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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #51
    Lovemygirl
    Joined:
    *Re/ Keithfan

    ...Road Trips ‘The Wall Of Sound’ minus the Bonus Disc...I play it quit often! Thank you again my friend, I hope your still enjoying those major Europe 72’ shows...love it!
    🙏❤️😎

  • #52
    MDJim
    Joined:
    6/20/83 -The First and Most Memorable Merriweather Show

    I apologize for the length of this post.. but man.. that storm.

    I grew up perhaps an hour hike from Merriweather Post Pavilion.. and after getting harassed by Howard County's finest for hiding beer under my car instead of pouring it out on the curb as instructed at a Jethro Tull show a few months earlier culminating in a thorough and regretful search of my parents car and a loss of a nice pipe and some hash.. I just started walking to shows from that point forward (at least until I moved out of my parents house). I probably saw between a hundred and a hundred fifty shows there over the years.. probably about the same number of times I saw the Grateful Dead. I'm ashamed to admit now.. but I knew how to get in that place for free plus the ticket collectors were mostly people I went to high school with, so taping two stubs together and presenting an amicable grin was usually enough to gain entrance. I did buy tickets for many/most shows, certainly for all the Dead shows.. - never take unnecessary risks.

    Some background.. I wouldn't compare this to one of the greatest or best shows, but it was memorable for lots of reasons. My first show was 4/19/82 at the Baltimore Civic Center (perhaps my biggest lysergic GD moment, save that for another day).. I believe I made the Capital Centre shows in the fall that same year but they weren't playing super close in the Spring so we headed South to Hampton and my first GD road trip in April for my one and only birthday show. I think I drove and I am confident we did not tell my folks we were taking the family car to partake in all kinds of shenanigans and see the Dead.. in hindsight, so dishonest. Then it was announced that they would be playing two nights in the summer for the first time at Merriweather Post, my local venue. I couldn't believe it.. That would make this run my fourth and fifth shows.. I was still quite green behind the ears.

    I had friends that worked as busboys and room service at the Columbia Inn, where all the bands stayed back then that performed at Merriweather, they told stories of bands partying in the bar, tips they got (or not) and what floors they would put them in, etc.. so the night before, on whim.. we showed up and went to the bar. I could barely drive but with an older brother that looked similar, and the drinking age being 18 at the time, I had an ID and we headed past the lobby to find Phil sitting at a table by himself.. we closed the bar that night and had some passes for the next day... I have to say, he was super nice and not at all an icon or unapproachable. I do recall a few of the stories told, but the memory I left with was that I could not muster up the courage to offer anything intelligent to say and couldn't think of a decent question to ask until I was walking through the parking lot to the car at the end of the night. After a few beers, humor was flying and things seemed fine. Phil seemed happy to have a group to party with. I was so young I couldn't even order a beer correctly.. I asked for a tap beer and she brought me a tab (soda).. so she returned it and brought me a draft Budweiser.

    So the next day.. a few of us walked from the neighborhood where we all lived to the show, a bit early.. I had my pass and went backstage and it was so weird.. plus early. I just couldn't handle it. I didn't know anyone except my buddy.. and it was like being in a foreign country. Nobody seemed to want anything to do with us and the band wasn't there yet.. So we decided to split before the show started, inhale a bit in safety and get to our seats, which were pretty close.. I am fairly sure we took some mushrooms too which only made it all the more weird. So the only time I ever had backstage passes, I totally wasted them. ..Perhaps for the best.

    I don't think you can talk about the show without talking about the storm. Growing up there.. the only time I recall it raining harder was during Hurricane Agnes in 1972. This is the only time I recall the highway on the way in (Route 29) flooding and being shut down like it did that night. The storm was biblical and it wasn't just rain. It thundered and lightninged for hours that night and I believe lightning hit the lightning rod at the venue or perhaps the shed itself at least once (during He's Gone, Truckin' and perhaps one other time), but that's probably impossible to verify. You can hear it on the tapes though including the PA going in and out several times.

