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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Oroborous
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    Re: Angry Jack Straw/hockey

    Right on,well said!

  • allman
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    posted again for slow dog noodle - USPS not UPS

    I received the shipping email with the tracking number over a week ago. Every time I checked the shipment was going nowhere. The tracking number goes to the UPS website so I copied the tracking number and pasted into the USPS website and it says it should be delivered today. Everyone who is seeing that the UPS tracking as not giving the shipment status try going to the USPS site.

  • Angry Jack Straw
    Joined:
    Favorite team vs. a good game

    Depends on the sport. Ask any lifelong Red Sox fan if they would give up coming back from an 0-3 deficit and beating that team from ny in 2004 for not having to endure generations of disappointment. Not a single one of them would. That is why it was so meaningful.

    As for the sports themselves.

    Squeakball is a joke. I could care less who wins. It is unwatchable.

    Baseball is not far behind. I only watch the post season any more, but even that is becoming less frequent.

    Football? Rapidly losing interest in that as well. Go ask the NO Saints why.

    To me, hockey is (or at least was) the lone remaining sport yet to be defiled. The players, for the most part, are in it for the game and to win the Cup. Not the money. There is no money in hockey. That is why I like it.

    I'll take a good hockey game regardless of the outcome over my team winning every time. I am a Red Wings fan and have no allegiance to the outcome this year. The third period last night was some great hockey. Watched and enjoyed every minute.

    But, the refereeing this post season has really soured me. Taking that goal away last night was egregious. It goes against everything the sport is supposed to stand for. You want to take a goal away because a player who is a 100 feet away and has his back to the play is a bit too slow getting off the ice. Fine. Then take it away. But at least be consistent and give the Avalanche a "too many men" penalty as well. Simpletons.

    The sport has been played for generations where it is accepted that during line changes, the player going onto the ice jumps a fraction or so before his counterpart gets off the ice. Never a problem unless you are involved in the play. He wasn't.

  • Strider 808808
    Joined:
    Alligators / El Paso

    The main plaza of El Paso used to have live alligators in the fountain . Thought I would mention something interesting. Still waiting for 30 in back water America. Take some deep breaths , breath in, breath out, on and on.

  • Charlie3
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    Disc 3

    I pretty much feel like disc 3 alone is worth the cost of this release. Haven't had a chance to listen to the bonus disc yet, and my initial listens of discs 1 and 2 were pleasant but distracted. Currently giving disc 3 a second listen and digging this Dark Star a lot, particularly when they launch into the jam of Soulful Strut starting about 23 minutes into the Dark Star. I know that a lot of people refer to this recurring jam as the Tighten Up jam, but if you compare it to Soulful Strut by Young-Holt Unlimited I think you'll hear the similarities, particularly the melody, whereas it does not sound like Tighten Up by Archie Bell and the Drells. The example in the 10/31/71 Jam after Dark Star is strikingly similar to Soulful Strut and is probably the best version to hear the similarities.

  • KeithFan2112
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    Dead Night in the City of Light / Day of the Dead

    I just finished up the second Paris show and Bickershaw.

    Bickershaw is a fantastic show. Everyone knows about the great Dark Star into The Other One. Everyone knows about the great Lovelight . Check out the Rider, BTW, and the PITB. Of course they're all great on this tour, but this show features a snapier Garcia on those three tracks. Black-Throated Wind - did it ever sound better than Europe 72? Keith is very audible throughout most of the show too, which is tragically not the case for many on this tour. Don't get me started on the engineering...

    Butch - yeah, didn't you read the story I posted about emailing him for the tracklist of the bonus disc? We tight :D. No, but seriously, he had nothing to do with it and I've never met him. The RFK thing was something that I did to let him know that all of us message "Board Heads" would gobble up a 1973 RFK two show mini box. He was gracious enough to reply to me ( I say gracious, because I imagine he has more work to do on a day-to-day basis then I can even imagine; so for him to take the time to reply to it was a gesture that I think goes beyond his call of duty). In any event, his reply about the RFK possibility was one that he preferred I kept between us, so I did. He was going to give us a shout out on the next Seaside chat, but I think he forgot.

    Darkstar - apology accepted, no worries. Sometimes things tldon't come across in writing the way we intend.

    I saw a Golden Gate Park video from 1991 of the Dead playing Touch of Grey. I guess there's a whole video floating around somewhere. That was fun to watch.

