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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

The clues have dried up and we are already at the end of May. The PNW box is still available for those that do not have it yet.
I was looking through the liner notes of the Dead Set reissue. For disc 2, they have songs from the Warfield dates and Radio City, which would lead me to believe they would have had the full shows when they completed that reissue. Maybe this year is the year we get that fantastic run! I need more Shakedown Streets.
If not 1980, my guess would be a late 80's Shoreline run.
Hopefully next week is the week??

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I just saw that real gone music is releasing road trips vol 3 no 3 June 14th.

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In reply to by mustin321

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when I hear the opening notes I go "uhh".

never was a fan.

oh, I've listened to plenty of them, and still do, but..."not Lovelight _again_!!!"

"I get action from my piggly wiggly woman..."

snore

then the band jams hard on it which is good

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...a grateful day to everyone!
Speaking of the AOXOMOXOA (50TH ANNIVERSARY DELUXE EDITION) release,
the dead.net store is sold out/out of stock as of right now. Wow! That’s a grateful positive sign for the band and the fans! Excited for this release... take care everyone, god bless.
🙏❤️😎

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...I’m listening to the Grateful Dead’s ‘Road Trips Vol.1 No.2’ Bonus Disc as I write this post.
Recordings included on the donus Disc come from 10/7/77, 10/11/77, 10/14/77 & 10/16/77.
Sweet Set-list...’Scarlet Begonias>>Fire On The Mountain , Estimated Prophet, Loser, Sunrise, Iko Iko>>The Wheel>>Wharf Rat>>Sugar Magnolia’ !!! PRIMO lol 🙏❤️😎
PS. I posted this before but Incase anyone missed it, Dead.net store has the Road Trips Vol.1 No.2 ‘October 77’ available to purchase and for $20 you can’t go wrong. The few copies available from dead.net also includes the Bonus Disc ! I mentioned above the contents of the set-list. So for $20 you recieve 3 CDs of primo Grateful Dead music from one of their greatest tours durning the Dead’s history. It still makes me smile that started from the 2008 release date!
Rock on my brothers & sisters, peace be with you all! 🙏❤️😎

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https://archive.org/details/gd92-05-31.sbd.paino.544.sbefail.shnf/gd92-…
....H>S>F and a Scarlet>Fire in the same show. A very nice Picasso Moon. A lilting Attics and Steve Miller sat in from Spoonful to the end of the show. I took my younger sister to this one and dosed her. I remember her & I sitting in our car after the show people watching until they made us leave. She bought a grilled cheese in the lot, proceeded to open and close the slices of bread, amazed at how the cheese stretched then would reform it its original form when she closed the bread slices back together. I don't think she ever ate it. She's a good looking woman and I had to keep fending off my friends from hitting on her. Good times....

...in case anyone was looking for it (I was), Dead & Co just dropped webcast info for Summer tour. They waited til like the last possible second considering it starts tonight....just sayin'.

VGuy, I concur - that is a pretty good show from this end...

Sixtus

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I'm not a love light fan either, generally speaking...but 5/24/72 was basically the only version I knew for years, as it was a bonus track on Rockin' The Rhein. It's 12 minutes with no rapping and some of the most unique jamming theses guys did. To each his own, but I'd hate for you to miss out on something special. But I could be too late. The half hour piggly wiggly pocket ball versions may have ruined it for life. I shit you not, if I had only 3 Pigpen tunes to take to my desert island, the 5/24/72 Lovelight would be one of them. Good luck.

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....sweet! What's also sweet, is that nugs is offering a free stream tonight of the Unlimited Devotion Rex Foundation Benefit. They're also streaming the JRAD show in Eugene tonight. Let's see....TV, PC & Tablet. I'm all set! Dead & Co is only in HD? No SD?

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Hi All,
I am slightly late to ABB discussion. However recently over on the Grateful Dead Guide blogspot, the author posted a great and thorough comparison of The Dead and ABB. Now I am fairly certain the point of this was more to showcase the times each band shared the bill and/or collaborated on stage together. Still the author does go into detail about what ABB members thought of the Grateful Dead and such. I am not going to review all of this but rather I am sharing the link below so all of you can check it out if you feel like it:

https://deadessays.blogspot.com/2019/01/the-dead-and-allmans.html

For me personally I love the ABB. I saw them twice with their version of the Core Four in the line up: Greg, Dickey, Butch and Jaimoe. I also saw the line up several times that included Warren, Oteil, and Derek. I always had a good time at their shows and I felt they really went after it when they jammed. Interestingly, the last time I saw the ABB was in 2008 when they played in State College, PA. Also on that bill that night was The Dead…

I loved Roguedeadguy’s description of each band; that was spot on. I will say when it comes down to it for me though The Grateful Dead always were able to hit me on an emotional level that ABB couldn’t. As a matter of fact, The Grateful Dead are really the only band that has the ability to take my heart, mind, and soul on journeys. Besides this The Grateful Dead did have many innovative ideas that they pursued which I also think have made them second to none. For the ABB though, that early period of 69-73 is tremendous. I have not heard any shows from 74-76, and I know they started to unravel in those years as band turmoil took over. Yet with the band losing two of it’s main members in succession and still being able to produce great music and jams is quite amazing if you ask me. My only issue with the ABB is that since they did not have the innovations that the Grateful Dead had there is a lack of live material from them. Of course there is a lot from 1971 and that is important as not only did they have both Duane and Berry then but that was a peak year the band as well. However from what I have heard form 72 and 73 those years are pretty good too. Outside of a few radio broadcast bootleg CDs and one release from 72 and two from 73 there is not much material from those years out there.

