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    Anusha
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    Buckle up as we take a deep dive into Giants Stadium!

    What's Inside:

    5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

    7/12/87 (24-track masters)

    7/9/89  (24-track masters)

    7/10/89 (24-track masters)

    6/16/91 (48-track masters)

    6/17/91 (48-track masters)

    Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

    By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

    "The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

    With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

    GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

    Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

    Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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  • daverock
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    Trips Around The Sun

    My favourite show is the one from 1967. I have only played the 66, 67, 68, 69, 70, 71 and 1990 shows this year, and I have enjoyed all of them all. After 1967, I would say 1968 and 1969 are the next two favourites. Maybe 1970, too- brilliant Other One there. I am sure the 1972, 1973 and 1974 ones are exemplary, too, but I cannot honestly recollect what they are like at this moment in time.

    Its also nice digging in the corners, as Jim suggests, and finding a shining star where you least expect it.

  • Deadheadbrewer
    Joined:
    Giants

    Is going to look great on the shelf, feel great in the hands, and sound AMAZING. I am Grateful.

    LOVE the 1967 from TTATS--best show ever? The '68 is fantastic. And then I am grateful for all the later shows in that box, particularly '82-'84 and '93-'95. The 1969-1978 shows are good, but we have so much from those years that my ears are thankful for the opportunity to hear sweet shows from the years we haven't heard much from.

    If I were a robot, couldn't I easily work around a basic CAPTCHA?

  • JimInMD
    Joined:
    30 Trips

    My favorites mirror some of those already mentioned.. especially 67, 70, 69 and (surprise) 74. 75 is very interesting also.

    ..but for me it's those shows that are off the beaten path that I sort of get the most mileage from.. 84 and 87 for example might just be the best shows played in their respective years and are super high energy. I could use a few less patches, but I enjoy the box very much.

    As mentioned on the Dave's Picks 31 thread, it looks like Dead.net got hacked and had to pay £73.92 in ransomware COD to some UPS guy with a Russian accent. Strange days..

    Have a great week all..

    LMG, check your PM.

    Oh, can't leave off 68, 76, 77, 78, 71, 72, 73.. Riverbend 85 is fun. 86 has a really sweet Comes a Time out of TOO. 91 with Branford.. 67 and 70 are my favorites though, if I had to pick.

  • alvarhanso
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    30 Trips favorites

    11/10/67, 2/22/69, 4/25/77, 10/20/68, 4/15/70 mainly listen to the Drums> Soul Sacrificish Jam> The Other One, but great Man Man Man's World, too.

  • SPACEBROTHER
    Joined:
    30 Trips favs

    Hard for me to narrow to just 3 because they are all nice shows.

    I pretty much listen to everything I have from the Dead at least once per year on or near anniversary dates (for the most part), but here's 3 I like...

    9/10/91 MSG
    10/26/89 Miami Arena
    9/18/74 Dijon

    ...but I also like these 3...

    2/22/69 Dream Bowl
    10/20/68 Greek
    10/27/79 Cape Cod

    ...and of course EVERYTHING else.

    I couldn't see myself discounting any show from this set. All have plenty to like for me.

    As someone who came onboard during the 3rd decade of the band's existence, my initial preferences were the Pigpen and Brent era's. As I've dug deeper, mainly thanks to these releases, I like it all. Every era.

    Of the 50 shows I saw with Jerry, a few in '95 were kind of rough, especially the last two at Soldier Field. If released I'd still want them. Even the US Blues that Jerry pretty much gave up on at the second to last show.

    At the time of going to shows, the only other time (besides a few in '95) I felt the show was subpar was 3/13/93. The follow-up to Rosemont which I would agree was a nice run. Upon further listening many years later I find that even this show was really good. Terrapin through the end was top notch, including one of the GREAT Stella Blue's.

    My main hangup has always been lack of variety in official releases, and now that is no longer an issue. Love it all but my sweet spot is 65-95 with emphasis on '87-'91.

