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    clayv
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    An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

    We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

    Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

    Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

    Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #51
    Lovemygirl
    Joined:
    *Re/ Keithfan

    ...Road Trips ‘The Wall Of Sound’ minus the Bonus Disc...I play it quit often! Thank you again my friend, I hope your still enjoying those major Europe 72’ shows...love it!
    🙏❤️😎

  • #52
    MDJim
    Joined:
    6/20/83 -The First and Most Memorable Merriweather Show

    I apologize for the length of this post.. but man.. that storm.

    I grew up perhaps an hour hike from Merriweather Post Pavilion.. and after getting harassed by Howard County's finest for hiding beer under my car instead of pouring it out on the curb as instructed at a Jethro Tull show a few months earlier culminating in a thorough and regretful search of my parents car and a loss of a nice pipe and some hash.. I just started walking to shows from that point forward (at least until I moved out of my parents house). I probably saw between a hundred and a hundred fifty shows there over the years.. probably about the same number of times I saw the Grateful Dead. I'm ashamed to admit now.. but I knew how to get in that place for free plus the ticket collectors were mostly people I went to high school with, so taping two stubs together and presenting an amicable grin was usually enough to gain entrance. I did buy tickets for many/most shows, certainly for all the Dead shows.. - never take unnecessary risks.

    Some background.. I wouldn't compare this to one of the greatest or best shows, but it was memorable for lots of reasons. My first show was 4/19/82 at the Baltimore Civic Center (perhaps my biggest lysergic GD moment, save that for another day).. I believe I made the Capital Centre shows in the fall that same year but they weren't playing super close in the Spring so we headed South to Hampton and my first GD road trip in April for my one and only birthday show. I think I drove and I am confident we did not tell my folks we were taking the family car to partake in all kinds of shenanigans and see the Dead.. in hindsight, so dishonest. Then it was announced that they would be playing two nights in the summer for the first time at Merriweather Post, my local venue. I couldn't believe it.. That would make this run my fourth and fifth shows.. I was still quite green behind the ears.

    I had friends that worked as busboys and room service at the Columbia Inn, where all the bands stayed back then that performed at Merriweather, they told stories of bands partying in the bar, tips they got (or not) and what floors they would put them in, etc.. so the night before, on whim.. we showed up and went to the bar. I could barely drive but with an older brother that looked similar, and the drinking age being 18 at the time, I had an ID and we headed past the lobby to find Phil sitting at a table by himself.. we closed the bar that night and had some passes for the next day... I have to say, he was super nice and not at all an icon or unapproachable. I do recall a few of the stories told, but the memory I left with was that I could not muster up the courage to offer anything intelligent to say and couldn't think of a decent question to ask until I was walking through the parking lot to the car at the end of the night. After a few beers, humor was flying and things seemed fine. Phil seemed happy to have a group to party with. I was so young I couldn't even order a beer correctly.. I asked for a tap beer and she brought me a tab (soda).. so she returned it and brought me a draft Budweiser.

    So the next day.. a few of us walked from the neighborhood where we all lived to the show, a bit early.. I had my pass and went backstage and it was so weird.. plus early. I just couldn't handle it. I didn't know anyone except my buddy.. and it was like being in a foreign country. Nobody seemed to want anything to do with us and the band wasn't there yet.. So we decided to split before the show started, inhale a bit in safety and get to our seats, which were pretty close.. I am fairly sure we took some mushrooms too which only made it all the more weird. So the only time I ever had backstage passes, I totally wasted them. ..Perhaps for the best.

    I don't think you can talk about the show without talking about the storm. Growing up there.. the only time I recall it raining harder was during Hurricane Agnes in 1972. This is the only time I recall the highway on the way in (Route 29) flooding and being shut down like it did that night. The storm was biblical and it wasn't just rain. It thundered and lightninged for hours that night and I believe lightning hit the lightning rod at the venue or perhaps the shed itself at least once (during He's Gone, Truckin' and perhaps one other time), but that's probably impossible to verify. You can hear it on the tapes though including the PA going in and out several times.

