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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Lovemygirl
    Joined:
    * Daves Pick #30

    ...greetings to all my brothers & sisters of the Grateful Dead. I’m really excited to recieve the next in the Daves Pick Series with #30 arriving in a few months with the Bonus CD included in the early-bird subscription option. 1970 is one of my favorite periods in the bands live/performing history. Also looking forward to the next box set-up coming soon... I have a feeling 2019 is going to be an interesting year in the Grateful Dead slotted releases thru out the year... I just can’t help but to ‘Smile Smile Smile’.
    Everyone have a ‘grateful’ day, peace be with you all! :)

  • Charlie3
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    Records

    Shortly after my first year of college I was home and hanging out with my friend Dave. I was giving him a hard time about the condition of his place and pointed out, dude, you have records on the floor that you are literally walking on. I picked up the nearest album on the floor and pointed out that hey, Doors Absolutely Live, a pretty good album on your floor. Dave looked at the record then looked at me and says, "actually that is your album, I borrowed it from your brother". I still have the record, but the condition is less than optimal.

  • Vguy72
    Joined:
    Back In Black....

    ....same here keithfan. Side two will always be side one to my ears.

  • KeithFan2112
    Joined:
    I knew it wouldn't be lost on this crowd

    There's something reassuring about making a vague reference to HST and having people pick up on it. Special crowd indeed.

    First LP: News Of The World when it first hit the streets, 6 yrs old. We Will Rock You was all over the radio in those days, and I had a very similar reaction to Stewie on Family Guy when I saw the cover. I received Bridge Over Troubled Water 2nd hand prior to that, but the Queen record was my first to own.
    My first KISS LP Destroyer came next, though I'd had a bunch of 45s before any of these (Little Willy was on constant repeat). And then the next 4 years was nothing but KISS records. At 10 years old I bought Who Are You, and then it was nothing but Who records for many years, with the only intervening bands being Asia's first record and Back In Black, which my big brother recorded to cassette for me after I heard him playing it. Funny thing - he accidentally recorded side two of Back In Black first. It wasn't until I upgraded to CD in college that I understood Hells Bells was the lead off track to the album. To this day I listen to it backwards, as there is just no changing the imprint of it in my mind.

    CaseyJanes, thanks for the advertisement on DaP 30. I guess that means we get the Early Show too. Can't wait. I understand the Dark Star is excellent. I was listening to 2/2/70 on the way into work today - possibly the best least talked about version.

  • Oroborous
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    Records

    Oh yeah, first records back in the mid? Seventies. Partridge Family when I was little Doesn’t count!
    - Frampton Comes Alive
    - Dark Side of the Moon
    - Are You Experienced
    - possibly Rock and Roll over as yes, I too am a recovering Kissaholic.
    “Hello, my name is Pedro, and I’m was a teenage Kiss fan” lol Fortunately that didn’t last long and I was able to sell my albums to my little cousins so I could by Hendrix, Zepplin, and eventually Dead! Think my first Dead album was Skull Fuck?

  • Oroborous
    Joined:
    Concert $, Hard copies, and Dr. Keith

    Buenos Dias Rockeros!

    Yaaassss, ticket prices are for sure a bit much. Part of me has some weird deep activistic loathing for having to pay for tickets at all since I’ve been fortunate to know people that got me in for free VIP for most of the years since “the end”. At least at Dead relatedstuff. So having to pay the last couple years of D&C etc has put me in some kind of weird feral dissonance, which it shouldn’t, since I should be happy I enjoyed that privilege for so long....
    On the other hand, I’m not so poor that getting anally raped a few times a year is as big a deal as back in the day. So I’ve come to the exceptance that the few times a year we go out, I’m going to have fun and not get hung up on the cost.
    Now the real rub is all the greedy handler fees and surcharges. What a load of shit! I have no problem supporting the actual artists, but have a tough time getting fleeced by all the other leeches and middle men, i.e., the fees for our annual pilgrimage to D&C are like a third of the total cost (for cheap seats). So ticket, ticket, ass rape!

