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    heatherlew
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    RFK Stadium 1989 Box

    LESS THAN 5000 LEFT

    The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

    ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

    When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

    “RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

    Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

    Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

    For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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  • JimInMD
    Joined:
    8 Tracks
    My first GD exposure was 8 track. Ha.. that's one medium I wont miss. I guess I had a bad machine, it kept eating all my tapes. It was really a bad technology... Cassettes were much more reliable.. and contrary to popular belief, I do not see them making a robust comeback. My prized Nak died about ten years back.. the belts had all dry rotted and it started to play reeeeaaaaalllllyyyyyy sssslllllloooooowwwwwww. There is no advantage to cassettes over CD's as far as I can tell, and a lot of drawbacks. I do see the Vinyl appeal, but 8 tracks and cassettes, I just don't see this becoming a wave.
  • alvarhanso
    Joined:
    Sittin' on a fence (not a pole)
    The limited announcement yesterday did what it was meant to do in piquing my interest, but I'm still on the fence. These could probably be broken down to 4-5 discs, and there probably won't be any filler, and once again I'll be miffed at short discs, though this time for 65 bucks for 2 shows. I think I'd find 5/8-9/77 as a 2 show box for 65 bucks to be pricey, so it has nothing to do with Brent or '80s hate. I actually like Summer '89-Summer '90 a lot, they were playing at the peak of that incarnation, as evidenced by how much of it's been released. (But feel free to throw this post back at me if they offer a 2 show box of RFK '73 for the same price and I buy it the minute it's announced, because that would likely be my reaction to that RFK box.) The book is probably nice, and I love the books in the boxes. The books are what I really miss about Spring '90 and Europe '72 (though I really love the idea of the steamer trunk). If it's around next year and I got the extra cash, I'll get it. If I miss out, I'll survive, and enjoy the subscription for Dave's 2018 and next year's big box.
  • MinasMorgul
    Joined:
    Since 15K is the number
    5K will be added to the available quantity at some point. It's gone down exactly as I posted it would, although I'm surprised they're going with 15K. They still started with 10K and are now down to 3800 - 3900. Sales, Space Brother are at 6200 roughly, which leaves about 8800 left (5K which muse still be added). I'm not sure what numbers are "more or less brisk", but these are the facts. Brisk is relative I guess. Bottom line is that a good seller is great for us all.
  • LedDed
    Joined:
    Eight-track Renaissance
    I hear eight-track is on the rebound. Might want to fish around the yard sales for one of those Panasonic boom boxes with 8-track, AM/FM and a cool shoulder strap for rocking the 'hood. At least they still make D-cells. Glad to see the RFK '89 box going limited. Why not? I like physical product. Blu-ray's, cd's, more than just download. That being said I fleshed out my missing Dick's Picks off iTunes for a fraction of the cost of what the cd's have gone up to now. There's something reassuring about the certainty of a tangible, physical product on my shelf, should (God forbid) my laptop get stolen/destroyed, hard drive crash, etc. I have so much music from so many sources - friends who have kindly loaned things, items from the public library, iTunes and other downloadable sources, etc. It would be impossible to remember it all, were it to be lost or corrupted, however I know those cd's sitting on the shelves aren't going anywhere and as much of a pain in the ass it is to burn them all in, it's a 100% backup. I have Carbonite cloud backup as well as a portable hard drive but I don't trust it. That pole freak on Veneta is the ultimate acid casualty. Most people made it through but some of them just fried. If that dude is still breathing, he's drooling right now.
  • JimInMD
    Joined:
    Blue Ray, DVD, etc.
    I have two Blue Ray and a DVD in the living room.. I found myself nodding to what the Ice Cream Kid had to say.. mhammond too. Thin is clearly correct in what he wrote.. but I have one subtle comment to add. I got into a back and forth email chain with Lemieux a few years ago about DVD's, etc. I think it was when the other Alpine show came out, and I missed it due to work.. so there was a little bite in my initial outreach. He did reply.. at length. Keeping in mind.. he was hired as the video archivist as Dick was still alive and well back then. His comment was layered, he was clearly keeping certain things close to his chest, but it was revealing nonetheless. I think the issue with video in general is the market is more segmented and aggregate demand has not justified all the costs involved getting this to market (my words, not his..). The 16,500 number (soon to be higher) is a magic number for vault releases in 2017. Keep in mind Terrapin Limited is still for sale, I'm quite sure it is limited and it has been for sale since 1997. There are tons of deadheads but not everyone has to have the 150 or shows that have already been officially released (what is that number again?). At this point, it is a numbers game for them and contrary to popular believe, once everyone (including the band) gets their cut I doubt if there are mountains of money left over. So back to the video topic.. Dave is all in with video releases. The hesitancy is not on his part. Rhino sells CD's and records.. DVD and Blue Ray is more like an after dinner mint for them.. if they sell and they make a ton of money on them, they'd do more. Reading between the lines from the correspondence all those years ago, there simply is not a terrific