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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • daverock
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    Trips Around The Sun

    My favourite show is the one from 1967. I have only played the 66, 67, 68, 69, 70, 71 and 1990 shows this year, and I have enjoyed all of them all. After 1967, I would say 1968 and 1969 are the next two favourites. Maybe 1970, too- brilliant Other One there. I am sure the 1972, 1973 and 1974 ones are exemplary, too, but I cannot honestly recollect what they are like at this moment in time.

    Its also nice digging in the corners, as Jim suggests, and finding a shining star where you least expect it.

  • Deadheadbrewer
    Joined:
    Giants

    Is going to look great on the shelf, feel great in the hands, and sound AMAZING. I am Grateful.

    LOVE the 1967 from TTATS--best show ever? The '68 is fantastic. And then I am grateful for all the later shows in that box, particularly '82-'84 and '93-'95. The 1969-1978 shows are good, but we have so much from those years that my ears are thankful for the opportunity to hear sweet shows from the years we haven't heard much from.

    If I were a robot, couldn't I easily work around a basic CAPTCHA?

  • JimInMD
    Joined:
    30 Trips

    My favorites mirror some of those already mentioned.. especially 67, 70, 69 and (surprise) 74. 75 is very interesting also.

    ..but for me it's those shows that are off the beaten path that I sort of get the most mileage from.. 84 and 87 for example might just be the best shows played in their respective years and are super high energy. I could use a few less patches, but I enjoy the box very much.

    As mentioned on the Dave's Picks 31 thread, it looks like Dead.net got hacked and had to pay £73.92 in ransomware COD to some UPS guy with a Russian accent. Strange days..

    Have a great week all..

    LMG, check your PM.

    Oh, can't leave off 68, 76, 77, 78, 71, 72, 73.. Riverbend 85 is fun. 86 has a really sweet Comes a Time out of TOO. 91 with Branford.. 67 and 70 are my favorites though, if I had to pick.

  • alvarhanso
    Joined:
    30 Trips favorites

    11/10/67, 2/22/69, 4/25/77, 10/20/68, 4/15/70 mainly listen to the Drums> Soul Sacrificish Jam> The Other One, but great Man Man Man's World, too.

  • SPACEBROTHER
    Joined:
    30 Trips favs

    Hard for me to narrow to just 3 because they are all nice shows.

    I pretty much listen to everything I have from the Dead at least once per year on or near anniversary dates (for the most part), but here's 3 I like...

    9/10/91 MSG
    10/26/89 Miami Arena
    9/18/74 Dijon

    ...but I also like these 3...

    2/22/69 Dream Bowl
    10/20/68 Greek
    10/27/79 Cape Cod

    ...and of course EVERYTHING else.

    I couldn't see myself discounting any show from this set. All have plenty to like for me.

    As someone who came onboard during the 3rd decade of the band's existence, my initial preferences were the Pigpen and Brent era's. As I've dug deeper, mainly thanks to these releases, I like it all. Every era.

    Of the 50 shows I saw with Jerry, a few in '95 were kind of rough, especially the last two at Soldier Field. If released I'd still want them. Even the US Blues that Jerry pretty much gave up on at the second to last show.

    At the time of going to shows, the only other time (besides a few in '95) I felt the show was subpar was 3/13/93. The follow-up to Rosemont which I would agree was a nice run. Upon further listening many years later I find that even this show was really good. Terrapin through the end was top notch, including one of the GREAT Stella Blue's.

    My main hangup has always been lack of variety in official releases, and now that is no longer an issue. Love it all but my sweet spot is 65-95 with emphasis on '87-'91.

    Budgetary constraints has limited my ability to be a completionist, and I'm quite a few behind, but at least try to keep up as best as possible as new things come out. Missed out on much of the Record Store Day releases.

  • bob t
    Joined:
    @ROBBZ favorite 30 Trips shows

    I find myself playing 9/28/75 Lindley Meadows the most....probably 9/18/74 Dijon France and the 3/18/71 Fox Theatre a lot... hope that helps.... there are so many good choices... bob t

  • RobbZ
    Joined:
    I'm sure this has been asked before....but

    ****First off--LMG, stay positive and get well soon****

    Friends, looking for some feedback on the 30 Trips Box Set...in your opinion, what are your favorite 2-3 shows from the box. Appreciate your responses...

