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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Charlie3
    Joined:
    DaP 24 8/25/72

    After all the comments on the bass enhancement for DaP 24 I decided to revisit that one - I have to say that while the bass is certainly prominent at points, I don't really find it distracting and it is really a good show. I am running a straight 2 channel set up with some large floorstanding speakers and no sub-woofer, which may be a factor. There is generally something about a sub-woofer that is uncomfortable to my ears and the large floorstanding speakers have plenty of bass.

    JiminMD, nice summary of the road trips stuff. Have to say that the 12/28/79 show is one of my favorite releases from '79, and that 11/15/71 Austin show is also a highlight. Also dig the 3/31-4/1/88 release as I was at both of those shows, so that adds an extra element for me.

  • JimInMD
    Joined:
    Road Trips

    The series was ok.. but had some spectacular must haves.. As daverock mentioned. I bet Mr. Jack Straw has them ranked..

    Some really do kick some serious ass though, off the top of my head:

    - Valentines Day 68. A stunner. Don't forget to pick your lower jaw off the ground when the final chords of Midnight Hour dissipate or you will have a mouthful of dirt and/or gravel when the spell finally wears off.

    - 5/15/70 (on sale now). The best sounding 1970 acoustic stuff released thus far, and if that wasn't enough to seal the deal a couple awesome electric sets for good measure. (Well.. there are a few acoustic songs on Bears Choice, but these sound every bit as good).

    - 12/28/79 (the other Betty recorded 79 release that escaped the rapid fire synapse exchanges of the famed HendrixFreak)

    - 5/23&24/69 Big Rock Pow Wow. Wow is right! With every listen I like it more.

    - 6/16&18/74. As Daverock mentioned.. not to be missed. A jazz masterpiece and a Grateful Dead classic. Contains my personal favorite Eyes of the World (or at least the last one I listened to).

    - 11/21/73. Goodness! What a great show.. has a little 11/20 just because..

    - A summer and fall from '71. Not sure which I like the best.. Summer has a Dark Star>Bird Song and Fall has the Dark Star > El Paso > Dark Star.. a real Bobby Dazzler to be sure.

    - 6/9/76 (and a little from 6/12). I think it has Sixtus' fav. Eyes of the World and the only official release (so far) with Mission in the Rain.

    - Bonus discs.. some of these are to die for.

    Honorable Mentions include From Egypt with Love, Spectrum 82, Fall 77, well.. all the rest I guess.

    They did go overboard on the recycled packaging concept. Enclosing them in apparently rough-cut recycled brown grocery bags so dark brown on some the artwork could barely be seen. Not to fear though.. they also sourced and mixed in some barely used sandpaper to stiffen up the covers and retain that scratchy, fine grit freshness that delicate CD's just love! And apparently when they were shredding up the paper bags a few of the master reels cut all chopped up too. What else would explain chopping up some of the shows the way they did (thinking 74, summer 71, 79 and a few others).

    ________
    (sorry for the long post, for those under time restraints skip the jib/jab above and go directly to the executive summary below)
    ________

    I guess in summary.. under-rated.

  • Vguy72
    Joined:
    Give it just a minute....

    https://youtu.be/yXbpxNghcCw
    ....and it will blow away.
    Give it just a little minute, give it just a little minute, give it just little minute now!
    Love Phil's dolphin dye.

  • JimInMD
    Joined:
    Re: Rubber Bowl

    Kenny.. check your PM / EMail.

  • Charlie3
    Joined:
    Real Gone Feedback

    Thanks for the feedback on Road Trips Fillmore release. Before I ordered I had sent an email to Real Gone asking if the release was currently available, and the response stated: "We finally got it in. Retail release date remains unclear as a large portion of our stock is still missing. But you can order from our site now." Just in case anyone was interested.

  • hendrixfreak
    Joined:
    I'm still banking on....

    those two dead horses: '79 for DaP 31 and fall '72 for the box.

    A '79 for DaP 31 would seem to be the first since DiP 5 from 1996 (???!!!), at least according to my shelves. (Perhaps I have missed a release or two?)