    So the performance aside, there was other energy and stimulus going on that night.

    The setlist was fairly standard for the day.. my second Peggy-O, second Truckin', second China>Rider. The first set was pretty standard, but things started to get weird by The Music Never Stopped.. I forget exactly when the started and ended and then started again, but I think t had had rained in the first set and the beginning of TMNS, then the sun came out for a bit during this song, then set break.. then big cumulonimbus clouds, then it started getting spooky dark as the setbreak came to an end. ..and then things really got weird. In hindsight, we should have starting building an ark.

    The second set started with China>Rider>Sampson>He's Gone>Truckin'>Drums. By the transition in China>Rider, everyone was getting soaked and the rain entered the pavilion area as it was raining sideways. I had to pee as Sampson started and by then people were body sliding down the lawn and everyone was so soaked that it just didn't matter anymore. Soaked to the bone, you couldn't get more wet.. When I got back to our seats, the heavens opened up and the lightning started and it went from weird to downright scary. The people working at the venue sought shelter, anarchy ensued and there was a mad rush from the lawn to the pavilion area. Everyone got squashed and became bug eyed.. and safety became a big concern. We got pushed forward and what row you sat in mattered less than the need to create more room inside, under the shelter. By He's Gone, there became a general feeling of insecurity and helplessness, just as I began to peak. Lightning struck the shed and the power went out.. but the weirdest thing of all, the band was just as freaked as we were, but the they kept playing on. I swear Phil and Jerry were playing power chords in sync with the thunder and lightning. By the time Space ended, we got a rare Bob Star (one of three times played).. during Sugar Magnolia I think Bobby got shocked and put down his guitar and took his mike to a strange part of the stage and started wailing into the mike.

    There was no encore and no soundboards exist.

    So what to 20k tripping, soaked, disoriented hippies do when the show ends? The deluge had stopped but it continued to rain. There was a tiny creek between the venue and the parking lot, usually a trickle like you see on a water fountain.. it was flooded way over the banks and to make matters worse had washed away the foot bridges, so you really couldn't safely walk to the parking lot, but people managed.. the lawn was so eroded both from the rain but more from people doing mudslides down it that at dawn, they had to bring in heavy machinery and rebuild the lawn as there was another show that next night. After they Dead left.. they really went to town and had to do a total rebuild of the lawn area, changing the contour forever.. lots of heavy machinery. They spent the day off to rebuild it with different contours to the format we have to this day.

    When we walked home, still tripping.. we could not go the way we came, it was not passable. So we went an alternate route. Getting over the highway, which was still flooded.. we held hands as the current was strong and waded in waste deep water eventually getting to other side and about an hour later to mom and dads house. Some quick showers, then post show activities until the sun came up then sleep.. only to do it again the next day on a reformatted lawn with straw and new sod. They played Looks Like Rain that next day and you can imagine the crowd reaction.

    So back to the show.. Yea.. I sort of remember 6/20/83. It was the weirdest, highest energy GD show I ever saw. Not the best, but certainly one of the most memorable. I saw every GD/JGB show played there but this was perhaps the most fun. Thanks for jarring my memory.

  • #53
    KeithFan2112
    Joined:
    Unbelievable

    They say the oakwood interior of the cathedral was built in the year 1200, requiring trees that would have been 400 years old, thus sprouting out of the ground in the 8 or 9th centuries. Hard to believe.

    Bob t - thanks for the heads up on One From The Vault release date. I could use a change from the E72 binge. I did manage to get in 6/14/76 and 12/26/69 today, both on the Rolling Stone top 20.

    Lovemygirl - I don't recall which ones you sold me, I'm thinking Tivoli II, Lille France, and maybe one of the Lyceum shows? Lotta weed in between ;-) I don't remember what I sent you, refresh my memory. My memory is outstanding on everything until I was 25, and then past 3 weeks. But everything in between is shit.

  • #54
    MDJim
    Joined:
    6/20/83

    Holy Smokes.. yes, I was there. It was biblical, as much or more from the storm then from the music.. but it all combined for a complete sensory overload.