  • Gratefulhan
    Joined:
    Shows - location, years, era.

    I got in the bus in mid 1992, and from then until 1995 I only had the exposure to the music from the few shows I attended, and the few live releases that were out, one and Two from the Vault, Bears Choice, Without a Net, Dick's Picks 1. I was also able to acquire some tapes. Basically I was taking it all in, loving all of it of course. Yet I do recall at my first show, when Bobby sang Lovelight i was little thrown off - yes I was used to hearing Pigpen on that tune. The result was that I just didn't have a good knowledge of shows or eras and was certainly lacking in the numbers tapes I had listened too.

    So I did my Dead scholarly work after Jerry died, because I was compelled to get as many shows as I could. I sought out getting more tapes and thankfully Dick's Picks kept coming out. Now even then I knew that the shows from "back in the day" were more coveted, or at least that was what more experienced heads told me. I remember a dude from college who only listened to shows from 73-74... he was pretty obsessed with it, but I can see why. So I got every tape I could and listened to them all. Many of my tapes were from 69 -78 as it turned out. I became most familiar that time frame and over time I developed that as a preference. Of course I was exposed to many of the standout out shows: 3/1/69, 4/28/71, 5/8/77, 7/8/78...etc

    However over time and especially in recent years I have been way more open to shows from all eras/years. I still feel like there are a few years that may not appeal to me, but I am open to anything. It doesn't matter where they played as long as the music is good, well I should say good for the time. For example, I will certainly judge show from 85 on its own merits and not compare it to a 77 show.

    At this point I will buy any just about anything TPTB give us. Although I may have expanded my horizons over the years , still I feel the same as I did all those years ago in '95, when I valued every show because everything came to end. I still feel this way and now we have had many shows be given the official release. In terms of volume The Dead/Dave L./Rhino have not quite cuaght up with the tapers/archive.org obviously. Yet I am happy and appreciative of what Dave L and the crew have given us and I feel like they are doing a great job.

  • smyler
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    Little desire to hear those shows

    I’ve a similar view to Daverock on this. As a U.K. follower of the Dead I only saw them twice; the last two nights of the 1990 European Tour. Both shows were great, particularly the last night.

    Without A Net had only been out a few weeks and I loved the wider sound palette they were using (midi I guess). There were also two or three incendiary performances on the album, albeit along with a few lacklustre ones, and I decided I really liked this modern Dead sound. Up until the I’d only listened to official releases. I had a few tapes, but I’d never really played them as I didn’t like cassettes.

    One From The Vault came out in 1991. The sound palette was more limited but the performance was uniformly strong and Garcia’s voice sounded great. I stuck with the just official releases which became more plentiful as the years went on, covering most eras of the band. I yearned for more of the sparkling midi sound of WAN. I’ve already mentioned that I loved Terrapin Limited, but couldn’t find anything at all to enthuse about in Dozin’ At The Knick. Subsequent mid to late 80s and 90s shows continued to disappoint whereas I found several of the earlier releases, from the 70s, to exceptional.

    The more I listened to release of all eras, the more it became apparent that, whilst you can find good things to listen to from all eras of the dead, the consistency of performance started to deteriorate in the late 70s and this only accelerated from the early 80s. This view is simply my own, not born out of the era I started listening to the band in or the shows I attended but out of what I hear in the Dead’s numerous official live releases.

    So, whilst I loved the shows I saw in 1990, I’ve no desire to see these released. Having heard so many disappointing releases from the 80s and 90s, why should I believe these shows will stand up to the scrutiny of repeated listening any better than most of the others?

  • daverock
    Joined:
    I was there. I think.

    I am not sure its acceptable to answer your own question, but....
    Of all the 1980s shows, I would be most interested in getting copies of the two I went to-or shows from the two tours they were a part-Europe March and October 1981, than any of the others.
    Similarly, of all the Bruce and Vince shows I would be most interested in getting copies of the three I attended in October/November 1990 than any of the others.

    But...and its a big but....I would prefer to get any unreleased show from the 1974 Europe tour than any of the five I went to. Or any show from 1974 and earlier, come to that. I just prefer the music played during those years.