    Now I have to somehow fit Buffalo '77 in. Take two hundred and seventy-six, you know this used to be fun...

  • Slow Dog Noodle
    Joined:
    Dave's 30

    I too am in tracking purgatory. Really like to hear this one but I guess in the meantime i'll have to keep playing Electirc on the Eel and Zorn's Salem 1692. Maybe UPS just wants to make sure everything is just exactly perfect with the shipment.

  • Oroborous
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    1/3, AVs, Weed

    1/3/70; only superficial listen so far but besides that amazing disc three, I’m with the 1/3 crowd. Perhaps my reference point was more in order for 1/3, but overall it does seem to be a bit tighter etc. Also think perhaps there’s a little more energy from 1/3s first show versus 1/2...... of course all that is splitting hairs as both have their yin/yang, and so far none of it can compare with that monster Dark Star and all of disc three. (Had to check that out again!)
    Imho that was more than worth the $25 bucks right there!
    And like Jim says, it’s a great snapshot of GD history and though perhaps there is more sloppy stuff on here than normal for a Dave’s, it is interesting to experience them figuring things out. Perhaps not unlike the first Estimated and Terrapin from the last release. Those obviously were a little farther along and the band was hitting a new stride then, but same idea. I’m sure the stuff they started on later in the year will be even more raw and unpolished and with less of the monster jams, but one could argue that 72 wouldn’t have been so great without this transitional period?

    AVS; we’ll they came to play but you can’t beat the cosmic forces of sports, or the refs.....I’m not that invested in it, hell not that into any sports anymore, like A.J.S., or cone Kid?, says it’s not worth it, and this is a good example why.....it seems to me that more and more things are not say “fixed,”, but that the various leagues seem to sometimes help certain teams along, which since it’s all about money now is not surprising. From what I saw of the last three Knights games and the whole AVs series it does seem like their a tad pro Sharks....and yes that NO GOAL still is hard to swallow even after all these years. There is no way the Sharks should of made it out of round one, even without the “call”!
    I watched money ruin my precious childhood love for Baseball, the NFL is a fucking joke now, and Hockey is following the same path, sigh.......but that’s why then and now I always felt like you won with the Dead, even a meh night was better than most sports!
    WEED; all y’all have gone round most of this, but as someone who has seen so much go on with this issue for many decades now, and who lives in a Green state, I would just like to make a few points....
    - Generally didn’t dig Wrecked’s post, but sorta can relate to the concern about a majority of folks being high all the time. The thing is, the evidence has clearly shown that usage among the general population has not changed, which is what the initial research before legalization suggested. In other words just because it’s legal, doesn’t mean the whole world is using it. Which is good only because;
    - The only real issues that the authorities and the media have reported is the miss use of, especially edibles, usually by out of state tourists who are not properly informed or experienced. This to me is just another case of irresponsible behavior, which IMO is the problem with most things.....it’s no so much the substance (s), it’s wether it’s used responsibly or not. Similar to the whole “guns don’t kill people, people kill people” argument. It’s not the weed, it’s the misuse off. So education, or mentoring like most of us old timers got when starting out is the more logical answer, not locking people up!
    The cool related thing is here, if your outta state, the bud tenders will try to question, suggest, and give guidance, but of course you can lead a horse to water, but......
    The other issue in Colorado, is they left the home grown thing a bit too loose i.e., quantity, so that the black market folks have an easier time with illegal grows and then are transporting it through other non legal states who are going out of their way to find it, then bitching about how much it’s costing their states to fight it. This also has led to a whole profiling situation not unlike being a Deadhead on the road back in the eighties!
    But the biggest problem I see, and perhaps relates to Trainwrecked’s comments, is the ole “careful what you wish for”.
    Meaning, the cops now are going way out of their way to look for illegal use especially with driving etc. They have been in a frantic rush to try to quantify thc in the same unconstitutional methodology they employ for alcohol.
    Don’t get me wrong, there are unfortunately too many people who are not responsible, don’t have enough experience, have acquired no tolerance and/or who’s bodies metabolize these substances differently than most.
    So though I believe there needs to be some criteria, once again, the law is going about it all wrong, and many innocent folks are going to get fucked! But that’s part of what you get when you create for profit government institutions, but I digress, sorry!
    All I’m saying is be careful folks and be safe! Here it is almost the norm now for a search for any traffic stop, probable cause or not. That is one of the shitty consequences of legalization......

