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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • 80sfan
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    30th anniversary

    happy 30th anniversary to one of my favorite runs - 10/18-10/20 1989 at the (you guessed it) Spectrum!

    I used to think we'd never see these shows released, but I truly think there are only a handful of years the dead can really blow out releases from individual years (69, 72, 73, 74, 77, 89, 90) so I'm still holding out hope!

  • Charlie3
    Joined:
    2112

    I realized that I spaced that one in my earlier post, I actually had, and still have, 2112 on vinyl.

  • JimInMD
    Joined:
    Re: Real Gone Bonus Discs

    I would love to see them re-release some of the bonus discs. I have them all, but some (many) are as good or better than the source release. I'd love to see more that missed them way back get them.

    I guess with respect to bonus discs they should call themselves Really Gone in stead of Real Gone.

  • Oroborous
    Joined:
    Fall 71

    Speaking of fall 71, does anyone know what’s up with the Real Gone/Discogs rerelease?
    They were spitting them out pretty regularly backwards through3.4. 3.3 was released but took a while. 3.2 should of come out by now? I have copies but would like to get the “real” ones to fill in the collection....

  • JimInMD
    Joined:
    Women Smarter

    I always liked the flow and groove in Iko better, the jams seemed more fluid as well. Women are Smarter was another one of those songs that seemed to come in the rotation just a touch too much when I was seeing shows.

    Just my opinion.

    As for Rush, one of the first concerts I saw somewhere between 80 and 82?? It was at the Capital Centre.. Looking over the setlists, my guess is 81 because they played a good bit of 2112. I saw them before the GD.. just once. Every time they came around I tried to see them and failed for a host in hindsight poor and invalid of reasons. Well, at least I got to see them once.

    As for the subject matter for Women are Smarter.. yin and yang, without the counter balance of one the other can wreak much havoc.

  • KeithFan2112
    Joined:
    Signals

    Got it for Christmas 1982. I was 10. Only knew Tom Sawyer from the year before, and Subdivisions was on the radio a lot. I used to pop on side 1 and listen to Subdivisions and The Analog Kid, then put on Who Are You. By '86 I was all caught up and saw them on the Power Windows Tour (first of many). Signals is one of my favs. Just saw a great bootkeg vid from Montreal night 2 of the Signals tour on youtube. I say great in that it is okay sound with Neil high in the mix and far away grainy video from directly across the stage second level. So you can't make out their faces or anything but it's great because the sound is good enough and it's nostalgic. And you can see Neil work the acoustic drums for the last time before he started to integrate electronic drums into his kit. They to seven out of eight tracks from signals and stuff like the camera eye and Xanadu. And it's just incredible watching Neil work. Not for everyone, but definitely worth checking out a few songs if you're a rush fan. The setlist is un freakin real

    Charlie3, as your attorney I advise you pick up 2112 ASAP.

    I would also like to see them release 7/25/74 soon, and 6/23/74, so we can have all of the '74 Dark Stars (we have a partial of 6/23 on So Many Roads). But after listening to 6/30/74 last night on soundboard, I say go for it.

    Daverock, I listen to that show couple times. Pretty cool listen to Keith play the organ. His first dark stars on Dave's Picks 3. Agree all the way, it's a great time for the band, and a nice show to check out.

  • stoltzfus
    Joined:
    The women are smarter?

    Perhaps.

    But many of them are out of their GAHDAM MINDS.

  • daverock
    Joined:
    Spoiler alert...10/19/71

    I listened to 10/19/71 again yesterday-it never fails to impress. The first show that Keith played and no less than 6 new songs. The country rock songs rattle along at a fair old pace, and the Other One is the show case jam-unique with Keith on organ. Its not perfect, some of it seems a bit rushed, but there is a real sense that the band has started a new beginning, and knows it.
    Great period, Fall 1971, with many top shows-some of which have been Dave's Picks of course. But not necessarily the best shows.