    I have this attitude for most of the rock/blues/pop.. whatever... music I listen to. I much prefer the era from 1965-1975 than what came after. There are exceptions of course-but I probably listen to more music from those years than any other.

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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i woke up to find out my box set arrived with nary a shipping notice just like how i like to receive them. i decided to heat some water on the stove and found out about that bad news. my life would be very different without Robert Hunter's words, and the band would have been a very different band had they decided to go on write their own words as well.

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There were days
And there were days
And there were days between
Summer flies and August dies
The world grows dark and mean
Comes the shimmer of the moon
On black infested trees
The singing man is at his song
The holy on their knees
The reckless are out wrecking
The timid plead their pleas
No one knows much more of this
Than anyone can see...

Thank You Robert--Until Next Time

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Such a beautifully done box set and I cannot wait to get lost in it. Thank you!

Mason died on Monday
We bricked him in the wall
All his children grew and grew
They ain't never grew so tall before
They may never grow so tall again
We dug him up on Tuesday
He hardly aged a day
Taught us all we ever knew
We ain't never knew so much before
We may never know so much again
Mason was a mighty man
A mighty man was he
Always said, "When I'm dead and gone
Don't you weep for me"
The wall collapsed on Wednesday
We chalked it up to fate
All his children ran in fear
They ain't never hear it so well before
Swore they'd never show their face again
Thursday came then Friday
With buyers tall and bright
Mason's children cooked the stew
And cleaned up when the feast was through
Swore they'd never [Incomprehensible] before
Take me to the repo man
To pay back what was owed
If he's in some other land
Write it off as stole
Take me to the repo man
To pay back what was owed
If he's in some other land
Write it off as stole....
Wow. I currently have stew on the stove.

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Spinning American Beauty on the ole' vinyl player. Almost all RH songs. So so good.

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Added more to the Great American songbook than many people realize. Truly one of the greatest lyricists of all time. He will be truly missed and always appreciated.

A lovely view of heaven... but I'd rather be with you. (Inscribed on my wedding band.)

Love

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I came out of my Brazilian jiu jujitsu class this afternoon feeling pretty good. It was a long day at work and so those classes usually help to remedy such things. So when I got in my car I got email from Dead.net in my phone that broke the news. I feel devastated. My life has been largely shaped by Star Wars and the Grateful Dead. There is no doubt that Robert Hunters lyrics guided me through life. Of course this will still be the case for me. Its amazing how some people are just so skilled to be able to create things whether be songs or lyrics that transcend people, places, and time.

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For RH:

Thank you for the positive shaping of my world, for the joys and laughter, for the tears and pain, for the encouragement and advice, for making a better world for all of us. For making it so very real, and so so much fun!

I didn't get into the music, the music got into me...………..

In your honor, 12/18/73 Dark Star...……………..

Rock on, and rest in peace......………………

Doc

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In reply to by Gratefulhan

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Sad day indeed.

As KF said, the rock stars of the 60’s/70’s are going to keep peeling away.
From coming in 3’s to coming in multiples of 3’s.

Glad that D&C are still playing the songs. Eventually that will end too.

This afternoon I read the Rolling Stone story. I knew, but had forgotten, that Hunter and Dylan had collaborated. I probably should check that out.

A lot of posts today, so this references a post several pages back where I believe it was Jim who asked if Bolo had ever steered us wrong.
Well, I’m still waiting for an explanation of the Liberace reference.....

‘91 in 48 tracks makes you wish it all came that way.

I BOUGHT YOU A PADDLE FOR YOUR PAPER CANOE.

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His words are timeless. Composed for everyone, yet crafted in a manner that allowed each of us to interpret them as our own.

Thank you kind sir.

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When it seems like the night will last forever,
And there's nothing left to do but count the years,
When the strings of my heart begin to sever,
And stones fall from my eyes instead of tears,

You will be my missed. Thanks for it all. Be at peace.

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11 years 4 months
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My Giant’s Stadium box set arrived on the same day as Mr. Hunter’s passing...this box set will have a special personal meaning for me now and will be remembered as the “Special One” In my collection. Thank you for your lyrics of peace to all...RIP RH. I imagine you and Jerry have a lot of catching up to do!