    A fall '72 box would fly off the shelves while July 78 and PNW are still in stock.

    In 5 daze, we'll know about DaP 31 and in 23 daze we'll know the box.

    Yowzer! I sure hope I haven't jinxed anything...

  • estimated-eyes
    Joined:
    1978

    All the 1978 talk brought me out of the weeds. I have never been a completist with the Grateful Dead releases-- I have skipped plenty of releases over the years (box sets, Dicks Picks, Road Trips and skipped 4 Dave's Picks before doing subscription in year 3 and subsequent years). I have surely skipped some good ones-- especially some Dicks Picks that I should have in my collection, but hindsight.... If given the choice, I will almost always skip 1976 shows, the 1974 compilation releases, anything post-Brent, and most box sets because of cost and familial responsibilities.

    That said, a couple months back someone on here did a listing of releases by year. I am missing releases from almost all eras/years. I almost never skip a Pigpen release (kick myself for not getting the Kings Beach Bowl 1968 release). For every year sans Pig with a significant # of releases, I skipped some-- except for 1978. I found that I have every 1978 release they have put out.

    So, 1978 must be one of my favorite years. I think it goes back to my tape trading days. One of my first tapes was Winterland 10/22/78 and I soon got 7/8/78 (my 8th birthday) set 1 and encore. Both stellar shows and I can say that the Scarlet/Fire through Going Down the Road Feeling Bad on 10/22/78 is some of my very favorite Grateful Dead. I absolutely love the From Egypt With Love release. Not much to say about 7/8/78 that hasn't been said (I got KISS stuff at my 8th birthday party) other than I never had the second set and WOW.

    Dick's Picks 18 February 1978 is seared in my mind. Another top notch Scarlet/Fire, a long Samson (broken string extends the intro jam), top of the line Truckin' and a rockin' Other One with a screaming Jerry jam in the middle.

    I could go on and on (the Lazy Lightning/Supplication from DiP 25), but why 1978 for me? The sets are more predictable than 1977, many times the band seems to run out of steam after Drums even on official releases and Bobby was doing his experiments with slide guitar in front of 10,000 people nightly. Well, I think that I overlook the valleys and feel that the peaks are so significant that they truly elevate the rest of the show. I have skipped every box because of cost-- except July 1978. I couldn't pass that one up. And I love it-- and agree that the 'hidden' gem of the box is 7/1/78. They had to have melted some country and western faces that day. Just a blistering set in front of what was surely an interesting crowd.

    That said, there have been some weaker 1978 releases-- DaP 7 and the MacArthur Court come to mind. Both are overrated, in my opinion, but am happy to have them in the collection.

  • unkle sam
    Joined:
    Dave's 31

    will be announced on July 16th at 10 am.

  • Cousins Of The…
    Joined:
    Announcement

    I wonder... if they announce the new box during MUATM, does that mean there will be a pre-order email the following day? Like others mentioned, it seems odd that they would announce it first there...

  • Slow Dog Noodle
    Joined:
    Charlie

    I too pre-ordered that Road Trips (5-5-70) from Real Gone and got the e-mail around the original release date that it would be delayed. Mine showed up at the house (Chicago) this past Tuesday.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by DaveStrang

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....one could scribe a thesis.
Box set announcement next week. I feel it in my bones.

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Last 5 GD:

1. 11/7/69 Fillmore Auditorium - SF, Ca. - not as revered as DP16 11/8/69, but a fine show nonetheless. I was wondering why this wasn't a 4 show run? 11/8/69 was a Saturday which if I remember correctly was the Deadcrew 'dose' night and could be the reason for the X factor behind this show.

2. 5/26/93 Road Trips Vol. 2 #4 - I forgot how good the 2nd set is, but 'Box Of Rain' reminded me why PL should never handle lead vocals again…

3. 5/26/77 Baltimore, Md - My 3rd show... a sleeper (imo) from the much lauded Spring '77 tour…another potential DaP?

4. 4/24/72 Dusseldorf, West Germany E72 Tour…'nuff said.