    HARDGOODS: I, like many have become somewhat of a collector; R&R books, music, video etc. I’m fortunate to have a hole wall that will be my entire collection. Can totally understand folks that don’t want the clutter, and the cloud is convenient.
    But I’m afraid the cloud will become like cable tv. It was relatively cheap and commercial free back in the day, that was part of the allure. Now it’s like a second mortgage if you want any decent channels and thank the gods for DVRs cause friggin commercials are out of control now, especially as we will soon be entering yet another horrific political season (no matter what flavor you prefer). Yasseree the DVR: watch twice the tv in half the time with no annoying
    commercials 😎 I predict soon you will be forced to pay for that cloud space. Basically the evil bastards will hold your collection hostage until you pay up, and those with no hard copy will have to pay! Also, if There’s crash, my stuff is right on the shelf ready to reload...
    Totally recall the glory days of going to the record store constantly to hope/wish/shop for that next awesome album or poster. Started working when I was 12 so I could afford records, and stereos and guitar gear, so having to slave for the cash made those hard goods all that much more special. So yeah, deep seated attachment to the hardwoods...

    HST: Dr Keith you filthy little beast, how dare you channel his inner gonzoness! Why your as bad as that drunken English sot Ralph! Hell your probably swollen with drink and suffering from string worms LOL.
    That was awesome! Nothing like a little of the good doctor to make us 😃

  • stoltzfus
    Joined:
    are you a _slave to the traffic light?_

    har har

    Phish phunny there

  • JeffSmith
    Joined:
    Fear & Loathing and LP Covers

    KF – Haaaa! Fine job channeling Raoul and Dr. Gonzo from a VIP box in Philly! HST rides again! Just airbrushed the studio with morning coffee. . .

    LP’s: Unless you were there in the 60s and 70s when new LP releases were a sacred revelation and 12 x12 covers were an inseparable part of the music, you probably won’t ever fully “get” the nostalgia us old-timers feel when squinting at tiny images on CD covers. Still, CD’s are tons better than the pixilated thumbnails (or nothing at all) that you get when downloading or streaming – part of why some of us find it hard to even contemplate letting go of physical product. It’s a blessing and a curse, but I just can't let go of my “habit”!

    I AM NOT A TRAFFIC LIGHT! Man, Captcha woke up in a bad mood this morning. I guess anything to keep the trolls at bay. . .

  • LedDed
    Joined:
    Wolf Bros.

    I patched into that free view last night. I got what I paid for. I hope they were serving espresso at that show because it made me want to go to sleep. I enjoy Bob's singing and playing in Dead & Co., and of course the original band, but this wasn't really working. Bob doesn't play enough of a driving rhythm style to move a band. It was all empty space, with him staring down at his guitar and plinking a chord here, noodling a bit there. Just not enough. At one point, Don stops playing his bass and just waits for the song to die... but it doesn't. Bob keeps wandering, lost, and finally Don jumps back in.

    I'm not saying it was horrid, but it needed a bit more oomph.

  • daverock
    Joined:
    Vinyl-cassettes-cds-downloads

    My first album pre-dated cds by about 16 years-Electric Warrior by T. Rex, in 1971. Swiftly followed by Fireball-Deep Purple, Deep Purple In Rock, Relics by Pink Floyd, David Bowie- it was all very exciting. Even going into a record shop, and flipping through the sleeves-it was like a portal into another reality. Which, of course, it was.

    Cassettes never really grabbed me, apart from as a medium for listening to live Dead shows. Cds seemed better-and I do like the various remastered box sets that are being released now. Downloads-I haven't as yet got into. Any I buy I immediately burn onto cd. Not to be compared with buying an album on vinyl with an eye popping cover in gatefold sleeve!

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by KeithFan2112

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My favourite era for The Beatles, hands down is also the psychedelic era, which I think of as being from 1965-1967. This would include all the singles in this time span, plus Rubber Soul, Revolver, Sergeant Pepper, Magical Mystery Tour and the new tracks they recorded for Yellow Submarine.

I also like the early singles, which still have an incredible rush to them. But The White Album has always sounded a bit disjointed to me. Definitely some good tracks in there, but a massive come down from the previous three or four albums. Same with Abbey Road and Let it Be. Up to Sergeant Pepper, it seemed-and this is a retrospective judgement-as though they led the world in pop music. But as 1968 dug its heal in, and rock music took over from pop, they became just another band-nothing they recorded from that year on could compare with contemporaneous recordings by The Stones, Jimi Hendrix, The Who...or The Dead, for that matter.

