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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • hailboognish
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    M.I.A.

    Am I the only person who still has yet to receive this? Got an email last week with a tracking number that as of a few minutes ago still goes nowhere. I guess I'll just search for some links to download this, I'd rather wait for the discs to arrive, but I'm really eager to hear this.

  • bob t
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    Disc #3 always seems to be a favorite...

    Dave's 30 keeps the streak alive...... but i have to say, I really really like Disc 2... It's because of the "filler" songs from the end of 1/3/70.... the last 3 songs, Dancing in the Street, St. Stephen>In The Midnight Hour are just so good..... And so are the Morning Dew and Big Boss Man.... "filler" is a joke by the way.... those 5 songs from 1/3/70 on disc 2 are smoking hot.... So you listen to those 5 songs and then head to Disc 3 !!! It is like two Disc 3's in one CD!!!! and Disc 1 is awesome also... Bob t

  • Cousins Of The…
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    Early/Late shows

    It makes sense; take for example 1/2/70, there's three bands on the bill, the Dead, Lighthouse and Coldblood. It wasn't just a GD show.

  • icecrmcnkd
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    Early/late = Set 1 and 2

    But this way you got to exit the venue during ‘intermission’ and restock your supplies if needed.

    Maybe both shows combined equaled the ticket price of a 2-set show.
    But hey, it’s NY and SF, they’re used to being charged more for everything.

  • JimInMD
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    First Listen

    I had some free time this morning and the weather was great.. so I took in a nice bike ride and finished my first listen.

    I have to say.. this Dark Star is fantastic. So moody and emotive. Disc three is a stunner and for me, moves this one into the top shelf of keeper shows.

    I, too, noticed the vocals are panned to one side. Not sure if it's left or right because I used headphones and I have no idea if I had them on the right ear or not. I did notice during I think Masons?? perhaps Dark Star?? mid song Bear moved Jerry's voice to center for a bit and then moved it back at some point. I think it was Mason's because he did the same thing on both versions.. but I could be wrong, I need to re-listen.

    Also, I really get a kick out of the embryonic versions of the new songs. So rough and Jerry's tone on some of them gives it a grungy quality. Raw and unpolished. I get and agree with some of the criticism these tunes get, but for me it is an added bonus. I especially like the early versions of China > Rider. Knowing where this duo winds up only adds to the excitement of hearing them work through the changes and transitions on these early versions.

    That's my take. A top shelf release, warts and all.. and that Dark Star, Special!

  • stoltzfus
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    early and late shows

    I think it's on 10/30/70

    Jerry says something like this to a fan complaining about the short early show: "yeah, it's a bummer, but its the first show....how long do we have to do this?"

    in essence, Jerry didn't like the early/late split, either.

    I would have bought a ticket for each, regardless.

  • CaseyJanes
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    Tele Custom

    DaveRock...the guitar I am building is not exactly a Tele, but is very similar. It has a Tele body, but a custom neck. I went with 5A Birdseye Maple which will be roasted at high temperatures for enhanced playability and tone. I wanted a reliced guitar without the fender custom shop price tag. My guitar instructor here in KC recommended a company called MJT out of Carthage, MO. Very small town about 2 hours south of here. I had never heard of them, but they have hundreds of Grate reviews, and ship guitars all over the world. Their specialty is aged finishing. Check em out http://www.mjtagedfinishes.com/ I ordered one about 5 weeks ago, and takes approximately 14 weeks. I went with a faded/yellowed Taos Turquoise over vintage Sunburst, with some checking and med-heavy wear....... Can't wait!

  • daverock
    Joined:
    Roy Buchanan- Danny Gatton-telecasters on fire!

    Yes, he was an incredible guitarist. He cropped up on here when we were talking about those Rockpalast shows. When I think of him, I always go on to consider Danny Gatton-another phenomenal telecaster player. He was more rockabilly/jazz than Roy, but, man, he could play. I think he was in a band with Jack Cassady in the early 1960s, although I don't think they recorded together. Tragically, like Roy, he also died by hanging himself.

    There's something about a telecaster that inspires truly spectacular playing. Hope you manage to get a picture of your tele custom on here KCJ. My most played electric guitars are the three pickup James Burton and the Japanese made pink paisley tele. You could crack glass with the tone on that one.

