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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • Lovemygirl
    Joined:
    *Re/ Jiminmd

    ...thank you for the well wishes and positive vibes, my friend, your very humble. That’s means a lot to me my brother, enjoy the rest of your grateful weekend! 🙏❤️😎
    ...I’m praying that my participation in this new trial procedure & medicine will help others with my medical illness.🙏
    Peace be with you JIMINMD!!! 🤠✌️

  • JimInMD
    Joined:
    Best of Luck LMG

    Hoping for the best.. and passing some good vibes your way.

    I knew the mere whisper of Santa Fe would draw VGuy out. Plus.. it has a rockin' Cumberland Blues, what's not to like.

    In truth.. I find '83 a little all over the place. I think of it like a old-time train, a steam engine that jumped the tracks and is rolling through town unbridled, unrestrained. I think of all the years in the 80's, 83 might have the most uneven recordings. Sometimes lots of audience pumped in (thinking Harrisburg PA for example), sometimes they are pretty clean and crisp (thinking Morgantown WV). Anyway.. an interesting year and to me the year Jerry's health issues became visible. Some of those shows are crackling with energy though.. I had fun in '83. '84 continued the unevenness, but there are some recordings that come through pretty clear. I tend to like '85 the most from this period. The summer tour was pretty even and solid and fall had some moments, Richmond comes to mind. I do recall being front row, Jerry side on 6/26/84 Merriweather Post Pavilion and they opened with Casey Jones. Keep in mind.. this was '84 and Interstate 95 from Miami to NY was paved with Colombian Cocaine (95 is about three miles East of Merriweather).. It was everywhere, it was high quality and it had become 'relatively' cheap (or at least cheaper because it had become very pure). There is little question in my mind why they opened with this and as raw and raunchy as this version was, the energy during the refrain was off the charts. They kept repeating it, it kept going on and on and each time with more intensity and enthusiasm. I am a little embarrassed to admit how much I enjoyed that moment with the understanding I think this is a terrible drug and ruined the lives of countless friends. But the building was shaking that Tuesday night.. This was the only time they opened with CJ post hiatus. It was not a great show, but it was a good show and the energy rolled out of the shed that night and into symphony woods and beyond.

    Anyway.. it's in the low 40's here today and the rivers are full. I might take the day off though and get some cleaning and listening done. I need to get caught up my E72 adventure, I left on the DS from 4/14. Like Sixtus said, one of the gems from that tour.. it might not be the best but there certainly isn't one better...

    Be good all, sending positive thoughts LMG. Play dead, happy Sunday.

  • Lovemygirl
    Joined:
    *Re/ Bob Dylan...

    ...greetings to everyone on this grateful Sunday...hoping all my brothers & sisters are enjoying their last weekend in April... 🙏😎
    * If anyone is Interested , I have a new/mint
    “Bob Dylan - vinyl Mono Boxset” I’m looking to sell for my medical bills that are just pilling up week after week, so I continue to recieve the best medical/medicine has to offer. I’ve actually started last week on a new trial medical procedure that was performed on this past Tuesday at Englewood hospital...praying for positive results.
    Here’s some info about the Dylan Mono Boxset...
    Description:
    This box collects Bob Dylan’s first eight 12-inch LPs, his albums from Bob Dylan in 1962 to John Wesley Harding in 1968, as most people heard them, as they were expected to be heard, and as most often they were meant to be heard: in mono. --- Greil Marcus, taken from the liner notes of Bob Dylan: The Original Mono Recordings

    Bob Dylan’s first 8 studio albums pressed at RTI on the highest quality 180-gram audiophile vinyl. Also included are reproductions of the original LP artwork, including inner sleeve art and original inserts, all in heavyweight, wrapped jackets. Also includes beautiful 12x12” book with new liner notes, rare photos, memorabilia and more!
    Cut from the Original Analog Mono Masters by George Marino at Sterling Sound: Each Disc Comes With Individual Jacket Replete with Original Artwork and Inserts

    Includes Deluxe Booklet, 18" x 24" Poster, Rare Photos and Greil Marcus Essay

    Bob Dylan’s The Original Mono Recordings is comprised of his first eight albums painstakingly reproduced from their first generation monaural mixes as the artist intended them to be heard: One channel of powerful sound, both direct and immediate. While stereo recordings had been available as early as the mid-1950s, mono was still the predominant, and often preferred, mode of recording and mixing by the top artists of the 1960s. As a result, artists like The Beatles, The Rolling Stones and Bob Dylandevoted their attention to the mono mixes, leaving the stereo mixing process to studio engineers.