5. Ladies & Gentlemen…The GD: 4/25-29/71 - a little musical detective work needed to be done: 'Casey Jones' is played at 4 of the 5 shows (4/25-27/71 & 4/29/71). I listened to the 5 shows and 'Casey' closes the four 1st sets with BW or JG saying 'Set Break' etc. 'Casey' on L & G has PL saying 'Thank ya New York' followed by Bill Graham praising the virtues of GD. This leads me to believe it's not just the end of the show but the end of the 5 night run… so where does PL fit in to it? It's actually evidence of the studio wizardry of both Jeffrey Norman (mixing) & Rudson Shurtleff (asst. engineer). PL says 'Thank ya New York' at the end of the 'UJB' 1st encore on 4/29! A great compilation and a little GD mystery…

Last 5 (Actually 6) non-GD...all released/recorded 1967:
1. Moby Grape - 1st S/T…these guys should have been as popular as GD/JA/BB & HC (imo).
2. The Byrds - Younger Than Yesterday
3. Miles Davis - Sorcerer
4. Elizabeth Cotten - Shake Sugaree
5. The Strawbs w/Sandy Denny - All Our Own Work (1967 Demos)
6. Gene Clark w/The Gosdin Bros. - 1st S/T…when he left the Byrds they lost more than a lead vocalist.

Damn I love music!

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Definitely Dave's Picks worthy. I cannot believe this has not been released yet. Great performance, great recording. Did I miss something?

What?? Your third show? Lucky dog. Do tell.

At least TYA had some success in the US…I believe it was their appearance at Woodstock that got them noticed by the media and the masses. 'Bad Scene' from 'Sssssh' was the song that got me.

Unfortunately Moby Grape had an extremely bad marketing campaign that sank their 1st album, which is a shame as I think it's a great debut.

I have what I call 'The Rock & Roll Fools Hall of Fame'…the fools being the masses who missed out on great music because they wouldn't give it a chance/listen. I think every person on this board could make a list of their own…artists or bands who never made it, whatever the circumstances…Moby Grape are in my Top 5.

Here goes:
We were 6 kids, 16-18 y.o., 4 guys/2gals who drove to Baltimore in what else? A white VW bus! We arrived around 3:00 PM and found the Civic Center. We proceeded to hang around outside for awhile and watch the great quanities of Heineken being brought in…this was before we knew about the Heineken requirements. The rest of the afternoon was spent walking around taking in the sights. The Inner Harbor had just completed renovations in hopes of furthering tourism as well as improving the city's image. I don't think we even had so much as a joint with us.

The show was great with 'Sugaree' being a standout..the extended solos blew us away, there's no other way to put it. Though not the tour's best version it was still incredible to hear and see. Our seats were approx. 10 ft. in front of the soundboard and to the left. We decided to get a room for the night, the gals making sure it was in the same hotel GD were staying. After we registered everyone but myself headed for the lobby bathrooms. While standing there waiting in the lobby for my crew, 3 'freaks' walk through the front door: the guy on the left had a beard, glasses and shoulder length dark hair, the guy on the right had glasses and light brown, medium length hair and was talking to the guy on the left, while the guy in the middle was just bobbing his head left and right…my thought process was this: 'Damn they let any kind of freak in this place'…and then I saw the GUITARS…I headed for the bathrooms around the corner to alert my friends but by the time we got back they had gotten on the elevators.

Long story short the gals were persistent in all things GD (these 2 ladies were at the Closing Of Winterland) and we got to meet Jerry Garcia the next day. He was an incredibly nice guy who took the time to talk with us for 15 mins. or so. My friend said, 'You did an incredible version of 'Sugaree' last night', at which Jerry, with a smile and a twinkle in his eye said, 'That was a lamb'. I'll never forget those words and believe they'll stay with me for life. All in all it was a great time

I have 2 other '77 stories which I'll save for another time:
1. The camp-out for opening night tickets at the Phila. Spectrum 4/22/77
2. Englishtown

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In reply to by DaveStrang

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Great story about seeing the Dead-thanks for sharing.

Concerning great bands who didn't make it-I literally wouldn't know where to begin. I've got countless compilations of British and American bands from 1965-1975, some of whom only ever got to cut one single. "Nuggets" was the gateway drug for this obsession, and any one of the bands featured on the original double album, since expanded to a 4 cd set would qualify as must hears.