  • estimated-eyes
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    late and early

    I have only gotten through disc 1, plan on the rest tonight, though the Milwaukee Bucks game is calling me (lifetime fan here), so it may have to wait. I received my lowest number yet-- #864. Not that it makes any difference... I like the tunes so far-- nice UJB and High Time (TC's contributions to High Time are immense).

    So, better than any other release, this show's liner notes put in perspective the Early and Late show phenomenon of Bill Graham's venues. Which makes me think that folks who saw the Grateful Dead at Bill's venues in the late 60s and early 70s (Fillmore Auditorium, Fillmore West, Fillmore East and Winterland) were getting a vastly different experience than those seeing them in other parts of the country.

    And I will say this in a rough way, but don't mean to disparage Mr. Graham because I have great respect for his work and what he did for the music industry in his lifetime. But, folks who saw the Dead at his venues during this time frame got screwed. While folks at other venues across the country were likely paying one admission price to see two sets of Good Old Grateful Dead, at Bill Graham's haunts, one had to pay for an early show or a late show-- to see both sets they had to buy two tickets. For the 1/2/70 show, the folks who only saw the early show got about one hour of music with only one serious jam in The Other One. The late show was clearly where it was at.

    Maybe some folks who were seeing the boys in this time period can share stories about this. I didn't see a show until 1988, born in 1970-- it was a different world by my time. If you saw them at the one of the Fillmore venues, did you buy tickets to early and late to see both sets? If you saw them elsewhere, was it one admission for two sets or did they follow Graham's format, too?

    This has me very intrigued. Based upon this release, I am not certain I would have become a DeadHead if my first show was the early show on 1/2. While I like it fine, I know there is more music to follow-- at least 90 minutes. But if that was the entire show, not sure I would go back often. My reaction might have been, "That's it?" In two years, three hours is the norm for a GD show-- no late or early show.

    I also wonder how the band felt about it-- might have to re-read Phil and/or Bill's books to see if they touch on it. Bill Graham is making out nicely here with two sets of house tickets sold for the same amount of music as other venues got for one house. Did the band get two cuts from Bill for two sets to two separate audiences? Or did they get paid a percentage of the house regardless of where they played, in which case they came out all right too. Just curious about this after receiving this set.

  • bigbrownie
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    Re: Shipping Issues and Woodstock

    I, too, had a concern about tracking, and then #19377 showed up yesterday. Moral of the story: Take a deep breath 'cause it's coming.
    Thanks lovemygirl for the Woodstock heads up. I'm in for the 10 cd audio only (about $175 with shipping and tax).
    The complete box set is overkill for me, as I already have an original concert poster, director's cut dvd, Woodstock and Woodstock II LPs, and a 90 minute cassette of the GD and all the delays and ramblings (Jellystone Park etc.).
    Resellers and uber completists will like it, though.
    I had the privilege, as an 11 year old, to see the movie "Woodstock" in 1970 and, needless to say, that experience "opened my eyes".

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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I listened to DaP 28 from June 1976 this morning. It's a top notch show, but 25 years and 350 or so shows into the vault releases, it's just considered ok by most (that's what I gathered from the comments). I believe if it had been one of the first released, back in the days when we were only getting one show a year (if that), it would be hailed as a brilliant masterwork. That's what I call The Theory Of Relativity.

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In reply to by Mind-Left-Body

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1. 1977 Chicago
2. Outlaws - Bring it back Alive
3. Dickey Betts - Highway Call - "Hand Picked" get some!!
4. Holland Rotterdam 1972
5. Phish - Bakers Dozen

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LnG tGD fillmore east
Plasmatics new hope for the wretched
Metallica m o p
Metallica ...ajfa
13th floor elevators various

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In reply to by Mind-Left-Body

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Well put, so true!

DeadTony: the Outlaws, nice! haven’t listened to them in decades, probably because I only have on vinyl from waybackin the day, and the tables not set up yet........need to!
Saw them as the headliner back in December 79 I think it was? 38 special, Molly Hatchet, and the Outlaws. Great night. Believe I saw The Who the next night which was the next day/show? after all those poor folks died in Cincinnati.
Needless to say very powerful show......believe that was the first time I saw a show with Meyers PA, though didn’t know it at the time, and like the first few times I saw the dead use it, it didn’t sound so good. Such new/different (think early 83) technology that I don’t think they new how to use it?

