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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • JimInMD
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    Re: An evening with...

    That sounds like a worth endeavor, Ziffle.. I think I am going to consolidate what I have and rebuild in the same order myself. I do seem to have lossless versions of the NRPS material.

    Good thinking.

    One other thing about the Road Trips.. perhaps it's just me, but I think somewhere in the middle of this series, Mr. Norman figured it all out.. I think it's when he mastered his game.

    PM me if you want the missing parts.

  • Vguy72
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    You know what's underrated?....

    .... anything that's not 70's Dead.
    Good to hear from you Ziffle.

  • Ziffle
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    Jim's Road Trips eval + comment on 5/15/70

    Entirely agree with Jim's remarks on the Road Trips series. Very much underrated.

    Some additional comment on 5/15/70 - the HDCD encoding is superior, opening up the dynamic range considerably. What is especially neat, is to find (preferably lossless) copies of the two New Riders sets, which feature Jerry on pedal steel and Mickey on drums. One highlight, Bobby joins in for a country style version of Me & My Uncle in the late NRPS set, harmonizing the lead vocal with Marmaduke. The Dead's sets are just missing a few songs, but it is great to fill in the missing material, put it in the right sequence with the NRPS in the right place, and enjoy one of the few complete "Evening with the Grateful Dead" circulating. Works out to 3 hours (early show) plus 4 hours (late show). Incidentally if you do this (ripping the CDs), the HDCD encoding will be preserved so long as you make no modifications whatsoever to the audio (e.g. equalizing).

  • Vguy72
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    All this recent talk of the DaP 24 overbass....

    ....made me plop it in. Didn't hear it when it first came out, and I don't hear it now. I'm only 51, and my hearing is fine. Maybe I need to upgrade my speakers to hear it. Oh well. Along with the rush of the drivers it is.
    Speaking of drivers. Don't text and drive keithfan. We can wait.

  • LedDed
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    D&C Night Two, Boulder 7/6/19

    Casey Jane's Addiction, you're damn right it was hot. Best D&C show I've attended so far. Last year's closer didn't have the mojo. Friday night, despite the irony of shutting down for an hour long rain and hail deluge during Cold Rain And Snow, wasn't stellar either. But Saturday night had a spark. We got hammed on Shakedown Street, my friend bought an overpriced if cool earring, then meandered up to about ten rows back, floor, on Bob's side.

    Everyone around us was so cool... really a great crowd vibe that night. I never moved during the entire set, not to pee, not to get a drink, or anything else. This is highly unusual. I could feel the magic, and wouldn't have missed a minute for anything. This music is alive and well, and Bob, Billy and Mickey are killing it. Mayer is amazing. He doesn't come on strong, he eases himself into these songs and they fit him like a glove. Oteil had that Amazonian warrior facepaint on again, and he was on a whole 'nother level. I'm sure Bill and Mickey would say they prefer playing with him to Phil. That's not a knock on Phil, it just is what it is.

    Buy the cd or download or whatever off nugs.net It's outstanding. And, fingers crossed, let's hope they do it again and again and again next year and for years after. There's a nice feature in this month's Guitar World on Bob and his new D'Angelico. He says it will take "years" for him to get everything out of it. Bless him.

    Saw Rose Hill Drive play a stellar Led Zeppelin set at the Fox Theater in Boulder last night. Those kids got talent.

    \m/

  • Charlie3
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    Drivers Seat

    Keithfan2112, dig your posts, but I can't be the only one thinking it would be a shame if you careened into a guardrail, or oncoming traffic, just to provide us with another cool post.

  • KeithFan2112
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    Road Trips

    Nice write up on Road Trips Jimbo.

    Still a mystery why there was no 1972.

    Austin 11/15/71 is my favorite. Complete show, Immaculate recording, immaculate performance, cool album art, has dark star, opens with a trucking with such awesome Reverb and volume to Jerry's guitar it sounds like he plugged in in my living room. I think there's a Brokedown Palace on there too. It's like a greatest hits record. Bonus disc totally awesome, especially the China cat which was missing from the main set.