  • SteveGold425
    Joined:
    1/3/70 Bonus Disc....

    Is superb!!!!!!!!!! Non-subscribers need to reassess just based on this one! :) Anyway - I dont know if its blasphemy or not, but aside from the Dark Star and Pig rave-ups on 1/2 Im really enjoying the 1.3 stuff a bit more - the Cryptical- Other One is epic and lush and frenetic and fucking beautiful. They just seem a little more "on" and the ,ix seems more balanced. Agree with some others that Phil's bass always says yes, but sometimes his vocals say "no" and there are a few rough spots with his voice. But isnt that what we love about this band - the humanity of it? The total experience of a Dead show could sometimes be a microcosm of the larger game we all are playing - things move from cringe worthy and unstructured to transcendent and harmonious for a few splendid moments before the entropy takes hold again. But you still gotta be a grateful participant in both high tide and low and keep trying! The ride IS the destination :) That was always the message I got from this band and their music! So Phil's shrieks are, in thier own way, just as welcome as his bass lines rocket launching me into into Never ever land! :)

  • RV3
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    Bolo hint.....

    His last post earlier included the language " at the Oakland Coliseum Arena, where I spent many, many nights listening to the GOGD."...this seems to hint towards an Oakland Coliseum Box Set, the GOGD played end of the year shows there from 1979-1982, bring it on!!

    My main guess would still be a Warfield Box Set....how long do we have to wait & why are they selling that ridiculous Woodstock Box set on dead.net?!?!

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I have a habit of hitting these Europe '72 shows early, simply due to the fact of the days-long gaps that tend to exist between shows. These people were obviously enjoying themselves and taking it all in while they could in between venues. And I think it shows in the music.

4/26/72 aka Hundred Year Hall contributed to my habit today.

All I really have to say is that the Turn on Your Lovelight, Jerry's initial in-song jam, the very first one, is one of the best passages of the entire tour. He never comes up for a breath and the intensity is beyond palpable. You think they're done, after Bobby throws melodic machine-gun chords left and right with Garcia responding all over the place, but it keeps chugging and churning until your jaw is on the floor and you're holding it in both hands being all WTF?

And that's just the first little jam of the song. Don't even get me started on what happens after that. This was an all-time favorite the moment it was released as Hundred Year Hall way back when. I can still remember where I was listening to it for the very first time rightfully enhanced. Funny how these things will never leave you.

Sixtus

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In reply to by Sixtus_

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Like I said... These shows are GD crack.

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In reply to by Sixtus_

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I first heard it in a car on the way to a Phish show (turned out to be a pretty good one, at least to me).
http://phish.com/tours/dates/fri-1995-10-27-wings-stadium/

I was collecting GD tapes at the time and this was a welcomed release (although I was hoping for the complete show), since I spent a lot of time listening to cassette hiss.

Nice Seinfeld reference.

..as to the other thing. It's not a problem for me, I can quit anytime. I just chose not to quit because I like it and it sounds good.

The more I think about it.. the more I Ark for it. If not now.. when? It just turned 50 a couple days ago. Three back to back Morning Dew's.

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When will we know or where can we see the track list for the bonus disc of the forthcoming vol 30?

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In reply to by JimInMD

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But an Ark binge does sound groovy!

Sixtus; your making me want to skip ahead on 4/26, but I’m saving it dammit for Friday night......see, no problem lol
Relistened to 4/24 D.S., because I wanted to, not because I had to! Gulp....who am I kiddin’ Phewy!...that kick sss jam at the end you were referring to is where I felt that Throwing Stones vibe.....really subtle, just like part of one Jerry lick but?? Wouldn’t be the first lick/theme/vibe or whatever I’ve heard before that turned into something structured later...
Speaking of the jones’ big weekend; Hundred Year Hall, Dicks 26: 4/26&27/69, plus some 77 for those inclined...
and some playoff hockey for fux sake!

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Random check in! Glad to see everyone doing so well!

Last 5: Dick's Picks Vol. 6 - 10/14/83 - Discs 2 and 3

Really, can't get enough of these gems! The S>F is out of this world... the "Spinach" Jam > Other One > Stella Blue... breathtaking! That Stella!!! So good!

Disc 1 (set 1) has some sound issues, but do not overlook discs 2 and 3!