    Budgetary constraints has limited my ability to be a completionist, and I'm quite a few behind, but at least try to keep up as best as possible as new things come out. Missed out on much of the Record Store Day releases.

  • bob t
    Joined:
    @ROBBZ favorite 30 Trips shows

    I find myself playing 9/28/75 Lindley Meadows the most....probably 9/18/74 Dijon France and the 3/18/71 Fox Theatre a lot... hope that helps.... there are so many good choices... bob t

  • RobbZ
    Joined:
    I'm sure this has been asked before....but

    ****First off--LMG, stay positive and get well soon****

    Friends, looking for some feedback on the 30 Trips Box Set...in your opinion, what are your favorite 2-3 shows from the box. Appreciate your responses...

  • Gratefulhan
    Joined:
    Shows - location, years, era.

    I got in the bus in mid 1992, and from then until 1995 I only had the exposure to the music from the few shows I attended, and the few live releases that were out, one and Two from the Vault, Bears Choice, Without a Net, Dick's Picks 1. I was also able to acquire some tapes. Basically I was taking it all in, loving all of it of course. Yet I do recall at my first show, when Bobby sang Lovelight i was little thrown off - yes I was used to hearing Pigpen on that tune. The result was that I just didn't have a good knowledge of shows or eras and was certainly lacking in the numbers tapes I had listened too.

    So I did my Dead scholarly work after Jerry died, because I was compelled to get as many shows as I could. I sought out getting more tapes and thankfully Dick's Picks kept coming out. Now even then I knew that the shows from "back in the day" were more coveted, or at least that was what more experienced heads told me. I remember a dude from college who only listened to shows from 73-74... he was pretty obsessed with it, but I can see why. So I got every tape I could and listened to them all. Many of my tapes were from 69 -78 as it turned out. I became most familiar that time frame and over time I developed that as a preference. Of course I was exposed to many of the standout out shows: 3/1/69, 4/28/71, 5/8/77, 7/8/78...etc

    However over time and especially in recent years I have been way more open to shows from all eras/years. I still feel like there are a few years that may not appeal to me, but I am open to anything. It doesn't matter where they played as long as the music is good, well I should say good for the time. For example, I will certainly judge show from 85 on its own merits and not compare it to a 77 show.

    At this point I will buy any just about anything TPTB give us. Although I may have expanded my horizons over the years , still I feel the same as I did all those years ago in '95, when I valued every show because everything came to end. I still feel this way and now we have had many shows be given the official release. In terms of volume The Dead/Dave L./Rhino have not quite cuaght up with the tapers/archive.org obviously. Yet I am happy and appreciative of what Dave L and the crew have given us and I feel like they are doing a great job.

  • smyler
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    Little desire to hear those shows

    I’ve a similar view to Daverock on this. As a U.K. follower of the Dead I only saw them twice; the last two nights of the 1990 European Tour. Both shows were great, particularly the last night.

    Without A Net had only been out a few weeks and I loved the wider sound palette they were using (midi I guess). There were also two or three incendiary performances on the album, albeit along with a few lacklustre ones, and I decided I really liked this modern Dead sound. Up until the I’d only listened to official releases. I had a few tapes, but I’d never really played them as I didn’t like cassettes.

    One From The Vault came out in 1991. The sound palette was more limited but the performance was uniformly strong and Garcia’s voice sounded great. I stuck with the just official releases which became more plentiful as the years went on, covering most eras of the band. I yearned for more of the sparkling midi sound of WAN. I’ve already mentioned that I loved Terrapin Limited, but couldn’t find anything at all to enthuse about in Dozin’ At The Knick. Subsequent mid to late 80s and 90s shows continued to disappoint whereas I found several of the earlier releases, from the 70s, to exceptional.

    The more I listened to release of all eras, the more it became apparent that, whilst you can find good things to listen to from all eras of the dead, the consistency of performance started to deteriorate in the late 70s and this only accelerated from the early 80s. This view is simply my own, not born out of the era I started listening to the band in or the shows I attended but out of what I hear in the Dead’s numerous official live releases.