    1974 wall of sound is my second favorite. Awesome recording for 1974, perhaps the best audio representation in my humble opinion.

    I would like 1973 more if it weren't for this buzz that I hear throughout a large bit of it.

    1978 is a must-have in my book because it has some of the only 70s Godchaux era Shakedown Street material. Lookout Stagger Lee! Also has that renowned Stella Blue which I'm still saving my Virgin listen for. I also really dig the Scarlet fire with the delay pedal that either Jerry or Bobby uses I forget.

    Oh cool. My car has Supernatural properties. I should have just sideswiped a very long concrete guardrail as I was texting, but I looked up and turned out of it I guess just in time. I say out of it because I really was halfway in to the concrete. Like my car can pass through concrete. Maybe it occurred while I was saying the word Godchaux and Keith didn't want me to go the way he went. That was crazy. I got to go contemplate what just happened.

  • bob t
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    Apologize in advance for my comment 11/20/78 set II Cleveland

    I can't think of 1978 without this show! I have posted many times before about this show and it's unique Second Set.. Nothing else like it from 78 due to Mr. Weir being a little "tardy" for the second set. Probably will never be released due to the patching that goes on. After a long Jam to open up the set we get the first Jack-A-Roe of the year. Also a Shakedown into If I had the World to Give... That is all, until i bring it up again next year.... sorry again bob t

  • CaseyJanes
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    D&C Boulder Night Two 07/06/19

    Just now checking out the recorded live stream of this show...through the first set and it’s hot...a little elevated from the first night IMO

  • daverock
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    Road Trips re-evaluation

    After reading Jim's post I feel I was a little hasty in dismissing this series. I agree, all releases mentioned are superb - 2/14/68, and all the bonus tracks included in that release in particular-but lots of great music tucked away in there. I suppose I have overlooked them due to the box sets, Daves Picks, 30 Trips etc that have come out since the Road Trips disappeared.
    To state the obvious, it's incredible how many great releases we have had over the last 27 years or so. I never dreamed I would have access to all this when I first read of the tapes back around 1983 in the Blair Jackson book "The Music Never Stopped." I wondered then if I would ever get to hear any of the live music he recommended at the back of the book. Yes...and how!

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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...9/24/72 Palace Theater, Waterbury, CT
A grateful show included in the ‘30TATS’ boxset. I really enjoy this mix, Keith sounds Divine, and Phil is great as usual and comes thru amazingly thru the mix. Really everybody sounds wonderful. Very different feeling not having Pigpen there. :( non the least this is a primo show! I love it! Disc three begening of the wicked Dark Star sequence and then a surprise twist at the end. Pretty good. Rock on everyone, hoping everyone had a grateful holiday weekend. God bless🙏❤️😎
...Boxset On June 3rd, I was told deffently ?! I’ll take it though!!! 😁😁😁

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I have quite a different experience at the mailbox on release day. There's a lot of reaching in and contorting my arm this way and that to avoid the plethora of bills, collection notices, subpoenas, and hate mail, just to get my fingers around that manilla bubble mailer. Then I carefully extract it like a game of Operation.

...probably due to that smoldering third Disc from the last Dave's Picks.

Still on a 69 binge that started with Big Rock last week.. and it's still huge fun. Subpoenas.. Ha!
(..and thanks for the shout out, LMG).

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I just realized we may have gotten the last William Tell St. Stephen with the 1/2/70 release. The next night on the bonus disc goes right into Midnight Hour. The next show that I have with St. Steven is High in Hawaii aka DaP 19, and it goes right into Lovelight.....hmmmm.....

Edit: Jimbo - I just saw your plug for the Big Rock show(s). I've only listened to that one a couple of times. Which show grabbed it, or was it the whole shabang?

