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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • #2241
    KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • #2242
    JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • #2243
    stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • #2244
    KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • #2245
    alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • #2246
    nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • #2247
    bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • #2248
    daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • #2249
    Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • #2250
    KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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Submitted by Dark-Star on Fri, 05/03/2019 - 12:04

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Its intense so far and a great sound upgrade

KF - I couldn't understand why you were being so smug to me. I re-read my post and realized why. I came off kind of harsh on you. Was not my intention but it just didn't translate well. I'm sorry man. No hard feelings. I like you you're one of the ones who entertains us. If yours doesn't come today let me know I'll get you a copy of mine. Because I know you are a subscriber.

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Submitted by jrf68@hotmail.com on Fri, 05/03/2019 - 12:13

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#14,290 has landed.
Ripping to iTunes as I type.
The weekend already looks better!
:O)

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Submitted by bob t on Fri, 05/03/2019 - 12:19

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Followed by a new shipping notice of the Warfield CD's end of day Wednesday.... Which means by Monday everyone will be guessing what Dave's 31 will be, and more clues from Bolo on the box.... I decided to ease the wait with 10/19/73 Oklahoma city show. Have a good weekend everyone and enjoy the new release... Bob t

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8 years 6 months

Submitted by Lovemygirl on Fri, 05/03/2019 - 14:20

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...I’m just going to start things off by saying the second Disc opener, ‘Dire Wolf’ is just beautiful, both musically and audio quality wise! That’s the good ol Grateful Dead that I’m talking about! Lol love it. Primo 😉❤️🙏😎
...I LOVE Tom in this mix! And Pigpens vocals shines and sounds amazing!!! ✌️🤠

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Submitted by KeithFan2112 on Fri, 05/03/2019 - 15:56

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I've just finished the ripping to WAV, file tagging, cheap art-working, and phone uploading of DaP 30. Takes f@#king forever. Now I shall listen - but first - here is preliminary album art. I say preliminary because these are cheapies that I sourced from a very close up camera-phone picture, followed by some MS Paint cropping. I have no scanner. If you just can't wait for the premium scans from our good friend Agent Smith, try these on for size. I know I will be replacing these as soon as I have "the real deal" from you-know-who.

https://drive.google.com/open?id=1H_vKSyXAOLDYjRj5EqeutB7N9-lrb418

https://drive.google.com/open?id=1Ri6Y3V68gC0fmLkJJyxv72M_A0Rv4fCB

P.S. - if I've accidentally shared out my entire drive - somebody send me a PM or email (AFTER you file my taxes for me :D )

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Submitted by alvarhanso on Fri, 05/03/2019 - 16:02

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Most of his list has now been released either through Dave's Picks or 30 Trips, and of course Sunshine Daydream, but I'll still choose 11/17/71 over 12/14. He may have known 11/17, may not, but 12/14 and 12/15 are certainly more famous shows. I had heard both multiple times prior to DaP 26, preferring 12/15 for its Dark Star (just listened to it again, and that was a quick 20 min). I admit being a SBD snob, so I had overlooked 11/17. But I'd have to say since a year ago, it has been the most played Pick of the last 4 years for me. That Other One with its several different thematic jams is unbelievable and the NFA> GDTRFB> NFA is my favorite of that combo. It's better than the 11/15 Austin one from the Road Trips series, IMO. But either way, Mr. Paumgarten should be happy because he got that show minus Ramble on Rose (interestingly the 11/17 on Archive has Ramble on Rose listed as the encore, but it's tracked as the Set 2 opener on DaP 26, hadn't noticed that before). Though I do wonder whether he would revise that opinion and say that 11/17 was better. I don't recall listening to his 1970 Pick 6/24, but the later run at the Capitol with 11/8/70 only available in AUD is a stunner, and I would bet on that 6/24 being awfully good as well. Something about that theater.

Nick should do a follow up on how 7 years later most of those shows are released, and how he thinks the vault releases have been managed. There's been stuff put out that nobody really had like 7/1/78 (that I actually prefer to the Red Rocks shows), the complete 8/25/72, 2/2/70, Thelma 12/10-11/69, and he ignores 1967-68, which means he misses 11/10/67. It's been a great 8 years of releases! Wonder what he would think of DaP 30... And what do those who have received it think? Fingers crossed it's here tomorrow.

