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    clayv
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    Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

    WHAT'S INSIDE:
    6 Complete Shows On 19 Discs
    • 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
    • 6/24/73 Portland Memorial Coliseum, Portland, OR
    • 6/26/73 Seattle Center Arena, Seattle, WA
    • 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
    • 5/19/74 Portland Memorial Coliseum, Portland, OR
    • 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
    Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
    Masters transferred and restored by Plangent Processes
    Original Art by First Nations Artist Roy Henry Vickers
    Photos by Richie Pechner
    Individually Numbered, Limited Edition of 15,000

    Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

    "We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

    Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

    The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

    For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

    PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

    Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

    Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

    Get it while you can.

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  • RobbZ
    Joined:
    1989 Recommendation
    Not sure why, and probably listen to it a bit more than I should, but July 4th, Buffalo has always been a favorite of mine.
  • RobbZ
    Joined:
    Sports Fans!
    Sports?? I’ll watch/wager on just about any sport. However, I closely follow the NHL and College Football equally (viewing depends on who is playing whom on any given evening). Then the NFL, College Basketball, The NBA, Boxing (was the Mayweather-McGreggor fight boxing?) the CFL, and lastly Baseball. Now don't get me wrong about baseball because it's last on my list...I grew up in Cleveland, minutes from the old Municipal Stadium and watched & cheered many Indian greats such as Ray Fosse, Gaylord Perry, Lenny Barker, Albert Belle, Rick Manning, Mike Hargrove, Super Joe Charboneau, Buddy Bell, and Toby Harrah to name a few. Now a bit later in life, I just prefer a faster game, with an actual clock ending the game. I can't spend 5 or 6 hours watching a baseball game anymore....It's me, not you...LOL @The Outer One…I was actually tuned in last night to the opening of the CFL season, but that lightning delay lasted until I went to sleep. But you can bet I’ll be following the season this year as it progresses…including the Manziel saga in Hamilton. Johnny won me an ass-load of money when he played with A&M…I still talk about that Bama game…LOL @Vguy72…did you not mention the Knights/NHL in your sports post? Blasphemy!! I drove down from Utah three times last season to watch the Knights, would have gone more games but as the season progressed they got better and better and tix were getting expensive. In the mean time I watch the Utah Grizzlies…LOL
  • Thats_Otis
    Joined:
    Happy Friday, DeadLand!
    Here's a little something special from this day in Grateful Dead history - 6/15/85 Greek Theater https://archive.org/details/gd85-06-15.oade-schoeps.sacks.24586.sbeok.f… The AUD sounds really nice too. Perhaps more famous is 6/15/76, which I am enjoying right now, but that 85 Greek show is something special! TONS of energy, and perhaps one of Garcia's finest ballad moments on "She Belongs to Me." His guitar solo is a thing of pure (American)beauty. Hope everyone has a great weekend! PS - Love all the chatter about July 78 Box. Arrowhead is my personal fave - just a compact, tight, smoking show! I also really like St. Paul... aww hell, they're all good! Peace
  • Oroborous
    Joined:
    Boblopes
    Thanks, another great story!
  • Oroborous
    Joined:
    89 Philly
    Right on 80sfan!
  • Oroborous
    Joined:
    Baseball, 89, and hangin with Jer
