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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • daverock
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    Trips Around The Sun

    My favourite show is the one from 1967. I have only played the 66, 67, 68, 69, 70, 71 and 1990 shows this year, and I have enjoyed all of them all. After 1967, I would say 1968 and 1969 are the next two favourites. Maybe 1970, too- brilliant Other One there. I am sure the 1972, 1973 and 1974 ones are exemplary, too, but I cannot honestly recollect what they are like at this moment in time.

    Its also nice digging in the corners, as Jim suggests, and finding a shining star where you least expect it.

  • Deadheadbrewer
    Joined:
    Giants

    Is going to look great on the shelf, feel great in the hands, and sound AMAZING. I am Grateful.

    LOVE the 1967 from TTATS--best show ever? The '68 is fantastic. And then I am grateful for all the later shows in that box, particularly '82-'84 and '93-'95. The 1969-1978 shows are good, but we have so much from those years that my ears are thankful for the opportunity to hear sweet shows from the years we haven't heard much from.

    If I were a robot, couldn't I easily work around a basic CAPTCHA?

  • JimInMD
    Joined:
    30 Trips

    My favorites mirror some of those already mentioned.. especially 67, 70, 69 and (surprise) 74. 75 is very interesting also.

    ..but for me it's those shows that are off the beaten path that I sort of get the most mileage from.. 84 and 87 for example might just be the best shows played in their respective years and are super high energy. I could use a few less patches, but I enjoy the box very much.

    As mentioned on the Dave's Picks 31 thread, it looks like Dead.net got hacked and had to pay £73.92 in ransomware COD to some UPS guy with a Russian accent. Strange days..

    Have a great week all..

    LMG, check your PM.

    Oh, can't leave off 68, 76, 77, 78, 71, 72, 73.. Riverbend 85 is fun. 86 has a really sweet Comes a Time out of TOO. 91 with Branford.. 67 and 70 are my favorites though, if I had to pick.

  • alvarhanso
    Joined:
    30 Trips favorites

    11/10/67, 2/22/69, 4/25/77, 10/20/68, 4/15/70 mainly listen to the Drums> Soul Sacrificish Jam> The Other One, but great Man Man Man's World, too.

  • SPACEBROTHER
    Joined:
    30 Trips favs

    Hard for me to narrow to just 3 because they are all nice shows.

    I pretty much listen to everything I have from the Dead at least once per year on or near anniversary dates (for the most part), but here's 3 I like...

    9/10/91 MSG
    10/26/89 Miami Arena
    9/18/74 Dijon

    ...but I also like these 3...

    2/22/69 Dream Bowl
    10/20/68 Greek
    10/27/79 Cape Cod

    ...and of course EVERYTHING else.

    I couldn't see myself discounting any show from this set. All have plenty to like for me.

    As someone who came onboard during the 3rd decade of the band's existence, my initial preferences were the Pigpen and Brent era's. As I've dug deeper, mainly thanks to these releases, I like it all. Every era.

    Of the 50 shows I saw with Jerry, a few in '95 were kind of rough, especially the last two at Soldier Field. If released I'd still want them. Even the US Blues that Jerry pretty much gave up on at the second to last show.

    At the time of going to shows, the only other time (besides a few in '95) I felt the show was subpar was 3/13/93. The follow-up to Rosemont which I would agree was a nice run. Upon further listening many years later I find that even this show was really good. Terrapin through the end was top notch, including one of the GREAT Stella Blue's.

    My main hangup has always been lack of variety in official releases, and now that is no longer an issue. Love it all but my sweet spot is 65-95 with emphasis on '87-'91.

    Budgetary constraints has limited my ability to be a completionist, and I'm quite a few behind, but at least try to keep up as best as possible as new things come out. Missed out on much of the Record Store Day releases.

  • bob t
    Joined:
    @ROBBZ favorite 30 Trips shows

    I find myself playing 9/28/75 Lindley Meadows the most....probably 9/18/74 Dijon France and the 3/18/71 Fox Theatre a lot... hope that helps.... there are so many good choices... bob t

  • RobbZ
    Joined:
    I'm sure this has been asked before....but

    ****First off--LMG, stay positive and get well soon****

    Friends, looking for some feedback on the 30 Trips Box Set...in your opinion, what are your favorite 2-3 shows from the box. Appreciate your responses...