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Submitted by Sydney Prentice on Fri, 05/03/2019 - 16:03

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Great to have my DAP 30 so soon, I agree Tom is very prominent in the mix and the shows are well mixed, I am not upset about the track running orders, as I feel we are lucky to get the 2 shows over 4 discs, this arrival today meant however that I didn't get my anniversary listening of the Olympia show, we are spoilt bunch really.

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Submitted by bolo24 on Fri, 05/03/2019 - 18:08

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Been training for the International Ostrich Races coming up this fall in Virginia City. My bird, August West, stopped short and flung me into a giant pile of ostrich poop.

I think I broke my infundibulum.

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17 years 4 months

Submitted by Huskerwing on Fri, 05/03/2019 - 18:09

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Anybody else get a shipping notice with a dead tracking number? I called yesterday after trying to track and the girl said it wouldn't be active until today because May 3rd was the release date. Today my tracking number just says unrecognized.

edit: another day and still nothing. Anyone know what 237 carrier is for a shipper? Mine doesn't say USPS or UPS like the last shipments have.

Ostrich. 18 Minute Las Vegas Bird Song from 91? Virginia City is not in Virginia.

I think I am going to have to run this through Googles Quantum Computer or I will be up all night again....

....but usually I can just click the tracking number link on my email and it takes me right to the mailing site. No link this time. Need to copy and paste. No luck on either UPS or USPS sites. Says invalid tracking number. Wierd. And the Hurricanes sweep the Islanders to go to the final four. Amazing....
....and yes. Virginia City is just south of Reno. That was a Bird Song with Carlos Santana sitting in. Please don't tease me. And Vegas does get flaming hot....

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Submitted by Vguy72 on Fri, 05/03/2019 - 19:24

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.....An infundibulum (Latin for funnel; plural, infundibula) is a funnel-shaped cavity or organ.
Tourists funnel their $$$ into slot machines hoping for 777's.
The ostriches name is August West. Vegas is in the West.

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6 years 9 months

Submitted by Trainwrecked on Fri, 05/03/2019 - 19:42

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I was listening today. First several are hotter than I remembered. Also prefer 11/17. That 12/15 Dark Star is a nice freebie. As in sounds great freebie. 11/17 to me is in the same class as Road Trips 3.2 11/15/71. The 11/14 Bonus is in the same class. Exceptional run.

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Submitted by iGrateful on Fri, 05/03/2019 - 20:09

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5 Stars.... Dont want to ruin it for anyone, but (spoiler alert) Your gonna Love this (these) release(s)!
It's just classic...not just the timing (Workingman's) but the recording captures great banter that really puts you front row, or stageside, for two hot NYC shows.
Thanks Bear!...per the booklet write up (the Foundation)... Bear, you will never be forgotten or not appreciated. I look fwd to all of your precious recordings from every artist that allows them to be released.
Thanks to you too Dave & Co for this (these!) gems!
iGrateful

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11 years 2 months

Submitted by jrf68@hotmail.com on Fri, 05/03/2019 - 20:40

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Been giving 30 a listen while watching S.F. come waaaay back from a 8-0 start.
:O)
...and they got it in 11

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Submitted by Vguy72 on Fri, 05/03/2019 - 21:01

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.... hardly a Giants fan, but that's impressive. Music on the ears. Sports on the eyes. Doing that right now with Seattle '73 and Stars/Blues. It works.

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17 years 4 months

Submitted by simonrob on Sat, 05/04/2019 - 01:06

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My shipping mail had a (clickable) link. UPS states "Clearance in progress" at 03:58 EST this morning. Presumably it is about to wing it's way across the pond.

Edit: Now it turns out that the clearance referred to is prior to departure from Cologne, Germany so it has already crossed the pond and it may well be delivered to me in the Netherlands on Monday. Certainly is quicker than expected.

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6 years 6 months

Submitted by perithecat on Sat, 05/04/2019 - 01:50

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Here’s my own ( limited brain power ) thoughts - looking back at previous record day store releases ( with the exception of wake up to find out - which had already been put on cd for one of the spring 90 boxes ) they have only ever been released on vinyl with no further output later in the year as a box . However the Warfield release has been given an immediate mass produced CD release along the same lines as Cornell ( pre get shown the light ) & believe it if you need it ( pre PNW ) elementary my dear Watson .
Of course I could be barking up a tree that’s in a different forest altogether . 😺😼😺😼

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8 years 3 months

Submitted by Roguedeadguy on Sat, 05/04/2019 - 04:10

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It was late, I hadn't ripped them yet, and I knew I was probably only going to get through one disc before I fell asleep.