    BASEBALL; I would of died for baseball when I was a lad, was a pretty good player too, varsity etc.. But like all sports I sadly watched money ruin the game....I was a huge Cardinals fan (used to listen to them on the mighty KMOX) Lou Brock, Bob Gibson, Ted Simmons, Joe Torrey, yeah baby. Dug the Red Sox too, but such heartache. In Wesren NY most kids at the time were big Mets fans, or worse, ahem... So like most things I had to be different, the outcast, the other one! Probably a part of how I came to be a dead head and identified with all you weirdos; ) 89; personally parts of 89 into summer 90, before Brenski started to unravel, is one of my favorite eras. I know that’s contrary to the popular belief of a small but prevalent group on here, but don’t let that stop anyone from checking it out and coming up with your own conclusions.... Alpine for sure, Hampton, 10-16-89 is imho one of the best releases EVER! Philly was awesome, really wish they would get those out. When they played California Earthquake right after the Earthquake it was as good as any big moment in sports, trully powerful experience, at least live anyway. Not as familiar with the rest, of course the Miami DS etc.... EVIL TWIN; thanks so much for the stories! Please keep them coming. That’s perhaps my favorite part of this site; hearing great stories, especially from those who were there during those earlier glory years. 78 Box; even I dug it and I like that era less than some others, like??? Oh I don’t know like.... 73/74!!! So psyched for this new Box. Mostly enjoyed the “Mickey Godchaux” stuff of recent years, really liked the RFK, but I’m dam near Sh#&&ing myself waiting for this one! I’ve stated before I’m not a “taper” or obsessive collector like some. So that influences my wish list differently. I would like to get all the shows I was at, some other must haves or interesting wierd stuff, and I try to get at least copies of all the “official” stuff. Therefore I am not familiar with these shows and at first glance the set lists are perhaps meh? But thanks to all y’all’s comments about monster jams, and after watching Dave’s chat, well it got through my thick skull that these will be some real beauties eh! I mean Late 73 has always been one of my top, if not the top eras, I just wasn’t familiar with earlier stuff and though I like 4-3-73, it didn’t blow me away like say 10-19-73....(although that HCS and subsequent jam are sweet!) In fact how bout the rest of the late fall tour in a box? So there is always that awkward period like Ralphie in the Christmas story where he gets everything except that —“redriderbbgunwiththecompassinthestockandthisthingythattellstime” —when they release something I wasn’t at, but this time that lasted like 5 minutes. Now hopefully Dave’s 27 will come soon as a diversion, because I don’t know how I’ll survive until September! Yee-gads Thanks to Dave and all the gang who work so hard to bring us spoiled, whiney little be-atches all this amazing glory, especially the full led sonically enhanced stuff. And thanks to all y’all that help enlighten us dilatantes to the finer ports of these shows. Happy Friday All!!
  • Slow Dog Noodle
    Joined:
    Cash Grab
    Had a salad for lunch yesterday. I didn't get to make it myself, but it was delicious. It was a total cash grab though. They didn't really care whether or not I liked the way the radishes were cut into those little swirly shapes. And the way the cashier pressed those buttons on the register with no elan, I could tell his heart and soul just wasn't in the transaction. I knew by then they were just in it for the money. I shook my head in disgust but proceeded to sit alone and eat the salad - even the radishes, in spite of it all.
  • Oroboros
    Joined:
    Cousins- SpaceBro often provides informed recommendations re: 89
    But being a Midwesterner, I would point to the Alpine Valley run 7/17-18-19/1989, as an outstanding representation of the boys from that era. And my touring had reduced significantly with the arrival of my three sons, so my knowledge of this era is limited. And Robbz, you asked for another story (sorry cohorts who have heard this one, here it comes again) there is a 'prequel' to that 1978 story. Back in 1977, my girlfriend (now wife), myself, and two buddies decided to road-trip from Lincoln Nebraska to the Winterland for the New Year's Eve run of shows in San Francisco. I toted along with us a clay sculpture that I had made the prior year. It was a one and 1/2 foot (in circumference) dragon that was biting/consuming it's own tail. I had 'scraffitto' (carved designs) into the entire beast's 'hide' and then it was fired and stained. It was the biggest piece of clay sculpture that I have ever made. And I thought it would be fun to give it to the band on New Years. So away we go, get to the venue and secured tickets for the run (12/27-29-30-31-77). The shows were unbefuckinliveable and Winterland was such a great hall. But on the 31st, we were sitting on the sidewalk waiting for the doors to open, talking and watching the circus, ready to hurry and get in for the 'activities' ie. freak volleyball and Bill Graham was going to show us movies (Ray Bradbury's Illustrated Man and the original Beatles Magical Mystery tour) before that evening's