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    clayv
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    Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

    When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

    DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

    DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

    *Limited to 2 per order. Very limited quantity available.

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  • KeithFan2112
    Joined:
    Sure get stoned at night!

    The 30 trips Alligator from The Shrine in 67 is one of my favorite 30 trips moments, yet somehow I never fully engaged on the Caution. Probably my favorite Gator, not counting the one under the seats between rows Double EE & FF at the Academy of Music. I probably play the ladies and gentlemen version the most. I think it's time I hunted down that whole Fillmore East run in good quality. I have some of it, like the 26th with its Dark Star.

    And with regard to the Dead Hand in Hamburg anniversary today, I don't know where I was getting off not mentioning Big Boss Man. Probably my favorite short Pigpen Song from the tour. Hindsight is 50/50, but I think it would have been cool if pigpen have played a few less good Lovins, and mixed in some smokestack lightning and good morning little school girls. Not to mention an alligator or two.

    Jimbo, love the reference to The Blues Brothers. I just watched they're warm up set for the closing of winterland on YouTube. Lightning in a bottle. Also came across a picture of Donna sitting with Belushi. Good Times. Let's get that Wayback machine and get directly involved.

    Anybody get a shipping notice for Dave's Picks 30 yet?

  • JimInMD
    Joined:
    Re: Caution / Alvarhanso

    My absolute favorite moment from 30 trips.. and as I have written here several times, I blew out the speakers in my car on that one. For me, it was an epiphany moment.. I was left wordless and slack jawed.

    Nitecat.. except for the last song, your last five was entirely GD. Glad I am not the only one.

    Let the good times roll.. great topics on all things music.. We play both kinds.. Country and Western (aka Grateful Dead and everything else).

    Man. that caution. Wowwow stuff.

    Edit: Or perhaps it was The Other One where I blew my speakers.. no bother, that entire show was pure mayhem and simply wonderful (especially played very loud). Plus.. I blew out the rear speakers and dialed it back just so it was as loud as it could be without blowing out he fronts. What a great night and that show set the mood for the road trip. I think I was driving to visit my dad in the hospital if memory serves, six hours each way = 4 shows total. Blown speaker worthy? yes. It certainly eased the pain.

  • stoltzfus
    Joined:
    Forced to take a pallette cleanser

    Godflesh Merciless

    10/6/80 just wasnt happening :(

  • KeithFan2112
    Joined:
    Jimbo & Oroborous - great…

    Jimbo & Oroborous - great 1983 / mid-80s commentary. You guys had me flipping through 30 Trips '83 and DP 6 today on the way to the food store. The live Touch Of Grey led me to the great studio version, which I hadn't put on in quite some time. Nice memories.

    Alvarhanso - thanks for the Cautions, I'll check those out this week. Also glad I'm not the only one to notice how similar the BTW and JS intros are.

    Bobby T - great call on the TC Dark Star from the Fillmore East. I love 1971 Dark Stars, and TC brings his trademark organ part to this one. It's followed by my all time favorite St. Stephen (Bobby is exceptional on the outro jam). I like putting The Eleven from Two From the Vault after that Dark Star / St. Stephen combo. The drums go together almost seamlessly on the transition. I can't wait for that whole Fillmore run to be released. I really enjoy Ladies & Gentlemen, but I don't have great soundboards of the entire run.

    Nitecat - "I repeated the best stuff twice" - great quote, and the reason it's taking me so long to get through the E72 steamer trunk.

  • alvarhanso
    Joined:
    Caution!

    My favorite is the one from the Shrine 11/10/67. When I got the 30 Trips Box that was my immediate favorite show and has remained so with subsequent listening. The opening clang of Viola Lee sold me, but that Alligator> Caution cemented it. The Greek show from the next year has a great one, too, if brief (funny that we can describe an 11 minute song as brief), and goes into what is probably my favorite Feedback. Maybe it's just the stage announcer's blown mind that gets me on that. The one from Thelma DaP 10 12/10/69 is a good one. For some reason, as fantastically as they play through the Fillmore West shows, the 2 they played that run never blew me away. The bonus disc one is pretty damn fantastic, but you already mentioned that one KF.