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I don't know that we're ever going to have a release that completely blows us away anymore. I'm sure there's a lot of great stuff left, but in the shadow of what's come before it we're probably looking at a case where we're always saying it's about as good as <name that show>. One factor that I think JimInMD mentioned, is sound quality. Our evaluation of a new show is immediately colored by the quality of the recording. C'est la vie. I'm just happy the tunes are still flowing.

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There's inlaw's and there's outlaws.
We used to listen to the Outlaws in Montana back in the 70s. Green Grass and High Tides is a cool song.
And then there were The Outlaws- Waylon Jennings, Willie Nelson, Jessi Colter and Tompall Glasser.
Also the comedy sketch , Wailing Willie. Thats a lot of W (double u).
Ah yes, the english language.

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In reply to by Strider 808808

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.....an all New Years Box!
67, 73, 74, 75, and 92-95 there were no New Years shows....
76, 78, and 87 have already had official releases, that leaves:
66, 68, 69, 70, 71, 72, 79, 80, 81, 82, 83, 84, 85, 86, 88, 89, 90, and 91....
Nice cross section of years ala 30 trips, possibly 18 shows, 3 Dark Stars, and a bunch of “other” stuff. Maybe not as awesome as the 90 boxes, the 72 box or Boxilla, but a big meaty one anyway.....might generate enough interest to be worth their while? Of course not sure they have em all? But many, especially the later years were radio broadcasts so you’d think they’d have recordings better than just the Healy cassettes? But I’m just talking out my ass, I’m sure some of you more knowledgeable folks out there would have a better idea of availability?

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In reply to by Oroborous

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I’m still going with 10/80 Warfield electric sets to accompany the acoustic release.

Yes, glad the releases continue to flow. And please, please, please do what kayakguy proposed: Plangentize all the reels that have good sound quality.

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In reply to by icecrmcnkd

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....there needs to be a Motorhead one. I will call it Ace Of Spades. Watching a cool Elton John concert on YouTube.
https://youtu.be/bF14ECixT9I
....so much music. So little time. All of us can agree on one topic. We all 💛 music. Universal language indeed....if I lose one sense, I pray it's not my hearing.
Appreciation for Dee Murray on the bass.
Crocodile Rock is one of the first songs I remember hearing. That and The Boxer by Simon & Garfunkel and Penny Lane. Thanks Mom & Dad.... Somewhere Over The Rainbow is in the mix as well is Snoopy vs The Red Baron by The Royal Guardsmen. I could go on....House of the Rising Sun. I told you I could go on.

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If I had one realistic box set to authorize for release just prior to my banishment to the desert Island with a few of my best friends and a lot of weed, it would be "The Dark Star Constellation". I sent this to Lemieux already.

The Dark Star Constellation

* 25 complete shows, all featuring a Dark Star.
* Manufacture 15K, maybe even 18K, which is doable, based on the Dave's Picks subscription increase in numbers, along with Dead & Co stoking Grateful Dead interest - not to mention the theme of the box: * DARK STAR *

* $649.99

* Ok here's the tough part for marketing- what years? I would personally enjoy 1967 - 1974. Not sure if the first and only from 12/13/67 is in the Vault. The only thing left from '74 is Chicago and the complete Jai-Alai Fronton performance. So the meat and potatoes would be '72 - '73. I'd be totally cool with releasing the rest of the '71s as well. I think in fairness and marketing sensibility, 5 shows (max) from the '80s & '90s, assuming good quality audio.

* Black box with stars and skeletons (no beards - in fact bring back the Bertha skeleton and her buddy from the 1980s posters of The Warfield, Radio City, and that other place.....maybe as constellations)
* Include an awesome book with Dark Star essays.
* Tons of rare / unseen photos (in a book).
* Some kind of mini book too, with fan descriptions of what Dark Star means / does / feels to them.
* When you open the box up, an there is an audio chip inside that plays that clip from Sunshine Daydream of the dude tripping (almost over): "That Sun Should Have Gone Down Hours Ago....Let's Get The Kids And Get Out Of Here....Awwwwww Sing It To Me!" And then the opening notes into a fadeout.
* Jeffrey Norman....Plangent....

Release the Dark Stars Smithers!