    So the performance aside, there was other energy and stimulus going on that night.

    The setlist was fairly standard for the day.. my second Peggy-O, second Truckin', second China>Rider. The first set was pretty standard, but things started to get weird by The Music Never Stopped.. I forget exactly when the started and ended and then started again, but I think t had had rained in the first set and the beginning of TMNS, then the sun came out for a bit during this song, then set break.. then big cumulonimbus clouds, then it started getting spooky dark as the setbreak came to an end. ..and then things really got weird. In hindsight, we should have starting building an ark.

    The second set started with China>Rider>Sampson>He's Gone>Truckin'>Drums. By the transition in China>Rider, everyone was getting soaked and the rain entered the pavilion area as it was raining sideways. I had to pee as Sampson started and by then people were body sliding down the lawn and everyone was so soaked that it just didn't matter anymore. Soaked to the bone, you couldn't get more wet.. When I got back to our seats, the heavens opened up and the lightning started and it went from weird to downright scary. The people working at the venue sought shelter, anarchy ensued and there was a mad rush from the lawn to the pavilion area. Everyone got squashed and became bug eyed.. and safety became a big concern. We got pushed forward and what row you sat in mattered less than the need to create more room inside, under the shelter. By He's Gone, there became a general feeling of insecurity and helplessness, just as I began to peak. Lightning struck the shed and the power went out.. but the weirdest thing of all, the band was just as freaked as we were, but the they kept playing on. I swear Phil and Jerry were playing power chords in sync with the thunder and lightning. By the time Space ended, we got a rare Bob Star (one of three times played).. during Sugar Magnolia I think Bobby got shocked and put down his guitar and took his mike to a strange part of the stage and started wailing into the mike.

    There was no encore and no soundboards exist.

    So what to 20k tripping, soaked, disoriented hippies do when the show ends? The deluge had stopped but it continued to rain. There was a tiny creek between the venue and the parking lot, usually a trickle like you see on a water fountain.. it was flooded way over the banks and to make matters worse had washed away the foot bridges, so you really couldn't safely walk to the parking lot, but people managed.. the lawn was so eroded both from the rain but more from people doing mudslides down it that at dawn, they had to bring in heavy machinery and rebuild the lawn as there was another show that next night. After they Dead left.. they really went to town and had to do a total rebuild of the lawn area, changing the contour forever.. lots of heavy machinery. They spent the day off to rebuild it with different contours to the format we have to this day.

    When we walked home, still tripping.. we could not go the way we came, it was not passable. So we went an alternate route. Getting over the highway, which was still flooded.. we held hands as the current was strong and waded in waste deep water eventually getting to other side and about an hour later to mom and dads house. Some quick showers, then post show activities until the sun came up then sleep.. only to do it again the next day on a reformatted lawn with straw and new sod. They played Looks Like Rain that next day and you can imagine the crowd reaction.

    So back to the show.. Yea.. I sort of remember 6/20/83. It was the weirdest, highest energy GD show I ever saw. Not the best, but certainly one of the most memorable. I saw every GD/JGB show played there but this was perhaps the most fun. Thanks for jarring my memory.

  • #53
    KeithFan2112
    Joined:
    Unbelievable

    They say the oakwood interior of the cathedral was built in the year 1200, requiring trees that would have been 400 years old, thus sprouting out of the ground in the 8 or 9th centuries. Hard to believe.

    Bob t - thanks for the heads up on One From The Vault release date. I could use a change from the E72 binge. I did manage to get in 6/14/76 and 12/26/69 today, both on the Rolling Stone top 20.

    Lovemygirl - I don't recall which ones you sold me, I'm thinking Tivoli II, Lille France, and maybe one of the Lyceum shows? Lotta weed in between ;-) I don't remember what I sent you, refresh my memory. My memory is outstanding on everything until I was 25, and then past 3 weeks. But everything in between is shit.