    I wrote something on this a couple times over the years.. but I think I was too shy to share details, or perhaps too lazy to try and remember it all and it put to paper.

    Just getting home, if I have some time once I get settled I will try and put my arms around it..

  • #55
    Angry Jack Straw
    Joined:
    Our Lady

    Such sad news.

    Not just an architectural marvel, but one of the most important structures in the history of mankind.

    My deepest sympathies to the people of France.

  • #56
    nappyrags
    Joined:
    Hey Stone Jack Baller...

    I too just got my notice that the CD issue of the Warfield performances will be in my grubby paws in a few weeks...I tried at first on a couple of record shop websites that do online ordering of what is left of the merchandise on Sunday but no luck...I went to Amazon and Bingo! i feel like I won the jackpot considering how many copies are on Ebay for over a $100 a pop...can't wait...meant to say that the nearest record shop to me is over three hours away...at least it's all downhill but still...

  • #57
    bob t
    Joined:
    One from the Vault Anniversary 8/13/75, released 28 years ago

    Did anyone just see the post on facebook from the Dead about this. Released 4/15/91, 28 years ago..... This changed everything if you were trading tapes back then!!! Everyone had this show, either FM, or the bootleg called Make Believe BallRoom.. But now we had a legit release!! It really did change everything... It took away i have 1000 hours of tapes and only want to deal with someone who had the same amount and started to level the field..... Sorry to rant but I was in that era... bob t

    Edit my first copy of this were two cassettes!!! Didn't get the CD's because wasn't a fan yet!!!

  • #58
    daverock
    Joined:
    Fire

    Hopefully no lives were lost or people injured-doesn't seem to be much in the news about that. The only thing I could find was that one firefighter had been burned. Pretty remarkable.

  • #59
    Exile On Main St.
    Joined:
    Sounds to me

    like we have a false prophet among us.

  • #60
    Lovemygirl
    Joined:
    *RE/ Trainwreck, Keithfan & Paris

    ...first I’d like to make a statement about the horror in Paris today, a sad day in my soul, so much lost turning to dust & rubble, my prayers are with Paris’, May the songs of old play on in heart & soul. 🙏❤️😢
    ...Trainwreck, you asked me about my last post and by what I mean by “treasure trove” is a new batch of tapes have been recently found. 😉 I’ll share more info when I can. ‘Exciting News For Me’, I love new and unheard recordings of all bands, the Grateful Dead more so now in my life than my past with the likes of ‘Elvis’ & ‘Beatles’ Records lol ...Plus Some confirmed dates for new Dead releases/product...😌
    ...Keithfan, hope all is well as always. What three shows did I send you from the ‘Europe 72’ boxset, i can’t remember, but I do remember them being Primo Shows ! 😎 and the Primo Show you sent me, love it! 🙏❤️😎
    Off to dinner, have a grateful evening everyone...

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An institution in American rock music, the Grateful Dead continue to surprise the ears with new arrangements and altered styles. If their playing continues with the force that was heard in San Bernardino, the spirit of the Dead will live on. - Sun Telegram

We are more than pleased to kick off this year's Dave's Picks series with the much requested and quite spirited complete performance from Swing Auditorium, San Bernardino, CA 2/26/77. The Swing ’77 show was a unique beast, unlike any others from this era: as the band’s first concert of the year, it bridged the gap between the new and re-emerging sound of the returning 1976 Grateful Dead and the precision excellence of the spring ’77 Dead. Debuting two of their most intricately crafted songs of the 1970s, “Terrapin Station” (to open, no less!) and “Estimated Prophet,” the Dead demonstrated right from the start of this new touring year that they were not going to be a nostalgia act; they were going to be as adventurous and ambitious as they were at any time in their career.

Join the adventure as they soar through tried and true ("Playing In The Band," "Tennessee Jed"), well-loved covers ("Mama Tried," "Samson and Delilah," "Dancing In the Street"), and epic new jams.

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

Dave's Picks Volume 29 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

My computer was not connected to the internet and the files came up with no names.
So, I don’t think that there is embedded metadata.
Just Count Vlad continuing to try to screw with Deadheads via the internet.