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In reply to by Vguy72

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While I didn't see the 79 Dead show I did see JGB and Bobby and the midnights June 82. The absolute worst place I've ever seen a show. In additional to being a metal building it was hot and humid. By the time Bobby came on it was raining inside the building. And it wasn't open air....very nasty

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Figured out all the clues, every detail just exactly perfect.

Only thing you forgot to mention is the ceiling astral map projection featuring a Jerry hologram darting around the constellations in a Delorean.

See, that wasn't so hard!!

It’s powerful at times. Format is awkward - every other song turns into a Broadway musical style production with hundreds of people marching and dancing in perfect choreography - just the way we all know life to be ...
But oh the music!

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I'm thinkin:
1. I Got You Babe (Sonny and Cher)
2. So Far Away (Carole King)
3. It's Too Late (Carole King)
4. Top of the World (Carpenters)
5. Close to You (Carpenters)
6. Bad Bad Leroy Brown (Croce)
7. Operator (Croce)
8. Bennie and the Jets (Elton)
9. Daniel (Elton)
10. Seasons in the Sun (Terry Jacks- Ooftah! worst song ever)

These were everywhere when I was growing up in the early 70's. Meanwhile, the Dead were off touring the world and quietly making the greatest music ever...

no more giant boxsets. 3 show minis or 5 show runs would be great, but the big ones put too much of a strain on minimal finances. I'm probably gonna miss this year's offering...and it's a painful bummer.
Oh well. Still glad the music is being pumped out.

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Elvis doing Hound Dog in '56. I was 3 and could sing the chorus.
What can I say? I am OLD! But I still rock every day, so there.

Rock on

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In reply to by hbob1995

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indeed my brother!
No way I know first songs....I grew up with all kinds of music playing. I especially remeber crawlin around the kitchen floor (ground zero for fun in those early days 😃), and my mom would have the AM radio on. So alll those great mid to late 60’s AM hits just infused in my being. Years later I had a gig in a sorta open mic band. We backed up who Evers turn it was. Also just great jams of local pros just coming round to jam! Anyway, 25 years later and I could just play any of that stuff, can’t explain it. No prep at all, “this ones in E”, boom.... As long as I sorta knew the melody I could do it. Crazy how music is ingrained in us, especially when we’re young! Of course most of that stuff is beyond simple.
I do know that my first 45 when I was ? probably around 10, was Paul Reveer and the Raiders: Cherokee People!
Man I’d play that over and over, just loved the drums. Always wanted to be a drummer, but, mom was no dummy, who wanted to listen to all that racket! Lol Makes me think of that story Bill tells about the neighbor beating on the garage wall 😀 yea, so she gave in and got me a guitar, which was ok, but deep down always wanted drums.
And perhaps Cherokee People was the catalyst for the rest?

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First song memories Vguy are from when I was 4/5 yrs old '76/'77. Neighbor across the street worked for RCA so he was always bringing by 45s.

Simon & Garfunkel - Cecilia
Elton John - Lucy in the Sky with Diamonds
Little Willy - Sweet
Detroit Rock City - KISS
Afternoon Delight

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9 years 2 months

In reply to by jrf68@hotmail.com

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‘The Witch Doctor’ on the Looney Tunes album.

I remember some of those that Gollum posted, along with Afternoon Delight and, don’t know the name - “I can see clearly now, the rain is gone”.

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That's a tough one. Icecrmcnkd, I think the song you are referring to at the end of your post is I Can See Clearly Now by Johnny Nash, although others may have done it as well. Some of the earliest songs I can remember hearing would probably include
Beatles - Yellow Submarine
Dulcinea - from a Man of La Mancha soundtrack
Soulful Strut - Young Holt Unlimited
Tommy (whole album) - The Who, I just thought the album was "Tommy the Who" and really dug the parts with the French Horn
Leroy Brown and You Don't Mess Around with Jim - Jim Croce
Scarborough Fair/Canticle, 7 O'clock News/Silent Night, Punky's Dilemna, The Boxer, I am a Rock, America - Simon and Garfunkel
Song Sung Blue, Sweet Caroline, Cracklin' Rosie - Neil Diamond

Probably gonna be thinking of more early songs all night. Definitely also remember I'm Not In Love by 10cc from later on, not a first song by any stretch, but a song that stuck in my head.