Excited for DaP Vol. 30! Is the wolf the same one from the "Little Red Riding Wolf" release at Fillmore East (2-11-69)?

Peace

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Make your way over to the Jam of the Week...Universal Amphitheatre from 6/30/73....

Edit... There is a reel flip in the Dark Star before the Eyes

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In reply to by bob t

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Ahhh the Universal Amphitheater when it was still an open air venue...and one of the nights we could not remember where we had parked the van...tsk tsk....I wonder why....

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In reply to by nappyrags

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seeing the GD in 1974 or prior...it must have been amazing.

6/30/73...wow. as Napoleon Dynamite sez...

"lucky"

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In reply to by wilfredtjones

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Can't stop thinking about what we may get for this year. In spite of having so much Dead music, I can't even come close to listening to all I want to each day. I had this same problem in the 80s. Except now we have the best quality dead, it is all so damn good!
And of course there is the prospect of getting more.
My guess based on past years is we will most likely have an announcement within the next 6 weeks!
Peace!

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In reply to by nappyrags

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Too funny. I think we could fill up an entire forum with lost minds/lost vehicle stories. I have two.. Foxborough Stadium and downtown DC. DC was the scariest for me, spent till nearly dawn walking block after block searching parking garages.. It was daunting. aack! SimonRob might just have the best.

I'd like to think good times, but.. well.. not quite.

We are due a box announcement. I think they are just waiting for log rolling opportunities and carnivorous birds to congregate so Dave can do a seaside chat.

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So far in 2019 we’ve had a 1977 show, then we will be getting a 1970 show with bonus and then 1969 material with aoxomoxoa reissue. Cannot remember Dave’s exact words from the volume 30 video but it sounds like 2019 will be a mixed bag of years. My money is on a box from 88-92. Peace

Oh yeah how could I forget Warfield 1980?!?!

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Happy Friday all.
I've always thought that as far as studio playing, Jerry did his best work on guitar not with the Dead, but when he guested on other artists records, especially the Jeffersons
In that spirit, my last 5 songs this morning:

1. When I was a Boy I watched the Wolves Kantner/Slick/Starship
2. Your Mind has Left Your Body Kantner/Slick/Freiberg/Starship
3. Sketches of China Kantner/Slick/Freiberg/Starship
4. Million Kantner/Slick/Starship
5. Starship Kantner/Starship

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In reply to by Cousins Of The…

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...I always enjoyed his pedal steel playing on 'Teach Your Children' by CSN. It's rather iconic and employs such a playful, lilting vibe.

Sixtus

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Agree, although I like the some GD too (thinking Anthem, King Solomon's Marbles and Unbroken Chain for example.

I also like his Pedal Steel contributions with various artists, usually at Wally Heider Studio.

Interesting topic.

Edit: Looks like Sixtus and I were on the same page... Lots of Pedal Steel with NRPS too. Miss seeing those guys live. I think the David Nelson Band is playing tonight at Terrapin Crossroads. Wish I was there.. great band.

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Television: Marquee Moon
Swans: Public Castration is a Good Idea
Swans: Feel Good Now
Motorhead: Bomber
Motorhead: Aftershock

I love love love Marquee Moon

Perfection, I say

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Haven't listened to this show since 1990 on cassette. I know everyone isn't a fan of the Martin Fierro and Joe Ellis tour, but I enjoy it's place in Grateful Dead history. I think this is one of the better sounding boards from this tour, along with William and Mary shows. If you have time to listen between Let it Grow and Stella Blue is a pretty unique jam, and it sounds like Phil (just a guess) is screaming non sense along with the horns. You also get a stand alone Eyes of the World. P.S. Phil says "Howard Cosell said that, after Long Strange Trip..... have a good weekend everyone.. bob t

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In reply to by JimInMD

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Jerry also played in studio with Tom Fogerty, David Bromberg, Robert Hunter, Mickey Hart, Paul Pena, Peter Rowan, Warren Zevon, Country Joe McDonald, Pete Sears, Ken Nordine, Ornette Coleman, Bruce Hornsby, Bob Dylan, David Dawg Grisman, Sanjay Mishra and others.....

Edit: how could I forget Uncle Merl....some of that funky soul jazz stuff they did is some of my favorite JG of all time!
After Midnight etc, hell that whole Fire up Album is awesome!