  • alvarhanso
    Joined:
    Jockamo (Iko Iko)

    Jockamo was originally written by James "Sugarboy" Crawford in 1953, and the Dixie Cups recorded a song called Iko Iko in 1965 that stole the rhythm and most of the lyrics straight from Jockamo. In 1967, Crawford settled a lawsuit which gave him a cut of royalties on performances, but lost any claim to authorship. Even worse, the Dixie Cups sued somebody 30 years later for claiming authorship, and they established sole authorship, even though they had ripped it off. Man Smart uses a similar rhythm, which Iko/Jockamo is a Cajun beat, and Man Smart uses a Calypso beat, which are very similar and the Bo Diddley beat is pretty close to it as well. Man Smart was written in the 1930s, but became popular in 1956 when Harry Belafonte did it, three years after after Crawford wrote and recorded Jockamo. And the Bo Diddley beat is from 1955, which Buddy Holly stole in 1957 for Not Fade Away (though Norman Petty, Holly's producer stole a writing credit on the song by simply putting his name on it).

    Stranger and Shakedown are quite different to me. Feel Like a Stranger is very similar to Fly Like an Eagle though, except for the move to C#m on the second part of the riff.

  • Deadheadbrewer
    Joined:
    Iko = Man Smart, Woman Smarter

    They're the same song . . .

    Kind of like Shakedown and Feel Like a Stranger are the same song.

    And the women ARE smarter, as I've come to realize . . .

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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i woke up to find out my box set arrived with nary a shipping notice just like how i like to receive them. i decided to heat some water on the stove and found out about that bad news. my life would be very different without Robert Hunter's words, and the band would have been a very different band had they decided to go on write their own words as well.

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There were days
And there were days
And there were days between
Summer flies and August dies
The world grows dark and mean
Comes the shimmer of the moon
On black infested trees
The singing man is at his song
The holy on their knees
The reckless are out wrecking
The timid plead their pleas
No one knows much more of this
Than anyone can see...

Thank You Robert--Until Next Time

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Such a beautifully done box set and I cannot wait to get lost in it. Thank you!

Mason died on Monday
We bricked him in the wall
All his children grew and grew
They ain't never grew so tall before
They may never grow so tall again
We dug him up on Tuesday
He hardly aged a day
Taught us all we ever knew
We ain't never knew so much before
We may never know so much again
Mason was a mighty man
A mighty man was he
Always said, "When I'm dead and gone
Don't you weep for me"
The wall collapsed on Wednesday
We chalked it up to fate
All his children ran in fear
They ain't never hear it so well before
Swore they'd never show their face again
Thursday came then Friday
With buyers tall and bright
Mason's children cooked the stew
And cleaned up when the feast was through
Swore they'd never [Incomprehensible] before
Take me to the repo man
To pay back what was owed
If he's in some other land
Write it off as stole
Take me to the repo man
To pay back what was owed
If he's in some other land
Write it off as stole....
Wow. I currently have stew on the stove.

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Spinning American Beauty on the ole' vinyl player. Almost all RH songs. So so good.

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13 years 6 months
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Added more to the Great American songbook than many people realize. Truly one of the greatest lyricists of all time. He will be truly missed and always appreciated.

A lovely view of heaven... but I'd rather be with you. (Inscribed on my wedding band.)

Love

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I came out of my Brazilian jiu jujitsu class this afternoon feeling pretty good. It was a long day at work and so those classes usually help to remedy such things. So when I got in my car I got email from Dead.net in my phone that broke the news. I feel devastated. My life has been largely shaped by Star Wars and the Grateful Dead. There is no doubt that Robert Hunters lyrics guided me through life. Of course this will still be the case for me. Its amazing how some people are just so skilled to be able to create things whether be songs or lyrics that transcend people, places, and time.

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For RH:

Thank you for the positive shaping of my world, for the joys and laughter, for the tears and pain, for the encouragement and advice, for making a better world for all of us. For making it so very real, and so so much fun!

I didn't get into the music, the music got into me...………..

In your honor, 12/18/73 Dark Star...……………..

Rock on, and rest in peace......………………

Doc

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In reply to by Gratefulhan

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Sad day indeed.

As KF said, the rock stars of the 60’s/70’s are going to keep peeling away.
From coming in 3’s to coming in multiples of 3’s.

Glad that D&C are still playing the songs. Eventually that will end too.

This afternoon I read the Rolling Stone story. I knew, but had forgotten, that Hunter and Dylan had collaborated. I probably should check that out.

A lot of posts today, so this references a post several pages back where I believe it was Jim who asked if Bolo had ever steered us wrong.
Well, I’m still waiting for an explanation of the Liberace reference.....

‘91 in 48 tracks makes you wish it all came that way.

I BOUGHT YOU A PADDLE FOR YOUR PAPER CANOE.

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His words are timeless. Composed for everyone, yet crafted in a manner that allowed each of us to interpret them as our own.