  • Gratefulhan
    Joined:
    Shows - location, years, era.

    I got in the bus in mid 1992, and from then until 1995 I only had the exposure to the music from the few shows I attended, and the few live releases that were out, one and Two from the Vault, Bears Choice, Without a Net, Dick's Picks 1. I was also able to acquire some tapes. Basically I was taking it all in, loving all of it of course. Yet I do recall at my first show, when Bobby sang Lovelight i was little thrown off - yes I was used to hearing Pigpen on that tune. The result was that I just didn't have a good knowledge of shows or eras and was certainly lacking in the numbers tapes I had listened too.

    So I did my Dead scholarly work after Jerry died, because I was compelled to get as many shows as I could. I sought out getting more tapes and thankfully Dick's Picks kept coming out. Now even then I knew that the shows from "back in the day" were more coveted, or at least that was what more experienced heads told me. I remember a dude from college who only listened to shows from 73-74... he was pretty obsessed with it, but I can see why. So I got every tape I could and listened to them all. Many of my tapes were from 69 -78 as it turned out. I became most familiar that time frame and over time I developed that as a preference. Of course I was exposed to many of the standout out shows: 3/1/69, 4/28/71, 5/8/77, 7/8/78...etc

    However over time and especially in recent years I have been way more open to shows from all eras/years. I still feel like there are a few years that may not appeal to me, but I am open to anything. It doesn't matter where they played as long as the music is good, well I should say good for the time. For example, I will certainly judge show from 85 on its own merits and not compare it to a 77 show.

    At this point I will buy any just about anything TPTB give us. Although I may have expanded my horizons over the years , still I feel the same as I did all those years ago in '95, when I valued every show because everything came to end. I still feel this way and now we have had many shows be given the official release. In terms of volume The Dead/Dave L./Rhino have not quite cuaght up with the tapers/archive.org obviously. Yet I am happy and appreciative of what Dave L and the crew have given us and I feel like they are doing a great job.

  • smyler
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    Little desire to hear those shows

    I’ve a similar view to Daverock on this. As a U.K. follower of the Dead I only saw them twice; the last two nights of the 1990 European Tour. Both shows were great, particularly the last night.

    Without A Net had only been out a few weeks and I loved the wider sound palette they were using (midi I guess). There were also two or three incendiary performances on the album, albeit along with a few lacklustre ones, and I decided I really liked this modern Dead sound. Up until the I’d only listened to official releases. I had a few tapes, but I’d never really played them as I didn’t like cassettes.

    One From The Vault came out in 1991. The sound palette was more limited but the performance was uniformly strong and Garcia’s voice sounded great. I stuck with the just official releases which became more plentiful as the years went on, covering most eras of the band. I yearned for more of the sparkling midi sound of WAN. I’ve already mentioned that I loved Terrapin Limited, but couldn’t find anything at all to enthuse about in Dozin’ At The Knick. Subsequent mid to late 80s and 90s shows continued to disappoint whereas I found several of the earlier releases, from the 70s, to exceptional.

    The more I listened to release of all eras, the more it became apparent that, whilst you can find good things to listen to from all eras of the dead, the consistency of performance started to deteriorate in the late 70s and this only accelerated from the early 80s. This view is simply my own, not born out of the era I started listening to the band in or the shows I attended but out of what I hear in the Dead’s numerous official live releases.

    So, whilst I loved the shows I saw in 1990, I’ve no desire to see these released. Having heard so many disappointing releases from the 80s and 90s, why should I believe these shows will stand up to the scrutiny of repeated listening any better than most of the others?

  • daverock
    Joined:
    I was there. I think.

    I am not sure its acceptable to answer your own question, but....
    Of all the 1980s shows, I would be most interested in getting copies of the two I went to-or shows from the two tours they were a part-Europe March and October 1981, than any of the others.
    Similarly, of all the Bruce and Vince shows I would be most interested in getting copies of the three I attended in October/November 1990 than any of the others.