show. I thought "I better try to unload the dragon aka 'Oroboros' now, it's heavy and I don't want to try to talk my way though the front gate with it." I spied a door that said 'Backstage' and began knocking on the door. No answer. The line of people on the side walk started getting up and moving toward the entrance. Banged even harder thinking "I've got to get this dragon in there so I can go in the front and join in before the show", and as I pounded harder, the door yanks open with a force that it yanks me into the doorway. This doorway is immediately filled with a gigantic black man in a red event t-shirt, who puts his hand on my chest and leans forward and bellows "WHAT DO YOU WANT?" Startled, I held out the dragon with both hands and stuttered "to give this to the band". The giant took it in his immense hand and his face curls into a grin as he held it closer to inspect it and I watched my dragon shrink to the size of a key chain. He exclaimed "Wow, what is this, I'd like one" and I explained "it's an oroboros and that is the only one there is." He grinned and said "Cool, who do you want me to give it to?" and I said "to Garcia, give it to Jerry Garcia." The giant disappeared as quickly as he appeared and the door slammed shut like the the first time Dorothy tried to get into the Emerald City in the Wizard of Oz. So, I happily gain entrance to the show and needless to say, it was something, 'freak volleyball' followed by the movies, Graham's copy of Bradbury's 'Illustrated Man' followed by a 16 mm Beatles "Magical Mystery Tour". The colorful/wonderful crowd, wonder gal 'rainbow' Rose with an eyedropper of liquid party favor "just one dollar per drop. On your tongue or for the adventurous, a drop in your eye". Oh, and when each person walked through the entrance the staff handed us a piece of paper that had a message about a "Good things come to those who wait, surprise at midnight" with steal your face logo. When you entered Winterland, you could go into the big 'hall' surrounded on all sides by an elevated balcony, (with theater seats). You could also go into a bar, which played some black and white videos on a 'big screen' taken from pro shots of the Winterland stage when Hendrix or Airplane or etc played. Very entertaining on many levels. Hey, the New Riders of the Purple Sage are starting, got to get in there, the sound is loud and they are rocking the house. Anticipation was high and the Dead came out for the first set. Our party favors are now starting to engage..., things began to sparkle, and the old Winterland venue takes notice, and her walls start to sweat and, then to sway with the strains of familiar music as the Dead coaxes this old hall to dance with us. This is such a delight, I know the vista cruiser is engaged and then I notice when the house lights went down, and the stage lights went dark in between songs, then I saw 'it'. On top of a monitor, in between Billy and Mickey, there was a flame, it was a white candle sitting in front of a dragon consuming it's tail. It was Oroboros, ON STAGE WITH THE DEAD! I watched as Jerry walked over and lit a cigarette off the candle next to the ceramic beast. They took a break and the surprise for the second half was Uncle BoBo (as Bobby liked to call Graham) dressed up as Uncle Sam on a motorcycle sliding down on a cable suspended high from the back of the hall (over us) to the stage. They put spotlights on him (as the Dead made appropriate musical anticipatory noise) and he approached the stage and it was hilarious. Because as Graham came to the stage, the weight of the bike and BoBo was too much. He and the bike were far below the lip of the stage, so the stage hands had to rush out and drag him onstage. Which triggered the explosion of Sugar Magnolia, complete with the dropping balloons. And flanking the Dead a gal and guy dressed in a diaper as the 'New Year' babies. I was 'sittin' on top of the world (Dead reference intended). What a night!! Hey if you pull up 'YouTube', type in Dead NYE show 1977- Fire on the Mountain video, and right at the end of Fire on the Mountain, the camera does zoom in on the 'oroboros' for a couple of seconds. RDevil here on Deadnet found that 'view' a couple of years ago and he clued me into it. And then I showed it to my 3 sons to demonstrate the old man is not full of beans or any other'brown material'. Anyway, what a treat that run in 1977 was. At many levels, the return of China Cat-Rider, my being able to 'gift' our band, who poured out so much to us. But unknown to me, the best would be yet to come. We walked out into the cool San Francisco early morning and drove through