Thank you kind sir.

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When it seems like the night will last forever,
And there's nothing left to do but count the years,
When the strings of my heart begin to sever,
And stones fall from my eyes instead of tears,

You will be my missed. Thanks for it all. Be at peace.

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My Giant’s Stadium box set arrived on the same day as Mr. Hunter’s passing...this box set will have a special personal meaning for me now and will be remembered as the “Special One” In my collection. Thank you for your lyrics of peace to all...RIP RH. I imagine you and Jerry have a lot of catching up to do!

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Don’t you worry anymore.....Thank you for the kind words and for getting me through some of my hardest days Robert Hunter. Say hello to my mom for me if you find the time.

KCJ

Stay strong my friends...Every silver linings gotta touch of grey

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#1) Just off the top of my head there was that time in August 1984. The show that we attended was The Jerry Garcia Band, Caldwell College (8-11-84) and had Bob Hunter as the opener. This venue on school grounds was outdoors and completely wide open all around the back n side stage area. There were speakers set up facing back stage to fill in the sound for the area's ticketless car campers and acts like Bob Hunter got his Chevette parked-in. We had our boom-box on the roof of Hunter's car recording Jerry. Just about when Jerry was ripping' into Cats Down Under the Stars, this high voice started to yell to everyone " Hey Can get your box off my car". Everyone was dancin' and ignored him. Then Hunter got into the rental and went to take off, with box on roof being saved. Man he is high stung!

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but our passionate attempts to say goodbye to Robert make up for it. Onward.

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It's nice to hear this pathetic business can deliver box sets to those who purchased CDs. The digital download however is broken and "Customer Service" is just two words. My credit card was charged well in advance, which would be fine if delivery of the FLAC 192/24 files was as promised. My initial email regarding this issue remains unacknowledged with a second sent this evening. I'm not holding my breath for a response. I also placed two phone calls which did nothing but waste my time. Time to get the credit card companies involved, four days of crickets is enough.

I hear ya man.. and you are justified to be a little miffed.. but hang in there, they will make right on this. Just give them a week or so. You can PM MaryE here too, it will probably help. I am 100% confident you will be made whole. I realize these are hallow words, but we have waited almost 30 years for this and someone screwed up a little.. but I believe we are still inside the official release date by a bit, right? Be patient and give them another week to make good.

Complaining now on these boards won't do much good. It's a somber time.. As for the money grab comment, I respectfully disagree. There aren't huge numbers here. I bet they wish they were.

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it's midnight and im still ripping this box set. i must say i'm surprised to see this one dwindle down in stock so fast, the groans from all the 80's shows from 30 Trips made me think this will be sitting here for a few years like the Spring '90 box sets did. All i can say is the '87 show seems to be of sparkling crystal clarity from what i heard. and am quite glad i have the RFK box set for it makes a nice companion piece to this and i believe it sold out now.

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Cub, i hear ya, But who does that to a strangers car nomatter what their doing?

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In reply to by JimInMD

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....that I cried more today than on August 9th, 1995? Didn't cry when Barlow passed.
Serious question....I'm a mess.

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I was always struck by the generosity of spirit in Robert Hunter's words, which were unique in the context of the other "rock" song lyrics I heard in the 1970s. The lyrics to the songs on American Beauty, in particular, seemed to me to have more in common with those found in books of spiritual wisdom, like the Tao Te Ching, rather than those found on other rock albums of the era.

I also think his talent was hidden to some extent, by the fact that his words were sung by Jerry and Bob. I have a tendency to think , when listening to, say Eyes of the World or Playing in the Band ( to pluck two songs out of thin air) that Jerry and Bob are singing their own words, rather than interpreting the words of Robert.

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Ugh, I have never had such bad luck with Dead orders this year -- first I did not get the second to last Dave's Pick with bonus disc -- still waiting on that.

Now I did not get the giants box set w/ blu ray -- UPS says it was delivered but it was never there -- and now the blu ray is sold out

Dear Dead.net Customer,

We have been advised that there have been issues with the delivery of the Giants Stadium 1987, 1989, 1991 Digital files.

Our digital team is currently fixing this issue and will redeliver your files within the next 3 business days.

You will receive an email from Dead.net with further instructions on how to download your updated files.

Upon completion, you will have the correct number of shows that you ordered, at the correct bit rate.

We are very sorry for the inconvenience and thank you for your patience.