Speaking of, haven’t had a chance to hear much of this tour. I know it gets slagged, but there must be at least some great stuff that’s useable from this run? I mean it was 73 and right before one of their best tours ever (fall/winter).
I had a tape of ?Buffalo? Way back when I was just getting onboard that I recall liking but some bastard stole it (David H). As I say I was a neophyte then so perhaps my perspective and/or memory is warped?
Curious to hear what all y’all know/think about that tour, especially those a “mature” 😉 enough to have been around then?

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I had an unfortunate incident in Worcester Mass spring 87 where a friend and I scored some blotter supplement that was a bit too strong. By the middle of the 2nd set I became incredibly paranoid and feared I would never be able to find my car or my way home (New York). I unfortunately forced my friend to leave the show early. Thankfully we found my car and I drove about a block or two on a flat surface. I felt like I was driving into a deep ditch so I pulled over, shut the car and wisely decided to wait it out. Ended up calming down and jump starting a few people’s cars and vans. Finally at like 4 am I was able to operate my vehicle. We cruised down the Massachusetts Turnpike in the right lane at about 25 mph. Crazy night but I was at least able to find my way home.

He also played on "If I Could Only Remember My Name" (ironic that that one was forgotten) by David Crosby. Great guitar tone on "Cowboy Movie"-I assume its Jerry-Jorma Kaukonen also plays on the album. As ever with these cast of thousands S.F. albums I am never always sure who's doing what. "Blows Against The Empire" was always, and still is, for that matter, my favourite of these allstar collaborative albums.

Thumbs up for Television's Marquee Moon, too-both that and Adventure are great albums.

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DaP 30 Bonus Track List - unpublished. I emailed the guy who knows, but he wasn't budging in his response. It's up to the first DaP 30 subscriber recipient to let us know.

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...so far, 77’ Daves Pick, 80’(Warfield) then 1970 Daves Pick, next the 1969 album 50th Anniversary release and then the ‘1966 vinyl’ release included in the “comic book series”(actually 2020 release) and then and then and then... ;)
This year the Grateful Dead are covering the most adverse releases to date besides the past release of the “30 TATS Boxset”... 2019 is and will continue to be a grateful year for us deadheads and the band as well! ‘What a long strange trip it’s been’ but I can’t help myself but to ‘Smile Smile Smile’!
Have a grateful Friday my brother & sisters, peace be with you all! Long live the Good Ol Grateful Dead.
PS- I love Jerry’s steel pedal guitar work with all the different bands he performed with over his career period but when it comes to the NRPS nobody even comes close to ‘Buddy Cages’ Playing/Performances, mr Cage is the man!!! Just my humble opinion folks.
🙏❤️😎
Rock On! 🤠✌️

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I've been waiting for a clear block of time to spin the 4/24/72 Dusseldorf show, and this afternoon it arrived. Had a clear block of time to listen to the whole show without distractions and I am glad I waited. This is possibly my favorite show of the tour from start to finish. Somewhere around Good Lovin I settled into the couch, equidistant from the speakers and looking out my living room window across the valley to the Bitterroot mountains. Spent the entirety of Dark Star watching clouds glide down the face of the mountains and back up again, leaving behind what looked a lot like fresh snow at the higher elevations. Pretty much perfect visuals to accompany that spectacular Dark Star.

Liked the stories about losing cars and vans and stuff. I never lost my car while tripping, but I did lose my virginity while tripping, and that was way cool.

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Oooops, thought I had Cros on there......
Blows against Empire is one of my favorite albums of all time, and hey, how many people get credited on an album as “spiritual Advisor”, especially for the likes of the Jeffersons!
Hell like Cousins said, Jerry always seemed to rise up on other folks albums. Maybe he didn’t feel the same pressure as if it was his own?
So as if he didn’t gift us enough amazing art elsewhere, we have all this incredible sideman stuff too!
Tanks big guy, we truly miss ya!

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Not to bring up a sore subject, but if you are watching the Islanders/Hurricanes game, you must have just thrown your beer through the TV screen. Same location on the ice for a faceoff, an Islander high sticks a Cane. He goes down, but none of the refs see it. No penalty.

But wait. The Cane is bleeding. Double minor. NOT a major. Just like I posted a few days ago, that was always the standard when a player is cut and still seems to be.

Looks like an awesome festival set! The last performance of The Eleven. Don't understand why they dropped that one, such an awesome song that shows the brilliance and risk-taking of the Dead.