... that video made me smile too!
Smiling is healthy, everyone should smile some more especially when the going gets tough!
#4037 landed this morning as well as a nice gift from a friend I’ve met on this very Grateful Dead board... it’s feels like Christmas all over again, I can’t help myself but I keep on “smile smile smile” -ing!!! Thank you guys.
The audio/mix on Daves Picks #29 is Primo!
Every member shines on this release in my opinion !!! Rock on my brothers & sisters, have a grateful day ! : )

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Still waiting for my DaP 29 😾😾😾
I’m sure us UK heads will be smiling soon .
👍🏻👍🏻👍🏻👍🏻👍🏻 Dennis 👍🏻👍🏻👍🏻👍🏻👍🏻

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I found the Dead after Jerry died and have loved the music ever since. I never traded tapes and bought all of Dick’s picks and most of Dave’s picks. This concert 2/26/77 is just blowing me away ! My God I’m loving the thought I get to hear the original recording and man does it sound good !

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No it doesn’t get much better than that, and speaking of Promised Land, I love the tease of St. Stephen coming out of Promised Land and into eyes on this one...too bad they didn’t get the 4th reel from 2/27 which I suspect contained the St. Stephen from that show. Oh well, at least they got the Dew, which I think someone already commented is “mind blowing”!!!

Beatles: never got into them but I expanded my vinyl collection today with Revolver, Sgt. Peppers, and Magic Mystery Tour....don’t think I’ve ever listened to any of them straight through but Dave Rock, KeithFan & MDJimcan’t be wrong so should be good times!

They don’t charge admission here, but it sure is expensive....Hope everyone is enjoying this release, and it sounds like it so far. No disc skipping here.....just music, sweet sweet music.....rock on my Dead friends!

...of Beatles albums you bought Casey. I wouldn't want to be without Rubber Soul, though. Its got two of Lennon's best ever songs on, "In My Life" and "Girl", as well as "Norwegian Wood", "Nowhere Man"-lots of great songs in fact.

Another one I liked by The Beatles was a compilation put together by George Martin that came out about 10 years ago, called "Love". Tracks from all points of their career segue into each other in surprising ways-beautiful opening with "Because" sung unaccompanied. It might not seem like much, in the telling, but it works really well.

No Dave Picks yet here in England-but that's alright. As soon as it looks like it will never arrive...it does.

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Shit, I forgot that one...there goes another $20! It’s an obsession, but man is it pleasin!

Also picked up Rolling Stones Exile on Main St. The Stones are another band that I have largely ignored over the years. This is only the 2nd Stones album I’ve ever purchased, and I think the first was a greatest hits compilation. I think the reason for my ignorance towards The Stones and also The Beatles is mostly a generational thing. By the time I was born these bands were already towards the downturn of their commercial popularity, and they seemed very “main stream” to me growing up. Guess I was looking for something more cutting edge....

Got my copy of Dicks 36 from Real Gone (but ordered through eBay seller). I was surprised that it was packaged in plastic jewel case as opposed to the soft cardboard like Dave’s? I thought I had read from someone on here that the Real Gone copies were in the soft packs? Doesn’t really make a difference to me but thought I would mention it.

So now you know my next 5....good timing too. I’ve been hearing rumors of boomers in town........but first another ride on The Swing!

Happy Sunday Funday to you all!!!

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Generally I'm the guy who says a release isn't heads and shoulders over what I have, but the 3 bonus tracks are FAR superior to the ones I have. Wish the rest of that show was there.

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She is singing with Jerry again. I remember the time I saw JGB with both her and Jackie in attendance, the show didn't start until after midnight and ended around 3 am, they played Dark Star that night and it was pretty magical. Such a soulful voice.

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Fun hearing some people revisit The Beatles.

Picked up their Mono releases several years ago. They're quite stunning. Mastered from the original analogues and on the original pressing equipment. It's like hearing them all again for the first time, and they come to life in monophonic sound. If there are any vinyl collectors out there, I can't recommend these reissues highly enough. If you can find them for retail price, grab them as they are gaining value on the secondary market quickly. Avoid the new stereo reissues as they are digitally sourced.