the fog back to Nebraska. This is not the end of the tale. Fast forward to 2-3-78 and another road trip to Madison, Wisconsin. The Dead were on a roll and this was really a killer show. That Cold Rain and Snow to start out and the tremendous second half with Estimated>Eyes>Wheel that will knock you into orbit. The next morning before I left the hotel, I got a wild hair and called the front desk and asked "Could I have Jerry Garcia's room please?" and the phone rang and Jerry answered! I said "Hey, I'm the guy that brought the dragon to the New Year's show" and Garcia immediately said "Meet you in the coffee shop in 20 minutes". I couldn't believe what was happening but stumbled into the coffee shop at the appointed time and looked around and saw Jerry Garcia seated at a table with a ravishingly beautiful raven-haired gypsy woman. I walked over and introduced myself, and 'shook the hand, that shook the hand, of PT Barnum and Charlie Chan'. Jerry beamed that smile and gestured and said "sit down, man". He asked me "How did you fire that dragon so that it didn't explode in the kiln?" and I explained how I had cut it in half and hollowed it out and then joined it back together. I told him how I had used a guitar string to 'halve it" and we locked eyes at that moment and he burst into laughter and I said "Ironic, huh?" and Jerry quipped "No, man that makes perfect sense." And then we laughed some more. Then the gypsy/beauty said "where are you from?" and I replied Nebraska. And she shot Garcia a glance and stated "he came all the way up here from Nebraska to see the band!" To which Jerry shrugged his shoulders and quickly retorted "we didn't ask him to come". Garcia looked over to me and we both howled with laughter again. No deadhead was she. We talked more about art and the dragon and I didn't know at that time of Garcia's interest and practice in art (this kind anyway). He was completely engaged in the topic of art, but quick witted with 'turn on a dime' twists, turns, and little commentaries on a variety of topics. Jerry was also focused on listening, not acting like he was the important one, giving me time and locked in on our discussion and talking about our shared interests. The gypsy woman frowned in disbelief as she asked me "You went out to San Francisco for New Years and then you came up to Wisconsin" and I said 'yes.' She looked perplexed. Then I turned to Garcia and asked him "Why don't you bring the circus back to Lincoln, Nebraska?" He quickly replied "You mean to Perishing Auditorium?" And I corrected him "No, it is Pershing Auditorium, after the army general" and he quickly retorted "No man, it was perishing, really!" And we both burst out laughing again. At that Lincoln, Ne. Dead show on 2-26-73, there were a bunch of drunk frat boys yelling 'boogie, boogie" at the top of their lungs.., but that show is top-notch! Anyway, I asked Garcia "could you bring the Dead back to Nebraska" and Jerry grinned that Cheshire cat grin and said "who knows?" I took my leave (their breakfast arrived) and drove home. Then that summer the Dead came back to Omaha, Ne. on 7-5-78, and I taped them with my NAK 550 in FOB, and followed them to their/my first Red Rocks shows. What a run! And now it is available in all its Plantagenet glory. I will always claim that Omaha show as mine. So that is my story, Jerry Garcia was totally gracious, engaging, enthusiastic, and kind to a deadhead who approached him at one moment in time. I know, I repeat myself, such is my lot in life at this juncture, but thought I would 'complete the circle' of this story. Anyway, sorry for the repeat, but 'looks like the old man is getting on'. Forgive me and give me a day and I will conjour up my account of my first show at the Des Moines fair ground in 1974 (which is more in line with this wonderful Northwest 73 & 74 offering). This era is when I first saw the Grateful Dead and was swept into an extraordinary adventure 'on the bus' and have been 'enjoying the ride'. "It ain't what I don't know that gets me into trouble, it is what I know for sure, that ain't so". -Mark Twain
  • tncorey
    Joined:
    Oroboros Winterland 77
    New story to me...and much appreciated!
  • 80sfan
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    Joined:
    89 recommendation
    Fall tour is well documented with the Hampton shows, the Nightfall of Diamonds meadowlands show and the Miami 30 trips release...but the Spectrum run (10/18-10/20) is really excellent. 10/19 is one of my favorite shows of all time. Reach out if you'd like a copy...
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6 years 3 months