Sincerely,

Dead.net Customer Service

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Thank you Robert. Thank you for taking a piece of your personal life, which I know through interviews you wrre a very private man, and sharing them with us for the benefit of all. Life gave you an opportunity to step up and be a giver with your gift, and you accepted that opportunity with grace and humility. God bless you.

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Wow! Great shows...I was at all of them...brought me back! Thx for making them available✌

Fare you well, Robert...I've been blessed to have been going to shows since 1980 so I've definitely enjoyed your music for a very long time. With loads of love, peace and appreciation...fly on the wings of angels...❤😇✌

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Trying to find answers and solace....as I was listening to the 7/10/89 show coming in to work today, and it got to the end of Uncle John's Band, it suddenly struck me that I HAD HEARD THIS ALL BEFORE:

As it heads into the final refrain after the last lyrics, the song dissipates into a somewhat spacey jam which is none other that the "Riverside Rhapsody" track from 'Infrared Roses', that sneaky album released in late 1991 that only encompasses drums and space tracks. Incidentally, on that CD, "Riverside Rhapsody" is among the only tracks wherein you can actually hear a melody from an actual song - most of the others are literally snippets and unless you have an amazing penchant for this sort of identification, it's fairly tricky to pinpoint which show they are being pulled from.

Anyway, just thought I'd toss that tidbit out there for anyone else who may find this sort of 'gem finding' of value - even as we mourn our dear poet and inspiration.

Sixtus

Amazing catch Sixtus.. and an under-rated, fun album. The late era drums/space could be amazing under the right conditions.

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I haven't listened to the '89 shows yet, but while scanning through the book from the box I did notice that they reference the same Infrared Roses connection with the 7/10/89 UJB that Sixtus points out. Nice catch Sixtus. Planning on spinning that show later today but the chance of me connecting something to Infrared Roses after all these years was likely pretty low without the heads up.

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That may be the most inspiring lyric for me personally. It makes me feel both spiritually connected to it all, while inspired to fully comprehend "it".

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My sincere condolences to the Hunter Family as well as the Grateful Dead Family.

As the Grateful Dead Community Family we at least have Mr. Hunter's lyrics, poetry and prose to console us...

'You took me (us) to the farthest stars
and Shakedown Street's grimy bars...'

For that good Sir I thank you...sometimes there aren't enough words.

Agree, what a cool line. It's one of the few things Hunter reveals too..
___________________________
"I was very impressed with T.S. Eliot around the time I was writing Dark Star," Hunter said, and one line was clearly influenced by a line in 'The Love Song of J Alfred Prufrock' - "Let us go then, you and I, when the evening is spread out against the sky." "Beyond that, that's just my kind of imagery.... I don't have any idea what the 'transitive nightfall of diamonds' means. It sounded good at the time. It brings up something that you can see."
___________________________

So it's one of those lines that pretty much means exactly what you want it to mean.

I got that quote from David Dodd's Greatest Stories Ever Told. I used to read that blog every month, and miss it. I also liked Blair Jacksons blog.. but the name escapes me. It's been years since Rhino sponsored any of that stuff.

https://www.dead.net/features/greatest-stories-ever-told/greatest-stori…

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Goin' home, goin' home, by the riverside i will rest my bones,
Listen to the river sing sweet songs, to rock my soul.

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In reply to by wadeocu

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That is an interesting find, the 'Unfinished Album' placeholder - and from none other than GD Productions, so we know it's likely not a knockoff.

Now, how one may find such a gem embedded within the bowels of AMAZON, I have no idea. Most impressive.

I also found this when doing a bit of sleuthing: https://en.wikipedia.org/wiki/Unfinished_Grateful_Dead_album

And it looks like a few others would be left out, including 'Childhood's End' and 'If the Shoe Fits'....each of which I have only heard one time.

Again, the words of Hunter are all over this - which is fitting.

I always loved 'Lazy River Road'. Truly invokes the 'Hunteresque' notions of his most famous lore.

Sixtus

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So many to choose from, but the first one to come to mind is one a friend pointed out to me 46 years ago:
Nine mile skid on a 10 mile ride, hot as a pistol but cool inside

R.I.P. indeed Robert

Rock on

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In 2003 I bought the book, Box Of Rain. It has the lyrics of ALL of Robert's song through 2003.
I just looked on Amazon today for this. New copy is $400!!!
Boy am I glad I got mine when it was "normal" price

Rock on

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