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Submitted by snafu on Mon, 02/11/2019 - 04:06

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Thanx for the education but I'm aware of the difference. Remix for us deadheads would be the 1971 versions of Anthem and Aoxomoxoa. Remastered on the other hand is what The Stones do every 2 or 3 years to get us to by the same title again hahaha.
As I said the Dead don't call the reissue of Vault 2 a remaster, but an upgd referring to the extra tracks, liner notes and hdcd. Hdcd by itself is not a remaster if you don't do anything with the original. But it's irrelevant we're both happy with the newer one and I've seen these discussions degenerate into silly ugliness which I don't believe either of us is interested in. To be honest I don't know why they bother since it isn't being supported and few have it. They should have gone with dual disc SACD at least the hardware is still available. I just bought a new 5 disc sacd player carousel 3 months ago

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Submitted by MDJim on Mon, 02/11/2019 - 06:57

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..and how about that Morning Dew standing all by itself at the end of the release. A powerful testament to the balance of power and finesse they had mastered by 1977. The recording shines here too, and it represents the sonic upgrade surprise contained in this release. Remarkable.

Of the 60 shows played in 77, they only played Morning Dew five times or 8%. Morning Dew is unique in the respect that it was pretty much played throughout their career (starting January of 1967 through 1995 with the only gap being the hiatus year, but they really did not play it that often, on average one in ten shows and much less in some years.

I'm not sure how this table will paste in, but the following shows the number of shows by year, the # of Dews and the percentage of shows that year where Morning Dew was played. It seemed they only pulled it out when it met the occasion in some way.

Year Shows Dew % Dew
1965 15 0 0.0%
1966 106 0 0.0%
1967 122 6 4.9%
1968 131 7 5.3%
1969 150 39 26.0%
1970 149 22 14.8%
1971 83 8 9.6%
1972 85 16 18.8%
1973 72 15 20.8%
1974 40 3 7.5%
1975 4 0 0.0%
1976 41 3 7.3%
1977 60 5 8.3%
1978 82 1 1.2%
1979 76 1 1.3%
1980 87 4 4.6%
1981 86 7 8.1%
1982 62 8 12.9%
1983 66 7 10.6%
1984 64 9 14.1%
1985 71 7 9.9%
1986 46 2 4.3%
1987 86 17 19.8%
1988 80 13 16.3%
1989 73 9 12.3%
1990 74 8 10.8%
1991 91 8 8.8%
1992 55 9 16.4%
1993 81 8 9.9%
1994 85 8 9.4%
1995 47 4 8.5%
___________________
Total 2,370 254 10.7%

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Submitted by Vguy72 on Mon, 02/11/2019 - 08:33

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....it speaks volumes about an artists talent Dennis, when a song THAT good is in the unreleased category of one's work. Incredible song.

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Submitted by Dennis on Mon, 02/11/2019 - 09:02

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Nice count on the Dew point. I had a request last night from a woman I work with, she wants all the Sugarees. This came to over 15 gigs of space. They added up to 134 hours of "Sug". Out of 703 cuts of Sugaree, 408 are by the Grateful Dead. (there are some dup's in that count since my search will find audience copies and official release copies) The other 300-ish versions are JGB, Phil & Friends, Walker 7, The Dead, Furthur and more. I put them in date of show order.

She better really like Sugaree :-)

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Submitted by MDJim on Mon, 02/11/2019 - 09:12

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...and who doesn't like a good Sugaree? A song that seems to have lived one of the better afterlives with so many great covers performed by a wealth of disparate artists and expressive renditions.

Off that More Blood collection I LOVE the 7th cut on disc 1, "you're a big girl now". That cut is a billion times better that the one on the album. Simple guitar and Bob's voice sounds so mournful. The echo reverb off the album really sucks.

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Submitted by Sixtus_ on Mon, 02/11/2019 - 12:48

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...I mean, the question is then, what is the best Sugaree ever?

I would daresay the one off of Dick's Picks 3 from 5/22/77. That sucker is a country-pickin' barn burner and I would love to be challenged here.

