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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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In reply to by bigbrownie

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So Charlie twisted my arm till I called Uncle and so I revisited the 1970 FE Road Trips (one of my favorite in the series). I walked away with the same impression I had before (surprise).

For the period.. and compared to other 2 track 1970 shows release prior.. the sound is terrific, which is why I like it so much. The acoustic stuff in particular is vintage and really quite special. The Dark Star is quite nice, I am not sure it made my top 20 though. It suffers from the early show late show hurry up (I think), but that being said it is quite spectacular and the recording is excellent. That's If For The Other One is really something though, they gallop right from start at breakneck, bass thumping speed. ..but those first few bass chords are like a 9.0 earthquake.. horrible destruction, reckless and cruel. Then.. and we can tell because the recording is so good.. Bobby says hey slow it down, I can't (couldn't make out the rest).. and the slow it down and it seems to lose some thunder.

Anyway.. didn't mean for this to be a show review, I think just for the acoustic material it is must have, top shelf.. and about to get re-released from All Gone. So get it. I also think they should just leave the songs in the order they were performed in.. I mean.. well.. don't do that anymore guys. Moving around the song order to save a few bucks is shitty.. charge us an extra couple bucks and give us an extra disc and let things be exactly as they were when it was performed.

A top shelf release, I hope between Charlie, Keithfan and this post we have convinced a few to pony up and get this while it's not sold out and for those that have it give it another try. A Voice from on High and Cold Jordan alone justify the cost or the need to re-listen. Really special stuff (at least to this head). The early show late show shuffle is something that just does not lend itself well to an acid band that was more at home doing a five hour, two set + encore show. If that makes sense. P.S. don't change around the song order no more! :D

David Duryea.. you still out there?

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I think I got this one... :-) Oh God though I'm a bit nervous...

Who wants to do a mock interview? :-P

P.S. 5-15-70 Classic. Just imagine if more 1970 were recorded. One can only dream.

P.S.S. Recently lost my FiiO X1 with 3 count 3 memory cards 2 were full up with Dead, the other was a variety of other stuff. Goes to show the importance if backing up your data (Which I did). Some lucky feller out there had a nice find! :-O

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I hate the Bruins. But you will never see a more egregious trip and non-call in your life. Even Bozak knew it was a penalty.

Once again the referees blow another game altering call.

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In reply to by Angry Jack Straw

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....chat getting lively! 2-1 Blues. 🙄 My wife, bless her heart, is all Blue.

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In reply to by wilfredtjones

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Just be yourself man.. Having the technical chops is important, but being yourself is everything. Nobody wants to hire a robot (except perhaps Dead.net).. Let yourself shine through is the best advice I can give.

It's how I got into Stanford (in addition to my mom hiring someone to take my SATs and photoshopping my face pic over some kick ass rower). Anyway.. bygones.

You will do fine and at the very worst.. make new contacts and improve your interviewing chops (which makes us more marketable). One way or another...

Relax, take a deep breath and whatever you do, don't get sucked into the who's better Phil or Bobby debate.

Be competent, confident and be likable.

Edit: Ixnay on the Tie Die.

Cumberland Blues.. a quintessential Americana song (or is it)? There are many possible origins
- The Cumberland Valley (The Great Valley), following what is essentially interstate 81 from central PA to Tennessee but wide enough to encompass parts of Virginia, Maryland and Kentucky
- Cumberland County Kentucky
- Cumberland Mountains (Mountain range located in western Virginia, eastern edges of Kentucky, and eastern middle Tennessee)
- Cumberland Gap (See Cumberland Mountains)
- Cumberland Narrows (west of Cumberland, Maryland, along Wills Creek, with Haystack Mountain on the left and Wills Mountain on the right). Wills creek is a classic local Class IV+ kayak run that at most runable water scares the shit out of me.
- Cumberland MD (City at the heart of the Cumberland Narrows)
- Cumberland River (In Tennessee)
_______________________

Or.. perhaps a historic county of North West England that had an administrative function from the 12th century until 1974.

Weird, related trivia. From Terrapin Station, "Down in Carlisle He Loved A Lady, Many Years Ago"
As far as I can tell.. there are only two geographic references to Carlisle that I can find. One a small city in South Central PA, at the beginning of the Cumberland Valley [at the junction between the PA Turnpike and Interstate 81] and one in Cumbria UK (See Cumberland UK, above).

I don't pretend to be an expert on the geography of the UK.. perhaps Daverock or someone else can confirm or deny my weirdness, but more or less all the Cumberland references in the US are in the Cumberland Valley and there is the town of Carlisle within, and the other reference is in Cumbria, the term Cumberland first appearing in 945 ad which also contains a town called Carlisle. Weird??