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In reply to by KeithFan2112

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Those two shows keep growing on me.

I started with this sequence:

Doin' That Rag>
He Was a Friend of Mine>
China Cat Sunflower>
The Eleven>
Death Don't Have No Mercy
and added Morning Dew for good measure.

Powerful.

Dicks Picks 16 is next up. Perhaps one of the best shows of the year. I might have to get all fungal for this one.

Operation; Hee-here, KF you constantly crack me up. Thanks!
Melting 3rd disc indeed....actually currently rocking the 1/3 material in “order”...yeowsa!
Somewhere over the blur of the five day weekend, I dove into the 5/24/69 stuff in “order”. Also snuck the 5/23 DS sequence in there somewhere? Did the 5/26/72 monster.....eventually needed some eighties to cleanse.....fired up Dave’s 27 while I fought with machete through the jungle, er a, the garage, ahem....good working music, but a, not holding up so well to all the top shelf stuff of late....snuck a little 4/7/85 in this evening. Great show, not so good recording...but I’m totally biased on this one...and it was nice to change it up. So now we’re sneaking a little 1-3-70 in before we fire up the DVR and find the “B”s getting their ass handed to them.....yea Vguy, I don’t have any emotional stake either......except I hate the #$&$&**& Bruins! A,aaaa, sorry, ahem. Now that we have that out in the open.....
“Go on home your mommas calling you” yea you Marchand, you walking hemorrhoid! Sorry, into UJB now....”ain’t no time to hate”....well maybe the Bruins? and that big Goon Chara, “where ever he goes the people all complain”....
But sad but true folks that’s how the Bruins win, and win they do. From that bigger garbage goal donut eating pig Phil Espo they’ve all ways done it ugly! But in the annuls of time, and the in record books, a win is a mofo win, and a Champion is immortal! All I hope is it’s clean/no ref BS! Go Blues!

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In reply to by Oroborous

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I would like to design a t shirt with tje cheap trick logo

But it reads "5/1/80" instead

Its a gem

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In reply to by stoltzfus

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Rip roarin' fun

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Anyone catch that 1st game last night? Hehehe.

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Last Five Music Endeavors. All of these treats are highly recommended. Have a grate day Heads!!
11.17.73 UCLA
Cannonball Adderly and Milt Jackson: Things are Getting Better
Vampire Weekend: Father of the Bride (2 listens)
Thelonious Monk and John Coltrane
5.7.77 Boston Garden

***I am not a robot! :))

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In reply to by TLEO 77

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So, do you know when the release date is? Please share and let us know any other information you may have. I am sure we would all love to hear it.
The last box was announced the first week of June 2018. Man, it has been a long time!

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Hell, I want my digital download of the 45 selection of the month!!!!

download
download
download

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12 years 2 months

In reply to by Oroborous

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Oro - right on point.

The Bruins are completely unlikable. Marchand is nothing more than a cowardly punk.

I fear that the Blues blew their opportunity last night giving up that two goal lead. After vanquishing those referee-aided Sharks, their season may be ending shortly. Let's hope not.

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Big Rock is of those releases that didn't grab me right away, but if you're seeing melty Uncle Sams ushering in a troup of Dancing Bears on it, then I want in. I'm going to make the prescribed playlist and go for a walk with my headphones. Offa work 2day.

Edit: whoa Nellie, leave it to me to f*@# up a recipe. I programmed in all of the Big Rock songs and then noticed there's a little 4 minute Alligator after Death Don't Have No Mercy that's not in the play list. Plus I just watched Back to the Future Part 2, so I have a heightened awareness of the consequences that even a small deviation can have on the melted face continuum.

So far so good. Doin' That Rag was right on target, and I've been newly awakened to to the goodness of He Was a Friend of Mine, ever since that 3/31/69 experience (perfect transition into China Cat too).

Obororous I may need to borrow that machete. Just walked out through the garage and it's bad out here.....