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In reply to by Charlie3

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Charlie, I believe your right, and that is an awesome version, but I’ve always dug Jimmy Cliffs version the best. Amazing range and emotion over an authentic reggae beat. Gotta love Jimmy! Dam, wish the table was working, would spin up Give Thanks with that great version of Bongo Man!

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When my kids point out my various flaws, I point out that they are going to turn into me.

https://www.youtube.com/watch?v=KAO7vs_Q9is

and the silly songs like Witch Doctor of course... I turned ten years old in 1960...my Pop worked at a record retailer/wholesaler store called California music in West LA so I got tons of freebies i wish I still had

here's a list of what charted top ten in 1960
https://en.wikipedia.org/wiki/List_of_Billboard_Hot_100_top-ten_singles…

Ones that really really stand out are Theme From A Summer Place by Percy Faith and Across The Sea by Bobby Darin....but even though I was a bit younger my absolute faves were Don't You Just Know It by Huey "Piano" Smith and The Clowns and Sea Cruise by Frankie Ford...Earl Palmer rules!!!

First, you guys crack me up 😁
Had to take a step outta the whole seventies scene for a bit, cleanse the palate etc., so 29 years ago this very evening, my first night/show in the promised land after like 12 or 13 years on the bus, finally, and it was awesome!
Jerry’s preaching “cause I mean what I’m saying!”
I know some of y’all don’t dig the Ex, but man I loved it. Great shape for sound. Awesome field. Not too big, not too small. General Admission so you could go were you wanted, or roam freely, of course that meant front of sound board for us. Anchor fucking beer instead of the usual east coast corporate swill....Bill Graham starting it all off, “yaddi, yaddi, yadda”. The band still riding that wave they had going, ole Brentski not fully showing signs of worry, hell who thought he’d be gone in less than 2 months? Sigh. Yes sir Ex at the Ex, one of the last hurrahs before I started sliding into the geezer zone!
Crazy how fast it all blows by. From crawling around that kitchen floor in the mid sixties to soldier field at the last one....what a long strange trip indeed!

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8 years 2 months

In reply to by nappyrags

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Icecreamconekid,

I hope you are right. Schwing!

Had a dream a few nights ago that the Box was 73 CDs. I love 1980.

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17 years 6 months

In reply to by Oroborous

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Ah, decent Bird Song, little spacey part. Then they start to go for Promised Land, which would of been awesome, considering, but then nope, smoke break! Uncle john coming on now. “Oh oh what I wanna know...”

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17 years 6 months

In reply to by Oroborous

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Knock, knocking on the Golden door!

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Outta Foolish Heart.....good shite mate...neat midi stuff, almost a Fire feeling jam, then I swear just the slightest tease, like just a few notes, but a Saint Steve vibe, then more midi space, and Bob with like 2, 3 cords of Women Are right before the rhythm devils transition? God, love these drums/spaces, honestly if I never hear a straight drum solo again I’d be ok. One of many reasons why I dig this shit....to me, I like my Dead the weirder the better 😎 woo-who...
Riding, sliding off that wave on the Wheel, smooth.....

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In reply to by Oroborous

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Miracle>>nice Black Pete>> Pounding, rockish mags, (compared to the smooth, rollicking early mags), with a U.S Ba-Looooooooose, “summer time coming on my oh my” indeed! I think we’re finally/hopefully done with winter up here in the Mnts.? So yea, then back to the hotel to get naked with my new, 20 year old east coast “California Girl” and frolick in the pool.....sweet, very little lighting, so stars shining, palm trees all around.....what? Hey, eyes over here, get your mind outta the gutter, I said FROLIC! Ahem. CALIFORNIA! It was damn near everything I always dreamed it’d be.
“Such a Night” RIP Mac.

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In reply to by Oroborous

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Once we got in, it was fantastic.

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The first song I can remember listening to was "Apache" by The Shadows in 1961. Hank Marvin - looked nerdy but sure could play guitar.

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I'd like a 20 year old girlfriend to frolick in the hot tub with. I just feel like my wife might not approve, what do you think?

Early wake up on the East Coast here, kids slept out in a tent in the backyard. That left me 30 feet away on the screened-in porch with my .22 cal, just in case any animals hop the fence. I just listened to the Dark Star from the Fox 10/18/72, followed by the Seattle Bird Song from 7/22/72. It's always melancholy if you catch one of the announcements concerning Pigpen being home sick. On this one, Phil said Pig was actually in the hospital, but that he would be back in 6 months.