Listening to For Sale right now. Love this underrated record as it has a very nice country feel to it.

Highly recommend diving into the new White Album set too. The Esher Demos are quite awesome as are the abundance of outtakes. White Album in mono is also a lot fun, and quite different from the versions we all have ingrained in our head.

Most Millennial and iGen kids will never understand The Beatles.

An aside, I've only heard the Terrapin from the new release and it sounds amazing.

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BEATLES: I cant imagine life without all of the studio releases. I have the monos & stereos on vinyl. Kimda like the Dead in that I can always find albums to match my mood or situation.

SWING: One of the first Betty Boards I obtained in the 80s when the trove hit the trading market. The digitized bersions on the archives was a strong improvememt over my original third gen casette. This Normanized CD is THE BOMB - aside from the “new” somgs debuted to make it an historic show, the band was outstanding in nearly every way. This new mix comfirms my owm subjective opinion that this was one of the better 77 Playins.

Looking forward to #30 already!

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I used to have the vinyl reissues of the US Capitol Records releases, the ones with purple labels, several had the green labels and 1 or 2 were the original black labels with the "rainbow" ring. The 1968 white album, Abbey Road, & Let It Be were the original Apple/Capitol green apple labels with Let It Be had a red apple label.
I got rid of them not long after the compact discs were released in 1987, they weren't in pristine shape so I didn't get much money in return form Princeton Record Exchange in Princeton N.J. I still have several 45 r.p.m. Apple singles
At the time I thought the compact disc was the greatest thing in the world, but I have found out the CD does have flaws too. I sorta wish I had kept them every now and then.
I recently listened to the 1st issue CDs, and I think they sound great. I wish that Capitol would release the Christmas recording on CD with improved sound and nicer packaging. The bootleg Yellow Dog CD (YD 031) sounds very good for a 1992 bootleg CD.
I think I may have an original Christmas Album (SBC 100), but the label sort of just doesn't look right, it looks like a photograph of the original labels in color. The front of the jacket has photos of The Beatles in boxes with a blue background. I bought it at a record "convention" and sale in Philadelphia PA in later 1981. I remember the event because MTV had just come on the cable television spectrum and they were promoting themselves, where I met VJ Mark Goodman.

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Got it Friday and I have had the Betty board since 1988... I have listened to this Dave's Picks more than any other since the 72 Wichita show... I love Tennessee Jed through the end of the show especially the Santa Barbara filler that i thought we would never see on a board!! Not saying I don't like Disc 1 with the first Terrapin and Estimated, and killer Playing>wheel>Playing, because i do.. For me it really starts with the Help>Slipknot>Franklin's. This Franklin's reminds me of the 6/9/77 one just not as long and drawn out... Throw in the one from 5/9/77 Buffalo show and what a great bunch of Franklin's Towers.... The Promised Land after is awesome also, doesn't have the typical let's get the spider webs out start of a show Promised Land. The Eyes is awesome, great Phil solo and then the Dancing really starts off the awesome 77 versions that follow, so different then the 76 versions!!! Not gonna spoil the 2/27 filler!! Have a good Sunday bob t

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It's a beautiful day here in SW OH.... sunny, mid 60's.... spent some of the afternoon cleaning out my car and shining up my Road King... having a cold one and enjoying 29..... I really like this release. Was always one of my favorite tapes. Reading the liner notes... never thought I'd see The Dead, Muhammad Ali, and Mary Hartman, Mary Hartman in the same sentence.

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And what a stellar addition to the DaP series it is! I haven't had time for a full listen yet, but Jerry's guitar licks at the end of "They Love Each Other" are breathtaking. I'm now half way through Disc 2 and am blown away.

Tonight I'm catching Phil and the Terrapin Family Band at the Showbox in Seattle. And the release of Jerry's shows at French's Camp on the Eel River has just been announced.

The bus keeps rollin' on!

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Caseyjanes - you're going to love the Stones trip. Exile is considered by many to be the pinnacle of their late 60s early 70s run of 5 star albums. It took me awhile to catch the vibe on that one, so if you find yourself having trouble, try the one before it, Sticky Fingers. Mick Taylor and Keith Richards were an incredible guitar duo, trading rhythm and lead or playing dual rhythm in different octaves; damn, it's great stuff.