  • #54
    MDJim
    Joined:
    6/20/83

    Holy Smokes.. yes, I was there. It was biblical, as much or more from the storm then from the music.. but it all combined for a complete sensory overload.

    I wrote something on this a couple times over the years.. but I think I was too shy to share details, or perhaps too lazy to try and remember it all and it put to paper.

    Just getting home, if I have some time once I get settled I will try and put my arms around it..

  • #55
    Angry Jack Straw
    Joined:
    Our Lady

    Such sad news.

    Not just an architectural marvel, but one of the most important structures in the history of mankind.

    My deepest sympathies to the people of France.

  • #56
    nappyrags
    Joined:
    Hey Stone Jack Baller...

    I too just got my notice that the CD issue of the Warfield performances will be in my grubby paws in a few weeks...I tried at first on a couple of record shop websites that do online ordering of what is left of the merchandise on Sunday but no luck...I went to Amazon and Bingo! i feel like I won the jackpot considering how many copies are on Ebay for over a $100 a pop...can't wait...meant to say that the nearest record shop to me is over three hours away...at least it's all downhill but still...

  • #57
    bob t
    Joined:
    One from the Vault Anniversary 8/13/75, released 28 years ago

    Did anyone just see the post on facebook from the Dead about this. Released 4/15/91, 28 years ago..... This changed everything if you were trading tapes back then!!! Everyone had this show, either FM, or the bootleg called Make Believe BallRoom.. But now we had a legit release!! It really did change everything... It took away i have 1000 hours of tapes and only want to deal with someone who had the same amount and started to level the field..... Sorry to rant but I was in that era... bob t

    Edit my first copy of this were two cassettes!!! Didn't get the CD's because wasn't a fan yet!!!

  • #58
    daverock
    Joined:
    Fire

    Hopefully no lives were lost or people injured-doesn't seem to be much in the news about that. The only thing I could find was that one firefighter had been burned. Pretty remarkable.

  • #59
    Exile On Main St.
    Joined:
    Sounds to me

    like we have a false prophet among us.

  • #60
    Lovemygirl
    Joined:
    *RE/ Trainwreck, Keithfan & Paris

    ...first I’d like to make a statement about the horror in Paris today, a sad day in my soul, so much lost turning to dust & rubble, my prayers are with Paris’, May the songs of old play on in heart & soul. 🙏❤️😢
    ...Trainwreck, you asked me about my last post and by what I mean by “treasure trove” is a new batch of tapes have been recently found. 😉 I’ll share more info when I can. ‘Exciting News For Me’, I love new and unheard recordings of all bands, the Grateful Dead more so now in my life than my past with the likes of ‘Elvis’ & ‘Beatles’ Records lol ...Plus Some confirmed dates for new Dead releases/product...😌
    ...Keithfan, hope all is well as always. What three shows did I send you from the ‘Europe 72’ boxset, i can’t remember, but I do remember them being Primo Shows ! 😎 and the Primo Show you sent me, love it! 🙏❤️😎
    Off to dinner, have a grateful evening everyone...

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by wadeocu on Fri, 01/25/2019 - 11:50

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Hmmmm I guess you don't have to be a fanatic to make good art for fanatics:

"Favorite Dead Era/Years:

Hard to say but as an MTV kid it’s probably the 80’s.

Desert Island Dead

I’d probably grab one of their greatest of albums.

Being A Dead Head Means…

Being a skeleton and listening to cool music."

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Submitted by KeithFan2112 on Fri, 01/25/2019 - 12:13

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Thanks for posting that, it's the first time I've seen it. Very amusing....I guess the interview went something like this:

Rhino: Can you draw skeletons?
Artist: Yes

Rhino: Hmmm. Okay we'll get back to you next week and let you know.

Arist: I can make them Tie-dyed with Coat-tails and Top-hats if you want.