But to delve even deeper, there is a great and beautiful book edited by the late great Patrick Lundborg, called "The Acid Archives", which chronicle bands so rare they weren't even household names in their own household. I've picked up a couple of albums recommended in this tome-two comparatively Dead friendly ones are the "Mountain Bus" album, which is often compared to Working Mans era Dead, and features a great version of "I Know You Rider", and Snakegrinder's "..and the Shredded Field Mice", which features some tidy jamming. Apparently Snakegrinder used to cover Dead songs live. We may never know how well.

In the comparatively mainstream world, I get the impression the Flamin' Groovies didn't make it in the States. Shame-they would have livened Woodstock up a bit. "Flamingo" and "Teenage Head" are my two favourite albums by them, and the later single "Shake Some Action" is one of the best of the decade-1970s. They must have been quite successful though-they are touring Britain this very minute.

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Why is Keith not audible on most of these shows? I know the original Europe '72 LP very well and he is all over that. Is there a story here? Does anyone else notice this?

I have a collection called "Nuggets II - Original Artyfacts from the British Empire and Beyond 1964-1969". Is this different than the album you have? Do I need to search out Nuggets I - More Shit from Across the Pond? :-)

Update - Ok Dave, found a copy of Nug 1 for 10 bucks delivered! New. 4 cd's!!! AND it's coming from England! Some place called Zoverstocks. I get quite a few things from them. Downside is time it takes to get here. Found 2 other things called "nuggets" from Rhino in the library. I could have ordered Nugs 1 from the library, would have cost 2.50 to have sent here, but for 7 bucks more, what the hell, I bought it.

If I can get you nug 2 somehow, let me know.

Dennis

Sorry, not Dead. At our awesome little music fest here in Whoville this weekend. https://m.youtube.com/watch?v=UugP29qOQ98
- Trombone Shorty- Awesome!
- Twiddle- great unknown surprise. Some good jamming, like they knew how to take their time and let it build sorta like someone else we know, ahem 😉 I gotta believe the guitar player listened/studied Dickey Betts and JG?
- J Roddy Walston and the Bussiness- good, probably be better if they loosedned it up a bit. They sound like a band trying to “make it” ....Guessing the guitar player studied Jimmy Page. They should break out a Zep tune or two...
- Railroad Earth- interesting, yet another puesdo Jamgrass style band.
- N. Missippi Allstars- finally got to see them. Totally keeping that southern rock vibe alive.
- Black Joe Lewis and the Honey Bears- another great unknown surprise! Really enjoyed them, Good Friday afternoon vibe, got the party going for us.
Wanted to see Ripe, but didn’t get there in time, not sure about the other bands. But great weekend, we’re just afraid it’s going to get too big and get wrecked. Like so many other cool little scenes, especially the one we all knew so well. I bet Davestrang can attest to how it changed from those mellow late seventies scene to the madness that eventually came....

Thanks Dave, classic tale. I was a little too young for the GD, that would come a few years later. I do recall the renovations to the Inner Harbor during that period. My first show would come at the same venue five years later.

I enjoy hearing how approachable those guys were and somewhat down to earth. Wish I was there that night.

dreading - Keith's presence in the mix for the E72 box has come up several times over the years, most notably (and forcefully) by OneMan. Jeffrey Norman made a few guest posts here as well and the topic came up. I can't speak to the specifics but I can try and summarize what was said a couple years back. I think it the fact that this was a pretty massive project at the time and there were sizable time constraints on the process contributed to a final product that would have benefited from more time. I think there are several releases that he (Jeffrey) would love to revisit and remaster. Hampton 89 and many of the early Dicks Picks come to mind as well.

I wonder if people would gladly buy re-released re-mastered shows with improved sound or if it would trigger push-back and endless complaints? Topic for another day perhaps....