    Funny you mention the BTW/JStraw intros; they used to get me every damn time, and still do occasionally. Odd how they had two intros so close together, especially given that Bob would sometimes apologize for playing another song in the the same key as the previous one "at the risk of being repetitive". Ironically, few people would likely have even noticed, though I'm sure playing BTW and JStraw back to back would have been confusing.

    Three more days, though I may be counting chickens early, no shipping notice as yet...

  • nitecat
    Joined:
    Last five

    DP 5 12/26/79: Great show, I was at this run of five nights at the Oakland Auditorium.
    Spring 1990 4/2/90: I'm almost done listening to these two boxes for the third time. What a tour!
    E72 4/26/72: T>Drums>TOO>Comes a Time> SM !! I've been listening show by show to the trunk for a few months now, so I didn't jump on the anniversary train and go back. The box that keeps on giving.
    DP 31 8/4,5,6/74: This collection took several evenings, I repeated the best stuff twice. Wow that 8/6 'filler' Eyes, Playin>Scarlet>Playin, UJB is a keeper.
    The Rascals Complete Singles collection: These guys dominated the airwaves in the late 60's-awesome songs and playing. People got to be free!

  • bob t
    Joined:
    4/28/71 Fillmore East Anniversary

    Tom Constanten joining in on Dark Star>St Stphen>NFA>GDTRFB>NFA...... Good Hard to Handle, Cryptical>Drums>Other One>Wharf Rat... Overshadowed by the next night, and the prior night you had the Beach Boys. (I am a big fan of Pet Sounds)

    Speaking of special guests, hard to top the Bangles 10/18/88 New Orleans joining on the encore of Aiko and Heaven's Door!!! Another rainy day in Rhode Island.... Bob t

  • daverock
    Joined:
    Mid 80s-Oroborous

    Nice review of what it was like seeing The Dead in the mid 80's. There was so little coverage of the band in those years, in England, that I thought they'd split up ! Then in 1987 I saw a bootleg tape for sale in a music paper of a show from that year, and started digging around. And here I am.

  • Oroborous
    Joined:
    Ahh mid eighties...

    L.M.G.; be well brother, may the four winds be with you!