Rhino: You're hired.

Unless it was Samuel L Jackson conducting the interview, in which case the last line would have been: "well shit, mother f*****! That's all you had to say!"

Bolo, hang in there buddy, my condolences.

....what comes around, goes around. Trade for all the Santa Barbara reels the following night? If so, you've peaked my interest.

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Submitted by MDJim on Sat, 01/26/2019 - 07:17

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….is that they pre-announce the releases for the first half of the year. So there will be no surprises until mid July.

I would almost rather not know what the releases are going to be. Once that new box smell wears off and we get discs that don't skip, the adventure is 85% over.

I guess it's a good opportunity to hit the archive.

Happy weekend all..

With 2 announcements out of the way we’re perfectly set up for a February Box announcement.

But seriously folks, we need an additional avenue of releases established. Something to fill in the gaps while we wait for the 4 yearly DaPs and occasional Box. Time to resurrect the From The Vault series and start throwing a few bones to SpaceBro, and the rest of us who want all eras released (as long as they sound good).

Condolences Señor Bolo.
May the Force be with you and your family.

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Submitted by Oroborous on Sat, 01/26/2019 - 07:57

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Yeah, what the kid said. More releases. More eras!
Like Kayak guy used to say, more series with different levels or tiers depending on quality etc.

Jim: kinda like Xmass, all about the anticipation.
Once the presents are unwrapped it’s mostly over.
Oh sure you dig your knew stuff and have new tunes/toys to play with,
but the big rush is before and up to the big reveal ; )

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Submitted by DeadVikes on Sat, 01/26/2019 - 11:10

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Yes, I couldn't agree with you all that we need more, but I am not sure Rhino will be putting out more than the 4 Dave's and the Annual Box. They seem to be content with this mode. And everything they do now is limited edition pre-order.
I wish they would bring back unlimited stand alone releases like Live at the Cow Palace, To Terrapin, Trucking up to Buffalo, etc. Europe 72 single shows. Those days seem to be gone.

Sure would love a February box release announcement, but it might not be till June like last year. Hope I am wrong.

Mixed bag Jim, another bad thing about the big reveal is everyone plays the shit out the copy they have, so wow factor is lower. There are times when the "official release" is only marginally better, because the boards have been bounced around forever, may hurt sales a bit, but maybe a little "honestly" on their part. Seems there are always the voices they say, "I won't buy UNLESS I know".

But whole heartily agree with more releases, how about a Dave's every two months. Maybe this shit takes a long time to do and can't hammer them out faster? Maybe a new vein of download shows, that are of lesser quality. Would that vein's leader have to clear shows with Dave?

Maybe remaining Dead members and family want a steady income stream for their heirs. Certainly their right.

In the end, the archive is there.

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Submitted by stoltzfus on Sat, 01/26/2019 - 12:29

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Heeeeeyyyy yaaaaaa

got a b u n c h of GD from my source recently.

listening to 7/1/66

Dancin' reprise gets cut a little short

oh well

then here come some surprise tracks...Jerry on banjo and buddies...1964 era stuff

nice surprise

mo' Dave's!

FW Feb 70 box set

many of the tracks I have heard have splices or are cut, however.

hey, we have _s_o_m_e_ of it.

36.5 years into the LST and there are still pleasant surprises and gems to be discovered.

GOD BLESS THE GRATEFUL DEAD

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Submitted by LedDed on Sat, 01/26/2019 - 13:27

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Four Dave's a year, plus bonus disc ('scrip is the only way to go) and a box or two seems absolutely perfect. Some of the boxes are less affordable than others... I hate for hardcore heads to not be able to afford all of this. For me, it slakes my thirst, I mean I have many, many thousands of songs in my library and I listen to an average minimum of 3 to 4 hours of Dead 365 days a year - on weekends easily much more. On a good Saturday at home these tunes could run from 6 am to 1am the next day. If I get a bad jones to buy something, there's always tons of random bootlegs, radio broadcasts, etc. to be found on amazon, eBay, etc. Not to mention the plethora of Dead & Co. live releases... I think Rhino sticks to their proven model and we all live happily ever after.