    So, whilst I loved the shows I saw in 1990, I’ve no desire to see these released. Having heard so many disappointing releases from the 80s and 90s, why should I believe these shows will stand up to the scrutiny of repeated listening any better than most of the others?

  • daverock
    Joined:
    I was there. I think.

    I am not sure its acceptable to answer your own question, but....
    Of all the 1980s shows, I would be most interested in getting copies of the two I went to-or shows from the two tours they were a part-Europe March and October 1981, than any of the others.
    Similarly, of all the Bruce and Vince shows I would be most interested in getting copies of the three I attended in October/November 1990 than any of the others.

    But...and its a big but....I would prefer to get any unreleased show from the 1974 Europe tour than any of the five I went to. Or any show from 1974 and earlier, come to that. I just prefer the music played during those years.

    I have this attitude for most of the rock/blues/pop.. whatever... music I listen to. I much prefer the era from 1965-1975 than what came after. There are exceptions of course-but I probably listen to more music from those years than any other.

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Buckle up as we take a deep dive into Giants Stadium!

What's Inside:

5 Previously Unreleased Complete Giants Stadium Shows On 14 Discs

7/12/87 (24-track masters)

7/9/89  (24-track masters)

7/10/89 (24-track masters)

6/16/91 (48-track masters)

6/17/91 (48-track masters)

Blu-ray/DVD video of the complete 6/17/91 show, mixed in surround sound  Mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios Mastered in HDCD by David Glasser at Airshow Mastering with Plangent Processes restoration Individually Numbered, Limited Edition of 10,000

By 1987, the Grateful Dead had lived many of their nine lives but were about to embark on one not a soul had seen coming. In The Dark, their first studio album in seven years, had spawned a hit (A TOP 10 SINGLE FOR THE GRATEFUL DEAD?!) and "Touch Of Grey" begat a new generation with their fanny packs and their MTV and their undeniable quest to join the party already in progress. And boy, did the Dead let them in! But not without fine-tuning their sonic vibes to meet the new demand.

"The Swamp," as Giants Stadium was affectionately known, along with the grandstands the Dead had been frequenting, would seemingly equate with BIGGER and LOUDER, but the band "remained determined to give equal weight to the more subtle, oblique elements; to the exploratory improvisation and rhythmic complexities; to the fine details of the most heart-rending ballads as well as the weirdest dissonances in the jams."

With GIANTS STADIUM 1987/1989/1991, we retrace this journey from their 1987 breakthrough to their 1989 revelation ("the closest they ever came to sounding like a really polished stadium-level rock act, but the band’s penchant for breaking out of the constraints of song structure and into freewheeling improvisation will remind you just who you’re listening to here") to their transformative return in 1991, aided by elegance of Vince Welnick and Bruce Hornsby.

GIANTS STADIUM: 1987, 1989, 1991 features five previously unreleased shows that were recorded at Giants Stadium in East Rutherford, NJ on: July 12, 1987; July 9 and 10, 1989; and June 16 and 17, 1991. Originally recorded by John Cutler, each show has been mixed from the multitrack master tapes by Jeffrey Norman at Bob Weir's TRI Studios in San Rafael, CA, and mastered in HDCD by David Glasser at Airshow Mastering. The first three shows are mixed from 24-track masters. The final two from 1991 are the only Grateful Dead shows ever recorded to 48-track masters. We’re rounding things out with a little visual stimuli -  the entire multi-camera 6/17/91 concert recording on either two DVDs or a single Blu-ray, both with a surround mix by Norman.

Due September 27th, this release is limited to 10,000 individually numbered copies and available exclusively from Dead.net. We highly suggest you grab a copy while you can so you can sit back, relax, and enjoy all the exclusive content we'll be rolling out.

Prefer your boxed set byte-sized? The collection will also be available for HD digital download in FLAC and ALAC, exclusively at dead.net, on release day. You can pre-order it now too.