    Jim, astute analysis as usual. 83 was such a transitional year in many ways, some I don’t think many folks realize.
    Yes JG was starting to really show signs of “health” issues. Musically, it seamed like they were starting to get a little looser, perhaps a little weirder? So because of both variables there was inconsistency. But we liked that go for broke vibe, and occasionally stumble and falling added to the excitement. That’s what I don’t like about 77, it’s too dam tidy, it’s too professional, too clean, I know that sounds nuts, but too me that’s not what the dead were about....don’t get me wrong, I totally get why many consider this the Dead at their best.
    So Brent had meshed for four years at this point, so compared to say 80 or 81 where songs are more short and tight, it seamed to me like they were melting around the edges more.
    They also were going through huge technical changes that I think factor in way more than most would think about.
    Phil was using the new Modulus 6 string and new gear, Weir had new stuff, most importantly they now were using the mighty Ultra Sound Meyers PA and monitors full time.This was awesome but it was definetly a process getting a handle on all this. I think this is why 83 sometimes sounds so funky...they hadn’t used it all enough to 1) collect enough acoustical data from the different venues and 2) totally learned/adjusted technique for this ridiculous, amazing new system/technology. Add to that the whole cassette master thing, and well, yea, sometimes it’s not so hot. On the flip side there are also some awesome matrix tapes from this year....but as Jim says it’s all over the place in 83.
    They also were starting to use the new vari lights full time this year too, and they had switched sides on stage only a year earlier...so much was going on that year, like many of the transitional years, and it showed, for good or for ill.
    Hell, one could argue the whole long trip was a constant transition, with of course certain times being more pronounced I.e., personnel changes, but a whole new P.A. system and monitors cannot be overlooked!
    Like you state, this process seamed to continue, both the good changes and the ahem, bad, through 84 and into 85.
    I recall also feeling like the whole scene was changing too. Like it was all getting bigger and better, but crazy and almost out of control, like that train jumping the tracks....to me 85 was when it sorta peaked. All that process that started in full back in 83 seemed to come to fruition. They were breaking out more psychedelic stuff, and getting weirder. Anyone who was on that 85 summer tour hopefully can relate?
    We went from super laid back scene at10k hockey rinks and half empty sheds to the madness of 2 around the clock days at Toga, then Hershey and Merriweather. Too much of everything was just enough! By 86 they started playing more stadiums, and it all just kept growing. The band, us, the scene, it was nuts, but like all things of hubris and excess it went too far. Throw in a hit record and crowds of uninitiated and by 87 it was over. Not the whole deal but that little wave ala HST in fear in loathing., that to me peaked in 85.
    Yes they could be sloppy and sometimes Jer sounds pretty ruff, but didn’t they always when they were going for it, trying to find the edge? More HST; “you don’t really know the edge unless you go over”....
    And yes we all got too big, and perhaps sometimes outta hand, but wasn’t that part of it? “Too much of everything...”, I don’t know what I’m going for, but I’m gonna go for it for sure”....
    All I’m saying is it was a great time to be in your twenties, on the road, and high with the Dead!
    Until it wasn’t, but luckily they played through it and came out the other side even stronger and better as we all know how great 89 through 90, 91? perhaps into 92? was.
    Sorry to ramble, just in a mood this AM and Jim’s post brought out the old member berries and nostalgia of perhaps the greatest time in my life, sniff, sniff 😢 ok enough, Onward!

  • KeithFan2112
    Joined:
    Hamburg

    Mr Heartbreak, I'm pleased you picked up on that reference. Indeed, he deserves better than his ex bandmates have given him in the Press. I was sure Mind-Ledt-Body would get it!

    I'm on to 4/29/72.

    The opening Playing in the Band only has a four minute jam section. I know it took them some time to build up the jam on this one, but I guess I didn't realize how short the actual jam sections are. Well, the last few on the tour stretch out a bit longer. Then of course by '74, they went on for a half hour regularly, and Kreutzmann couldn't remember which huge jam song he was in the middle of (Long Strange Trip quote).

    I've decided I like they 1972 Sugarees best, even if 5/28/77 is my favorite (19 minute, huge solo); but generally speaking, '72 is the year for me on this one. Short and sweet. I think that's the theme on most early Grateful Dead songs for me. In 71 & 72, everybody was still playing guitars that I liked, and all the right backup vocalists we're involved at the right times.

    First UJB of the tour on this show. That's balls. Nine shows in before they play UJB. Then they only played it four more times in Europe. In hindsight I guess they always played this tune sparingly.

    First He's Gone to feature the middle 8 / winds don't blow so strange verse. I think I'll always enjoy Rockin the Rhein's performance the best, even without the middle 8. My dog has no nose... in any event, I think it took them until summer to really get that part well oiled. Right around Berkeley.

    Starting with the Dusseldorf show on 4/24, they changed up the intro to Black-Throated Wind, from a little drum roll thingy to a guitar strum thingy that sounds almost identical to Jack Straw. When I first got into the Dead, I couldn't tell the difference until Jerry either went into the BTW riff or the Jack Straw improv fill. And I used to think, man, how do they keep from getting mixed up when they're playing it live? The answer is they didn't. This is the one they mixed up. Jerry plays the Jack Straw fill and Bobby sings the BTW verse. Jerry doesn't play the BTW riff until the second verse. I always get a kick out of this, thinking they probably figured nobody would ever notice. Little did they know their legend would overtake their anonymity.