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Submitted by FiveBranch on Sat, 01/26/2019 - 16:22

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I wonder if they will all cycle back around eventually, only a few at one time though. As an example, right now you can pick up Closing of Winterland but maybe when that sells out they'll bring back Cow Palace.

Or, some of it might be tied into unspoken agreements made with Apple to have them handle the downloads for the time being.

....guess not. Must have been the acid.
https://youtu.be/miCDPzJHvjk
....her look at 5:37 is the look. The same look I've looked when I couldn't explain something I was seeing/feeling/experiencing. All these years later, I still can't explain it. The Beatles "I'm Looking Through You" takes on a whole new meaning, when one sees that she's looking through the interviewer.

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Submitted by icecrmcnkd on Sat, 01/26/2019 - 22:37

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Older yes,
Wiser....????
Not if you’re on the Homer Simpson ‘Kill your brain with beer’ plan. But I digress.
Wait, where was I?

Watching the Disco Biscuits on youtube, which is a band that I never paid attention to before, but had heard of years ago. My first impression is: Phish meets Emerson, Lake, and Palmer.
I’ll keep watching....

But I first must pass the reCRAPTCHA exam of buses driving over fire hydrants on crosswalks while ignoring traffic lights....

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Submitted by daverock on Sun, 01/27/2019 - 05:19

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There's also the Record Store Day album to look forward to. I am expecting the 2/28/69 Fillmore West show to be released on vinyl sometime soon. I think I read somewhere that the whole run was going to be released on vinyl-which can't come soon enough!

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Submitted by MDJim on Sun, 01/27/2019 - 08:15

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I'm down with that. Groundbreaking performances recorded using the best recording technologies for live music available at the time.

as a bonus.. they have my favorite GD album covers and shine in the larger format. Classic GD miles removed from cartoonish skeletons and skulls with Smurf-like beards. Classic.

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Submitted by Gratefulhan on Sun, 01/27/2019 - 11:06

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Personally I like and agree with idea of more releases. I have been able to catch up on many that I did not have and now I sit fairly complete with what I want. Of course more is never a bad thing, but more of what? I do think that the model of 4 Dave's per year (with a bonus disc) and a box is good. Someone else already said this but it would be cool if they would release unlimited (so to speak) single shows. Maybe one or two per year? They could focus on these releases as being ones that are less popular or desirable. Now I am not saying these are going to be bad shows, just ones that are not readily sought after. For me I so desperately want a release of 1/24/71 for example, how about that? Or they could flp the model and do the highly desirable and popular shows as special one-off releases. Great examples of that that have been done already are 8/27/72, 5/8/77, 7/8/78,3/29/90. I would like to see the Dave's PIcks series be the main conduit to which we get great sounding, complete shows that have a degree of variety. I think that is what has happened to date.

Or another way to go about the single one off releases would be to produce partial shows. I know Dave is always talking about shows where they only have so many reels in the vault. If any show is not going to be complete due to missing reels then that would be one should to see the light of day. It may never be complete so why hold back on a release of it? It would be similar to a taper's section release except only parts of the show is being releases because that is all they have. I mean the filler for o. 20 form Santa Barbara is going to be a great treat. It will fir on great on this release but say for example that wasn't the case. It would still be great if it was able to be put out there for all, even though it is only a few songs.

Anyway this is all just fun ideas and talk. Good times in any case.

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6 years 6 months

Submitted by perithecat on Sun, 01/27/2019 - 12:23

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This might sound like a daft thing to ask but can anyone tell me why is it that you can get pretty much everything on iTunes but the daves picks series ( dicks picks / road trips / all of Europe 72 and nearly all of the one offs )
I would love to hear some of the early Dave stuff but unless I remortgage the house and buy them on eBay I’ve no chance .
Any thoughts ?