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In reply to by Charlie3

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Some folks would be happy just to have one dream come true
But everything you gather is just more that you can lose.

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Just received my Giants stadium. I noticed on the Blu-ray it is not wide screen. Seems the video and sound are a bit off. Anything I can do to fix that?

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In reply to by stoltzfus

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....'91 and '89 are down the hatch. (Making some hatch chile infused burgers as we speak btw). All grate shows for sure, but '87 has a West LA, Tons Of Steel and a Push and the BEST Take A Step Back I have ever heard in the first set. My Touchhead radar is pinging.
All the Drumz/Space in these shows are worthy.
Victim Or The Crime? Tricky song to judge. I would cringe when I saw it live, at first. By the second verse however, I was all in. If Foolish Heart followed, all bets were off. Lol.
Mrs. Vguy appreciates the nod. You can call her Cheryl though. She won't mind. Unless you spell it with an S. Then look out!

Not sure coming from me this is the greatest thing, but you hit the nail on the head with songs mentioned
I don't remember the show maybe msg, philly when first heard West L A. But I do remember the feeling.....explosive. I was do 30 shows a year at that time. I don't know where my deadbase is but it had to be one of the 1st times played. I have loved it ever since

....was the first song I actually paid attention to live. Anaheim '87. My group walked in late. Tons Of Steel was playing as our tickets were torn. As we were walking down the aisle to the floor, they played it. I was like, " How do they even know where I am?" In West LA youngun.
It was my second show. The first one was just a metal head in an unfamiliar environment taking it all in. Beautiful girls will do that to you.
So yeah. West LA Fadeaway. Los Lobos loves it.
Thanks again Bob Hunter.

I hope you're kidding. A no everyone I'm not going to start a rant. I'm not really a fan of Victim but we have enough censorship don't need anymore. As far as I know the only song taken out of the playlist by popular demand was Day Job. I think that was because they played it so often back when. Nowadays I've got my Chinese partner at work telling people that and he knows no US sayings other than the ones he's picked up from me

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In reply to by snafu

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...and he didn't.
Hank Williams III
Probably 'cause Hank III didn't want to be a part of it. Just my guess.
Hank Sr.'s grandson. Jr.'s kid.
https://www.youtube.com/watch?v=F6B-X6EEiHE
If that somewhat trips your trigger then check out the album Straight To Hell. One of my favorites. Thrown Out Of The Bar, Things You Do To Me, Country Heroes, Low Down, Smoke & Wine just to name a few of the country-as-fuck gems on this one.
Like Zappa and Ween, ya gotta be a little selective when dipping your toes into the Hank III stuff. He does some punk shit too, but boy oh boy does he sound and act like his granddaddy when he really leans into it.
Get some...

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jRf....thanks man, that’s some good shit that I’ve not heard before...Mississippi Mud cranked right now!!!

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In reply to by CaseyJanes

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I'm not living there now, but Thrown Out Of The Bar was pretty much our theme song in Jackson all those years ago as skiers and snowboarding deadheads way-back in the day.
Now it's Aspen Hole...and it sucks.
;O)

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In reply to by CaseyJanes

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Owes me money.
Do you have a valid number or address? PM me.

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In reply to by JimInMD

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Just let it go. Trust me. What's a few bucks man?
Just let it ride...

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In reply to by jrf68@hotmail.com

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Ha.. I worry sometimes that people here will begin to take me seriously.

Thanks for the honest feedback. ..and for the PM with the addy, home and cell #. I'm on it.

Finally reading the spiral notebook and beginning to rip the CDs. It's been a week. Would have been a bit easier if Hank paid me what I was due.. topic for another day I guess. KCJanes.. tragic story, so sad to read.. hey.. are you going to Hampton? PM me bro.

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In reply to by JimInMD

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Cocksucker still owes me for a bunch'a busted windows down on town square.
Oh well...
;O)

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In reply to by jrf68@hotmail.com

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A simple PIN would suffice.