Dig deeper and I am not sure you will find Hunter reveal the true site of either Cumberland or Carlisle. So it could be either one or a purposefully vague reference to either / or / both. I'd like to think Cumberland, MD.. an old coal town where the lyrics make perfect sense.. but of course I am only saying that because it's close to where I live. Who knows, I guess it doesn't matter anyway.

Good night.. sorry for the long strange post.

This would go tp my comment on why people want releases sentimental v. quality. For me Cal Expo was downright uncomfortable. Saw some quality music but hot dusty and so on. I buy every release but I could wait for them. After the Greek I could fly back to the spectrum

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...I’m sad to hear of Dr. Johns passing. His musical Genius with live on thru his Albums, past concerts and interviews.
For my good friends 60th birthday party celebration many years ago, we had Dr. John perform at the ‘Norwood, NJ ‘ American Legion’ along with members from the ‘Meters’. With a horn section too! 😎
They put on a fantastic performance that night. I have a recording from the soundboard.
Ill never forget that celebration birthday party for Bobby D. One of my favorite shows I’ve had the privilege to be apart of, I helped the band set up & break down their gear and helped the sound man in charge that night. God bless, Dr. John! I’ll see you in the “great big concert in the sky” in all good time...
🙏❤️😔
https://youtu.be/QO53Xu6TZBg

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CSN - 1988-09-01 Pacific Coliseum, Vancouver, Canada
'Freddie Mercury Tribute Concert, 1992
gd1976-06-11.141709.sbd.mr.pcm.fixed.dalton.miller.flac16
John Mellencamp - 1984-07-25 Cleveland, OH (SBD) Acoustic
LOU REED Palace Theatre Dayton 27 October 1974

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...greetings everyone on this beautiful Friday morning. I headed to my beach house sometime late to day for a much needed beach, ocean and sun getaway. We have had a family home for the past 60 years on Long Beach Island, Branaget Light, NJ a few blocks from the Historic ‘Lighthouse’ On the Island. The island is only about 18 miles long with only one main road, to no suprise called, ‘ Long Beach Island boulevard’., that runs the entire whole length of the island. Just one of the many beautiful parts of New Jersey’s Ocean communities that runs along the east coast. I’m packing some Grateful Dead music to take along...any suggestions for some good ol Grateful Dead music to enjoy by the ocean side my brothers & sisters?! (Over the years, 2 releases have always follow’d me down, Grateful Dead - ‘Dead Set’ *upgraded over the years to the 2004 Reissue Expanded’ and the best of ‘Skeltons From the Closet’ , lol)...
* Starting my day off with Dicks Picks #16.
It was recorded by ‘Bear’ on November 8, 1969 (with one song from the previous night's show) at the Fillmore Auditorium in San Francisco, California. It contains the first live performance of "Cumberland Blues", one of my favorite songs from the Grateful Dead repertoire...🤠✌️
Have a grateful day everyone, peace be with you All ! 🙏❤️😎

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In reply to by JimInMD

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Jim you go there to find out what the next box is. I think Charlie3 labeled it Box Tease.

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In reply to by wilfredtjones

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Well that really sucks. The device is the cheap part of the lost. BACKUPS, BACKUPS, BACKUPS. I don't take a shit without a backup,,,, that's why I have four bathrooms!

You can see a sad/funny part, that the person who finds, loves the device and hates the music, ends up deleting 1,000 of dollars worth of data.

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I started the car ride with the June 7th 1977 Scarlet Fire. After reading your comments about That's it for The Other One Jim, I think I'm going to hop over to Road Trips 3.3 and check it out. I hope there's a drum solo in this one . That's right - I remember the volume and number. It's rare but it's not unusual. I used to just call it The Beast From the East. Oops. Terrapin Station just started. I can't turn this off. The Terrapin mood has taken hold. And I can hear what Bobby's playing. It's rare but it's not unusual.

P.S. - I'm psyched for the bonus this coming today. Should have taken off work.

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I believe folks, that the March 18th 1971 show from The Fox (in the box set 30 trips) is one mighty overlooked show. If it had been a Dave's picks, I think it would have been regarded as one of the best. I think everybody acknowledged it was a good show, but it just didn't get the fanfare and focus because it was one of 30.The show is near perfect. The audio quality is near-perfect, the performance is near perfect, the energy level is high, the setlist is outstanding. It wasn't Dark Star night but the other one is in there. And personally I enjoy pig pens Hammond's work on this one, as it is a bit more prominent in the mix. And it might very well have the best big boss man I've ever heard.