    And of course it's Dark Star night. Lots of cacophony on this one - Probably not one of my favorites. They hit the Feeling Groovey riff early, but leave it behind pretty quickly. They hit the main Dark Star theme at the halfway mark. Jerry throws in a little Caution riffing somewhere around 23 minutes. Keith is audible at times. How I would love to interview every last one of them while listening to these ancient Dark Stars.

    Caution does eventually appear for one of only five appearances, if my memory serves me. I'm trying to think if these are the only ones to feature Keith, before Pigpen died. In any case, I like the piano and organ duo, despite Keith's being mixed low or not at all. I lean towards the Europe 72 Cautions, but I admit I don't know the early ones nearly as well. Except for the 30 minute romp from the FW bonus disc. Any great Cautions you guys want to throw them away, I'll be sure to listen to them soon. Thank you. Bomp>Bomp>BOMMMB!

    China Rider - always welcome in a set list. They didn't play it quite as long on the Europe 72 tour, but it was about as tight as can be, and the Rider vocals we're stunning every time.

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Who's up for a revolutionary evolutionary ride? DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, NEW YORK 1/2/70 captures the Grateful Dead as they make their first foray from the experimental 60s into their early 70s acoustic Americana period. Yes, this one is a little bit country and a little bit (psychedelic) rock and roll.

When the "Magnificent Seven" - Pigpen on percussion, T.C. on keys - first took the stage on 1/2/70, evidence was clear that the trip was about to take a turn. From their western wears to the twang in Jerry’s “broken-string blues,” it appeared they'd brought the Bakersfield sound to the Big Apple. They worked through much of what would become Workingman's Dead, stunning the crowd with laid-back numbers like "Uncle John's Band," "Casey Jones," and "Black Peter." Just the same, they satisfied 60s stalwarts with magical versions of "Dark Star," "St. Stephen," and "That's It For The Other One." Sonic alchemy, indeed!

DAVE'S PICKS VOLUME 30: FILLMORE EAST, NEW YORK, ​New York 1/2/70 has been rounded out with a bit of 1/3/70 (the subscribers-only bonus disc features the bulk of 1/3/70). It was recorded by the great Owsley "Bear" Stanley and has been lovingly mastered to HDCD specs by Jeffrey Norman.

DAVE'S PICKS VOLUME 30 is limited to 20,000 individually-numbered copies*.

*Limited to 2 per order. Very limited quantity available.

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10 years 3 months

In reply to by perithecat

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As Perithecat says, the cost of large boxes is prohibitive if you don't live in the States, severely limiting access. A UK/Europe distribution centre would make all Dead merchandise much more accessible.

11/7/71 has been available for a few years on Amazon in the UK, both individually, and as part of the infamous 7 show "yellow box" of 1971 shows. These are all FM shows and incredibly good value for money. Its presence caused some controversy on here when it was first mentioned a year or so ago. But it has to be said, it is very attractive on all levels-and again, if you live in the UK/Europe, a fraction of the price of the Rhino boxes only available on here.

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The copy I have is DAMN good, Primo, not sure :-). Another easy pick for good sound. I like the song lineup. I guess I would have guess a later year than 71 for the next Dave. But Dave, I'll take what you give, sell, allow to buy. I'm looking now and yes there is a open slot on the shelf for 31, so send it already.

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Bolo did say the contest was not related to the next Dave or box release...I'm still counting on the Complete Warfield, and a june 76 show for Dave 31.
Now, if only Bolo would at least tell us when the announcement will come out...

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In reply to by Cousins Of The…

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I read it a couple of times and still wasn't sure. In the end, it is what it is and I will take. But my copy of that date is very nice.