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In reply to by JimInMD

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Jim reminded me that Dead & Co. are gonna be at spaceship Hampton so I just looked up tickets.
Fuck me. Nothing under $100.
are you fucking kidding me?

I guess I'll never see anyone from the Dead play live again...

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In reply to by jrf68@hotmail.com

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Ticket prices are an issue.. sucks man.

Still.. If something pops up for price.. and someone magically PMs me.. I would go. So long as it doesn't pop up on one of those automated campaign finance reports, we should all be good. :D

Love Hampton.. only a seven hour drive from where I live now.

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Anyone else have/hear the glitch in Loose Lucy from 6/17/91 at the 3:30 mark on the CD? The dynamic level changes, and they're off the beat one was tapping to. There is a slight time leap. Sounds like it's on the master; the clock on the player does not skip a beat.

The Victim petition person was kidding; but Victim is the one song I've started skipping.

Best to you, LMG . . .

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*

DAVEROCK

In the UK the available DVD has only 4 discs compared to 10 in the US version, because that is how the BBC edited it, so I have always refused to buy it. I don’t have a Region 1 player so can’t watch the US version. I notice it is possible to watch the full version on PBS America which can be accessed via Amazon Prime in the UK for a subscription. A 7 day free trial is available so if I have that much free time over a week I might watch it like that.

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In reply to by Colin Gould

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Thanks for the information about the above dvd box set, Colin. I don't have a region 1. player either, and the British version must have been edited to death to reduce the content from 10 discs to only 4.

Its actually quite confusing looking on Amazon UK for available versions. The first one that pops ups has a picture of Louis Armstrong on the cover, and is described as a "special edition." Looking further on , it seems it has only 4 discs, was released on 2013 and is 728 minutes long.

The next one that crops up has a navy blue cover, has 7 discs in it, and was released in 2015. But its only 555 minutes long! So the one with 7 discs is actually shorter than the one with 4 discs. Maybe its safer to pass on this one.

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In reply to by daverock

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Get a region free DVD player.
I have a Philips, it plays NTSC and PAL DVDs no problem.

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In reply to by icecrmcnkd

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turntablenow-dot-com is a fake website.

Posts on Reddit confirm that, but I didn’t read those until after the fact.

I ordered some vinyl from there (never received the vinyl) and within 2 days my credit card was being used in Luxembourg to pay Skype bills.
Fortunately I got the bank to reverse all charges.

Unfortunately the real damage is that I will no longer trust less well known websites and will now only buy from Amazon and local brick and mortars. Good for the local shops, not so good for a small business that may be trying to establish a website.

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Totally out of hand. I don't even understand the system anymore. If I go to Ticketmaster they advertise some concerts but then I get redirected to Stubhub or whatever. Why all the sudden it seems is scalping legal? Where is Pearl Jam when we need them?

I guess I should just consider myself lucky that I saw all of the great bands when tickets were still cheap. Or I guess I should say still reasonable. In the seventies you could see all of the big bands for under ten bucks right? I even splurged to see some of them from up close in the late 80s / 90s, before I figured out the Ticketmaster bulletproof method of getting within the first 10 rows. But those were the good old Glory Days, long gone.

I am very much looking forward to the Madison Square Garden Show on November 1st. My cousin and I are going, and he's the person I saw the Dead with when Jerry was alive both times. We tried New Jersey two summers ago and got rained out of the second set. Not going to happen at this venue...

The timing couldn't be better so I bought a couple of Halloween t-shirts off of the site here. There really a nice selection. I'm pretty sure it doesn't matter that Halloween is the night before, but couldn't very well skip on trick-or-treating and go see Dead & Co.