    But...and its a big but....I would prefer to get any unreleased show from the 1974 Europe tour than any of the five I went to. Or any show from 1974 and earlier, come to that. I just prefer the music played during those years.

    I have this attitude for most of the rock/blues/pop.. whatever... music I listen to. I much prefer the era from 1965-1975 than what came after. There are exceptions of course-but I probably listen to more music from those years than any other.

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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....THAT'S the sound that perked my ears back in the day. The old news is now the new news.

Interesting article on the above. There have also been articles in British newspapers on ketamine, suggesting that it could be more effective in helping people with depression than the old tried, tired and tested medications.
Certainly, my mental health improved exponentially after my period of taking mushrooms regularly between 1987 and 1993. I didn't take them because I felt I was suffering from depression, but looking back to my behaviour before, during and after, it seems likely I was. Between 1987 and 1993 I met my two main partners and returned to university to get a professional qualification. The second relationship last 10 years and the career 20. Not a lifetime-but long enough!

5 16 72 Big River soundcheck....Garcia singing lead. Everything sounds better with Jerry on it....why Garcia passed the baton on vocals? He was (is) a humble soul.

Also love Stella Blues from 1972.

Check out 8 21 72 BCT and 11 19 72 Texas.....

Then, to blow out the pipes: DARK STAR 2.13.70 and 4.28.71

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HAPPY BIRTHDAY Love My Girl! Was kinda out of pocket yesterday and missed wishing you a very Happy Birthday, but trust you'll be continuing the festivities throughout the weekend.

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Couldn't find the soundboard, but listening to The DEAD's "Days Between" from 9/19/03 via the "OK" AUD on the Archive. Always been a favorite from the latter-day song book, but even more so now. Glad Gollum sparked your recommendation. Now if I could just find that soundboard. . .

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In reply to by JeffSmith

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Likewise, could not find the 9/19/03 soundboard. If anyone finds it, please let us know !

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The email announcing this set has a button to pre-order the high-def flacs. I don't see it on dead.net. I don't buy physical products anymore (except Dave's because there's no downloads). I'm wondering why no high def link on the site. Anyone out there know?

Love the high def flacs. The Northwest "box" sounds AMAZING when played on the big fat stereo.

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Dyslexia strikes again. If I actually read the product description, it says flacs will be available on release day. I tend not to read everything because it takes forever. That and the fact that I cooked my coconut when I was young.

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Suppose you could add Chicago, Baltimore, etc. to the list.

"One way or another, this darkness got to give."

That's my choice for today's listening; Bill Graham's intro is so appropriate today.

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So yesterday I drove down to Phoenix (about a three hour drive) for a concert at the Musical Instrument Museum...I arrived in town about 1:30 PM which gave me plenty of time to shop at a few music and book stores...lo and behold I found a used Fillmore West box set for $99!!! Granted the box itself was slightly beat up but everything else is fine...so so so happy...found a ton of other good stuff, pretty much blew my allowance for the next three weeks but das cool...now the Mrs won't be home until tomorrow night from visiting relatives in So Cal so time to blast the tunes...I went to Phoenix to see Peter Asher and Albert Lee... a killer two and a half hour show of great stories and music...when I left the gig a massive thunderstorm was drenching Phoenix and slowed me on my way home...got home about 2:45 AM and was at work by 7:30 AM...yuck...done for the day now, time to scare the neighbors!!! After a nap of course...

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Brilliant guitarist-possibly the best country player ever to come out of these fair isles. I saw both him and Peter Asher, together with James Burton about three years ago supporting Jerry Lee Lewis. I was hoping Albert Lee and James Burton would come out and play with the Killer on a few numbers-but it wasn't to be.

I don't see much in common with the Dead and European Art Music or whatever we're supposed to call Classical music these days either. Phil might argue though, and Seastones does have connections to some Varese and Stockhausen. The only rock artist I can name who is truly fluent in classical music compositional techniques is Zappa. "Make A Jazz Noise Here" being a perfect example.

Nappyrags was my innocent attempt to come up with a user name for a Dylan site i used to frequent ages ago until they shut down...I was going for Napoleon In Rags but was told it was already in use so....I thought it was hilarious when someone from the UK asked me if I knew it was slang for baby diapers (Is this true?) so now you know the rest of the story...