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...Incase anyone missed the opportunity to pick a copy up, Dead.net Store has some RSD Warfield CD’s copies back in stock!!!
Rock on my brothers & sisters. 🙏❤️😎

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Come on its hockey...since when was this ever a "gentleman's" game? What do you want it to be, croquet?

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Did you see Dead Vikes question?

…. I was at a motorcycle event once and one of things that had was a "wrestle the bear" thing. Had this 'restler lookin' fellar and a small(?) bear. He'd tumble around with the bear and offer some amount of coin, if you'd stayed some amount of time. But he warned "don't grab the bears nuts or I will not pull him off"!

SAY NO MORE!

Some fools did wrestle the bear, the bear was gentle, but you had NO hope of preventing a pin!

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In reply to by Butch

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A dollar a doughnut he saw it. He is under double secret oaths NEVER to reveal exact shit. If he did, TPTB would never tell him shit again. Shit is a one way street, people tell you shit, but you can repeat shit.

I interacted with Jerry in a dream last night

I don't remember much about it, but it was definitely a Jerry dream.

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In reply to by 80sfan

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That's a great article you've shared.
Bobby is a really likable guy.
Critter butt-sniffin' and all.

Sixtus

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In reply to by stoltzfus

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I never said anything at the time, but I had an illusion of seeing Jerry when I saw Live Dead 69 last month. During one of the jams, I closed my eyes and let myself get carried away. Just in my mind-I'm not one for jumping about. After a while, I opened my eyes, and there he was on stage, playing guitar. Just for a second, then he morphed back into whoever it was who was really there.

....i didn't know Bobby chewed. Anyway, i had a cool dream a few years ago that i saw the Dead playing on an aircraft carrier in SF Bay. That was neat.

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In reply to by Vguy72

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Hey Folks

I am having trouble finding what the Original Cost of The Europe 72 Trunk. Does anyone remember what those were being sold for back in 2011?? Thanks for the help!!

I believe it was right on the $450 mark. It was supposed to be 72 discs as I recall (were there 72 discs???) , which would bring it to just under $7 a disc which seems about right.

The best $450 I ever spent (the next best was the $6 bail it cost to get fresh out of prison, topic for another day perhaps).

One Alligator tidbit, from the Annotated Grateful Dead / David Dodd.. "I recently saw in Scott Freeman's book Midnight Riders: The Story of the Allman Brothers Band that Duane first played "Mountain Jam" one night while sitting in with the Grateful Dead (p. 123). The melodic strains of Donovan's "There Is a Mountain" can clearly be heard right at the 09:00 minute mark on the Anthem of the Sun version of "Alligator". Ironic: that one of the ABB's most famous pieces was originally employed as an improvisational springboard by the Dead... " I wonder what show that was?

#1969 Melts.

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Dennis, a few months back, while ordering a bunch of music, I threw a copy of Mahler's Eighth Symphony (Solti conducting) into my Presto Music cart and checked out. When the big box of CDs arrived, I went to put the Mahler on the shelf, and realized that I already HAD a copy of the same recording! Doh.

I'm not a robot, but I play one on t.v.

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In reply to by JimInMD

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Jim I think you got the money just right. The # of discs were I believe planned at 72 but for perfection it went to 73