Pacific Northwest ’73-’74: The Complete Recordings Boxed Set

WHAT'S INSIDE:
6 Complete Shows On 19 Discs
• 6/22/73 P.N.E. Coliseum, Vancouver, B.C.
• 6/24/73 Portland Memorial Coliseum, Portland, OR
• 6/26/73 Seattle Center Arena, Seattle, WA
• 5/17/74 P.N.E. Coliseum, Vancouver, B.C.
• 5/19/74 Portland Memorial Coliseum, Portland, OR
• 5/21/74 Hec Edmundson Pavilion, University of Washington, Seattle, WA
Mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering
Masters transferred and restored by Plangent Processes
Original Art by First Nations Artist Roy Henry Vickers
Photos by Richie Pechner
Individually Numbered, Limited Edition of 15,000

Includes an immediate digital download of "Eyes Of The World (P.N.E. Coliseum, Vancouver, Canada 5/17/74)"

"We were in the Pacific Northwest...between somewhere in Washington and some other where in Oregon. The road took us to the lip on a ridge, from where we could see around us for many miles in all directions … It was breathtaking to behold, but as we watched, we had a firm realization that we were witnessing something even more beautiful than our eyes could ever take in … Life causes life. Heaven and Earth dance in this way endlessly, and their child is the forest. And so there we were, epiphanously watching that grandest and most glorious dance of life—of which we are just a tiny part—awed by a magnificence without beginning, without end..."

Bob Weir, “Sell Headwaters—Everyone Wins,” San Francisco Chronicle

The Pacific Northwest offers up a rich feast of land, sky, and water. It is ripe with influences, abundant with symbols, deep and spirited. It should, therefore, come as no surprise that the Grateful Dead played some of their most inspired shows on these fertile grounds. It does, however, sometimes take a breath for the elements to re-align years later. It seems for us, they finally have and we are able to present not just a glimpse of the band's extraordinary exploratory tour through the region, but a two-tour bounty as the PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS.

For PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS, we've paired two short runs made up of six previously unreleased shows - P.N.E. Coliseum, Vancouver, B.C. (6/22/73); Portland Memorial Coliseum, Portland, OR (6/24/73); Seattle Center Arena, Seattle, WA (6/26/73); P.N.E. Coliseum, Vancouver, Canada (5/17/74); Portland Memorial Coliseum, Portland, OR (5/19/74); and Hec Edmundson Pavilion, University of Washington, Seattle, WA (5/21/74). Each show has been mastered in HDCD from the original master tapes by Jeffrey Norman at Mockingbird Mastering. The transfers from the masters were transferred and restored by Plangent Processes, further ensuring that this is the best, most authentic that these shows have ever sounded.

PACIFIC NORTHWEST ’73-’74: THE COMPLETE RECORDINGS comes in an ornate box created by Canada’s preeminent First Nations artist Roy Henry Vickers (more on this tremendous artist soon). To complement the music, the set also includes a 64-page book with an in-depth essay by Grateful Dead scholar Nicholas G. Meriwether and photos by Richie Pechner.

Due September 7th, this release is limited to 15,000 individually numbered copies and available exclusively from dead.net. You'll want to grab a copy while you can and sit back, relax, and enjoy all the exclusive content we'll be rolling out over the next few weeks.

Looking for something a little more byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

Get it while you can.

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7 years 3 months

In reply to by icecrmcnkd

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Most of these shows circulate.. you just gotta poke around.

Even though I gave up my iPhone and switched to a Galaxy I still use iTunes to manage my digital music. There is a gapless playback option.. and all my other devices including my phone play without that annoying gap.