Sixtus

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Submitted by musicnow on Mon, 02/11/2019 - 13:07

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This release is something else. The sound quality, energy, musicianship and positive groove. Very thankful for this beautiful music. It's what helps keep this life amazing!

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Submitted by MDJim on Mon, 02/11/2019 - 13:13

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I have to agree with '77.. 5/25/77 Hartford is hard to beat too.. both are outstanding. I don't think there was a subpar version the entire year.

Just don't tell 'em you know me.

Now that I think about it.. the PITB from the Swing ranks, a mighty fine way to end the first set.

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Submitted by Sixtus_ on Mon, 02/11/2019 - 15:46

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.... funny you mention that Playing in the Band sammie, it's actually turned up to 11 at this very moment heading into the wheel ...
... I completely concur, the drummers are moving so fast it's making me Delirious. It's pretty Exquisite the entire trip there and Back Again to end that set.
It Ranks.

Sixtus

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Submitted by wilfredtjones on Mon, 02/11/2019 - 16:52

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I guess y'all are getting whomped by some of the same snow we've been here in WI. Did I hear the SeaTac area has gotten over a foot so far? Hopefully you, Monte and C are staying snuggled up and toasty warm during this wintry snap! :-)

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Submitted by Maine Dave on Mon, 02/11/2019 - 20:02

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The Sugaree from 12/16/78 in Nashville has always hit that sweet spot for me. The loping tempo, the little slide flourishes underneath by Bobby (I think it's Bobby), the world-weary but on-pitch vocals from Jerry, the just-right keyboards... And then Jerry absolutely nails some dazzling leads that are both fluid and fiery. Really, just a perfect version that clocks in at 14-plus minutes. Unfortunately, this otherwise great aud loses the first couple of bars:

https://archive.org/details/gd1978-12-16.sonyecm250-no-dolby.walker-sco…

I dunno, maybe I just like it because it's one of the first I ever heard (after the One From the Vault version).

Or maybe it's because 12/16 is my mom's birthday.

But I really think it scorches. Anybody else? And has this show ever been released officially? Because the whole show is pretty killer, with a peppy Big River (great keyboards again), a solid Scarlet/Fire and a uniquely free-form outro on He's Gone...

....and I raise you this.

https://archive.org/details/gd1983-10-17.senn441-u87.eaton.miller.91126…
....Check? Or raise? House rules. No need to scroll down. This Sugaree clocks in at 16+ minutes and is unleashed right out of the gate. 😉
....keep listening, 'cause the entire first set of this Olympic show is nailed. Not bad for the 80's, hmmm?

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Submitted by wilfredtjones on Tue, 02/12/2019 - 04:09

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That one was featured on 30 Days in 2012 so there is a direct-from-the-vault 320 kbps mp3 of it floating around somewhere (read: all my hard drives)...

P.S. I might go with 9/2/80 in addition to the usual suspects.

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Submitted by bob t on Tue, 02/12/2019 - 07:06

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So So So many good ones to pick. I am going to go with one that gets me because it is an audience recording. The 4/29/77 Sugaree from the Palladium does it for me, sort of like how the Hard to Handle audience version from 8/6/71..... There is a quiet part around halfway through where you hear Keith play very unique on the organ and then between Jerry and the drums it almost reminds me of being on a carousel!! There is a board version of this that was filler on 4/30/77 Download series also..

Do we still think there will be an announcement for this year's box in February.? I need something to look forward to, it continues to be a brutal winter here in MN. Will 2017 be a fluke, with the GSTL box in the spring and the RFK box in the late fall? I hope not. Does anybody have any insight for this year?

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Submitted by andoverdeadhead on Tue, 02/12/2019 - 08:32

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Hi there, DeadVikes. I happen to remember that the GSTL box was announced on February 16th, 2017. So perhaps we are due for a 2019 box set rollout any day now. That may be overly optimistic on my part, as we all know that the PNW box set announcement came forth somewhat later in 2018. Just a thought for this snowy February day in the wilds of the Northeast!