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Jim, unfortunately that Midnight Riders book was terribly researched on that tidbit. I have a tape as early as 5/4/69 in Macon with a 25 min Mountain Jam. Now, the story is true that Duane got the idea from teases Jerry did while The Hourglass were still together, as they apparently opened for the Dead a couple times (Liberty Records wouldn't let them play much, which frustrated Duane), and that's where he first heard it, and this would be 1968, as he quit The Hourglass, went back to Florida, then made his way to Muscle Shoals to try his hands at session work. The only definite sit ins he made with the Dead were 2/11/70 at the Fillmore East when Duane, Berry, and Gregg joined Peter Green and Danny Kirwan for Dark Star> Spanish Jam> Lovelight and 4/26/71 (leaving Gatlinburg, TN where the Allmans were rehearsing to guest at the Fillmore East). I read in a guitar magazine about another possible jam as Jerry, Duane, and Bob went to a radio station and had planned on doing some jamming on the air, but Duane lacked an acoustic, and caught some shit from Jerry about being unprepared. But Duane didn't hold it against him in the least, saying of Jerry that "He could do anything that any man ever could. He could walk on water. He's a prince" and in another radio interview when asked who he'd like to jam with, Duane listed some people, but ended with a line about he'd play with Jerry Garcia anywhere. Too bad Gregg's legal (heroin) issues led to Jerry dismissing him as a narc and pretty much ending any further associations between the two bands after the early 70s.

Ironically, I visited the Big House in Macon this past weekend for the first time. Jaimoe and Friends happened to be playing when we arrived, so that was a bonus. A great museum, and experience, would be cool if 710 got the same treatment. I visited the graves of Duane, Gregg, and Berry as well. Sad and moving. There were several people already there, three guys jamming on acoustics.

May have to pull out some of my rarest ABB after this trip down memory lane. Time to dust off the cassette deck!

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One of the best from 1970.

Didn't Duane also play with the Dead on 4/4/71?

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In reply to by Trainwrecked

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The book by Scott Freeman is also surprisingly dismissive of The Dead, too. Butch Trucks is quoted as saying the Dead's use of two drummers didn't work, as they were " contrived" and stuck to previously worked out patterns. He goes on to say "Their whole approach is very structured." Whereas he saw himself and Jaimoe as being completely free and spontaneous.
The trouble with making and quoting a comment like that is that the reader is inclined to apply the criticism to the person who is making it. Which isn't necessarily true either, of course. But it doesn't present the opinionated person in the best of lights. The Allman Brothers deserve a better eulogy than this one.

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Well.. that's interesting. I did find it somewhat incredulous that he walked away from an improv session with the basics of a song without recording and re-listening. I know I couldn't do it, but then again I am no musical genius.

It's a testament to the knowledge of this group that something so obscure was fact checked so quickly. Thanks for the feedback.

Back to our regularly scheduled Feedback > We Bid You Goodnight.

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...I feel bad for those who believe in your statement, a very negative & uncouth approach to your problem...peace be with you brother...🙏❤️😔
...”one man's trash is another man's treasure!”
Thats much more my cup of tea folks...
*This morning I’m recycling 5/28/77, from the Grateful Dead ‘To Terrapin’ Hartford 77’ Release from 2009. Primo! :) :) :)
Have a grateful day everyone, rock on!

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Great Woodgreen Jam!

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Interesting, and kind of ironic....I thought the opposite. Surely, Mick and Bill had some parts of the early, more complex psychedelic stuff “worked out” but contrived? I’ve seen the Brothers many times and I would sometimes wonder why they had 2,3,4 ? Drummers, they all were playing the same thing....generally B&M would not.

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In reply to by Oroborous

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Yes, same here. Part of the incredible innovative power of the band between late 1967 and the end of 1970 was precisely because they had two drummers. I haven't seen it for a while, but as I remember it, Hugh Hefner comments on the two drum set up during the Playboy After Dark appearance in 1969. Jerry describes the effect of hearing it in action as like being exposed to "rolling thunder"-or words to that effect. If there was anything like this sound in rock/jazz /whatever, before The Dead utilised it...I haven't heard it yet.

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The E72 anniversary project came to a screeching halt at the Lyceum run. Tough to keep up with 4 shows in a row, which is the most they did the entire tour. I've gotten most of 5/23 in (excellent set list, blistering Promised Land - wait, I think I said this last week). Anyway, up to 5/24, but the '69 / '70 bug grabbed me.