Born x-eyed, I've been to the Princeton Record Exchange. It may even be the place I finally landed a copy of Jon Anderson's Olias of Sunhillow in high school. A buddy and me were huge into Yes in '87, and the album was out of print (and had never been put to CD at that time). We spent a day hunting down the LP, which had legendary staus as the "lost" Yes album. On a day we should have been in school, we grabbed a bunch of phone books and a full tank of gas, and made a day of it. Pretty sure the Princeton Record Exchange was the one that actually had it. Great stuff.

Also loving DaP 29. I'm not the biggest '77 fan, but it's that good. The Slipknot! is a face melter for sure, my favorite on account of Jerry's lead work and guitar tone (and volume). I think he snuck in Wolf on that one :D

Franklin's Tower, as noted by others, is top-shelf. I think it's close to Go To Nassau 1980. All depends on how much rhythm Jerry plays on the main riff. On a lot of occasions he leaves it to Keith and Bobby to carry it after the opening, but he stays on it most of the song here. Rock and Roll.

Phil knocks us out on that Eyes ending, no doubt.

Morning Dew - to quote V-guy - Morning Dew ain't no filler!

A+ Playin'
A+ Recording
A+ Filler
Best Dave's release in three years. Donna sounds unusually good in the mix. And please, please, please, filler on every release. This Dew is an amazing surprise to finish the experience. P.S. No skips

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Sand Castles and Marbles followed by the Hollywood Cantata. Good Stuff.

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The thing I love about this show is that it's a great hybrid of '76 / '77. The Playing in the Band features real piano like '76, and to me, they sound like they still take an explorative approach. The Wheel segue is prime '77 smoothness, which, for that song, benefitted tremendously (was never a fan of the big drum intro of '76). The Wheel in '77 is one of those tunes like Brokedown Palace, where they play it just infrequently enough that it's always a treat. Any Wheel fans out there? If so, check out Dick's Picks 18 - only time they played it that year, and in my opinion, it was the best performance they got with the Godchauxs. The intro with Keith's quiet Wheel chords and Jerry's noodling on the Wolf reminds me of trippy old Peter Green Fleetwood Mac. No other like it.

or, auf Deutsch, "etwas ganz besonderes".

Swans.

Like the GD and FZ, a wide, wide, deep, deep body of work. Not for everybody. Some of it is pretty straight forward, some is extremely unique, some is challenging.

I highly recommend Swans. Start with Soundtracks for the Blind, then White Light from the Mouth of Infinity, then Filth, then Cop, then Feel Good Now, then Public Castration is a Good Idea, then wherever you want to go.

it s.a.f. ain't Ariana Grande.

I got my copy over the weekend. I have only listened to the first few songs but I'm just so damn happy. each and every year Dave and co continually blow my mind. I said this especially after last year's box set, but i truly feel so content - I'm of course not going to stop collecting, but I am also no longer chasing or waiting/hoping for a particular show. I feel set for life and everything else that comes out in the years to follow is all gravy.

hope everyone is well - I've vowed that in 2019 I am going to disconnect a lot more (no social media, less phone time, etc) so may only check in here from time to time, but hope everyone continues to enjoy these releases as much as I have been...

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Is there a well engineered splice at about 5:50 of Around and Around? I can't totally tell. If so, it's barely noticeable. It just seems the flow of the music shifts a bit oddly there. There sounds like some tape weirdness somewhere during the H>S>F triptych, but overall the sound is really, really good. Ok Dave 10-29 next, then 10-2, then 4-23, then, then, then....

1977 seems almost like an inexhaustible well!

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I love any and all of the live Dead releases: Dick's, Dave's, from the Vault, Without a Net, Sunshine Daydream, the PNW set. All just candy for the soul. And also the JGB "Electric on the Eel" box set released recently! Let's not forget that the JGB live releases have been stellar too. Anyway, the few hours I spent yesterday with Dave's #29 was pure bliss. Great sound mix and the show totally sizzles from the get and never lets up. The "Filler"? Also Prime. The Morning Dew from 2/27 is choice. So I just want to stop and embrace the gratitude for this music and the people who help release it. Thank you! Thank you! Thank you!

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Two for the show and one for the bonus tracks.