Jimbo - That Other One was a sizler - good recommendation. Just pulling into work now - off to never-ever land.......

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Throw away the key

Midnight Hour

midnight hour

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In reply to by JimInMD

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....I did not get this when it first came out for some reason - but I've noted it is going to be re-released soon (I found it on Amazon) so I pre-ordered it. I'm not sure I've ever heard this one....but the various references and writes up here have intrigued me fo sho.

Happy Friday Folks. Dead & Co at The Gorge this weekend; we know of at least one happy person from these here boards attending...I'll be watching on the 80 inch assuming I can make it that late again (I 've been three for four so far); these west coast shows are tough in that regard. Coffee starts around 5 PM....

Bring it!

Sixtus

What song is from the previous night? I have 11/7/69 and both shows follow Deadlists set lists…11/7/69 is interesting for 'The Star-Spangled Banner' played on a slide whistle after 'Mama Tried' by an audience member no less…only at a Dead show (LOL). Just curious…and I enjoy your posts…ALWAYS positive!

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i agree that this st louis show is prime example of spring 71 that rivals the april fillmore and feb portchester runs in playing and sound quality, i have often thought that this Other One version is one of the greatest single drummer/no keith versions out there, kinda like the 4/28 skullfuck version but longer! would have been a great show even without the Caution but that certainly seals the deal, i was surprised back when folks were rating 30 trips shows and this one wasnt very high on most lists

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If we're going with one venue over multiple years how about a Spectrum box? There are three great '73 shows to start with, assuming '68 DNE in the vault. And '72 was Dick's 36. That leaves 50 other shows to choose from to spice up the '73 ones.

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In reply to by Slow Dog Noodle

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Fox Box (Atlanta - 9 shows '77 -> '85)

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Previous night lovelight on DP 16

I'm really into Dave's Picks Volume 30. There are some places where the symbols are piercingly loud. Only complaint.

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Charles Wright and the Watts 103rd Street Band - The Watts 103rd Street Band, dig that Spreadin' Honey
Charles Wright and the Watts 103rd Street Band - Together, the song Do Your Thing is the highlight for me on this one.
Charles Wright and the Watts 103rd Street Band - In the Jungle Babe, dig that funky soul goodness.
Charles Wright and the Watts 103rd Street Band - Express Yourself, the song Express Yourself is fantastic, I don't think you can play it too loud, and the remake by NWA is pretty cool as well.
Dr. John - Dr. John's Gumbo

Currently spinning Charles Wright and the Watts 103rd Street Band - You're So Beautiful

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The "Fox From The Box" is awesome stuff, and especially Truckin' Wharf Rat Other One Caution (in some similar order).

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17 years 6 months
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I was at Roosevelt Stadium for the 6/7/74 ABB show. My 2nd ABB show. Grinderswitch opened as was often the case in those days. A fine band in their own right. I saw the same show 3 nights later in New Haven. So gd hot in the ole Coliseum that I thought I was gonna melt. ABB actually took a break after only 3 or 4 songs to cool off. Probably did some coke and Heinekens and then back out for a show that was hot in more ways then one!

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17 years 6 months
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How many of us have said something and then wish we had not said? Everybody! Sure, I did not like Butch's take on the GD drummers but if he did really say it, so be it.

After all, it has been reported that Jerry said "Of course we (the GD) read books a lot in our spare time. After all, we are not the ABB"! I found that one to be quite funny & telling.

I loved the ABB before I got converted to a Dead Head. Sure, they are not as exploratory or as psychedelic, but in their lane they are better then about 99% of the music out there. I have always held the Fillmore East concerts in very high regard. Give me some You Don't Love Me anytime!

Rock on

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7 years 8 months
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Disk 3 is growing on me.

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9 years 3 months
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Grateful Dead and Allman Brothers are both excellent, no question. As HBob noted, the Fillmore East concerts are great stuff. Based on my enjoyment of the original ABB Fillmore East release I picked up the ABB The 1971 Fillmore East Recordings edition which I believe includes the complete run of those shows. The song lists are pretty repetitive, but there are variations that make it worthwhile.

As good as the Fillmore East stuff is, I would have to go with the ABB Live at Ludlow Garage 1970 if I could have only one. The performances of Dreams and I'm Gonna Move to the Outskirts of Town are both transcendent, and Every Hungry Woman rocks. If you have not heard Live at Ludlow Garage, do yourself a favor and check it out. I am spinning it now, because once I started thinking about it I felt compelled to put it on. Dreams rolling out of my speakers now...