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... a grateful day to everyone! I hope all is well with everyone on this beautiful summer like day today...Sunshine, cool breeze and some Primo music playing in my backyard,
I started my choice of the day to be...
#1- ‘One From The Vault’ (August 13, 1975 at The Great American Music Hall):
Setlist/
Introduction by Bill Graham
Help On The Way
Slipknot!
Franklin's Tower
The Music Never Stopped
It Must Have Been The Roses
Eyes Of The World
Drums
King Solomon's Marbles
Stronger Than Dirt
Around and Around
Sugaree
Big River
Crazy Fingers / Drums
The Other One
Sage And Spirit
Goin' Down The Road Feeling Bad
Blues For Allah
Sand Castles and Glass Camels
Unusual Occurrences In The Desert
...loved every minute of this release (remastered Version/reissue)! 🙏❤️😎

...so I decided to give the day to the Grateful Dead’s releases ‘From the Vault’ series, so I just started listening & enjoying the second release, ‘Two From The Vault’ (August 23/24, 1968 at the Shrine Auditorium, Los Angeles):
Setlist-
Good Morning, Little Schoolgirl
Dark Star
Saint Stephen
The Eleven
Death Don't Have No Mercy
The Other One
New Potato Caboose
Turn On Your Lovelight
(Walk Me Out In The) Morning Dew
Alligator
Caution (Do Not Stop On Tracks)
Feedback
PRIMO 🙏❤️🤠

Ten Years After - Cricklewood Green
GOGD - 12.6.71
Ween - The Mollusk
Saxon - Unplugged and Strung Up
GOGD - Warfield '80 Acoustic RSD
....I don't know if any of you lovely people heard this Morning Dew from Dead & Co last night....
https://youtu.be/6LDW9NyEriI
Methinks Garcia would be proud....

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Grateful Dead Live at Paramount Theatre on 1976-06-03
Grateful Dead Live at Boston Music Hall on 1976-06-09
Grateful Dead Live at Boston Music Hall on 1976-06-10
Grateful Dead Live at The Tower Theatre on 1976-06-22
Grateful Dead Live at The Tower Theatre on 1976-06-24

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That aggravates me2. I would gladly buy some remasters of E72 and early Dick's Picks. I don't think everyone would. That might be something for a 3K unit release all music edition.

Love my girl, no need to post the whole track lists for every CD you listen to, it just clutters up your post and the page. It's cool to point out a sequence of songs that you may have found extraordinary, or whatever but if we all listed all of the tracks on every release that we casually mention listen'n 2, we'd all be scrolling all day. Especially last 5. Ha. Can you imagine if last 5 were each 4 CD releases. There would be track lists for 20 CDs. Or just say hey the track list is exceptional and put a link in there to the wiki entry. Peace brother.

There are now so many great ones out there from all over the world-although I have focussed on America and Britain so far. The first Nuggets one, featuring American so called garage bands was the first one, compiled by Lenny Kaye in about 1973. The 4 cd set that is now available is brilliant-it kicks off with "I Had Too Much To Dream Last Night" by The Electric Prunes. Enough said!
The second Nuggets featured mainly British bands from the mid 60s, and there was a 3rd-I think it was called Son of Nuggets, which featured 1980s bands that were influenced by bands on the first two. I haven't got this one.

I bought the 20 cd set called Rubbles a few years back, which features British psych bands from the 60s, but this seems to have been superseded by a great series on the Grapefruit label. These are typically three cd sets- ones to look out for are "Love Poetry and Revolution", the 1967 comp "Lets Go Down and Blow Our Mind" the 1968 ""Pictures in the Sky" and from 1969 "Try a Little Sunshine". There are two heavy rock ones called "I'm a Freak Baby" and an acid folk one whose name has just escaped me. The sound quality on these is great, from what I have heard-I haven't got them all.

Its not all great-despite its alluring title and cute cover, "Chocolate Soup for Diabetics" sounds terrible- I wouldn't go for that one again! There are many more I could recommend-but maybe that's enough for a post that doesn't mention The Dead once.