demand for GD DVD's. I can't get enough myself, but I say the same thing about the official CD releases too. Another factor is very few were recorded on film, most (the 89 and go forward material) was recorded on the crappy 4" tape common at the time. Find your favorite 1989 sitcom, go to YouTube and watch it.. it's grainy and has the same limitations as the stuff directed (recorded) by Len Dell'Amico during the late 80's. The video will not get better regardless of the medium as the source tapes are subpar. The sound, on the other hand, can benefit from the better mediums... depending on a few things... But look at this another way.. they do have a good bit of video recorded, some of it is pretty damned good. Most of it does have those distracting special affects baked right in. It will get released one day, perhaps they are just keeping their powder dry for when demand picks up a bit. If there are still some SSDD left and I bet they have a ton of the Fare Thee Well left (back to the numbers thing...) my guess is they are just biding their time and will begin releasing them when demand exceeds their magic number. I do prefer Blue Ray, it could be a dying medium, probably because it costs more and people are streaming a lot these days. Us hard-core, especially the audiophiles, will want DVD or probably Blue Ray. I really don't see that changing, streaming is not going to take precedent over the physical product for the person that just shelled out $12,000 for their new surround sound system. ..but who knows for sure what the future will bring except that quack Ray Kurzweil (yes.. I said that). If you made it through this post.. congrats and accept my apologies.. dry stuff.. but we like the GOGD and there's nothing boring about being there, front row center in the comforts of your own living room.
  • Cousins Of The…
    Joined:
    cassettes
    I was about to guess it's a hipster thing, but apparently Justin Bieber had something to do with it.Which doesn't make sense either way...
  • Thin
    Joined:
    Space - you are correct
    Spacebro - You are correct, sir. I forgot there was a DVD/Blu-ray segmentation in the Veneta release. How many Blu-rays did they produce? I don't recall how fast the DVD's sold out. I guess I passed on that because I didn't have Blu-ray AND I'm not enthralled with DVD vid quality, which is like a 720 vs 1080 pixel format (if someones previous post was accurate). I didn't really want to see Polesitter dude in 1080 OR 720 pixels - LOL. As I said earlier, I hope for both our sakes that they continue with the '89 releases. There's a ton of great stuff from that era sitting in the vault. Once the video format gets sorted out, I think we'll see a LOT of '89-'90's releases. re: Cassettes - I've heard they ARE making a comeback. Martin Sexton was on "Above the Basement" recently (highly recommended Boston-area music podcast) and he mentioned that he recently issued his recent release "Mixtape from the Road" on cassette as a novelty item and said they sold out of 1,000 of these in just a week or two, to his amazement. I blame the "Guardians of the Galaxy" movie series for romanticizing the format. https://www.stitcher.com/podcast/above-the-basement-boston-music-and-co…
  • Romberg
    Joined:
    Packaging Size
    Dead.net, please put the packaging dimensions in the description. I'd like to buy this but I need to know if it will fit on a CD shelf. I've been burned too many times on oversized packaging to blind buy a Grateful Dead box set ever again without knowing he packaging dimensions first. Thanks!
  • FloridaBobalooToo
    Joined:
    Makes NO difference to me
    Numbered or Limited sets don't sound any different to me. Fact is that has nothing to do with my motivation on buying GD stuff. Actually I think I might offer a swap of my GSTL Limited box to someone who really must have it in exchange for a music only set.For the amount of bother to try and turn one of these things for the little profit, just wouldn't be worth my time. Yes I know some sets bring big pricing. Theres the moral thing as has been discussed too. All n All Im after the music. Weekend is HERE!!! 24th Anniversary is the biggie in my trailer park. Taking the wife out for Bar-B-Que and a night at the Shooting Range! Woo-Hoo!!! 9/3/93
  • Thin
    Joined:
    Spacebro re: 8/27/72 - makes my Blu-ray point
    Spacebro - Thanks for helping make my Blu-ray point. 8/27/72 is indeed still available after 4 years sitting on the shelf despite only producing 12,500 copies, but I find your conclusion that this means 80's is more popular than '72 laughable (respectfully) - it is rather a reflection on Blu-ray, per my previous post. 8/27/72 was a single show plus Blu-ray for $55. That is the only release I have never purchased because I don't have Blu-ray and I didn't want to blow $55 + shipping for 3 CD's I already have (from my DAT days) in pretty darn good quality. (And Mr. Polesitter guy in hi-def NOT a draw) I also doubt they have sold as much of this '89 box as you think - when they plugged the initial number into "inventory" they hadn't yet decided the final production #. Probably input a nice round 10k, not the current 15k you are using in your math. But I could be wrong. We'll find out the next time they update the site. But going numbered/limited edition should boost sales of this box. So ALL the other releases/boxes have sold out or are close to it - most at 15k units or more - while the relatively low 12,500-unit EPIC Veneta show released 4 YEARS AGO on Blu-ray still sits on the shelf... this is why they aren't releasing more Blu-ray.... edit: icecrmkid I just saw your post. I'm not saying Blu-ray is going away forever (though Betamax, Laserdisc, Selectavision, and DIVX did), but the dream of Blu-ray becoming the universal video standard, like CD is for audio, is dead. Again, I think they are waiting for a ubiquitous video format relevant to ALL before releasing more video. Veneta teaches us that Blu-ray is not the answer.
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RFK Stadium 1989 Box