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14 years 1 month
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Well, here's the big reveal. 6/3 Cold Rain opener. Now you all can get a glimpse of me and Mrs. Big groovin' at around the 4:50 mark. That's me in the flannel shirt and the missus in the dark glasses. Anybody on this tour and near the stage will be able to find themselves, no doubt.

p.s. HBob, yes Grinderswitch! Went out a bought "Honest to Goodness" the next day.

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7 years 8 months
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I was wondering if anyone has heard about the dead playing in Billrica MA. I have an old tape labeled just 'Billrica MA.' . No date or set#. I've had it for years. Want to know from you guys. I would rather find it here instead the net. Thanks.

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7 years 8 months
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What is the function of reddit? I checked it out and can't figure the main function.

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7 years 8 months
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Cool,thanks. Now I know. I thought it was somehow an old tape recorded over with the dead and someone forgot to put a new label on. Strange. The mystery has been solved. How could I have missed that on archive. I must be a dimbulb. Call me mr. Dimbulb.

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16 years 2 months
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Currently listening to...

EAGLES
Boston Garden
Boston Ma
July 26TH 1974
Benefit for the North American Indian Foundation
Opening set for the Allman Brothers

This set is rocking.

Was wondering if anyone was there?

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16 years 2 months
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That's ok! I just happened to see it yesterday so it was fresh in my mind.

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17 years 6 months

In reply to by fourwindsblow

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...."the front page of the internet". It's pretty much a site where you can look up countless subreddits about different topics or discussions. AMA stands for Ask Me Anything. you can ask questions and the person replies in real time. Donna did one last year that was fun. Reddit is tricky to get the hang of, but once you do, it's pretty neat.

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7 years 8 months
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Thanks.

.... wow, that setlist on paper looks fantastic. I've never heard of that show, and Billerica is not far from where we reside outside Boston. Who'da thunk The Grateful Dead would have ever played a show in Billerica Massachusetts.

I must check it out at this moment! It just so happens all the kids are in bed and the wife is out doing errands.

Time for 10 + 1 equals 11

Sixtus

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13 years 6 months

In reply to by Sixtus_

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10+1 = 11. Made me laugh..

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16 years 8 months

In reply to by Sixtus_

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My buddy lives a mile from the venue it looks like a high school hockey rink. You'd never believe they played there post hiatus

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7 years 8 months
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Yea,I remember in the early 90s I called up Dead ahead with bill Gans and requested big Boss man and I mentioned the billrica tape to him and he said "really, I never heard that show, I'll check that out"" and he ended up putting that conversation on the radio when he played bbm. And when I got home and checked my answering machine, about 10 of my friends left a message saying they heard me on the radio! That was my 15 minutes of fame. Actually 1 minute of fame. Cool huh. P.s. I live in Southboro MA.. Close to billrica. By the way the Estimated on billrica is on of the finest I've ever heard. Jerrys guitar says "bababababa ba ba ba baba.

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7 years 8 months
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Would you shit if the billrica forum was Dap 31? With that Estimated version, it should be. Jerrys guitar after Bobs last "na na na na" is just goosebump producing!!

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17 years 6 months

In reply to by carlo13

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....yeah, but whoever thought that they would play Cape Cod in a run down hockey rink either? Goes to show....

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9 years 2 months
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Damn......would never have guessed or known. We called that place the Tully Forum when I was a kid and the University of Lowell hockey team played there then. I guess U-Lowell must have sponsored the Dead show. Lots of local kids played hockey there as well, including high school teams. Crazy. Was too young for Dead shows in '79, but I did play some hockey there that year as a kid. Also saw the Talking Heads around '83 there a few years later. (Also a U Lowell concert, as I recall.) But really it was a local hockey rink and not a music venue. Don't recall other shows there at all. This Lowell born boy will have to give this show a listen. Love me my '79, but have my doubts about the acoustics. Guess they didn't build the Worcester Centrum until '82 or so. Learn something new about the GOGD every day.

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17 years 6 months

In reply to by wave-that-flag

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These last ten posts, along with old war stories, and the connection with kind members of the human race, not too mention all the groovy things we learn about the band and their music, that’s why I make time to come hang out here. Thanks to you all, and too all a good night!

Dicks 19- 10/19/73 boo-yah!
(Multiple replays of the Encores)
Jethro Tull Aqualung
Best of the Doobie Brothers
Pedro Mix compilation of Idris Mohamed
Miles Davis Sketches of Spain
Miles Davis Seven Steps to Heaven

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