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Pat Martino - El Hombre
Grateful Dead - 10/20/68 Greek Theater (30 Trips)
Various Artists - Apocalypse Now Soundtrack
Dead & Co. - Playin' In The Sand 2/15/18
Angelo Badalamenti - Lost Highway Soundtrack

Some of you may know that Mickey Hart helped produce the original score for Apocalypse Now. The soundtrack as it exists is incredible... Martin Sheen's voice overs interspersed with original score music as well as pop tunes by The Doors, etc.

Here's what Mickey has to say about it:

https://www.youtube.com/watch?v=I3vL8jkuHs8

This is one dark, strange trip and a fantastic listen. Check it out.

\m/

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Someone mentioned Phil not sounding good on a later Box of Rain, maybe from the '90s. He sounds good enough on these 1973 performances from the Pacific Northwest boxed set. I have the 6/24/73 show on ATM and I would say the only issue with his vocal is it sounds like he keeps moving too close and then too far from the mic. That's a nice song, and a treat for fans in those days I would think.

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Allman Bros. 12-31-1973 Cow Palace
Stevie Wonder 1-31-1974 Rainbow Theatre~London
Diga Rhythm Band 5-30-1975 Golden Gate Park~San Francisco
GD 11-29-1980 WHAT ABOUT GAINESVILLE???
and in the spirit of keeping up with anniversary shows...
GD 6-2-1995 Shoreline
Whibble (S.C.I.) 6-2-2016 The Caribou Room~Nederland,Co.
:O)

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In reply to by jrf68@hotmail.com

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....tbh, the 6.2 Bucket rocks. It was the last Bucket I listened to. Shoreline '95. Something told me that I had to go.
....Ride, ride, ride. At least I'm enjoying the ride.
The Althea that follows has that slinky '94-'95 vibe for sure. I get it that it's not for everyone, but the magic is present. Trippy? Yessir....

😄😶😐😄
The Final Hurrah.
Thank you, for a real good time.
I'm going for it. Haven't listened to these shows for quite a while. Time to suck it up and dive in.

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In reply to by Vguy72

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....there are worse. Then Stagger Lee! Redeemed! Bear w/ me folks. I mean, he packs a .45!!

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Thanks for the info on Europe '72 Complete. That really surprised me. I assumed there was a technical problem since he is present for some of the shows. I assumed they just took the original LP performances from the shows where you can hear him. To hear that the problem was limited production time is very disappointing. Did I understand you correctly that they addressed this on the website here? I was not really tuned in to the Grateful Dead as regularly then as I am now and did not buy the steamer trunk. To be honest I thought the whole thing was ludicrous, 22 shows of basically the same material. For me it came down to whether or not I wanted to spend $450 for a dozen Dark Stars and Other Ones. Then a few years ago the individual shows were discounted 25% and I picked up a few. Then a few more. LOL, and how foolish I felt for having passed up all of this great nuanced Grateful Dead music when they were at the peak of their powers. I did not notice the piano until a few weeks ago when I also started to listen to the shows on their anniversary dates.

Vguy you are a warrior. '95!

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In reply to by Oroborous

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The guitar player, Billy, lives in my neighborhood, and is a buddy of mine! Incredibly nice guy, and yes, loves him some Jimmy Page!

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In reply to by icecrmcnkd

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Ahh... sadly, I could not pull the trigger on Boxzilla. Glad that it made it tho! It's a great show :)

Peace

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...greetings my fellow brothers & sister on this grateful Monday. This morning I started my listen’n With the ‘Download Series Volume 1.’
The first in a series of digital download albums by the Grateful Dead. The album features the complete show from April 30, 1977, which was the second of a five night run at New York City's Palladium. In addition, in order to fill out the third disc, bonus material is included from the previous night at the same location. I love Norman’s magical mix for this release along with anther Primo Audio recording by Betty! I always thought that the Five Running performances at the NY Palladium would make a grateful Box Set, even though we have many releases from 77’ I love this performance.
Also someone brought up the statement of releasing past releases with upgraded audio. I would gratefully purchase certain, not all, upgraded releases...
I would love to see All the Download series be released available on a CD format. Some great, Primo, shows in that series! All together I believe they only released 12 in the series. I love the Grateful Dead’s 1979 performances and recordings.
Take care everyone and remember to Smile Smile Smile, peace be with you all, god bless.
🙏❤️😎🤠
PS/ great posts VGuy72, Keithfan and jimMD!!!
As always, you guys make me smile with your daily posts. Thank you for sharing. I love this place/board as well. A beautiful group of brothers & sisters, both humble & Grateful about the band and the fans!
Cioa’, rock On ! 🙏🤠

....I think you forgot/skipped right over one of the best of that bunch - June 11, 1976.