    As is fitting for a box of this magnitude, The Original Mono Recordings are accompanied by a deluxe booklet, featuring vintage photographs of Bob Dylan and an expansive essay from renowned author and critic, and longtime Dylan aficionado, Greil Marcus. Each disc in the set comes in its own individual jacket which faithfully replicates the original album artwork, complete with labels and stickers that were found on the original 1960s releases.

    Cut from the original analog mono masters by the legendary George Marino at Sterling Sound, this set is simply unprecedented, some of the most important and timeless music ever made, now in jaw-dropping sound that rivals what was heard in the studio control room.
    "Those that own the hybrid stereo SACDs of some of the albums in this set are still in for a treat. Ditto those that have Sundazed’s mono LPs, which don’t claim the level of detail retrieval or sheer openness on these pressings, which come straight from the masters. Then, of course, there’s the meticulous replication of the labels and inserts, as well as the high-quality jackets, all reproduced with immaculate care. Not to be missed."
    --Bob Gendron, TONEAudio, Issue 33

    "During most of the ‘60s, mono was the preferred format, and Dylan and his engineers focused most of their energies on getting the mixes just right. That’s especially apparent on the classic “Blonde on Blonde” (1966). Though fans may prefer the sharper separation of the instruments on the stereo mixes, the mono versions get at the heart of Dylan’s rough and tumble sound, with the vocals in the midst of the instrumental fray rather than pushed out in front of it. The rockers especially sound more menacing than ever."
    --Greg Kot, Chicago Tribune

    ...here’s to everyone having a grateful Sunday, god bless & peace be with you all!
    Rock On!🤠✌️

    Bob Dylan
    The Freewheelin' Bob Dylan
    The Time They Are A-Changin'
    Another Side Of Bob Dylan
    Bringing It All Back Home
    Highway 61 Revisited
    Blonde On Blonde
    John Wesley Harding

    * Please feel free to send a pm / message and I will respond as quickly as I can.

  • MrHeartbreak
    Joined:
    Keithfan2112

    Nice Ace Frehley reference, man. Was wondering if any of our fellow Deadheads here would pick up on it and comment. Been listening to a bunch of that old stuff recently as I starve myself of Dead for a couple of weeks in advance of receiving DaP30.
    The Space Ace rules!

  • Vguy72
    Joined:
    YES!!!

    .

  • JimInMD
    Joined:
    Did Someone Mention 1974?

    Can there ever be too much 1974?

    9/10/83 is sure to get VGuy's attention.

  • stoltzfus
    Joined:
    Todays wood

    9/10/83
    Phemonal

    1/11/78
    Yeeeeeeees

    3/7/81
    Yahoo!!! a la Slim Pickens

  • bob t
    Joined:
    @Keith Fan... 6/20/74

    Always has a special place for me because along with 7/25/74 Chicago, only shows back in the tape trading days of the 80's and 90's that you could not find from 1974!!! First show I ever listened to when I discovered Internet Archive!!!

  • Oroborous
    Joined:
    What he said...