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People, People, People—CALM DOWN! I thought we were all supposed to be a lot less tightly-wound than many of our fellow citizens. I only suggested a petition to digitally excise VotC from future releases as a JOKE! Is my writing really so poor that no one picked-up on its satirical nature? C’mon—Lighten Up! Especially YOU, “Mr. Ones”—SHEESH! Admittedly, I do despise that Tune myself—Live, Studio, whatever--and I heard Jerry say he didn’t like it either on _many_ occasions—but that’s just my opinion. For those who really dig the Song, more power to ya! Carry On!

I took it that way.

I really do like Victim ... and Day Job for that matter - "God bless the child that's got his own stash, a 9 to 5 and a place to crash" indeed!

Hmmmm .... Victim>Day Job - now there is a combo that could have been a great first set closer. The bathroom lines wouldnt have been nearly as bad at set break too! :0

Oh and yes Stoltzie - once again you and I are right on the same page. Wave to the Wind was possibly the very bottom of the barrel for both Lesh and Hunter!

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The 10000 copies of the box did not comprise 5000 with DVDs and 5000 with BluRays. There were 4000 copies with DVDs and 6000 copies with BluRays. That was stated on here when the box was initially announced but I cannot find it anymore. It was also stated in the Rolling Stone article that announced this box. As to how the boxes are numbered and if it has anything to do with the format of the video content is possibly something that would make a good subject for a doctoral thesis.

My order status still shows "Not shipped" but who knows? It wouldn't have reached Europe by now anyway, I suspect. Damn.

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"I" think what happens is.... pure assembly line process. You have a pile of disc, boxes and books. Maybe a two sided line, one doing the dvd, one doing the Blu-ray. Grab a box, sent to next person who puts the cd's in, then the book which already had the cardboard thing around it, next sticks it in a box and a label gets automatically stuck on. So book numbers are truly random in the box they go with. Once again, what "I" think.

Jim - I spoke to Hank 3 about the money, it was polite until he told me to "piss off". I was like "What, Mofo?" Let's just say he won't be playing guitar with finger nails for a while! (the only part that wasn't bloody was the souls of the big man's feet)

Vguy - so your wife's name is Cheryls? ( I always like my "S's at the end)

Has anyone received all of the shows via download? I received an email last Friday (9/20) from Dead.net stating that the Giants Stadium 1987, 1989, 1991 digital downloads had arrived. The email only included a link to the 7/9/1989 show. Nothing for 1987 and 1991 or the 7/10/89 show, and I haven't received an email with additional links today.

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I always listen to suggestions people make on here, because the Grateful Dead is the kind of band where you can miss some real golden moments within a song. So I immediately jumped to DP 23, and the Tennessee Jed is indeed awesome. So I just wanted to say thanks for the recommendation, and as I reread your post, I noticed that you said DaP 23, as in Dave's Picks, not Dick's Picks!

Well now of course I'm immersed in the 1972 Dick's Picks 23, where Little Friskies and China Rider came on next, and that's one of the best China Cats of 72. Even the Rider has some outstanding guitar playing from Senor Garcia. And now it's Playing in the Band. I'd be an utter fool to turn this off. But I will get to the King Arthur's Court DaP 23 Jed spon.

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After getting home last night from Incubus, I found myself with enough fuel still in the tank to play disc 1 with headphones, and I have to say the sound quality is excellent and exceeded my expectations.....but I skipped "Push". There, I said it!

Of course the bathroom break songs - Way To Go Home, Samba, Wave To The Wind, Shoe Fits.

I was generally somewhat disappointed to hear the tuning notes of Victim or Corinna, but at least they usually jammed it out at the end which made the songs tolerable.

This might get me tarred and feathered, but I never liked The Weight as an encore. It’s a mid-1st set song at best.

SCBoss - I had the same problem only I received the 2nd night 1991 only. Several others have had the same problem. I had an email saying I’d get a new link but nothing has been sent yet.

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In reply to by icecrmcnkd

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On the subject of skipping songs I would like to nominate Lovelight, from mid 1969, not including 1972 , on to whenever they last played it. The Pigpen sung versions are alright when they can sort it out in about 15 minutes - any longer than that and it can be a bit of a chore.