Jimbo, the Big Rock play list is hot. I didn't recall how well-recorded this show was. I also didn't realize until I got into it that these songs are one contiguous piece of music. When I saw it on paper, I knew China Cat & The Eleven were connected, but not the rest; it makes all the difference in the world. Let me first say - extraordinary transitions throughout the entire set. Smooth, smooth, smooth. Excellent Doin' That Rag - I can't say I recall a better version. My new favorite of the era: He Was a Friend of Mine. After hearing the 3/31/69 version of Stoltzie's, and now this one, I'm scratching my head on how they didn't play this song more often. It was always kind of a novelty item for me on the Thelma release, paired with that trippy UJB. Can't wait to queue up the 3rd and final "official" version from the FW Bonus Disc soon. The China Cat transition into The Eleven struck me as "particularly good", as my recollection from the '68 versions is that they go into it with more of a bang than a sneak, after a few measures of Jerry playing the lead intro, followed by the group pounce into The Eleven; but here in the only 1969 China Cat / Eleven that I can think of, Jerry begins the transition with the Eleven lead intro (par for the course so far), but the rest of the band kind of lingers on the China Cat jam a bit longer, before joining in one at a time; then we get the big Eleven pounce. The subtlety here makes for one of those seamless transitions where you don't quite recall how you went from one song to the next (which is precisely why this version stood out for me - one minute I was driving along admiring a good looking lady in a jeep, the next I realized the Eleven had started without me - REWIND). Death Don't Have No Mercy doesn't come up on my play lists too often, mostly I guess, because they didn't play it that much. Every time I hear it though, I think, wow, this is right up there with Zeppelin doing Since I've Been Loving You, and the blues wasn't even Garcia's forte (or T.C.'s for that matter, and he lays down some nice organ chords and fills). Not that I would ever compare the Dead with Zeppelin for sustained Blues prowess LedDed - just saying they sound like they know what they're doing up there ;-) Anyone who's enjoying the new Dave's Picks and wants more of the Magnificent Seven, Jim's unearthed a perfect medley from Disc 2 of Road Trips Vol. 4 No. 1 / Big Rock Pow-Wow '69. And it's only 35 minutes....unless you add the Morning Dew "for good measure" which I advise. The pre-song banter will give you a chuckle.

With regard to the Butch Trucks / two drummer comment - I think he expressed the limitation for improv that I felt had hit the band after Mickey rejoined in '75. I would be interested to hear if he made the remark before or after Mickey's departure (I assume before, since this is when the two bands were most closely affiliated). There was a spontaneity to the music from '71-'74 that I really enjoy. Even on the shorter numbers, anybody in the band could swing this way or that to change things up a bit. Probably the reason Playing in the Band evolved as it did. Prior to Mickey's leaving, however, his presence made for some powerfully live concert moments (The Eleven I was just talking about not least of all); without him on the early stuff, Primal Dead would not quite have been so primal. We're lucky enough to get the best of both worlds with the archival releases.

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Hey Sixtus. We're all pretty spoiled, but I have to ask: Now that the anniversary has passed, any chance of a "Sixtus Over-, Under-, Around-, and Re-view of Other Ones from Europe '72"? You and Keithfan and others started down the path in early April, but there've been lots of distractions since then. I still pull up your Europe '72 Dark Star review regularly. Just wondering. . . ;-)

I was at a Wisconsin KMart, 1979, 15 years old, buying an album of my own...deciding between Enlightened Rogues by ABB and Journey. Yes, Journey. One look at the back cover photo, and...

I chose ABB. later bought Fillmore East, Eat a Peach.

Three years and one move to California later, I found the GD.

ABB were ok after that, but nowhere near the GD in my rabidity.

the ABB camp dissing the GD camp...laaaaaaaaaaaaame. Like a scooter critiquing the space shuttle.

Like many artists, I'm sure they envied the GD's...loyal fan base.

I do like ABB guesting on 7/16/72, 7/28/73, and 2/11/70.

but ABB overall...I'm done with them.