Just gave it a spin, very nice.
Ready for the rest of the FW 69 shows to come out on vinyl.

Now going with 6-29-76, in solid state micro SDXC card form.

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Submitted by Vguy72 on Sun, 01/27/2019 - 13:14

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....not possible Mr. Cat. Spotify is your friend though. All the recent Dead & Co releases are up and running. Im not an Apple fan, so my knowledge may be lacking in certain fields.

...I’m in love with this set list, wish I had a computer...

XL Center, Hartford, CT (11/22/17)
1. Iko, Iko
2. Shakedown Street
3. They Love Each Other
4. Loose Lucy
5. Friend Of The Devil
6. Bird Song
7. Estimated Prophet
8. Eyes Of The World
9. China Doll
10. The Other One
11. Drums
12. Space
13. Spanish Jam
14. Black Peter
15. Uncle John's Band
16. U.S. Blues
17. Knockin' On Heaven's Door

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Submitted by Trainwrecked on Sun, 01/27/2019 - 16:56

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Is it still available at normal price anywhere?

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Submitted by MDJim on Sun, 01/27/2019 - 18:11

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They seem to have some for $85 + shipping on eBay. Honestly.. I would have thought it would be higher by now.

I forget what they were when first released..

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Submitted by icecrmcnkd on Sun, 01/27/2019 - 18:55

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$70.05 on Amazon.

I paid $80 or more on release day (and I’m not even a robot).

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Submitted by MDJim on Mon, 01/28/2019 - 05:24

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Do robots get discounts? A strong sign we going to lose the fight against AI.

In the leadup to the swing, I couldn't help but heed the call from those here re: Cow Palace 12/31/76. So I gave it a spin last week as a precursor to very next show played, 2/26/77 The Swing. I had forgotten what a great show that was and the stunning multi-track recording makes this a rare gem.. The recording and mix were so clear I got side tracked and fixated on the vocals during my last listen.

The Help on the Way>Slipknot!>NFA>Morning Dew is stupendous. Regarding the Dew, with the exception of 1972, I think this version might have the cleanest, best recorded vocals of the bunch. I would also contend the vocals were a bit stronger in this version then any of the four played in Europe.. the song was simply more mature by then and Jerry had not started is vocal decline.. yet.

But it got me thinking.

We have 30 Dave's Picks either released or announced. Of these, we have 9 Dark Stars appearing on 8 Dave's Picks (DaP 6 had two). Two of these appear only on bonus discs (6 and 10). We only have two Morning Dews appearing on Dave's Picks (DaP 5 and DaP 13. 13 has both a Dark Star>Morning Dew).

Some history, Dark Star was played 231 times, first played I think in the studio on 11/14/67, last played on 3/30/94. Most of these were in the early years and they took many breaks from the song, some extended. Between October '74 and October '89, it was only played a handful of times with a 4 year and a 5 year absence.

Morning Dew was played 257 times, first played at the Human Bee In on 1/14/67 and last played on 6/21/95. It was played at least once a year with the exception of 1975. I wouldn't call it a rarity, but it really wasn't played that often. To me, it seemed they saved it for special occasions or rotated it just when they needed it most.

So it seems we are due a few Morning Dew's. If we go back a year one might say the same thing about Help>Slipknot!>Franklins Tower, and blammo.. we get three in a row. 2019 into 2020 might very well be Dew heavy.

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Submitted by unkle sam on Mon, 01/28/2019 - 06:45

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more releases? with skips and scratches? no thanks, get the manufacturing part right and then release more, I'm down with that for sure. 85.00 for one record? wow, you guys really are fans.