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...good morning to all my brothers & sisters out in Dead Land, I hope everyone is having a grateful weekend filled with love, laughter, blessings and some Primo music! 😉
I have so much I want to write & share but today is not the day, I have three beautiful children, one each wrapped around my legs and my youngest daughter in my loving arms, Lovin every moment!!! A very grateful daddy I am. 🙏❤️
...I would have to say, Walt Disney, played a large part of my first musical experiences. All the classics. And the Movie, The Wizard of Oz musical/film soundtrack ! Amazing music.
Will share more soon.
Everyone enjoy the rest of your grateful Sunday, peace be with you all my friends, god bless! 🙏❤️😎
PS - the 50th Anniversary has been getting some major listening this weekend. My uncle, who introduced me to the Grateful Dead has been loving them all and has been sharing many stories about the concerts he attended over his lifetime. I’d like to share those with the board if anyone is interested, please post if it’s ok to post his memories... thank you everyone, ciao’. ✌️🤠

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In reply to by KeithFan2112

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KF, that was a looong 29 years ago. I was like 28 or 29....so
A) I think if I got naked in a hotel pool now I’d be given capital punishment, and god forbid the permanent scarring I could cause a kid if they got a look, “the horror”
B) we’re so old now my wife probably would say if I could actually get a hot 20 year old to get naked with to go for it! First, she knows that ain’t gonna happen and if it did, she’d be like “thank god your not bothering me”, and “put that damn bucket of grease away for @#&*&#$ sake” LOL 😂

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16 years 3 months
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it takes a fast car to keep up with a 20 yr old. I had one for a while, after all was said and done, she was not a very good conversationalist. ie Candy from 2 and a half men :)
First songs I can remember, were mostly classical as I came around before rock and roll, and it was banned in my parents house (devil music it was called). I do remember flat foot floozie and the floy floy and Peter and the Wolf, Zippity doo dah, mostly other Disney children's songs as Disney was the go to for children back in the 50's and 60's and being raised by republicans, there was no rock in our house. Kicks Red rubber ball the Circles, wipe out by the Ventures, get off of my cloud rolling stones, do the twist by chubby checker mostly am radio until I finally got a stereo that had FM, then it was all rock from then on. First rock songs were the Animals, Paul Revere, Beatles, Buddy Holly and Bobby Fuller, others too, just too many to list. I wore out that little transistor radio that I kept under my pillow at night so I could listen to the banned rock music. I will always remember my old man yelling at the top of his lungs "turn that shit down!!!" He hated Jimi Hendrix lol

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14 years 11 months

In reply to by unkle sam

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That place is run by...clowns/no one/cluelesd buffoons.

Just a maaaaasssssssss of people dripping like an iv thorough lil gates and metal detectors (hey man i dont have my metalluca cds with me haha). My wife was getting unglued.

Again once inside, beautiful.

Some rise, some fall, climb, some crawl
to get to Terrapin

....you'd think it was rocket science. All I know is that strip of grass in between the floor and the actual lawn is prime property. Saw Phish there three times and we always made a mad dash to grab that spot. Worth it 💯%.
Also noticed that the camping area was grass. It was always dirt when I went. Cool.
Speaking of wives becoming unglued. Took Mrs Vguy there in '98. She made fun as my friend Joe and l ran out of the gate. So fast I lost a Birkenstock. Once she caught up, she realized why we did what we did. She picked up my sandal btw and said, "You lost something Vinnie. But I got you. Nice spot." I then proceeded to bust out some fungus, so yeah....

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7 years 2 months
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Visited a 20 something yr old today at a near by establishment. She was so pretty and gentle...sigh.

"The Ugly Bug Ball" by Burl Ives is the first song I can remember hearing. It was in a film- I think it was a Disney, but it wasn't a cartoon- although thinking back , maybe there were bits of animation in it. If they could do things like that then-about 1962. Hayley Mills was also in it as a child.

Took forever to get in tonight, past all those robot tests. Given the content of the post, it hardly seems worth it!

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17 years 6 months

In reply to by daverock

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....The Parent Trap actress, correct? One of the first movies I remember as well. One of my first crushes right there.

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