    Yea Rhino, what Dreading said.....more releases, more ways if necessary.......what???....problem, I dont have a problem 😃

  • dreading
    Joined:
    "Bombed At The Omni"

    That title reminds me of "Dozin' At The Knick". It gave me a chuckle. I've had this show on tape for many years then found a better copy on archive. Great one for release IMHO, but I think it might suffer the same indifference as Dave's 17, since there is no Dark Star or The Othe One. I believe there is still room for partial show compilations, Road Trips style. I believe there should be some random Road Trips releases. They could make it a ongoing thing, like one two and three From the Vault. No schedule, no expectations, just release stuff that doesn't add up to a full show. Like June 16th and 18th 1974. A couple of seconds sets, and we're off to the races.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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17 years 4 months

In reply to by CaseyJanes

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And a big Sunny Rocky Mnt. how do you do!
Nice to see Wjones and the always entertaining CaseyJ back with us.....
CJ, was worried you some how smuggled in your magic carpet, got turned on to some ultra government top secret veggies, lifting off somewhere between HCS and Dark Star, and decided to fly the length of the Columbia, eventually needing to crash in some uncharted PNW forest, only to be kiddnaped by a secret clan of Uber Sasquatch....”ancient alien theorist say yes!” Who we’re so high, intelligent and kind that we would never hear from the likes of you again, not that there’d be anything wrong with that lol
Couldn’t help but pick up on the less than Bolo type clue about “we weren’t listening to the return bus instructions” ha, bet a few of us here know where that’s going! Lol

BOX: yep, looking like whoever said the announcement was going to be after Dave’s 31 is gonna win the prize...
Prize you say? .......yea,
“Upon your death you will receive divine consciousness.....which is nice”

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In reply to by Vguy72

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Its not a matter of snoozing and losing

Its about a SHITBRAINED SYSTEM AND LAMENESS ON THE PART OF THE PTB AT THE GORGE.

luckily for you all, i am headed to work...keeping my day job and all that

Have a pleasant day, y'all

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“My mom let me go to Grateful Dead shows when I was 12 or 13 years old. The things that taught me,” Austin told Relix in 2009. “And I think about these kids – it’s like a sense of community, a different sense of giving and caring – we’re all here together. If you create something, you’ll have this beautiful bubble that will occur.”

Read more: https://relix.com/news/detail/in-memoriam-jeff-austin/#ixzz5rt4azryg

😓

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What a bummer. Heard over the weekend he was in the hospital. These guys got me hooked into bluegrass in 2001-2002 era, and I was lucky to see them a bunch in the early aughts. Jeff was unquestionably the leader of that band. He was a great songwriter and a better singer. Time to put on an old Yonder show.

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The link to the book was cool. It reminds me of the stories I have had traveling with the dead in the 80's. It is like losing a faithful dog that was always there to make sure you were ok. You never forget those times. Some people may think it's just a concert but it was more then that. Those people would not understand unless they were there.

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In reply to by carlo13

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Right on!

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If I have to explain, you wouldn’t understand (insert dead graphic)....I think you will enjoy the rest of my story....stay tuned!

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I told you all I have been exploring 1974 much more since accepting the sonic issues that go along with it. I'm full blown rampage now, which is ironic considering my last full blown rampage was 1974.

I have also observed there are only about a half-dozen Dark Stars from 74. That is almost a criminal act.

What I don't get is the popularity of DaP 2 Dillon Stadium. Awful audio. Is it simply because it's hard to get that it's so expensive on eBay? The show doesn't sound like anything special to me, maybe the poor audio is not helping. Can we all agree it's one of the worst sounding shows of 74?

And I will be needing rankings of all Eyes of the World from this year. I've come to the conclusion that they are the best ones, but if 73 needs to be included then so be it. Not interested in two drummer Eyes unless it's One from the Vault.

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Greek Theatre, 15, 16, 17 July 1988 just arrived today. It doesn't sound as good as a Normanized Plangent deal, but it sounds pretty good for a radio broadcast. Six discs for a little over thirty dollars.

Slaked my thirst while waiting for the box announcement. Not to mention the announcement is just the dangling of the carrot... the ship date can't be before Fall '19, at this point.

Jerry's vocal on the seldom played "Believe It Or Not," is extremely soulful. I'm just sayin'.

\m/

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11/17/73 is my favorite '73 version so far.

Coattail Skeletons 7/19/74 has a Dyno-MITE version.