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He is one of my favourite guitarists, and it was great to see and hear him support Jerry Lee. In fact, I was so impressed I bought a signature James Burton telecaster a few days later. Its a pearl white one-not one of the flamejobs, but it sounds great and plays like a dream. Although I think James Burton must have more fingers than me.

And yes...a nappy is a kind of underpants for babies in the UK.

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In reply to by daverock

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I saw him touring in The Hot Band in either ‘75 or ‘76 as part of Emmylou Harris’s backing band. Great guitarist. Great show.

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Guess it fits as most of my friends will tell ya I'm fulla crap most of the time...

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In reply to by Colin Gould

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I saw Albert Lee with Emmylou's Hot Band at the Olympia in Paris, right after Burton left in 1977; caught James Burton with Jerry Lee at the Circle Star in San Carlos in 1984 or 85, excellent show; JLL also had Bob Moore on bass and Buddy Harman on drums, both of them Nashville studio A veterans.... I think Hank Ballard opened the show; incidentally, He wrote and recorded the original Tore Up Over You.
Another of my favorite Country guitar slingers is Roy Nichols; he played with the Maddox Bros. and Rose, and was with Merle Haggard's Strangers for the rest of his life. Yes...and Don Rich was awesome too!

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Ordered one Giants Stadium boxset. They have charged me for two. I have tried to contact Dead.net and Warner's. Deadnet says you have to deal with Warners. No response.

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Heads up UK heads , you can pre order the one off show 3cd set on amazon for £22 quid . ( cheaper than dead.net and no potential postal issues ) Probably best avoid dead.net for the time being . Unless of course you absolutely have to have the box set . 😺

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So, I unfortunately have only had a chance to read all these posts within the last 14 hours. There are so many things to say, but I feel brevity is best here. I will never allow someone else's "opinion" to upset me. People who need to validate themselves by insinuating that their likes are more "valid" than others' are simply suffering from an ego imbalance that is likely from long ago. I guess the young folks call them "trolls" now. I was told about 20 years ago, "Other peoples opinions of me are none of my business". That has served me well.
As far as the box, I will be happy to buy the single show option, grateful to save a little money.
Regarding Dave's 31, on second listen, I like it better than first. I also really like the 3 "bonus" tracks. I'm surprised no one has talked about the Cosmic Charlie tease at the end of Truckin'. One of my favorite moments of the show.

P.S. I realize that brevity played no part of this post!! 🤦‍♂️🤷‍♂️

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Doe not seem like a lot of excitement for the box. The number will be 10,000. It reminds me of Spring 90 too. I bought it but was unhappy with the release. It turned out to be a real sleeper the best sound of the boxes so far. The UJB on rolling stone .com sounds better. I think people will be happy with this one. The box last year was a bit of a disappointment. My two favorite years but not the greatest shows. Did Dave leave the door open for maybe another release this year. Did he now say there are things still to come this year. Release 8-1-73 and 2-9-73 . They both outclass Rfk and watkins glenn in my opinion

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In reply to by mcwings

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Hey, I've noticed that I often have multiple items in my cart. If I add something, close out without purchasing and then later go back to purchase it, the original and newly added items are both there. I've always noticed before I've finalized my purchase, but thinking this may have happened to you.

Good luck!

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In reply to by perithecat

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Thanks for the tip. That's what I will be doing.

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I really like as a deadhead when you stumble on something you have never seen or heard before!!! (Like the 78 July Soundboards)... You even get to see Keith singing!!!! ANyone have any color on this... was anyone there?? So clear to see also... Keith is amazing on the piano... I am a Donna fan and her voice is amazing especially on Stir it UP... Heard about the show before but never saw or heard it... Thanks Bob t

Where are they performing, the Bat Cave?

My basement seems bigger..

I have to wonder.. because I know what JGB used to cost and how small this place looks. How could they afford to carry band around the country playing in places this small?

On my first listen, just getting to the second song, After Midnight. I wonder who the apparently buzzed biker looking dude is that took over the mike asking for country songs or something?? The look on Keith's face is priceless.

