box. It's interesting to listen to it like that as much as it is annoying.

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Klay Thompson set the record for most 3-pointers in a game tonight.

Post-game attire? Green sweatshirt with a tasteful Stealie! No doubt influenced by his previous coach, Luke Walton.

Represent!

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What can be done? What will be done? Will they remaster the entire box? Will they send us an "update" that adds Jerry's contribution to the sound? I think not. Nice thought tho, but I highly doubt that anything will be done, take it as it is, or leave it if you dare. I will hold on with my final review until next year, if they haven't done anything by then, nothing will be done. Sad really, no more preorders for me on box sets, listen first, then purchase will be my new coda.

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if you have them, send me a PM with the details and I'll pass them to the Doc. Posting about it in the thread may be suboptimal as there are a lot of posts and it could get lost. Thanks.

Perhaps I am behind in reading all these posts.. but the mix issues on my CDs seem to match up with the mix issues on the soundboards in the Archive. This means either the problems with the mix exist on the source master reels or all these sound engineers are hitting off the same crack pipe (which I guess is a possibility albeit a slim one). So remixing the entire box would likely yield the same result, but at great expense and causing much confusion for all.

Just to make sure I was not seeing double (hey.. it happens), I took some time to compare the PNW box to my source soundboards that I pulled down from the archive long, long ago. The issues with the mix are consistent comparing one show to the next.

Is this another poke to make sure we have maintained our sense of humor? ….remixing the entire box seems a bit silly perhaps, but not very much fun.

Again, I could be missing something..

One thing comparing my recordings to these did yield.. the PNW box sounds better than what I pulled down. Even the 73 shows sound quite good to me and my system with and without headphones.

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I totally understand there may be sound issues with recording sources that are 30-50 years old. Recently we've had the heavy 'reverb' on the GSTL from '77, the splice in Dave's 27, Eyes of the World, which seemed to enrage so many, and now the various issues with PNW. Bill and Donna are high in the mix at times and some say Jerry is too low.
My complaint is on disc 1 of Portland '74. From about halfway into Sugaree thru El Paso the vocals are practically inaudible. Like karaoke versions. Which admittedly is kinda fun in a weird sorta way. But c'mon.
Maybe there should be a page or paragraph or Something in the already included literature by the producer/engineer where they could address and acknowledge some of the issues with a particular release.

What's the old saying? "Don't piss on my leg and tell me it's raining". And don't say nothing and pretend that everything is just exactlty perfect. By saying Nothing it only makes people wonder if it's only their disc/equipment/ears/delusion.

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In reply to by Drifter's Escape

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They should really put these chats right under the product page the way it was previously. There are now less and less posts cause it's simply a headache to find these threads. I think the community is thinning out because of this. Steve Hoffman Forums is a great alternative community for GD superfans who want to chat up these releases or anything else.

I think Reijo has a point.

Drifters, I see your point too. But I like that show and am still glad it got released. The China>Rider, WRS and Jam after Truckin' are very nice and I really like the young Peggy-O's which are somewhat special and rare. The fade is on the source recording so the choice is whether to release the show or not.. all the remastering in the world is not going to bring the vocals up in the mix.

Dicks Picks used to place a caveat emptor on the back of the jewel case regarding sonic anomalies and the ravages of time, etc. The other point to make about some of these box sets is the tendency to make something very good and slip in a show that might not have made it as a Dave's Picks. Sort of slip one in on is. I don't think this is the case for this box, but 30 Trips had a couple of these. For $30 a show, and being a bit of a completist myself I am ok with it.. but I see the other side of things. I am sympathetic but happy to see these old tapes get special treatment. I appreciate the efforts they went through making this sound as good as it can.. but that's just me. One opinion.

Love the latest Dave's Picks.. but a topic for another thread. Talk about exceeding expectations...

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I would agree with the points below, but it may also be the fact that there are multiple recent release threads - e.g. this PNW box thread, the DaP 28 thread and the DaP 2019 Subscription threads. Who knows, hopefully it will pick up again.