LESS THAN 5000 LEFT

The Grateful Dead battled the elements in July 1989, enduring drenching rains and stifling humidity during back-to-back shows at Robert F. Kennedy Stadium in the nation’s capital. In spite of the bleak weather, the band thrilled the massive crowds both nights with triumphant performances that rank among the very best of a busy year that included 74 shows and the release of the group’s final studio album, BUILT TO LAST.

ROBERT F. KENNEDY STADIUM, WASHINGTON, D.C., JULY 12 & 13, 1989 includes two previously unreleased concerts taken from the band’s master 24-track analog recordings, which have been mixed by Jeffrey Norman at TRI Studios and mastered in HDCD by David Glasser. The collection’s colorful slip case features original artwork by Justin Helton and a perfect-bound book with in-depth liner notes written by Dean Budnick, editor-in-chief of Relix magazine. The set will also be available as a digital download in Apple Lossless and FLAC 192/24.

When Jerry Garcia, Mickey Hart, Bill Kreutzmann, Phil Lesh, Brent Mydland, and Bob Weir rolled into D.C. in July 1989 for the Dead’s two-night stand at RFK, the band hit the stage running with a stellar rendition of “Touch Of Grey,” the group’s biggest hit from its only Top 10 album In The Dark, which was released in 1987. The following night, the band returned to its double-platinum commercial breakthrough when it opened the show with a fiery version of “Hell In A Bucket.”

“RFK Stadium '89 fell right in the middle of one of the best tours of the last 15 years of Grateful Dead performances, with these shows being the sixth and seventh of an 11-show tour. This tour is widely considered the start of a nine month period of sustained excellence, which ran from Summer '89 through Spring '90. The RFK shows are as good as any of the more famous shows from this period, including July 4 in Buffalo, July 7 in Philadelphia, and the Alpine run,” says David Lemieux, Grateful Dead archivist and the set’s producer. “When Bob Weir has asked me to provide copies of Grateful Dead songs to give to his bandmates to learn and rehearse, he almost always requests Summer '89, and I've often drawn upon the RFK shows for this purpose. It's really that good!”

Both shows feature standout moments, but the July 12 show is notable for a few reasons. Perhaps the biggest is that the first set featured at least one song sung by each of the band’s four lead singers – Garcia, Weir, Lesh and Mydland – something that rarely happened. Another surprise came when the band opened the second set with “Sugaree,” a song that almost always appeared during the first set.

Pianist Bruce Hornsby — who briefly joined the band between 1990 and 1992 — is featured on both shows. He played accordion during “Sugaree” and “Man Smart (Woman Smarter),” with a touch of keyboard-tinkling, on July 12, and then played more accordion the following night for “Tennessee Jed” and “Stuck Inside Of Mobile With The Memphis Blues Again.”

For fans of Mydland’s tenure with the Dead – which began in 1979 and ended in 1990 with the keyboardist’s tragic death – these stellar shows capture that incarnation in peak form. Among the long list of highlights are performances of live staples such as “Eyes Of The World,” “Wharf Rat” and “I Need A Miracle,” along with rarities like “To Lay Me Down,” which was played only a few times in 1989. The July 13 show also features the band road-testing “I Will Take You Home,” a track Mydland wrote with Dead lyricist John Perry Barlow that would appear later that fall on Built To Last.