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In reply to by simonrob

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I’ve just had an email telling me the boxset is now available and I should hurry to order it before it sells out. Since I ordered it on 1st August I won’t panic and buy it again. I checked and mine is still marked as ‘not shipped’. I don’t really expect to see it for a couple of weeks yet.
Perhaps the staff in the new warehouse are being sent on a training course in how to send items to Europe and they won’t ship until they have all passed the exam :)

Edit
I had another look at the email and clicked the embedded link. It opened a YouTube video showing the set being unboxed. It looks good and I eagerly await its arrival.

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7 years 6 months
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Ice cream, when paying with credit card did it have a padlock in the https// box? That's scary. How did they get past encryption? ----- Snafu, I have box #07938 in dvd so it's all random.

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I would call or e-mail to check and see if they in fact do have your order in their system. This (not shipped) may be a clue for you to see. Also check weather your bank acct. has been charged. Even so I would check. No harm in being safe

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9 years

In reply to by carlo13

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I placed the order with an iPad.
Yes, the padlock at the top of the screen was locked. It’s in the screenshot I took.

Also, the site was the first listing in a google search.

According to what I saw posted on Reddit, the fake site used all the text and images from another site.

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In reply to by icecrmcnkd

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Don’t worry about your Box quite yet. The email received today said:

“We've come upon release day and no doubt, some of you have already got this one in your hands and your heads.”

So, apparently 9/27 was ‘release day’, even though mine and other’s order confirmations said 9/20.

Hopefully your Boxes are in Switzerland ready to ship to you with no outrageous additional charges.

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17 years 4 months

In reply to by icecrmcnkd

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.... jealous guy over here chiming in. Reddit > everything else.
The numbers game. It's random. I have mine and you have yours - Throwing Stones.
Fifteen plus Lovelights.....Jerry went through half a pack of Camels to the end.
Billy Strings released a new record today...https://open.spotify.com/album/6Wpawdx7fSuBAKY0t793fx?si=Wd0KS6ugSpioxM…
Good cooking music....somehow I think it will make it taste better.

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Just picked up my box from work after returning from vacation. Just in time for the weekend!

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17 years 5 months
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This box is awesome.

So far ventured through 7/12/87 and 7/9/89.

The '87 show is perfect. Perfect performances, perfect execution. Jerry is giving 110%. Everything one could want from any show from any era. The best "Take a step back" ever in the first set. They set up a funk groove. Hip-hop Dead. If only they could have integrated more of that. The Second set "Take a step back" references Walk Like an Egyptian in 80s pop culture. Great stuff. Glad this year is getting duly noticed finally. 87 is to the 80s what 77 was to the 70s.

The 7/9/89 show is another winner. The NFA is worth the price of admission alone. When they dug into NFA in this era, they mean't it. Jerry's playing is so elevated here. If that solo doesn't do it for you, I don't know what would.

So sad about Robert Hunter. That's been eating at me all week. Got to see him a couple of times. RIP

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17 years 4 months

In reply to by SPACEBROTHER

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....my eyes have been opened.
Love the Bangles.
Even my wife, Cheryls, said "that was.... different."
But seriously. Who is this Billy Strings guy. Holee shit.

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Holy shit is right. Nice to see this kinda music w/o the stupid cowboy hat douce bag look. They look as cool as the music sounds. No offense to reg. Cowboy hat wearers.

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16 years 6 months
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I came upon an emotional point last night watching the vidio. While I have all the released and a dozen trade videos I very rarely watch shows. The last time was at least a year or 2 ago.
Now like everyone here Jerry meant a lot to me. I was even lucky through a friend to experience the band up close and personal ( I helped set up and take down McNally's wedding setup at the Oasis in the city,Jerry was best man-) a little bit. So anyway I listen to a lot of Dead, but 5 minutes after the start of the video it hit me. I miss Jerry. It's been a long time since I've felt it like that. I haven't gotten that from an audio show in a long time. I miss Jerry

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