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and miss the Bolo clue, good one Bolo, but how about a real clue to the box set or DP 31? Congrats RichardTorres, great guess and a tip of the hat to you, Eureka, you got it. As far as the box, would love an 80 box, or a 91 box, but no 76 box please. Vince did not suck, especially with Bruce along for the ride, that's a bold statement to make and a personal opinion that not all of us share. Those were some great shows with the 7 man band in 91>92.
Those 5-26>27-93 shows were good ones, I really like the March shows from that year too, especially the NC shows, good times. I did not see the band in 86 or 87, loved the October 85 show I went to and the October 88 shows also, Jerry was wasted in 85 but he could still deliver the goods and in 88, it was like a rebirth. Someone said lets redo 95 with Mayer redoing Jerry's leads, Sacrilege I say, even on his death bed, Jerry was miles above anything Mayer can do. The 95 show I saw was a good one and the only stadium show that spring tour. More good times indeed.
Nappyrags, what a great find, send me some please :) Daverock, I also dig Tangerine Dream, thanks for the heads up ie. Phaedra, will check that out. That Pink Floyd jam for the moon landing is pretty awesome, 50 years ago we were walking on the moon....giant steps are what you take, walking on the moon....
I doubt if Phil will be anywhere near anywhere where D&C are playing, he's really not welcome and Billy and Mickey won't play with him so I don't think that's an option, besides, it's in writing that he can't play with the remaining 4 members together ever again due to that cash grab called fare thee well. Too bad, would love to see it but it ain't gonna happen, ever, at least not without a whole bunch of lawyers getting involved, and a burying of the hatchet between Billy and Mickey and Phil.

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In reply to by DaveStrang

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Senor DaveStrang, I called out the Texas dates a couple months ago when raving that the new box would be Fall '72.

Lettuce prey u r write.

He wrote "Texas '72 - 11/19, 11/22, 11/24, 11/26. Rhino needs to hit a home run with this one…"

without pages of dirt, what happened between the three?

Pure opinion, but, I would think Phil could play with them "legally" as long as they don't use the name "Grateful Dead".

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9 years 2 months

In reply to by Dennis

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I do not believe that there is a legally binding document that states that the Core 4 cannot play together for money.
The FTW announcement said that those would be the only 3 shows.
Then they added Santa Clara.
The statement in the announcement that it was the last time they would play together is not a legally binding contract.

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the FTW tagline said that this particular lineup would never be seen again, and I took that to include Trey et al. However, I think that they will do what makes sense to them, and I think that's fine, as they seem pretty happy these days.
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In reply to by icecrmcnkd

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Slept in, just had breakfast (it’s noon here), now having coffee and watching 7-4-89.

My reading of Bolo’s contest was that it was a “what am I thinking of” contest, not a reveal of upcoming releases.

I’ll go!

A ‘cash grab’ doesn’t bother me. I’ll pay the cash if the music is worth it.
That’s why I’ll pay the cash for Roger Waters, but not The Rolling Stones.

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14 years 11 months

In reply to by icecrmcnkd

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solo
YOLO
pollo
Tolo
Yoyo

Psychedelic man of mystery

Dennis, great Hideaway link, thank you very much. HF / DaveS.. I'd take a big bite of a Texas 72 box.

Had a really good time at a free bluegrass show they had at the ski mountain up he hill from where I live (Hill Billy Gypsies). At the end they had to restring either the fiddle or mandolin, and the guitar player took some time to tell a little story starting with this next one is a Jerry Garcia song and began to introduce his songwriting style and took some time to credit Stephen Foster as being an influence on both Hunter and Garcia. Not sure how true that is and had never heard that before.. but he went on to say their songs and the style the wrote them in have a timeless aspect to them and lend themselves well to string arrangements.. and so started a smoking, wild and wooly Brown Eyed Woman ala bluegrass (acidgrass).

Had a great time, made some new friends, the weather was spectacular, the mountains beautiful brought our own beer and wine so it was an almost free event. I do agree.. and have said this here before, the song writing and the songs they have written, don't always get the credit they deserve. I do think there is a timeless aspect to them and Brown Eyed Woman is one of my favorites.. Gone are the days...

Well Happy Fourth of July all.. be good, be safe, be kind, play dead.

Delilah Jones went to meet her God,
And the old man never was the same again.