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I should read posts completely before posting.
I got all excited 'cause I thought he was talking about Jerry and Merl from 9-5-73 on the S.S. Bay Belle. Also in N.Y. City Harbor for a Hells Angels party. Billy the Drummer on the kit. Also, supposedly the first appearance of The Wolf.
I guess the Angels liked to party on boats...?

I don't fart...I'm a robot. A Harley robot. A knucklehead. I "exhaust".
;O)

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now that things have settled down a bit here, I will comment on this box. I will not order it. I have enough Dead. I won't go to the site. I will not order it. I can't not order it. I have not heard 3 of these 5 shows. I will not order it. I went to the site. I will not order it. I can't not order it, I must have all dead releases. Why am I so addicted to this band? I can not not order it, I must order. I will wait for the reviews and then order, I can not not order, I am a sucker for the dead. Why can't I only order the video? I won't order this box. I ordered the box, why can't I just say no? It's like a drug, I am addicted. I need help. Can I cancel my order? No, don't cancel my order. Will it be a good box with non skipping cd's? Will I be happy? Will the sun shine on my backdoor someday? It's all too much, I must get away from here. I must order. I will wait. Damn it, why is this such a hard decision? It's just a box, why am I so addicted to this band? Someone help me.

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You made the right choice. :-)

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In reply to by unkle sam

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There's also the 4 cd Complete Potatoland set to consider now, too.

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Unkle I have that same problem sometimes, 😂! But if you can afford it and will listen to it at least 10 times out of the year I’d get it !
Anyone else excited for the new tool album being released at the end of the month? I’m beyond excited for this release! Some fresh Artwork and 7 long songs, about 90 minutes I read somewhere!!!! Hot damn I’m stoked for this one:)!
Spinning darkstar from 6/24/73 this morning, amazing sums it up;)
I’m a huge 70s dead fan, 73-77 is my favorite era but the release of this box set has me listening to that era as of late, 89-91 mainly, really digging on some 91 ! Different beast but I still enjoy it immensely. Plus the technology and recording techniques, I mean for me , someone that loves the dead it’s fun to get some variety and some unexpected twists and turns, I love the 70s and that’s my peak dead but it’s fun to go for the ride through all the eras and see all the transitions, sonically and physically.
That doesn’t mean I support the release of poor performance and shitty quality albums , and I honestly don’t see Dave doing that just giving us a
Pallet with many colors ✌️

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LMFAO...you need a sponsor...sorry, no help here.....still in denial phase. I don’t have a problem, I can quit anytime...

Captcha got me this time...vehicles...is a bicycle a vehicle?...then they change it to bicycles...very tricky!

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In reply to by CaseyJanes

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Ha.. you seem to have a problem.

Perhaps you could switch to reading books as a way to cure your addiction.

Might I suggest Dr. Seuss? My favorite is One Box, Two Box, Red and Blue Box.

___________________________________________

I am (Unkle)Sam, USam I am. I do not want this 91 Box, I will not buy it even if it rocks.

Would you, could you, from the Fox?

I would not buy a Box from Fox, I would not, could not buy that box.

Would you, could you, from Red Rocks?

I would not buy that Red Rocks Box, I would not, could not from the Rocks.
Not from the Fox, not from Red Rocks, I do not want this box that rocks.

Needs a little work, but it's early yet.

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In reply to by JimInMD

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"Do you like my hat?"

"I do not like your hat."

"Goodbye!"

"Goodbye!"

(One of my favorite Dr. Seuss exchanges from 'Go Dogs Go'....). This is what 3 kids 5 and under gets 'ya.

As for This box:

It surely rocks! I would buy it from a fox! I would buy Red Rocks! I would buy it even wearing socks!
This box Rocks!

Sixtus

But VGuy, WHAT songs did they play at that training practice? I mean, if they seemed sleepy, they clearly weren't in the correct headspeace and/or not enough mustard on those tunes. I would hope that a crazy live string of improv from say, '68, or some jazzy '73 was played but that seems not to be the case here. Maybe that dude on the Eagles needs a helping hand on his "picks"....steer him here.

Sixtus

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So Sixtus, curious and have been meaning to ask, how you handled the situation with the Dead End sign...recent move and all? Is it hanging in your new garage?

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