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In reply to by Charlie3

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I see this too, but there is a silver lining.. I am seeing lots of new folks step up and post positive comments, reviews and keep the vibe alive. The yang is there too.. a bit of complaining and the blem CDs and manufacturing error rate provides more than a valid reason to complain. I would consider providing CDs that play a core competency.

Still we get some good with the bad and new inputs and perspective is a good thing. I hope we didn't lose more than we gained.. there are a few I have not seen in a while that consistently added to the mix.

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In reply to by marye

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Hey I just saw your message in thread, I think I got it all sorted out with email to customer service. They replied with replacement disc on the way.

I appreciate the speedy response and help.

Time to rock out !!!

Spinning some 1985 Grateful Dead

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My big beautiful insane Pacific Northwest box arrived on Thursday afternoon, September 13. I opened it up, examined it for damage or weirdness. I found lots of weirdness, but no damage at all. It was (and is) perfect, but I was busy so I put it away on my living room bookshelf. Yesterday, November 4, I took the box into my office and started ripping and listening to the CDs. This is astonishingly beautiful music. The playing is intense, inspired, and precise, and the clarity and detail of the recordings (as rendered here) are breathtaking. There are some flaws scattered about – dropouts and balance issues – but for me these flaws do not detract at all from the immensity of the greatness of this box of beauty. These are among the greatest Grateful Dead recordings I’ve ever heard (and I have 288 hours of Grateful Dead recordings ripped so far). So thank you for this fantastic effort. A lot of work and care went into this, obviously. Similar to some of the Mosaic boxes of classic jazz recordings, this one is for people who want to hear all of it, not just curated highlights.

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I too have had 2 issues with this box set. 1 - my booklet had been bent during packing and I have 1 defective disc Disc 17 (disc 1 of 5/21/73 Seatle. Big scuff mark and skips on track 9 and fails to pick up on track 10 /11 / 12 after skipping.)

Got the standard response from Rhino - filled in the forms and nothing back from them yet. Both complaints now over 30 day s outstanding - any advice on how to proceed.

BTW -- a lot of fantastic music on this set -- but also a lot of recordng issues -- most of which have been already mentioned. This too is making me question whether to buy complete boxes in future ??

If you need replacements just reply to the email you received with your shipping tracking number.
Within a few hours you will get an automated response (from a robot) and within about 2 days you will get an email telling you that it will take at least 2 weeks due to the high volume of replacements that they have to send out.
That email comes from Eric, who may be a robot, I don’t know because I wasn’t able to see the results of his reCAPTCHA exam.

Speaking of which......

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Just to give credit where credit is due, I had a defective disc in this PNW box and have received a replacement without any real hassle after contacting Dr. Rhino via email. If you got a defective disc, I can reassure you that they seem to be making it right. Had defective discs on DaP 28 as well and for that they emailed back an automated form to fill out after I sent Dr. Rhino my initial email. It took about a month for me to receive the PNW replacement disc.

This box is well worth any hassle of replacing defective discs, there is really not a weak show in the box from my point of view. Currently spinning the Portland '73 show and it really hits the spot for me.

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15 years 11 months
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I have now purchased 2 box sets in hopes on having one be completed. I have been in contact with Doc Rhino and now with Daniel, been since September, now I'm told it could be another 2 to 4 weeks... One box is being returned and now I have to submit a form to replace 2 discs on the second box.
So not happy with all the hoops I have had to jump through.

Yes I am still waiting on replacements. Quite frankly, I needed a break for this hassle. I volunteer, with the rehab of injured Dolphins and have not had the time, due to a current visitor.
Maybe people are also strugglin' with new web site.

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7 years 7 months

In reply to by jaydoublu

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Sorry you are having trouble.. nobody likes a hassle. Check your PM.