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In reply to by JimInMD

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Vguy, did you feel that quake? And if so, how did it compare to being in just the right spot, in just the right venue, with a song that had just the right Phil subsonic resonant frequency, that you would feel more than hear, so that the hole place seem to be floating.....”the carpet too is moving under you..”
hopefully all y’all didn’t experience any mishaps?

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I did not realize how good these guy were. Jerry said these guys were his mentor or some other word he said in an interview . It is very hard not to be in a good mood listening to these guys. The banjo style is out of this world.

In all honesty I echoed the opinion of another poster when I asked them. I revisited the shows and thought they would indeed make a great 4 show Box. You posted the same a short while later. A 4 show (Tx.) Box would keep it affordable for most and who doesn't like 1972? It seemed like the band could do no wrong.

The announcement? Mon./Tues.? The Dead & Co. tour ends on Saturday if I'm correct and I think Rhino wants to catch folks while they still have 'Dead Fever' not to mention we regulars, who've been salivating for months. OK I exaggerate…umm…not really (lol).

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And how. I'm funny like how? Like I'm a clown, I'm here to amuse you. How the f*** am I funny, tell me.

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In reply to by carlo13

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....oof! Spinning Dave's 18, because '76 is unanimously accepted in the Vguy home.

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Jerry in shorts.... start of summer 90 tour.... 100+ degrees and an opening Cold Rain & Snow!!!! Highlight for me 27 minute Scarlet Fire going into drums!!! 29 years ago..... where does the time go. bob t

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The quicksilver messenger service, Big brother and the holding company and the dead on the same bill are the days of old. I wish I had a time machine. They don't even put up those old billboards for upcoming events anymore. Makes you want to cry.

Some those psychedelic posters from the 1960s advertising rocks concerts were works of art. Actually, it would be quite cool if they could use some of them on future Dead releases. If this isn't possible, for copyright reason or whatever, maybe the ideas and images could be referenced in newer works.

I'm listening to 5/21/74 from last years box as I type-the first set- which I thought I would add as it features some damn fine piano playing.

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Just cracked open an Upslope Tangerine & Hops Spiked Snowmelt. One will do, for breakfast, to try and get this freight train out of my head. First hangover headache I've had in years. Our 4th party was epic. Now the wife and I are left to clean up this disaster (at least no one died in this wreck). Thanks to everyone who left wine and beer in my fridge and snacks all over the place. Ahem.

Probably going to pick up Al and drive into Boulder around 3 for drinks and food at Shakedown Street. Can't wait to see the fellas the next two nights. Folsom Field at night in the summertime is magical.

Cheers, to everyone else who is off work today!

\m/

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In reply to by LedDed

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Been a while, but hope everyone is having a great summer. I'm eagerly anticipating both the next Dave's Picks as well as the box set news. No matter what it is, I can't imagine I'll be too disappointed given the riches we're all privy to these days.

On a separate note, I saw Phish at Camden for 3 nights last weekend - I know there are mixed feelings about them here, but they are playing great and it was good to be out on the lawn with some family and old friends who convinced me to go. A night (or in this case 3) with live music is better than most alternatives...

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It has clearly been stated several times that the box announcement will be 8/1 @ MUATM and not before. I predict ‘79. I saw both Keith & Brent that year

DAP31 should be in the next week or so. Maybe a Bruce & Vince show? That would be a nice change

I bought the ‘71 “Yellow Box” and love it

Saw The Who in May with a full orchestra and it was great. Roger is fully healed. Queen & the Stones on back-to- back nights in Aug. only about 5 hr. drive between shows. I am old but it is doable!

Rock on

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In reply to by hbob1995

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Wooooohhhooooooo!
Fug this box noise (for now...) going to see live #$*($$(& Dead!
Only 2-3 hours of horrible holiday mountain traffic, a total dipshit fest gettin in and then.......aaaahhhhhhh
“This must be heaven....”
we’ll hopefully be in our spot last row center, you’ll know me if you see me!
T minus 9 hours and 30 minutes till liftoff!
Wwooooooooohhhhhhhooooooo!
Have fun but be safe sports fans!