Well.. it's pressed on four 180 gram discs and they are not printing 100,000 at a time. This is more or less what these 4 disc vinyl reproductions cost, and the quality is quite high. I just looked at a bunch of vinyl albums on Amazon, trying to stay away from secondary sellers.. I am not finding a single 180 gram album for under $20. Seeing as this is a four disc album, and is available only on the secondary market.. I am surprised we are seeing them for under $80 ($20 a disc).

If you are going to bash shoddy quality, low-end manufacturing with defects (something I agree with you on), then it seems contrary that you also bash a clearly higher quality approach even if it costs a few dollars more. I have not heard a single complaint about skipping or quality of these vinyl re-issues.

I don't know.. this seems like much better value than dinner for two at Outback.

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Submitted by KeithFan2112 on Mon, 01/28/2019 - 08:05

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I put this one on last night. Bertha has some static / distortion. I was listening on an mp3 rip of the tune, and my original CDs are stowed away. Just wondering if anyone else recalls an issue like this on the opener, Bertha?

Come on shipping notice, get here get here get here.

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Submitted by Trainwrecked on Mon, 01/28/2019 - 09:43

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That's a reasonable price for 180 gram vinyl, 4 discs. I didn't think to look on eBay because I assumed the prices would be so over-inflated that I wouldn't be interested. If they're going to be selling all 4, how can I not, right?

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Submitted by MDJim on Mon, 01/28/2019 - 12:27

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well.. the complete recordings (4 shows 10 cds) is listed for $900 on eBay, used. I think I paid something like $100 in 2005 and the bonus disc came free.

https://www.ebay.com/i/333014665513?chn=ps

Not sure if they will get that much, but it adds some perspective. There is a listing for just the bonus disc for $450. I think I am going to start selling bridges.. wish me luck.

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Submitted by Charlie3 on Mon, 01/28/2019 - 12:55

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The comments about ebay listing prices for FW 69 Complete Recordings got me curious, so I checked the sold listings and there is a huge variation. The lowest prices were $99.49 for a set rated "very good" and $100 for a set rated "like new". At the other end of the spectrum, there was a set rated "new (other)" sold for $850 and a few sets that sold for $699 each. There were a number of sets sold with intermediate values in the $400-600 range, give or take. Seems like they can reliably be had for a few hundred dollars, and occasionally someone gets lucky and pays close to the original cost of the set, kind of an argument for patience.

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Submitted by MDJim on Mon, 01/28/2019 - 14:29

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I didn't even know how to see what items sold for.. didn't even know you could do that... so I did the same thing.

The $99 one sold in a little more than 8 minutes after being listed, and was a couple months ago. The rest seem to be in the mid-range. ..so patient but quick to pull the trigger if you want it under $400 to $500.

Interesting.. I am admittedly an eBay novice.

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Submitted by stoltzfus on Mon, 01/28/2019 - 17:10

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the prices for individual shows y'all are citing...never.

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Submitted by PapaHooper on Mon, 01/28/2019 - 17:17

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Delayed release this year? Every other year I’ve subscribed, a shipment notice is received on the 23rd or 24th of the month, like clockwork. This year... it’s the 28th and I’ve received no such notice. Hmmmm

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Submitted by KeithFan2112 on Mon, 01/28/2019 - 18:15

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85 bucks is actually pretty cheap for for vinyl LPS, 180 gram vinyl. Every place I look for vinyl these days, it's either 25 or $30 for a single vinyl LP. 85 seems comparatively cheap.

There's a really solid Terrapin Station on Dick's Picks 29. Most of them from 77 or pretty solid. How many Terrapin fans out there. How many would put Terrapin Station in their top 10 desert island Grateful Dead songs? It would be borderline for me. Nah, as much as I like it I could come up with 10 others.

Dennis, thanks for the feedback on the Bertha from May 77. I may have to dig up my CD. What I am hearing is actual distorted guitar on Jerry side. The kind of distortion you get when you turn the recording level up to high. It's kind of fuzzy.

Edit - just listened again. The distortion is from 3:00 - 4:00 mainly on Keith's piano.

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