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Dear "All the Madmen", Your review pushed me over the edge. Thank you! I've listed through these shows three times now. Very strong performance. For example, I don't remember the boys ever stretching out Minglewood. In this first set standard, you get a good Brent, Bobby and Jerry solo.
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I like this one too. But it's far from the best the band has ever been. It's close to the best they've been in the 80s, but I would give 1980 that accolade. In 1980 Brent had been with the band long enough to play relaxed and creatively. His keyboards also sounded better than EVER in 1980, IMHO. The Hammond B3 and the Moog / Mini-Moog he used at times (Feel Like a Stranger) were all he should ever have used, except for a real piano, which I'm not sure Jerry and Phil and Bob ever allowed (I can't think of any acoustic piano tours for Mydland, but someone point me to it if it exists). Jerry's voice also sounded better in 1980. Much better. That's not to say 1989 wasn't a watermark year for the 80s Dead, I saw them 5 times and loved every show. But there are some drawbacks other than Jerry's voice (and let me be clear, he SANG very well in '89 - it's just that his voice wasn't as good, I'm sure due to his lifestyle habits, but just being on the level about things). The biggest issue with '89 is Brent's keyboard sounds and vocals. I won't go into too much detail about the keyboards - "plinky" should cover it (we all know what that means). And I've never been a fan of his backing vocals. He's good enough on Blow Away, but that's not on this one. But by '89 he sticks out like a sore thumb trying to harmonize on anything. He was discreet enough in 1980 and didn't have the total Brian Johnson gravel filled texture that he had in '89. When I hear him on Eyes of the World, Wharf Rat, Cold Rain, and Mississippi Half Step, I hear a drunk at the back of the bar doing karaoke with the jukebox. Like his keyboards, his voice doesn't blend in, it jumps out (sort of like one of those Halloween decorations that jump out and spook you when you walk by). I'm in no way saying don't buy this - it's a fine representation from their late 80s comeback, but no match for the early days, and not on par with Buffalo or Philly (saw them both - YES!!!)
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You are spot on with your Brent observations. He was better early, before he grew confident enough to just blow his load all over everything. The Brian Johnson/drunk at the back of the bar analogies are brilliant. Could not have said it better. \m/
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Could not disagree more. But hey, to each his own. I'll (sort of) leave it at that. For what's it's worth Bobby's said this was their hottest era (he was talking specifically about spring 90), but I know he's also mentioned summer 89 as being his favorite time in the band. Billy, too, mentions Brent in his auto biography- says (to paraphrase) that he never saw/heard anyone play the keys like Brent did that tour. Tragic passing, of course for many reasons. One being that he was really becoming a leader in the band; and by far was the best vocalist the band ever had (including Garcia and Weir- Jerry said so himself). (And...for what it's worth, I really love this set....)
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Half-Step !!! Sugaree !!!! Smokin hot Rainbow full of sound
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13 years
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Have had my eye on this box (89 has long been one of my fav tours) since it was announced....discounted Christmas price clinched it...can't wait for delivery!

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10 years 2 months

In reply to by icecrmcnkd

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Its the way we speak. But like David Watts, in The Kinks song of the same name-I am a pure and noble breed.

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17 years
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Got this one just now. I just felt like I needed more 1989 in my life. Thanks to everybody that has made Grateful Dead possible.

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Is this sold out? I purchased on 12-22. My order is still pending. Please help.

My order for RFK 89 is still in pending mode. I ordered on 12-22. Is it sold out? I hope not because I need more 1989 in my life :)

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I ordered in May. It is on backorder. No one can tell me when it is due back in stock. Love the Dead But they leave a lot to be desired with their merchandising arm. How hard is it to put a banner across the web page with the product status?

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10 years
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Sorry to say, but the problem is Dead.net itself. They take your money, and you are your own. No response to e-mail requests to Customer Nonservice, and phone calls promise to “escalate” your very important message to the Warehouse, which is double talk for “We will pitch your request in the garbage”. Too bad - a musical legend, that produces the sonic masterpieces it does, and it leaves Shipping and Customer Service in the hands of the Keystone Kops.

I wish you well, but welcome to the Matrix.

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I ordered this in Feb 2020. It is now the last day of August 2020 and I am still waiting. Last week they notified me it was in stock. 2 days later they said it shipped. Except the Tracking number they provided does not work. They have not replied to 2 requests for info. My Dave's Picks subscription takes 3-4 weeks to arrive. So I guess I will start looking at the end of September. BTW when I ordered it never mentioned that it was not in stock. It is too bad that the DEAD trust this Mickey Mouse operation. We deserve better. FYI there are many choices and bootlegs on Amazon with MUCH better service. Caveat Emptor.

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In reply to by Thetentman

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Try contacting Marye at the 'Got Issues With Your Store Order' forum; it's further down on the topics page. She might be able to help as she has in the past. I can understand your frustration. Also, remember the mail has been slooowed down. Good luck.

Hey noww i placed my order for the RFK 89 set on Saturday Nov 21 and received confirmation that it will ship with Ups (tracking # provided) today Wednesday Nov 25 2020. I was reluctant to order considering the comments about delays in receiving the goods, glad it seems they’re on it now. Nothin left to do but smile smile smile!!!!! Can’t wait to fire up and crack that baby open to relive the moments missed.

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