Most of these shows circulate pretty freely.. you just gotta poke around. Find a show you like using the archive and built an inventory of the lossless digital files. Just say NO to MP3's.. Flac, Alac or Wav's... a 4TB external drive is like $89. That's enough space for a lossless copy of every dead show ever performed.. and then some.

I know.. sounds easy, but poke around a bit and if you are a digital novice.. it's not that hard, a little patience until you climb the learning curve and then it's easy.

Hey.. D&C are playing in Mexico tonight, I think.. mmmm

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The individually numbered certificate is in the small wooden box.

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7 years 7 months

In reply to by Alain

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Thank You, Unfortunately the small wooden box was empty.

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7 years 3 months

In reply to by mmckenna

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Mine came packed with a small but potent bud and a little teeny tiny vial marked blue cheer. Wonder what that's all about?

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6 years 7 months

In reply to by MDJim

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Jim,

I would be happy to do an investigation for you. I think you have my address. Just forward the box and all contents my way. I will run tests and let you know what it is.

KCJ

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15 years 10 months

In reply to by icecrmcnkd

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The small wooden box that came with this set has your limited edition number (my #: 11593) open it up and you've got some more artwork and a note from Roy Vickers. The box could be useful in several ways just as long as you keep it in the larger box: bud stash!
I like it.
All the music contained in this collection is fantastic. a great box and I am grateful for its release.

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9 years 11 months
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2,154 Left

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17 years

In reply to by Automaticslim

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You guys are Grammy winners in my book... no doubt! This Box is spectacular... I thank each and every one of you that had a hand in bringing this complete package to my doorstep. It is proudly displayed in MY house as if it were a Grammy! I look forward to your next creation.
iG

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6 years 1 month
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I still regard myself as a bit wet behind the ears when it comes to knowing about the best of anything but I would seriously die a happy man if the last piece of music I heard was the bridge between China/rider from Portland 5/19/74 . It gives me goosebumps just writing about it 🇨🇳😺🚴‍♂️

If you are a bit wet behind the ears, Perithecat, I wouldn't think of checking out just yet-you have a long and happy future ahead of you.

1. GD - DaP 29 Swing Aud.
2. Strawbs - 1st album to 'Nomadness' on shuffle
3. Caravan - In The Land Of Grey And Pink
4. GD - 2/21/71 Capitol Theatre/Port Chester, NY
5. Doc & Merle Watson - Never The Same Way Once (too many good shows to name just one!)

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Good morning Heads! Not sure how many people are keeping up with this thread as there’s always something new to ponder and get geeked about!! First, I think this box is pure joy and delight and find something new everytime I pick a show to groove to and dissect. Has anyone else experienced the vocal track fading out/pretty much dropping beginning in Sugaree in disc 14 from Portland 5.19.74? Thanks for letting me know. I’m not sure if it is the system I am playing it through or fault with the recording. Your insight is most appreciated. Enjoy the day and weekend!

Sadly it’s in the recording , but don’t let that put you off it’s a truly wonderful show , I’ve said it before and I’ll say it again the bridge between China/rider gives me goosebumps just writing about it let alone listening to it 😸😸😸

Sadly it’s in the recording , but don’t let that put you off it’s a truly wonderful show , I’ve said it before and I’ll say it again the bridge between China/rider gives me goosebumps just writing about it let alone listening to it 😸😸😸

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In reply to by perithecat

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Thank you so much for your response. I’m kinda just a bit obsessive about sound, aren’t we all on these threads!, 😀 and glad to know it is not just me but the master tapes. It was your comments about the China—>Rider bridge that made me go back to this show to hear it again. Peace and thanks.

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8 years 8 months

In reply to by TLEO 77

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Got it on vinyl recently.
Sounds awesome!
And yes, the vocals drop out is there too.