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Don’t you worry anymore.....Thank you for the kind words and for getting me through some of my hardest days Robert Hunter. Say hello to my mom for me if you find the time.

KCJ

Stay strong my friends...Every silver linings gotta touch of grey

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#1) Just off the top of my head there was that time in August 1984. The show that we attended was The Jerry Garcia Band, Caldwell College (8-11-84) and had Bob Hunter as the opener. This venue on school grounds was outdoors and completely wide open all around the back n side stage area. There were speakers set up facing back stage to fill in the sound for the area's ticketless car campers and acts like Bob Hunter got his Chevette parked-in. We had our boom-box on the roof of Hunter's car recording Jerry. Just about when Jerry was ripping' into Cats Down Under the Stars, this high voice started to yell to everyone " Hey Can get your box off my car". Everyone was dancin' and ignored him. Then Hunter got into the rental and went to take off, with box on roof being saved. Man he is high stung!

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but our passionate attempts to say goodbye to Robert make up for it. Onward.

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It's nice to hear this pathetic business can deliver box sets to those who purchased CDs. The digital download however is broken and "Customer Service" is just two words. My credit card was charged well in advance, which would be fine if delivery of the FLAC 192/24 files was as promised. My initial email regarding this issue remains unacknowledged with a second sent this evening. I'm not holding my breath for a response. I also placed two phone calls which did nothing but waste my time. Time to get the credit card companies involved, four days of crickets is enough.

I hear ya man.. and you are justified to be a little miffed.. but hang in there, they will make right on this. Just give them a week or so. You can PM MaryE here too, it will probably help. I am 100% confident you will be made whole. I realize these are hallow words, but we have waited almost 30 years for this and someone screwed up a little.. but I believe we are still inside the official release date by a bit, right? Be patient and give them another week to make good.

Complaining now on these boards won't do much good. It's a somber time.. As for the money grab comment, I respectfully disagree. There aren't huge numbers here. I bet they wish they were.

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it's midnight and im still ripping this box set. i must say i'm surprised to see this one dwindle down in stock so fast, the groans from all the 80's shows from 30 Trips made me think this will be sitting here for a few years like the Spring '90 box sets did. All i can say is the '87 show seems to be of sparkling crystal clarity from what i heard. and am quite glad i have the RFK box set for it makes a nice companion piece to this and i believe it sold out now.

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Cub, i hear ya, But who does that to a strangers car nomatter what their doing?

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In reply to by JimInMD

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....that I cried more today than on August 9th, 1995? Didn't cry when Barlow passed.
Serious question....I'm a mess.

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I was always struck by the generosity of spirit in Robert Hunter's words, which were unique in the context of the other "rock" song lyrics I heard in the 1970s. The lyrics to the songs on American Beauty, in particular, seemed to me to have more in common with those found in books of spiritual wisdom, like the Tao Te Ching, rather than those found on other rock albums of the era.

I also think his talent was hidden to some extent, by the fact that his words were sung by Jerry and Bob. I have a tendency to think , when listening to, say Eyes of the World or Playing in the Band ( to pluck two songs out of thin air) that Jerry and Bob are singing their own words, rather than interpreting the words of Robert.

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Ugh, I have never had such bad luck with Dead orders this year -- first I did not get the second to last Dave's Pick with bonus disc -- still waiting on that.

Now I did not get the giants box set w/ blu ray -- UPS says it was delivered but it was never there -- and now the blu ray is sold out

Dear Dead.net Customer,

We have been advised that there have been issues with the delivery of the Giants Stadium 1987, 1989, 1991 Digital files.

Our digital team is currently fixing this issue and will redeliver your files within the next 3 business days.

You will receive an email from Dead.net with further instructions on how to download your updated files.

Upon completion, you will have the correct number of shows that you ordered, at the correct bit rate.

We are very sorry for the inconvenience and thank you for your patience.

Sincerely,

Dead.net Customer Service

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Thank you Robert. Thank you for taking a piece of your personal life, which I know through interviews you wrre a very private man, and sharing them with us for the benefit of all. Life gave you an opportunity to step up and be a giver with your gift, and you accepted that opportunity with grace and humility. God bless you.