I went to check my copy of 10-17-83, funny thing, I had two copies. Both sound great. I think one is the Miller you posted, I think the other is a Seaman matrix. This must have been one of the shows I kept different copies because I couldn't decide which sounded better. Tough spot to be in, huh?

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Submitted by estimating prof on Tue, 02/12/2019 - 12:17

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Just want to express that I am really enjoying this release. 2/26/77

I have never fully digested this show before. I remember the tape being around in the 90s but no real memory of listening to it. I heard a section of this show on a podcast - deadpod?- a few years ago and was really impressed.

But this release - Wow! Has to be one of the great first sets of all time. To open with the first Terrapin sounding as good as it does. I really enjoy the Playing jam as well.

Second set also fantastic. For me this show really seems like one of the most freewheeling of them all, in the sense that it doesn't really follow any of the set formats of the era. Big jams in the first set. Multiple big jams in the second set. They are just feeling it and and play one helluva show.

This show is now very high on my list for both 1977 (maybe the most downright exciting of the year?) and for the Dave's picks series.

Bravo. Very Grateful!

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Submitted by DeadVikes on Tue, 02/12/2019 - 13:42

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February 16, 2017. I remember that day very well. Spent 7 hours on this site trying to but the GSTL box. The traffic broke the site and I could not believe when I finally got through 7 hours later via the Rhino site. And of course the next day or so they announce The all music edition.
Not sure if any future box releases will be able to match that one as far as the rush to purchase, but you never know.

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Submitted by Maine Dave on Tue, 02/12/2019 - 14:07

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Vguy, you are right that 10/17/83 Sugaree is also superb. (And also from an unreleased show, am I right?) I really, really like the organ sound bubbling in the background throughout, but them I have always been a fan of that particular kind of organ chirping. And Brent's backing vocals hit a sweet spot too.

So I dunno, do I see you, raise you, or fold? Shoot, you're the Vegas guy, I'm the uptight New Englander...

The only thing I think that gives the edge to 12/16/78 is that the 83 version is almost too peppy... it trots along, which is fine, but lacks a little of the weariness that the other version embodies... Okay, I'm grasping at straws here. Although Bobby's lilting harmonics at around the 5:00 minute mark are awfully nice too.

Just to make things even more complicated, there's also the Alaska Sugaree from 1983. Another great version, and another great show opener... and yet another unreleased show. Great keys from Brent again, and some nifty effects on the guitars around 5:15 onward:

https://archive.org/details/gd1980-06-21.mtx.dan.28470.sbeok.flac16

There is another smoking one from 5/6/78 at the U of Vermont. Again, a slightly slower pace, moodier and introspective, not so pyrotechnic. Nice loping bassline from Phil:

https://archive.org/details/gd78-05-06.sbd-aud.cotsman.13726.sbeok.shnf

2 questions:

1. Were Sugarees usually at their best when functioning as the show opener?

2. Would anybody other than me buy a 2-disc or 3-disc compilation of JUST Sugarees from various unreleased shows?

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Submitted by wilfredtjones on Tue, 02/12/2019 - 14:27

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I just checked that one out and in addition to being a very good version it sounds a little different from most '78 versions. Jerry was using the Bean. It's also from the generally underappreciated 'From Egypt With Love' tour. The next night's show is also very good and one I like very much for personal reasons. Some people like the 12/19 show from 3 nights later in Jackson, MS which I believe is only available as an AUD. There are some very great shows to be had from Nov./Dec. '78.

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Submitted by daverock on Tue, 02/12/2019 - 14:58

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I have never heard of the shows following October 1978 referred to as The From Egypt With Love tour before. I have only heard that title in relation to those Fall 1978 shows. I'm not suggesting they weren't-just that I haven't heard of it before.

Incidentally, those Fall 1978 shows at Winterland are also excellent, it should be said. Pity they were chopped up into highlights and put out in the Road Trips series really-the complete run would have made a good box .

