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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • icecrmcnkd
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    Extra octave

    Yes, Norman confessed.
    He manipulated the bass a bit too much.

    But what about the Winterland 10/74 kick drum?
    Some people hate that.

  • icecrmcnkd
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    Swinging the leg through

    Isn’t that called a ‘girls’ bike?

  • icecrmcnkd
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    Am I the only one being harrassed by the reCRAPTCHA bot?

    Last post was around 10 screens.

  • icecrmcnkd
    Joined:
    HF’s erroneous thinking

    Drinking Hamm’s.

    Do they still make that?

    About 10-15 years ago Stroh’s was brought back for a summer nostalgia release. Naturally I bought a 6 to relive some glory days of high school circa 86-87 when Stroh’s was being sold in 15- and 30-packs. And for the same price as 12- and 24-packs of competing beers! How could a poor teenager not go for the package with the extra beer?
    Anyway that nostalgia Stroh’s was horrendous and I drank less than half a can and gave the rest away.
    Buying that in the first place was erroneous thinking on my part.
    Lesson learned, don’t go for the nostalgia beer.

  • wilfredtjones
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    An extra octave?

    That's a lot. Are you sure? Why the hey would Norman do that to those tapes and not others? I'm going to compare it to the 4 cd set from April '71 (Ladies and Gents). I've always considered that one rather chunky bass-wise.

    Here's an under-rated pick: DaP 30! Nice booklet with that one! :-)

    P.S. My vegetables do come into contact with my potatoes, and Pork Chops sometimes. I never weighed in on that one, but I did think about a whole pork chop dinner (gravy and all) in the blender and passed.

  • 80sfan
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    Past Dave's Picks

    I enjoyed them all - some were no brainers (#13 - Winterland, Feb 74). Others I'm still surprised at how they stuck with me (#15 - Nashville, 78).

    The only ones I don't revisit that much are the fall 71 shows for whatever reason. All great stuff, just not my go-to when I need a fix. I've also been listening to the 1978 box recently - really great stuff, and perhaps the most under rated box set they've ever put out. I still cannot believe it's available...

  • JimInMD
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    Dave's Picks

    No worries Alvarhonso, it's all good. The discussion pushes the topics along and often makes us revisit stuff sometimes yielding entirely different perspectives. ..and it is very subjective.

    I should listen to them all again, it has been years since I listened to some of these. Listening to 7/3/78 St Paul as I write this, making this the last Scarlet Fire I have listened to. It sounds mighty fine and the Dancin in the Streets has a little more kick than I remembered. Very tight.

  • 80sfan
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    article

    cannot tell you how much this passage resonated with me:

    "When we arrived in the bustling parking lot where thousands of Deadheads had already gathered, we instantly felt relieved, accepted and embraced. I think we all were feeling homesick during our first week of college. So we, this bunch of strangers, went home together to a place to which none of us had ever been."

    That's really it - accepted and embraced. That captures exactly how I feel, whether it was a dead show, a dead & co show, a dead cover band show, etc. You walk in and can finally fucking exhale and let go of the bullshit and just have fun for a few hours among people who you know are feeling the same way you are. Hard to top that feeling.

  • CaseyJanes
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    Finding Home

    I never saw Jerry, and missed out big time, but this article nails it for me, and I won't be missing out on future tours if I can help it....very nice read! My opinion....the boys were outstanding this summer, so catch em while you still can!

    https://www.salon.com/2019/06/21/communing-with-the-dead-i-followed-the…

  • alvarhanso
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    DaP 24 and DaP 25

    I tried to limit my negativity, but the topic was less than stellar Picks, and I mentioned 24 8/25/72 and didn't hammer the point home about that extra octave on the bass, because Mr. Norman posted his apologies about that at the time, and didn't want to make him feel bad in the off chance he checked in the forum. As a guy who attempts to play bass, and loves his effects pedals, I was really stoked for that release when I first heard it and thought Phil had a prototype octave pedal, but when I found out it was bass that wasn't actually there, my opinion shifted on it. And as a guy who focuses on the bass playing just about more than anything else, it's extremely hard for me to have enough bass there without still hearing that imposed octave. That show, particularly the Bird Song and Other One are fantastic, is a good one, but to my ears, it becomes an annoyance. Again, subjectivity. And ironically that octave maybe helps the feedback/bass driven jam in TOO, but that's about the only part of the show I listen to. For DaP 25 11/6/77 I love the opening duo, dig other parts of the first set, but after multiple attempts have found the second set, particularly the Scarlet Fire just isn't to my taste. I love Spring '77, perhaps for the same reason many don't like it: they're more precise after recording with Keith Olsen, and having another day of working with him in early May before the fabled Holy Trinity. Fall '77 isn't my cup of meat due to less cohesive playing. But, you do get things like Let it Grow which wasn't played at all in May (can't think of one at least) and Dupree's, and DaP 12 11/4/77 is a rip roaring show, and I dig it when I listen, but I don't ever find myself choosing it. And again, don't want to harsh anyone's positive vibes about certain shows, and I avoided any real mention of Boise, because that seems to be a Flashpoint for Era wars to break out. But those tapes sound awful. Boulder is a reel to reel and sounds great, but the music is what kills that one for me.