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9 years 9 months
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Did anyone get the Playing in the Band from this show that came out on vinyl last year? I saw it on ebay in the early hours and had a poke round to see if there were any references to it. I couldn't find any, so I decided to take a punt anyway. It reminds me of the Dark Star from Paris 5/4/72 that came out on vinyl a while back, in that it is just that one track, split into two sides during drums. That works for me, so I have high hopes for this one.

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8 years 8 months

In reply to by daverock

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I got it, I think it was $20 or $22.
I don’t recall that the flip is during Drums, I think that it’s between a slow, low volume section.
I do recall that I enjoyed listening to it. :)

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In reply to by icecrmcnkd

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Yes, that makes sense - Playing doesn't normally feature drums anyway. I think you got a real bargain-I paid the equivalent of 26 dollars, which was still considerably cheaper than everyone else was selling it for.

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5 years 4 months
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6/24/73 is so smoking to me , this dark star into eyes is AMAZING! I’m surprised the dark star didn’t make the cut for the compilation but it’s still an amazing selection from these 6 shows to create the 3 cd compilation. Some incredible mind bending jams inside this treasure chest!;)

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No vocals on "El Paso" some how they must of had Bob's mic off or way down May 17, 1974 – P.N.E. Coliseum, Vancouver, British Columbia Disc 14

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4 years 9 months
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Ordered this 12/2 for a Christmas present. Has not shipped yet! Keep getting useless auto replies. Very frustrating. Highly disappointed in the customer service and the experience

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4 years 5 months
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Waited over 2 months to get this and when I went to go listen I was missing disc #15. Have tried emailing costumer service and haven’t received any response. Please help! Would really like that disc.

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4 years 6 months
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May the force be with you, brother, sorry about your missing disks. I have a couple of defective ones and 2 months later, no word of a replacement.
Theres an interesting article on the web about a company by the name of Direct Shot that most of the major labels have put in charge of all physical media distribution. About the same time this happened, Dead.net customer service went straight in the toilet and has not emerged - “warehouse consolidation” indeed. What is disappointing is that nobody at Dead.net has made a direct statement (at least that I have seen) that they are aware of the problem thats been allowed to drag on. The loyal Dead fanbase deserves a straight answer about the problem and when our outstanding issues will be rectified.
Jerry would be very unhappy about how we’ve been treated.

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8 years 8 months

In reply to by aardvark2300

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Here’s the statement that was emailed several weeks ago.

—————-
Cause when things go wrong, wrong with you, it hurts me too
It's been quite a year and we know how patient you have been, how patient you still are. It has always been, and will always be, our mission to provide the best service to you, the fans. As you are more than likely aware, a complex warehouse move resulted in a significant backlog of orders and while that warehouse is working as quickly as they can to deliver, we've turned 100% of our focus and dedication toward a new facility which promises to restore peace to the Dead.net community in the next few months. Trust us, this steam locomotive is rolling down the track!
————

You can try sending a PM to Marye now,.

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4 years 6 months

In reply to by icecrmcnkd

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(I think) I have successfully sent a PM to MARYE kind of hard to tell, pretty strange PM system on this forum - thanks for the suggestion. We'll see what happens.

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4 years 5 months

In reply to by aardvark2300

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Yeah, this PM system is a little weird. I was able to message Marye and got the missing disc. Have really been enjoying these shows. Good luck resolving your issues!

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13 years 2 months
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I have had two Dave’s Picks go everywhere but to my address........which for some reason didn’t include my apartment # ............therefore no delivery..........One arrived months later.......and a second one #32 is in transit supposedly and maybe arriving shortly. I had to file with the Better Business Bureau over this foolishness. Which seemed to get a quicker response from The Dead Store......To which I say good luck to all whom have problems with The Dead Store Customer Service.......I have been through the phone calls .....the emails........and calling Warner’s main office to no avail.......it is a sad situation.........