Its good.

The track ordering is weird tho. Alligator - Drums - Alligator- Feedback sequence is tracks 2-5. You can hear Jerry say "Goodnite folks, thank you" at the end of it but then there's still half the disc left. If they're gonna mix up the order anyway why not put that at the end so it at least *feels* like it was one continuous set.

Nitpicks tho.

Did anyone else order the T shirt? Any word on that arriving ?

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16 years 11 months

Submitted by bob t on Sat, 05/04/2019 - 05:37

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I'm bad at these but could it be Alpine Valley??? Fiery Cheetos=Cheese State is Wisconsin... August West=First Alpine show August 23, 1980.... Virginia City=Madison VA and Capitol of WI.... Liberace=born in West Allis WI... ostrich poo= I think Alpine ski hill was a garbage dump...... Bolos decade= first show 1980 last show 1989.... bob t

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5 years 6 months

Submitted by HippieChick on Sat, 05/04/2019 - 06:33

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I won't speak lubricious about it but will just say this Disc 3 is great great great. God bless the Alchemist. I like the picture of the crowd at the Fillmore East. If you look closely you can see one guy holding his head with both hands. I am sure he is tripping to disc 3 in that pic. Have a great weekend to all. Enjoy your 5 hours of 1970. Does anyone know if these were in the recovered batch of tapes? If not, how did they keep this one from us so long!

bobt - I like that line of reasoning!! I think you're on it! Great shows at Alpine from start to finish. Sort of my home stomping ground, with many fond memories. The 8/7/82 China -> Rider is the best post-hiatus version - change my mind ; )

I missed the 89 shows but if I remember correctly from the account of a friend there was epic rain nights 2 and 3 and people were body sliding in the mud down the ski slope by the 3rd night? (somebody please correct me if I'm wrong.)

That 4th night of '88 that UJ61 referenced a few days ago was a wild one. A gift lost recovered. Lots of memories, though hard to say at this remove if they are all "accurate." I was about 6 rows out directly in front of Jerry. The Believe it of Not was tears-in-your-eyes emotional after the problems of the previous night. Couldn't have been a truer, more heartfelt, moment for its debut. And the Morning Dew was Over. The. Top. Pure expansive beauty. I remember 2 folks jumping on stage during the closing jam. First a guy just stood motionless right in front of Jerry, like he was watching the hand of god. A roadie walked him off and then this girl climbs up on stage and sits right down in front of Jerry - once again transfixed and enchanted. Jerry doesn't flinch, he's just tearing it up, playing for them and into them and everybody. Everything, everywhere, all at once. Sent home on the gentle waves of Blackbird and Brokedown. Wrote about all this a few years ago (gdhr 555).

Really looking forward to DaP 30 - arriving here next week I guess.

Enjoy the weekend everybody!!

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10 years

Submitted by deadtony on Sat, 05/04/2019 - 08:48

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Nice little surprise, I had no advance warning. No email shipping notice...was getting worried. Just spinning disc 1, Mighty fine, love how it starts

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Submitted by alvarhanso on Sat, 05/04/2019 - 09:36

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The Warfield vinyl was 10,000 and the cd 6,000 I believe. They did a limited (unnumbered) cd for 11/18/72 AFTER it was released for Black Friday RSD. Those Hofheinz cds were on sale here for a good long while before they finally sold out, now they go for around 100 bucks. So, grab the 2 cd set of the Warfield for 20 bucks while you can!

They played an early and late show each night at the Fillmore East for this run, hence the goodnight being after Feedback for that set. There was an encore following that sequence, too. But Bill Graham had bands do an early and evening set at the Fillmore East. The ABB put out a complete box set of their early and late shows that produced their classic Live at Fillmore East a few years ago, they mainly repeated their sets with little changes, but they had a much smaller repertoire. Thankfully, the Dead changed up the sets completely. Hopefully people bought tickets for both shows.