    And I noticed no one has brought up DaP 19 1/23/70 which has TIFTOO and Dark Star and Lovelight, etc, but doesn't ever seem to stoke much commentary good or bad or indifferent. That buttresses hendrixfreak's theory, and makes The 11 the real outlier.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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...set-List is primo! I’m in love! 🙏❤️😎

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10 years 9 months
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Guess the mystery will hold until May 1. Can't wait for this release!

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11 years 9 months
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When I was a mere schmo of 19...dem were da daze...

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yahoo!!!!

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12 years 4 months
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Should be fantastic. Love the artwork too......(But still hate this new site. Impossible to post or find comments on your phone. It's a nightmare. I miss this place. I just happen to be in front of a computer now)......Enjoy the holiday weekend

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I have the subscription. If it's not sold out, get it now.

Love the artwork and look forward to hearing this. A magic era.

Too soon to request an 80's show for Vol. 31 and 90's show for 32?

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30. (!).

Wow.

This is good. This Dark Star is one for The Ages.

Sixtus

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14 years 10 months

In reply to by SPACEBROTHER

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I say for #31: 6/18/83 and 6/20/83

for #32: 5/27/93

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In reply to by SPACEBROTHER

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It's never to early to ask for an 80's show. But I'm a little greedy. 3 83 shows in a mini box would keep mr. Jones away from my door for a while

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In reply to by stoltzfus

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....seems like just yesterday that the Dave's series was announced. Oh, oh what I want to know. where does the time go?

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Can’t wait to get my furry paws on it. You got it right pops ,those were some good old days.

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In reply to by Strider 808808

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Seems the t-shirt for sale is the cover of the bonus disc. Interesting artwork, also gives an idea how small the Fillmore East was. That third disc is gonna get a lot of play at my house and in my car I imagine.

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This is the Dead at their first "Peak". Amazing stuff. And the recording is pristine.

Love the art for this one. Glad to see something different and original.

“Incredible variety of releases and format” Dave you evil bastard LOL! We haven’t even received this one yet and I’m already jonesin’ for more! Format variety? Like perhaps some video....

COVER ART: I’m with thin, I like this cover especially because it’s not the bearded skeletons again....not saying any of that was bad, just think there is so much more iconography to work with and the skeletons have been done to death, yuck yuck, imho that is....sounds like we might get some era variety also? Philly 89? Summer 85? More 79? 91?
Folks saying Warfield 80 might be right, he’s obviously been poking around there....but what about Gainesville!

Yee-gads, I guess in the mean time we’ll just have to settle for some 70 Fillmore 😉 were so spoiled, thanks Dave

EDIT: perhaps the most interesting tell is that their working with Bears people and what that might entail......”possibilities are frightening”

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The art work is growing on me on this one, but that disc three looks amazing.

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In reply to by icecrmcnkd

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Short Seaside chat for Dave. Of course this one should have come out a long time ago....

No real clues on the next box.☹️

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I concur, guessing what's on this bonus disc is going to be fun. That third disc with the dark star is going to get some big time play here. Some of the tunes from 1/3 are on disc 1 and 2 so I am going to figure the big jams from both early and late shows will be on the bonus disc, oh goody, ps put me down for a couple of those limited run t shirts.

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In reply to by Sixtus_

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Sixy - That's what I thought when I turned 30. I'm 45 now. : ))

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either an 80's Ventura box or an 80's Greek Berkeley box....

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In reply to by wadeocu

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This seems like it might be pretty interesting.:

https://pitchfork.com/news/grateful-dead-graphic-novel-announced/

Anyone remember back in the day, the Grateful Dead comix? I recall them coming in the printed newsletter that folded out, was on beautiful stock paper, and had lots of colors and all the new products of the day. Like Dick's Picks one haha.

Sixtus

P.S. Wedeocu....true dat. 30 seems like both yesterday and forever ago! Also makes me wonder if there is ever any endgame number in store for us with Dave. 30 is great. Imagine double triple quadruple that? Who will live that long haha.