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10 years 2 months
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Check out Rhino for sale through this weekend

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3 years 9 months
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Testing with Lossless Audio Checker shows the June 1976 FLAC download in 24/192 format ( https://store.dead.net/music/digital/june-1976-flac-192-24-1.html ) and the Pacific Northwest '73-'74- The Complete Recordings FLAC download in 24/192 ( https://store.dead.net/music/boxed-sets/pacific-northwest-73-74-the-com… ) to be "Upsampled." I have notified Jeffrey Norman and Rhino. I sent Jeffrey the logs of the LAC test results showing 80% of the June 76 files being upsampled. While he was very nice in his response, he had no explanation for the finding. Rhino has not responded to any e-mails. It is important to note that the files on both test “Clean” after downsampling to 24/96, which, likely, means the files, were originally digitized at 24/96 or digitized at 24/192 and downsampled to 24/96 for mastering. Whatever the case Rhino needs to disclose this fact on their web site or change the files for sale to 24/96.

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17 years
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The hour or so of music from He's Gone through the end of Wharf Rat is one of the top 5 hours of music the dead ever played.

There, I said it. This box is worth every penny for that hour of music alone.

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3 years 8 months
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... just wanted to share how delighted I am with the music in this set, and encourage anyone who’s not taken the plunge to just go ahead and get it already.

There’s been some chatter in another thread about how long it’s taking to sell out this box, and all I can say is that, as much as I love ’73 and ’74, I didn’t order mine till Rhino put it on sale. Maybe some people are settling for the 3-disc version, which is understandable, given the difference in price and given that they did manage to include some very high highlights (including the 45 minute PITB!) in that set.

Also causing some hesitation for me was the packaging. Don’t get me wrong: it’s beautiful! The art work is amazing. But speaking as someone who already has problems finding shelf space for my CDs, I wasn’t sure where I’d put this giant box. (In case anybody upstairs is listening: I thought the June 1976 box really hit the sweet spot between packaging that was elaborate enough to make the box feel special but also small enough to not cause problems.)

Anyway, the music. The MUSIC. For me, this era was flat out the best the band ever sounded, and it’s an incredible joy to hear them in such fine audio. There are a few “surprises,” the kind of vocal drop outs and oddities in the mix that would’ve rated a “caveat” back in the Dick’s days. Mostly, these are very temporary, and in all cases the sound is really really good once everybody settles in. As usual, Jerry’s louder than Bob, but you can hear them both very distinctly, and they constantly (constantly!) are playing their asses off. Phil’s on fire throughout. And BK? He makes a solid case here that the Dead never needed another drummer. Keith comes through nicely, and plays well. I suppose we could say that the vocals were erratic during this period, and I would admit that’s true here. But the singing is mostly good to great, and man oh man, the band sounds fantastic!

I’ve only listened to each show once so far—given the complaints about missing discs and whatnot, I felt like I should make a point of listening all the way through to make sure nothing was amiss—so I’m not really ready to call out a favorite show, or even favorite tunes. But I will say that the PITBs, the Bird Songs, the Eyes, the China-Riders are all, for me, as good as they get. Their playing was so spontaneous, so open, so powerful, so much soul, so imperfectly perfect.

Yes, I suppose there are other, equally worthy eras. But man, ’73 and ’74 were beautiful.

I keep going back to this box - superb. Especially the 1974 shows. I went so far as to get 5/19/74 and the Playing in the Band from 5/21/74 on vinyl. There are a few problems with vocals on both, but this matters not a jot. The playing, as you say, from all band members, is absorbing. After 1970 they only needed Bill on drums.

I also agree with icecrmcnkd - a box of October 1974 with bells and whistles would make a great release.

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16 years 11 months
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I just received my edition of the Northwest Complete Recordings 73 74. Showed up without tracking or any email confirmations . So Glad You Made It. Can't Wait.

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2 years 11 months
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Is this box now sold out? They list it, but it seems like that is just some old data. Great set. I love it, but I don't have it physically. Not a huge deal, but it is very lovely.

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081227931391
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https://store.dead.net/pacific-northwest-73-74-the-complete-recordings-19-cd-boxed-set-1.html