The tapes are from Bear's collection/Owsley Stanley Foundation. My first assumption had been they were more from the Houseboat Tape collection, since most of the tapes given to the Godchauxs were Bear recordings from this general period, but the credit in Dave's video and the liners is the Foundation. Which is good news, because it represents another source for tapes that may be missing from the Vault, and in an exciting period.

I got an email from UPS to say that it was being delivered on Friday. Being away I changed the date but they delivered it anyway according to my neighbour who checks while I’m away! Only trouble is I have two subscriptions (one I get for a friend) and only one has turned up!

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Submitted by iGrateful on Sat, 05/04/2019 - 10:11

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Can someone PM me or post the actual sequence for 1/3/70 ? I like to file so when I replay, I hear the show as it was originally played. Thanks, iG

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Submitted by stoltzfus on Sat, 05/04/2019 - 11:05

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Setlist for 1/3/70 is refer you to the archive.

I dont have my compendium anymore.

archive.org

Early show
Morning Dew, Me & My Uncle, Hard To Handle, Cumberland 😔, Cold Rain & Snow, Alligator -> Drumz -> Alligator -> Feedback E: Uncle John's Band
.
.
Late Show
Casey Jones, Mama Tried, Big Boss Man, China -> Rider, Mason's Children, Cryptical -> Drumz -> TOO -> Cryptical -> Cosmic Charlie, Uncle John's Band -> Black Peter, Dire Wolf, Good Lovin', Dancin' E: St. Stephen -> Midnight Hour
via DeadBase
....the mailmans eta is in approx 1 hr. Tracking info still not helping. Spinning Hawaii in the meantime.
My mailbox does have a slight glow to it however. Optimism vs Pessimism. A battle as old as time.

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Submitted by Altbillermann on Sat, 05/04/2019 - 13:15

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Just listened to Dave's Picks Volume 30

Disc 3 has one of the grooviest, cooliest ,spaciest, "Dark Star" I ever heard!

Really a superb edition of Dave's Picks!

Thank You!

The UPS driver was there at my front door when getting home from work yesterday. What could be cooler than that? Well, the artwork for the bonus disc for one! To share a few thoughts that popped up last night with an initial listen of January 2:

--love the way Jerry digs and twists the melody around in his Cumberland solos

-- very nice TOO > Cosmic Charlie segue

--I never really thought of DIre Wolf as a 'folk song', but I hear now how those roots are there (I still didn't sing along though)

--Me & My Uncle has a slight spaghetti western quality to it, kinda goofy, but in a good way

--Dark Star......from deep space found myself roused into a Tighten Up samba jam which sounded like it had hints of what later would become Eyes, and much, much later, Foolish Heart, which was easily the highlight for me. Always great to make those connections that span decades!

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Submitted by digiboog on Sat, 05/04/2019 - 13:47

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Is it just my copy or are all the vocals coming from the right speaker. Very soft on front left side. Is it just my copy or is this throughout? do I need to get in a Bear state of mind to listen to this. Shit drives me crazy.

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Submitted by nappyrags on Sat, 05/04/2019 - 13:58

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...it was in my P.O. Box this morning...drove back to work very very slowly...the "St. Stephen > The Eleven..." scared off all of the wildlife...

.... definitely underrated. Mailman is late. Maybe he busted it open already!
Nappy Rags. The Dead also control how my foot is applied to the gas pedal. Good to know I'm not the only one.
Fivebranch called out a nice Cumberland. Cool.
Hey Nappy!! You live in the Grand Canyon area, right? If you get on your pony and ride, you could make the Phil show. I have a spare room.

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Submitted by Warfish on Sat, 05/04/2019 - 14:29

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Mine DP 30 arrived today. Uploading now.

Soon, I will have an aged single malt in hand, a cool spring breeze, and the Dead playing over my yard.

As it should be.

....I wonder if he got a re-entry stamp on his wrist in the Mos Eisley cantina? The fur may pose an issue.
Apologies. I multitask....

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Submitted by nappyrags on Sat, 05/04/2019 - 15:30

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...She caught the Katy and left me a mule to ride...but thanks for the offer

product sku
081227923761
Product Magento URL
https://store.dead.net/special-edition-shops/dave-s-picks-store/dave-s-picks-vol-30-1.html