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Now I'm thinking it may be the long awaited Boston Ark 69 shows. It's the 50th anniversary of the shows and Bolo said it's "about time those incredible shows were released". Bolo's clues may be hinting at Noah's Ark.
From Bolo's post:
Religious references: "grace of God", "glorious", "soul"
Storm reference: "Kesey's Thunder Machine"
Animal references:
1. "China"-----China CAT
2. "dark side of the moon"-----(pink floyd)-----ANIMALS
3. "Starbucks"------(Moby Dick)-----WHALE
4. "Cheetos"-----(Chester Cheetah)----CHEETAH

Right? Is anyone with me on this?

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In reply to by Gollum

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Ark would be cooooool

What does a yellow dog say?

"Ark, man...Ark"

Your avatar is awesome

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In reply to by stoltzfus

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....🤔 I have nothing.
Wait. Liberace tickled the ivories. Tusks are made of ivory. ELEPHANTS!
i still have nothing....

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May 77 - Number 3 Palladium April 29-May 4!
1st Leg April '78 Curtis Hixon>Huntington,WV 4-16-1978 What about Sporto?

June '85
OR
June '91

Alaska '80? Msg '79 or '81?

P.S. Mike Edwards, Mr, Pid, dstache, OneMan, ComicBodger, Space Face? I beg you call the tune... :-)\\

Stuart Walker? sherbear? marye? monsieur Joe EVERYONE?

Happy Summer and carpe diem...

Love, Jeff

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In reply to by Butch

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9/11 at Alexandra Palace is a good one. Very long, very spacy. After 1974 they always seemed in too much of a hurry when they played it. The 1976 ones especially-too fast, too short. And that seemed to set the template for the song for ever after.

Multi-track from October 1969 or April 1971

Could be something from Fillmore West 1970 acoustic electric

Or more from 1989. Philadelphia Spectrum 3 shows

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In reply to by mbarilla

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Hey looking for someone to pick up an extra pin from a couple shows. Anyone going to Bristow , Charlotte , Atlanta or Dallas ? I had plans to go to Bristow , Charlotte and Atlanta but my dog had heart attacks last week. Had to cancel all plans and keep him company

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Check your PM

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In reply to by CaseyJanes

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Hopefully it’s a spectacularly Plangentized offering.

The real worry is Vault safety. Hopefully Warner has a better fire prevention system than Universal Music.

https://www.billboard.com/articles/business/8517618/universal-music-fir…

High Time to pick up the pace of releases, that way if something does happen in the future hopefully all the good sounding shows will have already been released.

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In reply to by icecrmcnkd

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I probably won't be able to get the box...my wife looks at me strangely

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Wow, that article is sad. Especially Cheech and chong and rodney dangerfield. The Captain and tennille not so much.

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In reply to by carlo13

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And what about Spinal Tap.....I was really hoping they’d rerelease an audiophile version of Smell the Glove!

CAPTCHA sux. I can handle one screen of "find the bikes, ya damn fool", but 6 screens of buses, crosswalks, and festering sores is too much.

It's not like we are trying to hack into Fort Knox or something

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First Girl of the North Country since 8/27/14 tonight in Stockholm (also first Can't Wait since 2012).

Not my video: https://www.youtube.com/watch?v=OaFCERlqVPo

Sounding good. The Can't Wait is nice too...sounds like Stayin' Alive, haha. Waiting for a late summer / fall US announcement.

Anyone check out the new Rolling Thunder Revue box and Netflix special?

Gonna catch Dead & Company in ATL this weekend. Saw the Stones last Friday, first and only time for me. Worth it! Amazing that Mick had a valve in his heart replaced two months ago, he was all over the stage non-stop like it was the 70s. I got winded putting on the t-shirt I bought at the show.

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Just saw your post, I can check in Atlanta if you still need it. Thoughts to your dog!!! You are prioritizing correctly.

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In reply to by icecrmcnkd

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https://www.nytimes.com/2019/06/25/magazine/universal-music-fire-bands-…

Here's an article I had just read before coming over here, and, sure enough it's already being discussed. I can't believe UMG lost millions of masters and were able to keep it silent for 11 years. The exceedingly long list of artists who were impacted is truly sad. Buddy Holly, Charles Mingus, John Coltrane, The Who, Tom Petty, The Carter Family, even a Martin Luther King, Jr speech that was recorded and released. Decca and Chess records. Unbelievable. Who knows what kind of brilliant work lay unreleased and unheard until the conflagration meant they would never be heard.