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Just like others have noted, the skeleton art has become a bit stale and cliched so this is a welcomed change of art direction. The other covers are great but the skeleton motif becomes staid after a while. The Wizard of Oz cover was a nice touch on whichever release it was on.

Now onto that MSG NYC September 1979 box set. Dave that one will sell-out instantly.

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I dont know Sixy, I think I can make it to at least Dave's Picks 110 or maybe 120.

Anything after that is all bonus material for sure!

Looks like Rhino has found the sweetspot. That point that people that want it can have it while keeping the cost down by not succumbing to those that think Rhino is in business for them by keeping everything made in stock

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In reply to by snafu

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I tried to pre-order one (on an iPad) and got the message

“Selected required options are not available.”

Just seeing if it was sold out, I wasn’t going to actually buy it because I subscribed.

Edit:
Not sold out, I was able to put one in the cart.

100 total hits in the book, pre-orders only.
You have to figure out where to lick, with no 2 hits adjacent to each other.
Basically a reCRAPTCHA exam for the tongue. The problem is that by the time you realize that you found a hit, you could have found 5 hits.

But seriously folks, the real question is what unreleased songs are going to be on the bonus vinyl for preorders.

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just please don't put out 8/3/69 at the Great Highway. that show sucked balls so hard I didn't get through it and I deleted that show first and only time I felt the need to delete a grateful dead show

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21K OR 22K for 2020??? PS jamming 4/17/1971 Dillon Gym from Princeton.... missed the anniversary by a day but in a mood for some Pig Pen!!!.... have a good night everyone... bob t

Only clue given was Alligator, and they very wisely used the key covers as filler on disc 2, and the rule about originals or phblic domain leads me to think the bonus disc will look thus:
Cumberland Blues, Alligator> Drums> Alligator> (Caution Jam tracked?) Feedback, Mason's Children, That's It For The Other One> Cosmic Charlie, Uncle John's Band> Black Peter, Dire Wolf

Think that's around 80 min; Senor Norman cuts a lot of the inevitable tuning that is left in on Archive, so who knows how much he can cut, one of the songs may not make it. Figure UJB> Black Peter over the early show encore version, and Mason's because Dave has put out most of them, and I could see another double Mason's, for those who hate and loathe and despise it, at least it isn't a triple shot of it. And not sure if he goes with another China Rider. Would not object at all to that.

And I wonder if Dave's mention of working with the Stanley family means this is more Bear's Sonic Journals type of release than Houseboat Tape continuation. Though, he also mentioned the Dave's that were part of that stash, 6 (2/2/70, 12/20-21/69 with bonus), 10 (12/10-11/69 with bonus), 19 (1/23-24/70). Either way, talk of talks with the Stanleys plus the returned Bettys make it a great time to be a Deadhead, and a boom time for any credit card company who gives cards to Deadheads.

Really excited for this release!

....the ONLY whiskey I can drink straight. Good call.
Also a good call, we might get TWO Cumberlands in this release! Blessed 🙏 indeed.

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In reply to by Vguy72

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....the Mason's Children from 1.2 is the one released on Fallout From The Phil Zone. The Philster is doing a one off in Vegas in three weeks. Here's the lineup.
https://hardrockhotel.com/las-vegas-entertainment/joint-phil-lesh-2019…
....looking tasty af. Can't complain.
Note the age limit of 6+. At The Joint. Wow.

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I snorked hard when i read that

If I remember correctly, the bonus disc can only be made up of GD composed songs. Reason being the bonus disc is a 'gift' so to speak and Rhino is financially responsible for producing it. They don't want to pay royalties for the cover songs on a giveaway disc. I can't say I blame them. The end of disc 2 has some of the cover songs from 1/3/70 and what cover songs they are.
Someone stated in an earlier post Dave had mentioned 'Alligator' so I'd say that's a safe bet for the bonus disc; Deadlists times it at approx. 25 minutes so there's 50-55 minutes left for other GD songs/jams. We could see some prime music from 1/3/70.

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Looking at the set list, this Daves 30 looks like a bridge linking the 60s to the 70s. It must have been one of T.C.s last gigs, and one of the last times the Dark Star-St. Stephen-Eleven suites featured. The disc also includes a generous helping of the more country rock style the band would focus on during the first couple of years of the new decade. More country, less psych-although epic journeys were still made, the focus was beginning to change-and this set demonstrates that quite nicely.

Also nice to see hippychick back, lubricious as ever.

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