I assume it was either a typo or a temporary moment of insanity. Don't miss out, this is one of my all-time favorites especially the second set:

https://archive.org/details/gd1976-06-11.141702.sbd.miller.flac1644

IMHO, one can never get too much of this stuff.

Seventy-Sixtus

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13 years 6 months

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Dead.net did not address this, it came up in several conversations / posts here. A few listeners, much like yourself, noticed inconsistency in the mix and shows where the piano was either buried or hard to hear at all. It's come up several times over the last seven years.

I think the shows sound great, but then you notice Keith is low in the mix - sometimes very low. OneMan was the first to really hammer the point in relation to the E72 box. Then.. if memory serves a couple years ago.. Guss West reached out to Jeffrey Norman and convinced him to make a few guest appearances on one of these threads. Sort of a question and answer type thing and that specific question was asked. There was not a direct answer to the question, but he did indicate he would love to revisit some of these shows knowing what he knows now and utilizing some of the new approaches (Plangent Processing being among them). So this issue was addressed, but not directly answered. It was left for us to interpret his statements.

I took some liberties reading between the lines that with E72 in particular, knowing the volume of work was high and the turnaround tight.. and his response that he would love to revisit and remix some of these shows that volume vs. time impacted some of the mixes. I honestly believe if they came out in smaller batches or if more time was given for the his work we would have seen some better mixes. When I look back at my own work, especially when it's complicated, it could almost always benefit from some revision.. don't take this to be a slam on Jeffrey's work, I in fact think he does a great job.

I hope this doesn't come across as too big a complaint, they still sound great and are one of the joys in my collection.. But there.. I said what I think happened based on the mix and all those conversations that have taken place over the years. Look at this as a soft analysis on one of the best offerings we are likely to ever get from the band.

On a related note, I would really like to see some of the early releases remastered and re-released.. especially some of those partial show compilations or shows where I have to think would sound better if Jeffrey revisited them. He really has gotten better in recent years. One can hope.., right?

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8 years 7 months
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...last five on Vinyl...
#1- Bob Dylan ‘Desire’
#2- Traffic ‘Last Exit’
#3- Free ‘Best Of Free’ *(69’-72’ selections)
#4- Rod Stewart ‘Sing It Again Rod’
#5- Eric Clapton/Jeff Beck/Jimmy Page -
‘Guitar Boogie’
✌️❤️😎 ...Let the Music Play! Rock on!

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16 years 2 months
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Those shows were just what I had on a flash drive of audience sources in mp3 just for in the car.

I must have thought the aud. for the 11th didn't sound that good so
i didn't DL that one. I will listen to that one in sbd uncompressed on the big system at home.

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10 years 4 months
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Hooked on Other Ones now. I'd put this one in my top ten list, starting today: Dick's Picks 28 (2nd Show). This was the Salt Lake City concert. There's a fantastic Disc 4 sequence: Truckin' => The Other One => Eyes Of The World => Morning Dew. It's all top-shelf, but The Other one is on the secret shelf above the top shelf; you know, the horizontal mirror that runs across the top front, but opens up like the hidden book compartment in the 30 Trips Around The Sun Box. Miss it at your own peril.

Yeah, I remember when Norman was on here. Was kind of surprised he showed up, but I think he was trying to figure out what it was we were all hearing in the recent releases that we thought sounded so good. It was right after (I believe) Dave's 17 came out, and a lot of us were raving about what we perceived as some significantly improved sound quality coming out of the most recent releases. You never know where the tape quality ends and the Engineer's skills and tools begin, but I'm convinced that the older tapes are sounding better than ever. Would love to have DP 7 and DP 31 remastered and sounding like the three shows from the Pacific Northwest Box Set.

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