While I'm salivating over the 30th Pick arriving next week, I listened to it's immediate forebear over the last 2 days on my commute to and from work. Forgot what a great Pick it was. The Help> Slip in particular; it just thundered in my car. Great (and loud) sound on Betty's recording. Can't wait for Owsley's 49 year old recordings to hit my ,ailbox!

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In reply to by Angry Jack Straw

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....but a Foolish Heart is worse. NHL refs follow that mantra for sure. AJS. I saw that. Life lessons.
Foolish Heart is a good song. Under the radar. Unlike five minute majors for Foolish Bullshit. Lol.
Blood on the ice.....whelp. It's friggin hockey! NFL rules are now filtering.

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Traveling down the road doing 95 miles per hour. The radio's blasting and I'm passing cars faster and faster. Sixtus' Lovelight is on from 4/26/72. The sun is shining and it's occurred to me that this song is about sunshine. That's the love light. Probably not, but it works for now. And the Grateful Dead is jamming like the Allmans.

Couple of news flashes:

10/19/71 - Enter Mr. Godchaux. Uncle Gary sent me this one last year, and it is f****** outstanding. Sounds like it was recorded off the radio - loud audience presence that drives the excitement. You guys should be so lucky to get an Uncle Gary one day.

Check out Bombed at the Omni, 6/20/74 on archive. May need to search around for the best sounding one, but the second set is well worthwhile. UG, I hope you don't mind me borrowing this verbiage that I sent you last night: The Truckin' => Jam => Eyes of the World => Slipknot! => China Doll is fabulous. Jerry plays the opening of China Doll with some effect that's so thick and crystalline, it sounds like a 12 string, but I've never heard of him actually playing one. Then he solos with that really muddy distorted bluesy effect that you hear from time to time in '74 (Scarlet Begonias has it on DaP 17). But to hear a 5-minute Slipknot! in its infancy.....

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In reply to by KeithFan2112

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Also 1st performances/debuts of:

1. Tennessee Jed
2. Jack Straw
3. Mexicali Blues
4. Comes A Time
5. One More Saturday Night
6. Ramble On Rose

At this point, every time they turned around they 'tripped' over a new (great?) song. 1971 was a most prolific year for the band.

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That title reminds me of "Dozin' At The Knick". It gave me a chuckle. I've had this show on tape for many years then found a better copy on archive. Great one for release IMHO, but I think it might suffer the same indifference as Dave's 17, since there is no Dark Star or The Othe One. I believe there is still room for partial show compilations, Road Trips style. I believe there should be some random Road Trips releases. They could make it a ongoing thing, like one two and three From the Vault. No schedule, no expectations, just release stuff that doesn't add up to a full show. Like June 16th and 18th 1974. A couple of seconds sets, and we're off to the races.

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17 years 3 months

In reply to by dreading

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Yea Rhino, what Dreading said.....more releases, more ways if necessary.......what???....problem, I dont have a problem 😃

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Always has a special place for me because along with 7/25/74 Chicago, only shows back in the tape trading days of the 80's and 90's that you could not find from 1974!!! First show I ever listened to when I discovered Internet Archive!!!

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9/10/83
Phemonal

1/11/78
Yeeeeeeees

3/7/81
Yahoo!!! a la Slim Pickens

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11 years 1 month

In reply to by KeithFan2112

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Nice Ace Frehley reference, man. Was wondering if any of our fellow Deadheads here would pick up on it and comment. Been listening to a bunch of that old stuff recently as I starve myself of Dead for a couple of weeks in advance of receiving DaP30.
The Space Ace rules!

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...greetings to everyone on this grateful Sunday...hoping all my brothers & sisters are enjoying their last weekend in April... 🙏😎
* If anyone is Interested , I have a new/mint
“Bob Dylan - vinyl Mono Boxset” I’m looking to sell for my medical bills that are just pilling up week after week, so I continue to recieve the best medical/medicine has to offer. I’ve actually started last week on a new trial medical procedure that was performed on this past Tuesday at Englewood hospital...praying for positive results.
Here’s some info about the Dylan Mono Boxset...
Description:
This box collects Bob Dylan’s first eight 12-inch LPs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings

Bob Dylan’s first 8 studio albums pressed at RTI on the highest quality 180-gram audiophile vinyl. Also included are reproductions of the original LP artwork, including inner sleeve art and original inserts, all in heavyweight, wrapped jackets. Also includes beautiful 12x12” book with new liner notes, rare photos, memorabilia and more!
Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: Each Disc Comes With Individual Jacket Replete with Original Artwork and Inserts

Includes Deluxe Booklet, 18" x 24" Poster, Rare Photos and Greil Marcus Essay

Bob Dylan’s The Original Mono Recordings is comprised of his first eight albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant, and often preferred, mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylandevoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic, and longtime Dylan aficionado, Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, this set is simply unprecedented, some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room.
"Those that own the hybrid stereo SACDs of some of the albums in this set are still in for a treat. Ditto those that have Sundazed’s mono LPs, which don’t claim the level of detail retrieval or sheer openness on these pressings, which come straight from the masters. Then, of course, there’s the meticulous replication of the labels and inserts, as well as the high-quality jackets, all reproduced with immaculate care. Not to be missed."
--Bob Gendron, TONEAudio, Issue 33

"During most of the ‘60s, mono was the preferred format, and Dylan and his engineers focused most of their energies on getting the mixes just right. That’s especially apparent on the classic “Blonde on Blonde” (1966). Though fans may prefer the sharper separation of the instruments on the stereo mixes, the mono versions get at the heart of Dylan’s rough and tumble sound, with the vocals in the midst of the instrumental fray rather than pushed out in front of it. The rockers especially sound more menacing than ever."
--Greg Kot, Chicago Tribune

...here’s to everyone having a grateful Sunday, god bless & peace be with you all!
Rock On!🤠✌️

Bob Dylan
The Freewheelin' Bob Dylan
The Time They Are A-Changin'
Another Side Of Bob Dylan
Bringing It All Back Home
Highway 61 Revisited
Blonde On Blonde
John Wesley Harding

* Please feel free to send a pm / message and I will respond as quickly as I can.

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13 years 2 months

In reply to by Lovemygirl

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Hoping for the best.. and passing some good vibes your way.

I knew the mere whisper of Santa Fe would draw VGuy out. Plus.. it has a rockin' Cumberland Blues, what's not to like.

In truth.. I find '83 a little all over the place. I think of it like a old-time train, a steam engine that jumped the tracks and is rolling through town unbridled, unrestrained. I think of all the years in the 80's, 83 might have the most uneven recordings. Sometimes lots of audience pumped in (thinking Harrisburg PA for example), sometimes they are pretty clean and crisp (thinking Morgantown WV). Anyway.. an interesting year and to me the year Jerry's health issues became visible. Some of those shows are crackling with energy though.. I had fun in '83. '84 continued the unevenness, but there are some recordings that come through pretty clear. I tend to like '85 the most from this period. The summer tour was pretty even and solid and fall had some moments, Richmond comes to mind. I do recall being front row, Jerry side on 6/26/84 Merriweather Post Pavilion and they opened with Casey Jones. Keep in mind.. this was '84 and Interstate 95 from Miami to NY was paved with Colombian Cocaine (95 is about three miles East of Merriweather).. It was everywhere, it was high quality and it had become 'relatively' cheap (or at least cheaper because it had become very pure). There is little question in my mind why they opened with this and as raw and raunchy as this version was, the energy during the refrain was off the charts. They kept repeating it, it kept going on and on and each time with more intensity and enthusiasm. I am a little embarrassed to admit how much I enjoyed that moment with the understanding I think this is a terrible drug and ruined the lives of countless friends. But the building was shaking that Tuesday night.. This was the only time they opened with CJ post hiatus. It was not a great show, but it was a good show and the energy rolled out of the shed that night and into symphony woods and beyond.

Anyway.. it's in the low 40's here today and the rivers are full. I might take the day off though and get some cleaning and listening done. I need to get caught up my E72 adventure, I left on the DS from 4/14. Like Sixtus said, one of the gems from that tour.. it might not be the best but there certainly isn't one better...

Be good all, sending positive thoughts LMG. Play dead, happy Sunday.

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8 years 4 months

In reply to by JimInMD

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...thank you for the well wishes and positive vibes, my friend, your very humble. That’s means a lot to me my brother, enjoy the rest of your grateful weekend! 🙏❤️😎
...I’m praying that my participation in this new trial procedure & medicine will help others with my medical illness.🙏
Peace be with you JIMINMD!!! 🤠✌️

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