Already had a great recording of 2/26/77, but am always happy to get a greater one! Both this and DaP30 are shows I already have with added material I don't. Kinda perfect for me!

Strongly support 3rd disc filler! More please! Not so supportive of filler on 1st or 2nd discs as it disrupts show-flow, but my complaints are easily ignored...

Very happy to have received this at all since I have had both a change-of-address and change-of-credit-card since ordering the sub. Read too many horror stories here about hijinks ensuing from such things...

AND NO SKIPS! Had both the Birdsong skip in the 73/74 3CD release and the Let It Grow skip in DaP28. Nice to not have such issues this time.

How's about fitting a 4(or5)/82 show and a 10/89 show in the DaP series before DaP36, eh?

Ever since the site rebuild, I have not been able to log in without "request(ing) a new password", so I don't log in too often now. I suspect the problem arises from my browser being non-updated for years (due to a tangle of issues I have revolving around needing system compatability with a non-updatable program), but I wonder if some of the posters that are no longer here are gone due to log in issues

Sorry for your loss, Bolo. Living is often a brutal experience and our emotional systems don't seem to have any effective work-arounds to soften the blows. May you and your family have much to hold on to in this season of loss.

Set the tractor for Jan/70, Jim! Let's go!

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Love this show inside and out...and of course there are many moments of barn-burning. My personal favorite is the Eyes>Dancin'...and I believe this was in fact the first Dancin' they performed with the wah-wah pedal? Is that right? Also they've dropped the '76-implemented transition toward the end of the Dancin' jam, and it just heads right back to the final verse. Always wondered if this was planned, or they just 'forgot' to play that part, cause I don't recall ever hearing it done that way again up until it was retired some time in '79.

Enjoy this one Folks!
Sixtus

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Like Dave, this recording has a special place for me having been one of my prize acquisitions back in the cassette era. It was one of my best tapes and I listened to it regularly as a young teenager. This fact affects my perception, but my gosh what an exalted perception. This is one of my favorites.

Listening extensively over the weekend caused me to ponder why. One answer that kept coming to mind: KEITH GODCHAUX!! While one could debate whether this is one of the Dead's best ever performances, I think it would be hard to argue against this being one of Keith's top performances. He is so intuitive with his timing and tasteful fills. Those twinkling, rolling fills he does throughout the night are just superb. I cant really think of another show where he does this as often or effectively. Hyperbole aside, I think Keith was having a great night and is a big part of what makes this show so good. He is all over the Morning Dew from the next night as well!

This is an intriguing show because it contains no "jam" segment per se yet it happens to include at least two examples of what I consider some of the best improvisation the band ever performed. The jam in Playin is unique in several ways, but the lead into The Wheel contains superb improvisation especially from Garcia, Weir and Keith that showcases them at their best. Then we have the transition from Eyes into Dancin'. It is a very tasteful piece of music and, once again, I have to give Keith credit for making it so. To my ear he is the one that makes that transition so great with that repetitive lick on the high end of the keyboard that he carries on through the introduction until everyone is charging forward on the new groove. Then there are just really good renditions of some of their best material like Music Never and Help>Slip>Frank.

It is just such a lively show all the way around. Even the well timed finger whistling we get from a particularly tuned in head. That guy hit it at just the right moments: the transition into Dancin, the transition segment at the end of Slipknot, the beginning of Playin' etc. That whistle is an indelible part of this recording and I have a soft spot for it. I wonder if whoever it was listens to this recording and smiles wistfully to themselves about that night.

I know all of this is highly subjective and no doubt affected by my nostalgic familiarity with the recording. None-the-less, there is my take on it. I just love this tape!!

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In reply to by wadeocu

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thanks for that tip Wadeocu - and I thought I had a trained ear for these disco Dancin's. Some sleuthing may be in order....

Still, pretty sure it was the first Wah-wah! But I'd love to be shown incorrect....

Sixtus

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This sounds magnificent.

Kudos to all.

Thank you, thank you, thank you!!!