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Wow! Great shows...I was at all of them...brought me back! Thx for making them available✌

Fare you well, Robert...I've been blessed to have been going to shows since 1980 so I've definitely enjoyed your music for a very long time. With loads of love, peace and appreciation...fly on the wings of angels...❤😇✌

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Trying to find answers and solace....as I was listening to the 7/10/89 show coming in to work today, and it got to the end of Uncle John's Band, it suddenly struck me that I HAD HEARD THIS ALL BEFORE:

As it heads into the final refrain after the last lyrics, the song dissipates into a somewhat spacey jam which is none other that the "Riverside Rhapsody" track from 'Infrared Roses', that sneaky album released in late 1991 that only encompasses drums and space tracks. Incidentally, on that CD, "Riverside Rhapsody" is among the only tracks wherein you can actually hear a melody from an actual song - most of the others are literally snippets and unless you have an amazing penchant for this sort of identification, it's fairly tricky to pinpoint which show they are being pulled from.

Anyway, just thought I'd toss that tidbit out there for anyone else who may find this sort of 'gem finding' of value - even as we mourn our dear poet and inspiration.

Sixtus

Amazing catch Sixtus.. and an under-rated, fun album. The late era drums/space could be amazing under the right conditions.

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I haven't listened to the '89 shows yet, but while scanning through the book from the box I did notice that they reference the same Infrared Roses connection with the 7/10/89 UJB that Sixtus points out. Nice catch Sixtus. Planning on spinning that show later today but the chance of me connecting something to Infrared Roses after all these years was likely pretty low without the heads up.

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That may be the most inspiring lyric for me personally. It makes me feel both spiritually connected to it all, while inspired to fully comprehend "it".

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My sincere condolences to the Hunter Family as well as the Grateful Dead Family.

As the Grateful Dead Community Family we at least have Mr. Hunter's lyrics, poetry and prose to console us...

'You took me (us) to the farthest stars
and Shakedown Street's grimy bars...'

For that good Sir I thank you...sometimes there aren't enough words.

Agree, what a cool line. It's one of the few things Hunter reveals too..
___________________________
"I was very impressed with T.S. Eliot around the time I was writing Dark Star," Hunter said, and one line was clearly influenced by a line in 'The Love Song of J Alfred Prufrock' - "Let us go then, you and I, when the evening is spread out against the sky." "Beyond that, that's just my kind of imagery.... I don't have any idea what the 'transitive nightfall of diamonds' means. It sounded good at the time. It brings up something that you can see."
___________________________

So it's one of those lines that pretty much means exactly what you want it to mean.

I got that quote from David Dodd's Greatest Stories Ever Told. I used to read that blog every month, and miss it. I also liked Blair Jacksons blog.. but the name escapes me. It's been years since Rhino sponsored any of that stuff.

https://www.dead.net/features/greatest-stories-ever-told/greatest-stori…

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Goin' home, goin' home, by the riverside i will rest my bones,
Listen to the river sing sweet songs, to rock my soul.

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In reply to by wadeocu

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That is an interesting find, the 'Unfinished Album' placeholder - and from none other than GD Productions, so we know it's likely not a knockoff.

Now, how one may find such a gem embedded within the bowels of AMAZON, I have no idea. Most impressive.

I also found this when doing a bit of sleuthing: https://en.wikipedia.org/wiki/Unfinished_Grateful_Dead_album

And it looks like a few others would be left out, including 'Childhood's End' and 'If the Shoe Fits'....each of which I have only heard one time.

Again, the words of Hunter are all over this - which is fitting.

I always loved 'Lazy River Road'. Truly invokes the 'Hunteresque' notions of his most famous lore.

Sixtus

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So many to choose from, but the first one to come to mind is one a friend pointed out to me 46 years ago:
Nine mile skid on a 10 mile ride, hot as a pistol but cool inside

R.I.P. indeed Robert

Rock on

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In 2003 I bought the book, Box Of Rain. It has the lyrics of ALL of Robert's song through 2003.
I just looked on Amazon today for this. New copy is $400!!!
Boy am I glad I got mine when it was "normal" price

Rock on

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