....thx Jeff for the reminder and also keeping me honest in this monumental task of cataloging The Other Ones from the E'72 trunk. Invoking said honesty, I am behind - but not for a lack of trying.

I've made it up to the May 16th/Luxembourg show, but have only been taking 'mental notes'. I can say with fairly definitive certainty that the April 11th/Newcastle Other One is my favorite so far - it gets into a bit of a feelin' groovy jam in there too - but beyond that I have little to offer otherwise, at this exact moment.

I will say, and I've mentioned it before (as have many others), the consistency of the playing here is what is remarkable, however the fact it is still '72 means the song selection can only go so far and of course each show is fairly similar in this regard save for swapping songs in differing slots. Nonetheless, each time I listen to a show there are things that pop out at me enough to make mental note that "this is a pretty damn fine show".
I still really like each and every Mister Charlie - it's a fun, punchy tune with loads of personality. Too bad it all but disappeared following this tour....with Pig on the decline, you can't win 'em all.

Oh...I also enjoyed the history on the mountain jam whoever started that discussion. Pretty cool about the origins of the ABB's take on this (at least as described here). I love the reference Jer makes in the 2/14/68 Alligator to it and I find inspiration in the fact the ABB saw the same. But in the end, I gotta agree with Stoltzie, ABB can't hold a candle to the good ole GD.

Sixtus

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Since Trucks shot himself in the head in front of his wife, I think it safe to assume mental illness/dementia/Alzheimer's played at least a small part in his suicide. Several news articles of the time cite mounting financial debt ($800,000) as a possible motive. Trucks had to sell his condo in Florida and was being hounded by the IRS.

The 'trash' talk regarding GD in general and BK & MH in particular could also have been the result of mental incapacitation.

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Jim - you got me looking at powwowville. When you listen, do you listen in the disc order of the set or show order. The section you referenced is from one show (on the 2nd disc), the dew is from the 3rd disc, different night. I have them stored in show order. How the dew work in that location?

Shultzy - I think I agree about ABB and done with them. Not so much them per se, but some acts. I can hear the screw you's already, but I always feel that way about the who. It's like the catalog of live playing isn't thick enough or different enough to warrant drooling. Tom Petty hit me that way, saw him 3 times with years between each and felt I saw the same show :-) (hey tom, 30 fucking years can't you throw an extra note or two in Refugee! :-) There are just groups you feel you've gone to a performance of their greatest hits, versus a performance of great live dynamic musicianship.

Exception for me - Pink Floyd, shows from that catalog are always incredible sounding, you only need to see 1 show per tour since they are virtually the same every time. But damn, they always sound good!

Yes, yes, yes to every one of them…If I remember correctly it was the only song played at every E72 show with 'Black Throated Wind' next at 20…not played at Bremen 4/21 & Paris 5/4.

I think 'Mr. Charlie' along with Sly Stone's 'Thank You (Falettinme Be Mice Elf Agin)' are 2 great examples of proto-funk or Pig-Funk in the GD's case (imho).

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How sad. I've just had a look in "Midnight Riders", and the quote I referred to isn't sourced, so it could have been made at any time under any circumstances. It occurs during a consideration of the Fillmore East album, 1971, which suggests the comment was contemporaneous-but there is no evidence that it is.

The other thing is - we all say ill considered things at times. If someone had recorded all the stupid things I have said in my life, and written them down at a later date you would have a book as thick as the Bible.

There are a few old bands and musicians I see who can still kick out the jams. Jeff Beck is better than ever, and King Crimson were incredible last year when I saw them. Though to be fair, it was also the first time I had seen them. I will be there at the Flamin' Groovies gig next week, followed by Steve Hillage the day after. I am, it is fair to say, a man of my times.

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yes yes YES

And, this is my NameDay show.
Therefore, it must be released.
There, I said it.

.....Dave???

- Sixtus

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