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16988 arrived this morning.
I was at home when the "Letter Carrier" arrived with the snail mail this morning. I live in an area where the mail is delivered door-to-door. I opened the door as the "Letter Carrier" was about the put the mail in the mailbox. I joyfully said, rather loudly,
"ALLL RIIIGHT! Grateful Dead at the Schwiiiiiggg 77 Daves Picks 29!"
I sort of startled the carrier and he smiled and said that he wished he had been there but was serving in the US Army as a 20-year-old Corporal. Turns out that he is a Dead Head also, and born 4 days after me on 10/31 - Halloween.
Before this DaP 29 arrived I was able to find set 1 of this show on cassette in my "archives". It sounded very good for a tape, but not really anything to get excited about anymore. I also found discs 1 & 2 from this 3 CD-R set and they were really good, but in mono and rather compressed to irritate me.
This one of my favorite shows.

Here on the official release, we have the full show in uncompressed Betty-board stereo and it is EXCELLENT!
SONIC NIRVANA!
THANK YOU TO THE POWERS-THAT-BE that got this chestnut released and to all us heads who kept on requesting the release this show.
We also are treated to an audio sample of 2/27/77 Santa Barbara and the "booklet"/folded one-sheet has reviews of the 2/27/77 nugget. Could this be a prelude to a future full-show release in the future?

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14 years 9 months

In reply to by stoltzfus

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or some kind of parasite.

yo Marye!!! throw him into the pond!!!

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In reply to by stoltzfus

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....I have to drive across the city in about an hour. C'mon mailman!
....edit. Swing is here. #1978/20000. Soooo close 😔. Time to drive 🙄

Lots of Phil.

Also had this on cassette, then CD-R, then CD-R upgrade, now the Full Norman.

Cheers to Betty, Dave, Jeffrey, TPTB, and ABCD Enterprises.
THANKS!!!!!!

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In reply to by icecrmcnkd

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Preamble to the 5-9-77 monster.

For my commute last week and this week I’ve been working my way through the 6-7,8,9-77 Box. Another fine ‘77 offering.

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In reply to by icecrmcnkd

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Amazing. Also, 302 Terrapins, only one time played as show opener. 11 times - that I count - as set two opener: 5/7/77, 11/1/77, 1/18/78, 11/6/79, 3/12/81, 10/8/84, 10/28/84, 3/29/85, 4/3/85, 4/13/85, 8/31/85.

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Man, I am just blown away. This is an old favorite, but I must have forgotten just how good it is. Just about every song is really special. I almost guarantee that every song in this show is someone's favorite version of the song (I think this is my favorite HSF because of the slipknot). I think this is also one of the best Keith shows out there. On top of that, we get some pretty incredible unreleased (on SBD) material. This is the happiest I've been about a release in some time. It's doing that thing to me where it reminds that I loved x about y show and I should go dig it up again, which will turn into a multiple week rabbit hole. Thanks Dead.net folks!

In the spirit of immediately agitating about the next thing. Does anyone know if the festival express shows are in the vault?

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I'll be sure to check out the 81 wheel version you mentioned oh, thank you. Also wanted to let you know that I was listening to 11 19 1972 last night, end the determination I came to is that it's probably going to be released very soon, possibly the next 1972 show that we get. I got a feeling, a feeling deep inside... a very good buddy of mine pointed me in that direction last night, as it was on taperssection on this site. And as I started to listen to it on taperssection on headphones through my phone browser, I also put it on my music player at the same time so that there was maybe a 2-second delay between the two. I don't know man it sounded pretty wacky and cool to me! I am really impressed with that dark star, and Weir is a big part of it.

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I am sure this has been asked before, but will Dave's Picks ever be available digitally?
thanks, Rob

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In reply to by KeithFan2112

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WOW!!! I thought several things, the recording I have is GREAT. Apparently played the night before and broke out Cumberland after 7 years (what I read on archive). My recording of that is also Damn Good, listening to very nice Bird Song right now. The 2nd night recording maybe a soundboard, the first is a audience, both have amazing sonics and Jerry burned up the end of Wheel, Bob was very well recorded (everyone was). My next thought was this would make a nice box set. Small and affordable by all & a wonderful 81 recording.

...well I'd buy it :-)

Thanks for the heads up on Wheel, Mr. Stoz and K-Man, both shows in phone, I'll play at store tonight.

product sku
081227924317
Product Magento URL
https://store.dead.net/dave-s-picks-vol-29-1.html