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Submitted by wilfredtjones on Tue, 02/12/2019 - 15:09

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Caveat: I may have made up the moniker. I just refer to the whole tour as that as the Egypt influence permeates musically a lot of the shows immediately following the visit. I may have been influenced by the title of RT 1.4 as well. Is anyone able to provide contemporaneous reporting? I'd be interested to know if the tour actually had a name.

I’ll take all of the above.
Small Box in April, larger Box in July, small Box in October.
We’re not getting any younger here Dave. Time to open the floodgates.

A few I would like to receive (not necessarily in this order):
Winterland Oct 74 with video
Winterland Oct 78
Summer 73 with Allmans
6-10,11,14,29-76
Alpine 89 with video
A Plangentized/Normanized FW 69 (50th Anniversary Dave!!)
Brent’s last 7-21,22,23-90 with video (we know the video exists because I’ve seen it, but it’s grainy).

And for the annual post-78 DaP, 3-9-81.

Working my way through 8-25-72, another awesome DaP.

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7 years 7 months

Submitted by MDJim on Tue, 02/12/2019 - 15:35

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From Egypt with Love works for me..

More Sugarees:
Songs of Their Own (Jackie Greene and Friends)
https://www.youtube.com/watch?v=KPpX0tcc7q8

Teresa Williams / Hot Tuna
https://www.youtube.com/watch?v=HbCVJvuJ5PQ

Jorma Kaukonen
https://www.youtube.com/watch?v=Qsttcz5601k

Tedeschi Trucks Band (Angel from Montgomery > Sugaree)
https://www.youtube.com/watch?v=ZrSK-0-MQ8s

So many great Sugarees, so little time.. and not just from the Grateful Dead. Provides a little support and pride towards Grateful Dead music.

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17 years 1 month

Submitted by Sun King on Tue, 02/12/2019 - 16:06

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That 10/17/83 Sugaree was part of 30 Days of the Dead in 2012. I still listen to it all the time....!!!

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6 years 6 months

Submitted by perithecat on Wed, 02/13/2019 - 01:34

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Morning all , any UK subscribers got your DaP 29 yet ?
Still waiting for mine 😾😾😾

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8 years 3 months

Submitted by Roguedeadguy on Wed, 02/13/2019 - 04:22

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Does anyone need these ?
https://themidnightcafe.org/2018/01/30/lossless-bootleg-bonanza-gratefu…
https://themidnightcafe.org/2018/01/07/lossless-bootleg-bonanza-gratefu…

Between these downloads, the Bear's Choice album, and Dick's 4 you can splice together these whole shows.

Love the new Dave's. I think someone else said this earlier, but if you take Dave's 28, then the Cow Palace NYE show, then this show in succession you can practically feel the easy, loping vibe of 76 morphing into the tighter more powerful groove of 77.

No, I haven't got Dave's Picks 29 yet, either,here in sunny England. It takes an age to get here, but the great thing is that when it does, we no longer have to pay tax and import duties when it arrives. As opposed to when we order a box set. Word of warning-costs nearly as much again in tax etc. when you order one of those bad boys!

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16 years

Submitted by fourwindsblow on Wed, 02/13/2019 - 05:53

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We need a New Dave's Pick Series with Plangent doing the transfers.

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7 years 1 month

Submitted by Mind-Left-Body on Wed, 02/13/2019 - 06:41

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I can definitely hear an audio improvement in the 2007 re-release of Two From the Vault. I believe it must have been remastered, I don't think there's any other term for improving the audio than remastering. I assume there different qualities to remastering that can be applied, and even on this page it refers to HDCD as a form of mastering, so to go from non HDCD to HzDCD must be evidence that remastering was done, no?

Rounded out with three songs from Santa Barbara, CA 2/27/77, this one was recorded by Betty Cantor-Jackson and has been mastered to HDCD specs by Jeffrey Norman.

I wish I had a HD player!

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17 years 4 months

Submitted by simonrob on Wed, 02/13/2019 - 07:49

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Those in England still waiting shouldn't have to wait much longer with any luck. Mine arrived in Holland yesterday. Maybe UK deliveries have to undergo an extra Brexit check which could cost months, if not years.