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In reply to by KeithFan2112

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I still will listen to Lovelight, but my initial reaction is always...uhh.

I listen for the jams

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...CD back in stock at Dead.net store! Ha that was quick lol 🙏❤️😎

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... I’m playing ‘ Ladies & Gentlemen’ The Grateful Dead - Fillmore East NY April 1971!
Love this release , CD 1 ‘Good Lovin’ is primo Pigpen version, excelent add lib and the band is on fire! 🙏❤️🤠

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In reply to by Lovemygirl

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I'd bet a dollar a doughnut (there's a phrase that needs updating, time to raise pinky to lip), but I JUST got confirmation of the cancellation of my mistaken second order. So the "system" worked for me, but maybe this means if you order two of something by mistake (or otherwise), you can cancel your order and it will be returned to the 'general' pool of availability, vs if you offered to the boards first. This would limit a limited thing to maybe(?) a group of people who wait everyday for such a thing. Or not, obviously more 'heads' out there, then there are here and they deserve an equal shot at the returned item.

sorry for the interruption

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Beatles for Sale - Beatles
Vancouver 6/22/73 - Grateful Dead
Lynyrd Skynyrd - Lynyrd Skynyrd
Lamb Lies Down on Broadway - Genesis, been too long since my last listen, cool album.
Pet Sounds (mono) - Beach Boys, a classic album from start to finish, but Caroline No really does it for me.

Currently revisiting Electric Larryland by the Butthole Surfers, an album with some weird and cool stuff, especially Pepper at high volumes.

I don't mind the sun sometimes
The images it shows
I can taste you on my lips
And smell you in my clothes
Cinnamon and sugary
And softly spoken lies
You never know just how to look
Through other peoples eyes

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some goooooood psychedelia

Locust Abortion Technician

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Why would a sold out aoxo. cd be a positive sign for the Dead and the fans?

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In reply to by carlo13

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being sold out means that 50 years after its release, this ol' band's material still has legs.

long live the GD!

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Makes sense. Also, Crosby,stills and nash still sell over a million albums a year. Now that's staying power! P.S not including newer albums.

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I don't know. Oh! 4/8/72.

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In reply to by fourwindsblow

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The last one listened too.. of course. 11/8/69, Fillmore Auditorium.

Dark Star
The Other One
Dark Star
Uncle John's Band Jam
Dark Star
St. Stephen
The Eleven
Caution (Do Not Stop On Tracks)
Feedback
And We Bid You Goodnight

Holy Cow.. I was exhausted just from the totality of what transpired during my morning bike ride.. Not to mention what happened in the afternoon.

While listening to it.. I wondered... when was the first time they went into The Other One without the Cryptical.. without doing That's It For The Other One? If nobody knows it offhand I might have to figure it out.

Going into The Other One, especially Dark Star > The Other One makes a powerful statement. Powerful indeed.

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Driving home from work. Spent the whole day working on a dispute letter, 12 pages, to avoid paying for services I didn't order. These motherfuckers have been chasing me down for 4 years, from one collection agency to the next. Fuck them fuck them fuck them.

Jimbo I'm going to go with the Academy Music run in March of 72. I'm almost positive they didn't play it on any of the other ones there, I know they played it late into December '71on Dave's Picks 22 and 26 right?

And now I'm going back to May 24th 1972, me and my uncle. I need to turn it up to 35 and Listen to Jerry rip the shit out of this solo again. Let's just hope my EZPass works. Shity fucking day.

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"My friends call me Keithfan you can call me John?" What the hell does that mean? Lol. Sounds like Abbott and Costello or something.

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To state the obvious, if you have one this may be good news-if you don't-then maybe less so. Not referring to Aoxomoxoa, specifically-just things in general.

My last two have been 4/17/72 followed by 4/21/72, after a gap of a month from E72 shows. Excellent in every respect-and possibly the best recorded sound of a Stratocaster not being played by Jimi Hendrix. Or Jeff Beck.

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Furthering our discussion on this monumentally important topic . . . and kind of related to MD Jim's question . . . are there any instances where they went into TOO cold . . . as in they concluded the prior song, stopped playing, and then "BA-DOO-BA-DOO-BA-DOO-DOO-BA-DOO-BAAAAAAAA" straight into a ripping TOO?

They would do that with Dark Stars, and with the full Cryptical - TOO Suite, I just can't think of one where The Other One didn't spawn from another song.

Anyway I love Other Ones, often times more than Dark Stars. Dark Stars really call for a careful, focused listening which isn't always practical. Other Ones I can just rock out to anytime anywhere.