Also, I remember Dave made a joke on the Hofheinz 11/18/72 release page about not being able to hear Hoyt Axton Explodes without a turntable, though now it may be impossible for them to even think about a re-release as his masters are also thought to have been destroyed. I hope the artists get a massive settlement from UMG, which is worth $33 billion.

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In All in the family season 6 'Archie, the babysitter'. Gloria hires a babysitter and the babysitters boyfriend who comes over to hang out with her, brings over 2 albums. One is Blues for Allah and the other is the rolling stones. You can see both sides of B.F.A album with jerry and the band and the front pretty clearly. The boyfriend says " I brought over the grateful dead and the Rolling stones" and Archie says "yeah I've heard of those grave diggers before". Good episode.

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I was shocked to read this, never heard about it. Very sad indeed.

You can never believe they don't have fire system in these places and take a greater value in the stuff they have.

The BBC tossed out a chunk of Doctor Who's cause they needed the storage?

A wild spec I heard years ago on TCM was that 1/2 the movies made before 1950 are GONE.

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I think the films were watched over by people who don't give a shit. Then you get people like Dave L. And the others who protect their music and concerts with love and respect like they should be treated.

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17 years 4 months

In reply to by carlo13

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....first I've heard of this as well. 100,000 masters? Oops indeed. Note to selves. Celluloid does not handle heat very well. That's why I keep mine in Montana. On the Canadian border. As Red Foreman would say, "dumbasses!"
One of my favorite TV dads. Up there with Archie Bunker and Al Bundy.

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NOT THE ASIA MASTERS!!!!!

But seriously, it's the greatest prog-gone-pop-rock album ever. Credit where it's due - producer Mike Stone pulled that record out of his ass.

I would have said maaaaybe Duke was better, but they crossed the line with Dukes Travels
- that song is as progressive rock as 1980 could possibly sound.

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11 years 2 months

In reply to by KeithFan2112

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Hot Rize~Take It Home
String Cheese 9-3-98 Strawberry Music Fest.,Camp Mather~Yosemite,California
Herbie Hancock~Head Hunters
G.D. 4-14-71 Lewisburg,Pennsylvania
Hot Tuna 71-7-3 Fillmore~San Fran.
:O)

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6 years 6 months
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Listening to the Englishtown half step this morning and towards the end of an absolutely fantastic version was brought to tears during the Rio grande refrain at the thought of that father and daughter picture from earlier this week .
Come on Donald stop being such a bell end and cut these guys some slack , the worlds not just a rich mans playground .

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14 years 9 months

In reply to by perithecat

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As much as I have issues with the current administration, people come to this lil' area to escape all that.

May God welcome the father and daughter's souls to heaven. I am sincere in that.

Please let this board be a refuge from the ills of the world (wake up to find out that there's lots of ills in the world).

Grateful for life
Dead for life
Grateful Dead promote life
"the Grateful Dead are the antidote to the atom bomb" - Joseph Campbell

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Sorry , never meant to bring politics onto this site - it’s not even something I’m that bothered about anymore - as we say over here “ same shit different colour “ I guess the music caught up with me .

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In reply to by perithecat

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I think you have to at least put 6/18/74 on the list of top performances in the 73/74 period.

I have to say.. although I do like 73/74 versions the most.. it is one of the few songs where the rearrangement did not ruin it for me. There are some true gems post hiatus. I believe it to be one of the better original songs in their cannon. When I used to hear the opening chords at shows, I perked up a bit and paid attention. It rarely disappointed.

ok. Back to your regularly scheduled Estimated > Eyes.

(Edit: Or Eyes>China Doll) :D

she refers to Jerry as "their vocalist and lead guitarist" (vocalist...singular...and listed ahead of guitar)

as I have said before: I don't listen to the GD for the vocals.

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