Haven't had a chance to listen to it yet, but I sure am looking forward to it.

One of my favorite all time shows. I had not seen that footage before.. grainy as it was, still a nice piece of world history.

Thanks man.

This silly site still thinks I am not a robot. When will they learn?

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9 years 11 months

Submitted by Sixtus_ on Wed, 02/13/2019 - 08:38

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I could be totally, completely wrong here, but when you play a CD in a blu-ray player, doesn't it automatically "upgrade" the sound/output? or is this totally off base? I am definitely not a self-proclaimed audiophile, but I am a self-proclaimed Lover-and-Listener-of-Good-Ole-Grateful Dead.

On this release, I particularly enjoy the super-casual way they start off Eyes of the World and each member sort of rolls into it once Jerry starts on the rhythm. Someone also had mentioned the St. Stephen tease right before this...I had never actually caught that before on prior listens as I don't recall it being present on the tape I had. They made a good choice to head into Eyes but its always fun to hear the teases.

Sixtus

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8 years

Submitted by DeadVikes on Wed, 02/13/2019 - 08:55

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Sixtus, playing hdcds in a blue ray or 4k player will not upgrade to HDCD. They will still play in regular 16 bit CD format. To enjoy the HDCD format, you need an HDCD player. It has always been strange to me that Grateful Dead Productions or Rhino has decided to release all of these releases in HDCD, when 99.5% of them will ever be played in HDCD players and therefore will not enjoy the benefits not this added process.

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12 years

Submitted by Dennis on Wed, 02/13/2019 - 09:17

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Thanks for the heads up on those two 70 shows, I seem to have both, but downloaded these. Will find which is the best and most complete :-)

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6 years 8 months

Submitted by ShaggyFraggle on Wed, 02/13/2019 - 09:20

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in Canada. #13875 (I think it's telling me to listen to One from the Vault next). I'm pretty new on the bus, so I haven't heard this before. But I'm a bubbling banana for it. Terrapin and the jam sequences are of course incredible. I'm particularly loving the journey through Playin>Wheel>Playin. But I must say that I'm most surprised by the shorter tunes. I'm usually pretty quick to dismiss Mama Tried, but this version is so unique and groovy and sad. It's a cowboy dirge. Best I've heard.

day 3 of school closures due to snowy weather in "the city in the rain"

did a bunch of shoveling ("every day I'm shovelin'") to clear the side road this morning. the cell playing YouTube. Ever shovel snow to Black Sabbath's Paranoid album, followed by a GD73 Eyes of the World (exact date unknown)?

:)))

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7 years

Submitted by CaseyJanes on Wed, 02/13/2019 - 10:47

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Barely noon here, but close enough....bubble, bubble, bubble....exhale!

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10 years

Submitted by Sixtus_ on Wed, 02/13/2019 - 10:47

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...thx for setting me straight. Little that I know....I know little.

Anything these days is better than a hissy old cassette, although I did of course cherish my swath of XLII's.

SIxtus

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8 years 6 months

Submitted by Lovemygirl on Wed, 02/13/2019 - 11:15

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...always love when the Grateful Dead start a show with this number! 12/2/73 Dicks Picks #14 starts off with a beautiful ‘Cold, Rain & Snow’ and ends with a primo ‘Morning Dew’!
I’m listening to 2/14/68 Road Trips Volume#2 Number #2 this afternoon, love my PigPen! ; )

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10 years 3 months

Submitted by KeithFan2112 on Wed, 02/13/2019 - 17:57

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This 9/24/72 show is the one where Bobby's way up in the mix. He plays some really cool stuff here in first 12 minutes.

I may prefer 2nd half '72 Dark Stars. Icecreamconekid is right - we ain't getting younger. Release the '72 shows.
All of them. One big box. One box to rule them all... Sockatoomee, sockatoomee, sockatoomee, sockatoomee.

Really cool "best of" song review, featuring the song title, short review, and "key later version". Jimbo, your Eyes of the World is in here.

https://pitchfork.com/features/lists-and-guides/10078-the-grateful-dead…

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