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13 years 1 month
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So Im finally getting around to listening to and burning these discs and have found at least one defective one. Disc 1 from 6/22/73 skips on jack straw...

Is Rhino issuing replacements for these?

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11 years
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If anyone is looking for this boxset, shoot me a PM. Mine is mint and I'm selling it for $125 plus shipping and insurance.

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17 years 5 months
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Hello Glocke12

In my box, disc 2 of 6/22/73 is defective. I wrote to Rhino on October 17th. I received an e-mail on November 8th informing me of the shipment of the replacement disk. Today, November 20, I still have not received it.

I am very disappointed.

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17 years 5 months
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I purchased the digital download. After successfully solving an initial issue with the PITB download, I’m now noticing the complete loss of vocal tracks, specifically on Sugaree, Jack Straw and IMHBTR on 5/19. There could be others. Is this normal or a digital glitch?

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7 years 7 months

In reply to by Sinc6

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Hey Sincie.. you are not hallucinating, the vocal dropouts you mention exist on the source master reels.. there are a few more on the first couple songs of a few shows.

Since they exist on the source tapes, there is nothing the digital wizards can do to correct it, short of bringing Jerry back from the dead and have him do a few vocal overdubs.

Happy Thanksgiving all.. I'm thankful someone remember to hit the Record button all those years ago.

I think it was 80sfan that was hyping the China Riders on this box.. Just listened to the PNE 74 version. Wow, smokin'..

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7 years 7 months

In reply to by Charlie3

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One of my more liked bumper stickers back in the day, "At Least I'm Enjoying The Kind"

Yes.. be thankful, be grateful, be kind. Happy Thanksgiving all.

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16 years 6 months
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Finally listening to 6/22/73 from the Northwest box set. Disc 2 has flaw. I notice there are other comments to the same. Is anyone getting replacement discs?? I remember back when that happened to a Dick’s Picks and a replacement disc was sent out without asking.

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9 years 1 month
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It took awhile, but I did get a replacement for a defective disc in this box. Probably worth giving the whole box a listen before contacting customer service or Dr. Rhino, as different people seemed to have different defective discs, and sometimes more than one.

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5 years 11 months
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This might be a dumb question but do I get an actual box set by the artist even though I got the digital download?

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7 years 7 months

In reply to by Charlie3

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ahh, yes. 74 Eyes of the World are one of the first things that really got me hooked. It was an early boot I had (Louisville '74) and it has never gotten old.

I keep trying to move on from this box.. (ok, not trying all that hard to do this..), but the way my life is, I have all these little digital compartments to listen to music on. ..and they are all currently loaded with some portion of this box. So without thinking I the handy device I reached for (tonight) happened to have Portland loaded and I listened to the China Rider through WRS>Let It Grow.

Sometimes I think we live in the Garden of Eden.. what a great era, warts and all.

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7 years 7 months

In reply to by MDJim

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..really digging the Weather Report Suites too.. they were only around for something like 13 months.

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7 years 8 months
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The enthusiasm you all have for this music is awesome. May you never lose it. I found an incredible 1976 box with 5 shows on 12 discs for a great price and the sound is excellent. I'm totally digging in.

Got my Rolling Stones tickets. Taking our sons, it will be their first concert. And Grandma is going, too, so there will be three generations there.

I would like it to be the Dead, as well, but the boys are always telling me to turn it off - that and jazz. Their little ears haven't quite gotten wrapped around it all yet, but, Jumpin' Jack Flash gets them going every time.

Hey, it could be worse. At least no one listens to rap in my house.

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11 years 6 months
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I've noticed that the first set of 5/19/74 Portland, that's disk 14 in the Pacific Northwest Box, has three or four songs in which it's very hard to hear the vocals, especially Jack Straw and the next three or four songs. Anybody else notice this? I've tested the disk on different devices so I don't think it's my devices that are causing the problem. Disk 15 is okay, so I think the problem is not with the original recording, it's with the mixing on Disk 14 ?????

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