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As long as a digital download is offered, I don't think any box set will sell out in less then a year or so. Look at the July '78 box. That was an AWESOME offering, 3 years ago, and there are still some on the shelf at Dead.net.

Rock on

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I have never been to a MUATM and I doubt they will be announcing the 2019 Box to such a small exclusive group that go to these meet-ups.

"we will be revealing an exclusive look at the Dead's soon-to-be announced 2019 boxed set"

It's going to be a look at not an pre-order announcement.

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I would imagine that they will first reveal the box at MUATM and will follow up with an announcement here after MUATM. I imagine they are using the announcement as an additional motivator for folks to attend MUATM. Everyone will get the announcement, but the folks at MUATM will get it first.

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although I already had this one as a bootleg SDB I was not disappointed. for the copies that circulated was riddled with cuts. the one that most stood out being the Cosmic Charlie that was the most disappointing. my show notes from a 6-23-18 listening: Too bad about the cuts in this tape. Maybe the vault has a complete copy. Still has replay value & good sound quality. - Not saying I called it or anything, just that it was optimism that actually paid off for once.

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I know we have talked about this before but the July 78 box set is the most under rated box release based upon the first 3 shows that were not circulated at all in sound board quality. The last two shows were out there in killer boards, but those first 3 are just such great upgrades... Think of it this way, what if the January and February boards from 1979 were all of a sudden released. We have had nothing but audience tapes for 40 years. No disrespect to the other boxes released... Before July 78 box was released i hadn't listened to 7/1, 7/3, 7/5 audiences since my tape trading days back in late 80's.... Now I am talking about one on it's anniversary date!!! Buy and listen before they are gone..... good weekend everyone.... bob t

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‘Soon-to-be announced’...

DL just waiting for windy day

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Hey Now Dead People! Happy Friday everyone and hope you had a great 4th. I’m in recovery mode but trying to get revved up for the first Boulder show tonight. Couldn’t make it out there, so will be streaming live...Carpet is fired up and ready to go!

Oroborous-watch out for The Sasquatch creatures....if they happen to abduct you it takes weeks to recover!

Not a huge fan of '78 because it's a lot more manic (or coke-fueled), and Bob's learning of the slide onstage, but these shows are great for the most part. My favorite of the bunch is still 7/1. I will take that over either Red Rocks show. I don't know if they felt like they had to be more precise in front of a country audience that expects precision playing, or if they just wanted to blow their minds, whatever it was, it clicked. The Omaha show was my least favorite of the bunch, but it's still a damn good show. Why a box with 3 completely uncirculated Bettys with terrific artwork hasn't sold out after 3 years is mystifying. Makes it even crazier that Get Shown the Light sold out faster than any other box. Sure those shows were well known, but also extremely well circulated. I imagine that leads to some trepidation on this year's box. Last year's PacNW '73-74 looked to be a shoe in to sell out, too, but is still there with an amazing box and art, and 6 fantastic shows. I don't want to see them cut down on the number of box sets available and possibly miss out on a quick sell out, which 7200 copies of Texas '72 could easily do, hypothetically speaking, of course. It's got to be hell on Rhino's accountants to figure this out, 30 Trips sells out at 700 bucks a pop within several months, GSTL sells out 15,000 copies in 2 days, and who knows how many music only editions and downloads, and the other boxes are still available. Maybe they shouldn't do the download editions...

The physical packaging is revealed, similar to the PNW Box last year.

https://youtu.be/ePU2Ygv1ILU

I placed my PNW order on 6-12-18, well before MUATM.

Although I would like a June 76 Box, I’m expecting an announcement on 7-17 that the Box will be Alpine 7-17,18,19-89 complete audio/video. Being that it’s the 30th anniversary.
And if that actually happens, I’ll be quite happy.

Have fun in Boulder folks.

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Folks in Boulder are getting real wet! Show Is being delayed and they told people to seek shelter.

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