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1. Dave's picks 25- Binghamton
2. Bruce Springsteen - The River
3. Allman Brothers - 6-24-1996 SPAC
4.Daves 27 - Boise
5. Pure Jerry volume 7 - Hampton 1991

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In reply to by KeithFan2112

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Fuck them 1000x

Everybody comes after a persons money

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Saw that Rocky Erickson of the 13th Floor Elevators died. I always dug the Elevators, served as regular background music during a sustained period of psychedelic wandering.

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Roky!

Thank you for the music, my man.

I know whats on todays playlist.

A raise of the glass the three eyed man

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In reply to by stoltzfus

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Really sorry to read of the death of Roky Erickson. "Psychedelic Sounds Of.." and "Easter Everywhere" have been on my regular playlist since I first heard them in 1978. The Elevators have gone down in history, with The Dead, a being pioneers of psychedelic rock-but Roky was a great vocalist in his own right, irrespective of the era that has come to define him. But he was also truly mythic. I only saw him once, in 2007. He mainly played songs from his first solo album, "Five Symbols" with only "You're Gonna Miss Me" cropping up from the Elevators song book. But it was a great gig - all the abuse he suffered-but that voice remained-pure as ever.

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Nothing scary about this, wtf. A few minutes in and everything's sunshine and butterflies.

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10 years 5 months
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Aaaaaahhhhhhhhhhhh!!!!!! That sun should have gone down hours ago!

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In reply to by KeithFan2112

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As I live and breathe...a Billy Saluga reference here...never would of imagined it...thank Dennis

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... listening to this gem of a show now. Man, I think this would make a great release. Dave, hello? Dave? What about Gainesville? Dave?

Anyone else agree? ;)

Peace

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But Bruce string bean sucks. Sorry

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Ya know, scrolling through my Music Bee, looking at these shows, the FLA 80 run (11/26,28,29) are overall really good and unique shows. Would make a cool 3-show box, if the tapes are usable.

If you haven't checked these shows out, they are all strong. Also, electric versions of a lot of the acoustic tunes from Reckoning... electric Deep Elem? Yep, it's awesome. The Sportatorium show has a Cold Rain 2nd set opener, the Lakeland has a Stranger, To Lay Me Down 2nd set opening combo,... and then, there is Gainesville....

Anyway, these are some really great fall of 80 shows, worthy of recognition. Let's just hope the tapes are good. If not, there are good to better than decent AUDs of all 3.

Rock on, and happy weekend, DeadLand!

Peace

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In reply to by Thats_Otis

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It’s in the 30 Trips Box

But yeah, what about Gainesville?

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Otis my man! I don't often venture past Dead set and the Grateful Dead go to Nassau... But 1980 is a little bit of a sweet spot so I'm going to check out the Florida shows you recommend, thanks buddy.

Not for the light-hearted, as it is an audience recording, but put on some headphones and don't let anybody interrupt you for a half hour or so, and here's some of that magic similar to the Dick's Picks 16 medley that Jim was talking about yesterday. This is really really really good stuff, it is a tragedy that it's not in the vault. I'm sure this is not news to a lot of you, but I've had the 69/70 bug lately and this one really carried me off. It's definitely one you want to sit down and get in the right mood for if you know what I mean.

6/24/70

Dark Star =>
Attics Of My Life =>
Dark Star, Pt. 2 =>
Sugar Magnolia =>
Dark Star, Pt. 3 =>
St. Stephen

And there's no crime in staying tuned for the China Rider and Uncle John's Band that follows.

https://archive.org/details/gd1970-06-24.124175.cooper.berger.flac16/gd…

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It sounds like you're our authority on The Other One. I like how you're thinking - maybe come out for the second set to a completely dark stage and then just go wild with those rumbling opening bass notes; then crank on some lights when everybody else jumps in. For the Dark Stars it sounds like you need to be in the right frame of mind eh? I've kind of gotten hooked on them myself. I have a playlist that's all Dark Stars. Then I started integrating '72 / '73 Bird Songs and '73 / '74 China Cat Sun Riders. But there's nothing more satisfying in music these days for me than listening to Jerry noodle through Dark Star at high volume. The louder the better. I guess that goes without saying. You must really love DP 18' s The Other One from Feb '78. I'll bet you have a devastating top 10 list.

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In reply to by icecrmcnkd

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Don't forget 11/26/80 Sportatorium - Pembroke Pines, Fl...the same site as DP3 5/22/77. 11/30/80 was DaP8.

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Damn Google Translator - you should see some of the shit this thing comes up with that I do catch and edit. Thanks

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In reply to by KeithFan2112

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You're welcome…I edited as well. I had to laugh out loud since I had just taken 2 (Dr. prescribed).

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In reply to by DaveStrang

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If 11/26/80 & 11/29/80 are in the vault they could be combined with 12/12-14/80 if they're in the vault for a tasty 5 show box…

I think we may see some 4/78 shows as DaPs…when either DaP7 4/24/78 or DaP15 4/22/78 were released I seem to recall DL saying these were ear-marked for a '78 box…I think that box became the July '78 Box Set.

Any thoughts on either?

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